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Review: Man On The Moon
From Larry Flint to Andy Kaufman, director Milos Forman has become a chronicler of one of America's most distinct cultural species - the sometimes brilliant, offensive, self-destructive celebrity eccentric. What makes people like Flynt and Kaufman so American is that few societies would tolerate them at all, let alone elevate them to star status.
"Man In The Moon" may turn out to be the best movie of the holiday season. Jim Carrey's portrayal of the tormented Kaufman is the best performance by an actor in months.
Carrey's performance also highlights the one glaring flaw in any Kaufman story. The movie is bigger than its subject. Carrey looms much larger than Kaufman did. Kaufman, who performed on Saturday Night Live, then more successfully as the goofball "Latke" on the ABC sitcom "Taxi," was one of the most self-destructive figures in modern entertainment. And his fame was fleeting.
Although he could be brilliantly funny, he became obsessed with pushing the boundaries of what the public would accept, between parody and reality. He taunted women, working-class whites, and Southerners in particular, constantly challenging his audience to figure out what was a joke and what wasn't. Eventually, they stopped caring.
The producers of Saturday Night Live asked the audience to call in and vote on whether or not the increasingly controversial Kaufman should remain on the show. They overwhelmingly voted to kick him out, a stinging rebuke for viewers on a program that at the time reveled in pushing boundaries.
Carrey is wonderful at playing Kaufman, even as he perhaps inadvertently shows how much more grounded and talented he is as an actor and comedian. Danny DeVito is also first-rate as Kaufman's long suffering manager/agent George Shapiro.
Questions of free speech and public offense have always swirled around media and entertainment. This is the birthplace not only of the First Amendment but of the most elaborate ratings and blocking systems in the free world. Americans can never quite seem to figure out whether they really want freedom, or just love invoking the idea of it. Provocateurs like Hustler Magazine's Flynt and entertainers like the late Lenny Bruce and Kaufman are constantly forcing the issue.
Kaufman was a mess, even by contemporary celebrity standards. He bitterly resented his label as a comedian, viewing himself as a more sophisticated performance artist. Although he was wildly popular on "Taxi" as the odd-sounding "Latke," he despised commercial television and especially that particular role, even though it was making him rich and famous. Sometimes, he even walked offstage during live performances if audiences pressured him to play his TV character. This struggle of a performer to practice his art on his own terms is beautifully rendered by Carrey.
Kaufman flirted with various meditative and holistic groups and practices, none of which did him any good when he was diagnosed as having a fatal form of lung cancer.
What makes Carrey's acting so impressive is that Kaufman was not especially likeable, and so erratic and unpredictable as to be nearly incomprehensible. His crusade to make audiences think was in some ways admirable, but also arrogant, especially after it became increasingly clear that what his audiences wanted was just to laugh. One of the most effective things about this movie is that it makes you root for the audience as well as the performer. Comedy after all, is about escaping reality, not creating additional work.
Even though Carrey towers over Kaufman, in the movie and in life, "Man In The Moon" is a powerful, haunting look into America's celebrity culture.
If you want to jump in, please feel free:
I liked the movie. It was well done, and Carrey did a good job. The soundtrack was also excellant (REM always is. :^})
I found that Katz' review meandered towards his usual tact -- about half way through the ''movie review'' he goes off on this tirade about Americans and their view of freedom. (Or at least his idea of what they think of it. )
He attempts to get back on track with the review, but he never seems to. Instead he veers off into the related area of Kaufman's (and Carrey's as well) acting career.
When looking for a movie review, I want to see soemthing that reviews the movie, not the background of the actors. But that's my opinion, YMMV. :-)
Overall, I score this review a 7. Not horrible, but not great either.
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http://gabrielcain.com/
(I originally posted this review yesterday to a small discussion mailing list i share with a few friends)
Man on the Moon
starring Jim Carrey, Danny Devito, Courtney Love, et al
directed by Milos Forman
produced by Danny Devito
"Man on the Moon" is the story of the rise, fall, and death of legendary
comic Andy Kaufman. Some of you may know Kaufman from his role as the
zany eastern European mechanic on the sitcom "Taxi". Others may know
him for his occasional work on Saturday Night Live, and the story of how
the audience voted to not have him on the show anymore. Or maybe you've
never heard of him at all. Those who have watched his work generally
either love him or hate him. He didn't like neutral reactions, and
didn't get them.
