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EU Tells Internet Archive That Much Of Its Site Is 'Terrorist Content' (techdirt.com)

Mike Masnick, reporting for TechDirt: We've been trying to explain for the past few months just how absolutely insane the new EU Terrorist Content Regulation will be for the internet. Among many other bad provisions, the big one is that it would require content removal within one hour as long as any "competent authority" within the EU sends a notice of content being designated as "terrorist" content. The law is set for a vote in the EU Parliament just next week. And as if they were attempting to show just how absolutely insane the law would be for the internet, multiple European agencies (we can debate if they're "competent") decided to send over 500 totally bogus takedown demands to the Internet Archive last week, claiming it was hosting terrorist propaganda content. [...] And just in case you think that maybe the requests are somehow legit, they are so obviously bogus that anyone with a browser would know they are bogus. Included in the list of takedown demands are a bunch of the Archive's "collection pages" including the entire Project Gutenberg page of public domain texts, it's collection of over 15 million freely downloadable texts, the famed Prelinger Archive of public domain films and the Archive's massive Grateful Dead collection. Oh yeah, also a page of CSPAN recordings. So much terrorist content!

5 of 199 comments (clear)

  1. Embarrass the EU by Tablizer · · Score: 5, Interesting

    Just put a message for EU ip addresses that reads something like:

    "Due to EU Committee X takedown notice 123456 claiming this site had "terrorist content", we have blocked this content for EU readers. Our internal review of the site found it did NOT qualify for a take-down, but to avoid legal hassles, we decided to block it for now. You can donate to our legal defense fund at [url here]. We apologize for the inconvenience."

    Further, publish a list on the Internet Archive site of all take-down requests, including a note marking the dubious requests. The Streisand Effect will then kick in and the EU review committee will end up embarrassed as those who can read the blocked content overseas can know about their poor decision.

  2. So let me understand this correctly by 3seas · · Score: 4, Interesting

    A few people, some very small fraction of something far less than 1% of a population of 7.5+ billion people are going to decide something that affects/constrains the populations access to a massive amount of information.

    Where/When have we seen this sort of act before in our human history? i.e. Library of Alexandria

  3. That story is strange by aepervius · · Score: 4, Interesting

    Firstly it was corrected to not say "EU" but "French national Internet Referral Unit" for which I can find no reference beside that article. There IS an EU IRU, but no french national IRU I can find of. So baring a proper reporting I am viewing that as dubious.

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  4. Re:Proposed Response Letter by Areyoukiddingme · · Score: 5, Interesting

    We have reviewed your request regarding the alleged "terrorist" content on our website, and found the request to be baseless and nonsensical. As a result, your agency has been placed on our "incompetent authority" list. All future requests from your organization will be ignored.

    That appears to be exactly the intent. Someone is trying to poison the well. Considering the 'Terrorist Content Regulation' doesn't exist yet, any demand to take something down by its authority is bogus regardless of the targeted content. This was not an accident, and the Internet Archive was selected specifically because it is known that they resist demand letters reflexively.

    It won't change anything though. Big content owners have money and money buys politicians. End of story.

  5. Re:Well, to the publishing companies anyways... by UnknownSoldier · · Score: 5, Interesting

    That's why the publishing companies invented Copyright -- to stop other publishers!

    The first copyright privilege in England bears date 1518 and was issued to Richard Pynson, King's Printer, the successor to William Caxton. The privilege gives a monopoly for the term of two years. The date is 15 years later than that of the first privilege issued in France. Early copyright privileges were called "monopolies," particularly during the reign of Queen Elizabeth, who frequently gave grants of monopolies in articles of common use, such as salt, leather, coal, soap, cards, beer, and wine. The practice was continued until the Statute of Monopolies was enacted in 1623, ending most monopolies, with certain exceptions, such as patents; after 1623, grants of Letters patent to publishers became common.

    As the "menace" of printing spread, governments established centralized control mechanisms, and in 1557 the English Crown thought to stem the flow of seditious and heretical books by chartering the Stationers' Company. The right to print was limited to the members of that guild, and thirty years later the Star Chamber was chartered to curtail the "greate enormities and abuses" of "dyvers contentyous and disorderlye persons professinge the arte or mystere of pryntinge or selling of books." The right to print was restricted to two universities and to the 21 existing printers in the city of London, which had 53 printing presses. The French crown also repressed printing, and printer Etienne Dolet was burned at the stake in 1546. As the English took control of type founding in 1637, printers fled to the Netherlands. Confrontation with authority made printers radical and rebellious, and 800 authors, printers and book dealers were incarcerated in the Bastille before it was stormed in 1789. The notion that the expression of dissent or subversive views should be tolerated, not censured or punished by law, developed alongside the rise of printing and the press. The Areopagitica, published in 1644 under the full title Areopagitica: A speech of Mr. John Milton for the liberty of unlicensed printing to the Parliament of England, was John Milton's response to the English parliament re-introducing government licensing of printers, hence publishers. In doing so Milton articulated the main strands of future discussions about freedom of expression. By defining the scope of freedom of expression and of "harmful" speech Milton argued against the principle of pre-censorship and in favour of tolerance for a wide range of views.