Author bias here: i think Andy Kaufman was one of the greatest geniuses
in comic history. And yes, he fell on his face a lot, and went over the
top A LOT. But when he was on, he was golden. Lots of comedians make
you laugh. Some make you think. Andy Kaufman made you squirm. Of
course, most people don't want to squirm, don't want to find humor in
their own embarassment and shame, so a lot of people hated him.
That being said, i loved this movie. It may not be one of the greatest
films ever made, but it really works well, and tells a fascinating
story. I think it's worth seeing even if you didn't like Andy Kaufman.
What i liked most about it, i think, wasn't so much the story, but
rather getting to see all the great Andy Kaufman standup shows and
routines that were never captured on film. His work on Taxi and
Saturday Night Live barely scratched the surface. In the film, you get
the full story of his pro wrestling career, his famous Carnegie Hall
show when he took the entire audience out for milk and cookies, the
story of Tony Clifton, etc. This is hardcore genius work. And, like
much genius work, it is often difficult to understand (at one point, his
manager (Danny Devito) chides him and his writer Bob Zmuda (Paul
Giamatti) for dragging out the Tony Clifton joke to where it was only
funny to two people in the entire world... but of course, those two
thought it was hilarious).
The acting is generally superb. For me, Jim Carrey never completely
became Kaufman, but that's probably because i had seen the real Kaufman
so much. But i have to credit Carrey with getting his timing and
mannerisms down as well as any actor is capable of doing them... and for
Kaufman, comedy was as much a matter of timing as anything. The
Maharishi Mahesh Yogi once told him the secret of being funny was
"Silence", and he used silence more effectively than any comedian since
Buster Keaton (personally, i say the essence of comedy is timing, but i
suspect the Maharishi and i mean the same thing). So, despite the fact
that i couldn't overcome the cognitive dissonance of Carrey playing
Kaufman, it worked as well as such things ever do for me.
Danny Devito plays Kaufman's manager George Shapiro (the film was his
baby... he worked with Kaufman on Taxi, and then produced it as an ode
to his friend). As George Shapiro, Devito provides the primary lens
through which the audience sees Andy Kaufman. Fans of Milos Forman's
previous work (Amadeus, One Flew Over the Cuckoo's Nest) will recognize
the technique of humanizing a genius character for the audience by
watching him through more ordinary eyes. As usual, Devito completely
absorbs his role, becoming the most believable character in the film.
Paul Giamatti as Kaufman's writer/partner Bob Zmuda, and Courtney Love
as Kaufman's girlfriend, both deliver superbly given their somewhat
limited roles. Courtney Love in particular doesn't get enough meat in
her part to be much more than a mirror, but what she does she does very
well. For someone like her who specializes in being over the top, she
is very subdued and sensitive in the role.
Perhaps the best thing i can say about this film is that i intend to buy
a copy when it is available on video - for my children. Not for
today... although there isn't anything in it that i don't think they
should see (brief nudity? so?), it's very much adult humor, in that it
is humor about how adults see the world. Andy Kaufman's humor, while
childlike and evoking childhood memories, is not something children can
even understand as humor. What's funny to adults is just normal for
them. But, when they're old enough to understand, i want them to see
this film. It's a matter of cultural education, getting a chance to see
one of the greatest comedians ever in action. It's the same reason i'd
get them a Buster Keaton movie, really.
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120
chars is barely sufficient
Hand me that airplane glue and I'll tell you another story.
Let me start out by saying that I respect Jon Katz. I disagree with him a lot, but he is out there saying what is on his mind and standing up for that in which he believes. That said, I find it hard to believe that the man who claims to be in harmony with the outcast geek can manage to so totally misunderstand Andy Kaufman.
With all due respect to Jim Carrey, he hasn't a fraction of Kaufman's talent. Katz makes the capital mistake of equating popularity with talent. This is rank hypocrisy from the man who defends the unpopular geek. Apparently that's easy when you're posting on a web site dedicated to the interests of nerds and geeks. It makes him popular here.
Milos Forman has, it seems to me, been exploring what it means to be a rebel. From Amadeus through The People vs. Larry Flynt he seems to be looking for the stories of people who are standing proudly and self-conciously outside the current of their times.
Andy Kaufman is held in awe by comics. This awe is not given him because of his success, but because of his daring. Not because he was always successful, but because he didn't merely make new material, he kept exploding the boundaries of what comedy is.
In a world where you can't tell one comic's airline jokes from another comic's rush hour traffic jokes from yet another comic's relationship jokes, Kaufman kept walking on to the stage and doing material that most comics wouldn't dare to imagine, let alone perform.
Practicing comics know that there is the safe way, which will keep you comfortably nestled in the audience's love, getting easy laughs from the amusing foibles of suburban middle-class life, and then there is the dangerous way where you cut through the assumptions, you pierce our neat ideas of order, you diassemble the human condition and make see ourselves anew. This is what great art in all its manifestations does for us. Sometimes it makes us uncomfortable and afraid.
Most comics are hungry for the laugh, for the audience to like them and to think they are clever. I've dome some stand-up in my time and I must admit that I fall firmly in this category. What Andy Kaufman did may not have always succeeded, but it was done for some other reason. Some deeper reason than winning mere praise. He was driven to find some deeper knowledge of that place in us where laughter comes from.
Now, I would not claim to know Jim Carrey's inner heart, but from watching his work over the years, I would say that he, like many comics of greater or lesser talent, works for the laugh, works for the love. He also, like many others, knows that that is a rather shallow use of the attention given the stage. I think he leapt at the chance to play Kaufman because it was an opportunity to move beyond the self-gratification and to do it from the safety of playing someone else.
I have done both stand-up and stage acting (only semi-professionally, mind, I'm not "somebody.") and they are quite different. Being trapped in a written character actually liberates your behavior. Your free display of emotion is okay because it isn't you. It's the character; it's the writer.
When you do stand-up, it is you, naked and alone before that hungry thing we call an audience. That's why most of us fall into the safe stuff. Andy Kaufman did something much riskier and much more dangerous. He didn't make laughs, he made art.
Love the outsider.
At the time of Kaufman's heyday, sure, everyone had an agent, but there wasn't as much competition for the buck as we have today, 15-20 years later. We want to be entertained, and we want to laugh, and we want to see someone push the limits, as long as it's entertaining. Today we have cable TV, high-spaz network TV, the Internet, and Jon Katz.
Maybe this was true in Kaufman's day, too, but Carrey has successfully made Kaufman an entertainer, and in those moments where Kaufman is portrayed as the entertainer that went too far, Carey becomes a performance genius. This was true for Kaufman, too: this was why his "Taxi" character and lunge lizard characters were so popular: had these characters been the Real Andy, he would have been remembered as an idiot - and no man behind that idiot.
There is no better "proof" of this than the SNL phone-in, where viewers decided that they didn't like Andy's art form, and opted not to see it anymore on late-night television. I suppose I can credit Andy for staying true to his form and not sell out to what the masses wanted him to become; but truth of the matter is, we didn't like Andy - and yet, he's regarded today as a legend.
Someone please answer me this question: is it true that Andy didn't recover from his lung disease because everyone close to him thought he was just performing again (and by the time they realized he was serious, it was too late)?
"He who questions training trains himself at asking questions." - The Sphinx, Mystery Men (1999)
One thing about this movie that impressed me and made me want to see it was the way it was made. Jim Carrey was devoted to making this movie as real as possible. While on the set of the movie Carrey was always in character. He was never himself. He was always trying to stay in the mood that made Andy act the way he did.
Also, when the movie was being made it was rumored that Jim Carrey had suffered an actual neck injury at the hand of Jerry Lawler, the wrestler who supposedly broke Kaufman's neck in real life. This rumor was the kind of thing that Kaufman lived for. He wanted people to wonder when he was telling the truth and when he was playing a role.
In conlusion, I think that even if you weren't a fan of Kaufman, but were aware of the kind of person he was, you would enjoy this movie. Jim Carrey did an excellent job in the role and I think that his performance alone merits seeing this movie.
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