and I'd bet your boss will ask "are there any alternatives" to which you can grow horns and reply "why yes, sir" and show him/her your linux desktop or introduce them to one, using x-windows and staroffice
And then your bosses financial department screams at you the next time he can't read their convoluted, thoroughly programmed-to-death excel files. Most People who find staroffice a useful alternative aren't using ms-office so much as halfway to the limits of its functionality. I found this out the hard way: accountants are not Most People. Neither are auditors, and in some cases, even the people in the human resources department. They know crafty Excel techniques which simply don't translate into Freebie Office documents of any flavor, for good or bad.
Desktop evangelism can be dangerous, as it tricks the typical geek into thinking that because Staroffice is good enough a replacement to him for word and Excel (particularly the latter), that it's good enough for everybody. In a perfect world, maybe, but not in a real office with a lot of legacy programming, legacy programmers, legacy users, and genuinely talented Excel weenies. Much less Access weenies.
Same debate? Gimp versus Photoshop. I've had people 'explain' to me why the gimp is a perfectly suitable replacement to Photoshop. For making web graphics, sure. For doing advanced production work for high level print processing? Not only is Gimp not even in the same league, it's not even playing the same game.
Half of the corporate honchos I've had to deal with in regards to desktop issues get irritated that their office PC doesn't have the same annoying shovelware, quirky desktop setup, and bells & whistle proprietary add-ins as their ridiculous and expensive name brand PCs. Visions of apoplexy dance in my head at the idea of explaining to them why the "My Computer" icon is called something else, why it behaves differently when opened, and why the hell I can't load their three-versions-old copy of AOL onto a sweet chromed linuxy desktop, or if I can (via an emulator) why it runs slower, and why there's extra "stuff to click".
These are the same people I had to have meetings with about why the naked dancing chick.exe attachment their cousin sent them doesn't seem to work at the office (all attachments stored at server, released by me as appropriate - e.g. no exes,.doc files (because.rtf files don't harbor viruses), unapproved.zip files, and all the usual suspects (script files, vb files, etc.)
I'll pass on evangelizing a more complicated (or even just 'different') user experience to these people, thank you very much.
I presume if you run this through multiple translations at babelfish, you can get the hidden meaning:
Microsoft needs more of you to upgrade to NT to pay its executive salary bonuses, and memory manufacturers are fervently hoping for the same upgrade to NT with the memory upgrades that go hand-in-hand with the move.
If Microsoft wanted progress, it wouldn't redline Windows 95 next, it would redline Windows ME, which was at best the worst of both (win9x) worlds (nt) with the advantages of neither.
...the marketplace should never be open to formats which are almost direct replacements for previous formats.
In 1973, when the Compact Disc was introduced, the "infrastructure of capabilities, services, and support" for analog audio cassettes - prerecorded and otherwise - was vastly superior to that of the audio cassette. The CD prevailed despite the fact that there was no ability to record - analog cassette recorders are now most often encountered as unused legacy devices on multi-function audio hardware.
This "whole product" theory is an unenlightening justification for the emerging popularity of specific standards - it's the best product because it's the one most people buy? While there's truth to this, this fact is often less interesting than examining WHY this is the case.
If the technical standards of Betamax were superior to VHS - and they were - it's more useful to examine why these did not produce the dominant product than it is just to hand-wave the issue by saying that the best product is that which everyone else ended up buying. Any discussion of VHS versus BetaMax that doesn't discuss the fact that Sony wouldn't license its format to adult video studios misses another important aspect of why formats emerge and gain dominance over existing formats - the 'killer ap'.
The fact that he dismisses DAT audio with his "whole product" argument does not strengthen it in the least. The DAT cassette was a product the market was eager and ready for, and the more passive segment of the consumer base would have eventually caught up with the geeks, audiophiles, and techs. The RIAA crippled the format before it reached the consumer by disabling digital-to-digital copying, which given the dominance of the audio cassette DESPITE noted technical deficiencies (fragility, sound quality on normal-bias cassettes, less convenience for liner notes than vinyl), would have been an easy sell to a consumer base used to direct copying. Score one for the RIAA.
Enter MP3s. I've argued that the MP3 format is the just revenge of the marketplace against the deliberate crippling of DAT audio by the RIAA. The MP3 format became popular for technical reasons and became ubiquitous because the "whole product" was exactly what the marketplace had wanted and needed ever since the pre-recorded music industry moved to a read-only CD format - a high fidelity means of audio dubbing free from the limitations and physical fragility of analog cassettes. Had the RIAA had computer audio formats on its radar before it became a consumer reality, have no doubt that it, too, would have been a great idea that never made it to the broader marketplace.
The argument isn't, and never has been that BetaMax was the "better" format or that it was more suitable for the marketplace - the argument is that, based on wholly technical anaysis, it delivered a better performance than VHS. The VHS standard won out because RCA didn't keep their product a proprietary standard subject to its licensing regieme, because of porn as the 'killer ap' among early VHS adopters, because it was a cheaper product to adopt for end-users as well as studios (related to the license issue), and because as more manufacturers developed for what was effectively an open standard, they developed features to get their products noticed which in many cases became standards - multiple recording speeds, for instance. There's no reason why, if the BetaMax standard were open, a savvy competetor in the market could have developed multiple recording speeds. Sony felt it had a say in this matter, RCA didn't.
While the "whole product" isn't a completely invalid method of analyzing competing formats, it is as narrow a look at a larger issue as solely focusing on the technical specs, and is particularly poorly-suited toward determining why a particular format bucks the trend of the status quo and gains market dominance.
If "whole product" were the whole story, we'd probably have never gotten to VHS or BetaMax, and Laser Disc and DVD would have been relegated to a curious historical diversion like the Ford Edsel, 3D cinema, or - more to the point - the DIVX DVD format......and the BBS versus MiniTEL.
Slashdot Mirror
...Icarus.
And then your bosses financial department screams at you the next time he can't read their convoluted, thoroughly programmed-to-death excel files. Most People who find staroffice a useful alternative aren't using ms-office so much as halfway to the limits of its functionality. I found this out the hard way: accountants are not Most People. Neither are auditors, and in some cases, even the people in the human resources department. They know crafty Excel techniques which simply don't translate into Freebie Office documents of any flavor, for good or bad.
Desktop evangelism can be dangerous, as it tricks the typical geek into thinking that because Staroffice is good enough a replacement to him for word and Excel (particularly the latter), that it's good enough for everybody. In a perfect world, maybe, but not in a real office with a lot of legacy programming, legacy programmers, legacy users, and genuinely talented Excel weenies. Much less Access weenies.
Same debate? Gimp versus Photoshop. I've had people 'explain' to me why the gimp is a perfectly suitable replacement to Photoshop. For making web graphics, sure. For doing advanced production work for high level print processing? Not only is Gimp not even in the same league, it's not even playing the same game.
Half of the corporate honchos I've had to deal with in regards to desktop issues get irritated that their office PC doesn't have the same annoying shovelware, quirky desktop setup, and bells & whistle proprietary add-ins as their ridiculous and expensive name brand PCs. Visions of apoplexy dance in my head at the idea of explaining to them why the "My Computer" icon is called something else, why it behaves differently when opened, and why the hell I can't load their three-versions-old copy of AOL onto a sweet chromed linuxy desktop, or if I can (via an emulator) why it runs slower, and why there's extra "stuff to click".
These are the same people I had to have meetings with about why the naked dancing chick.exe attachment their cousin sent them doesn't seem to work at the office (all attachments stored at server, released by me as appropriate - e.g. no exes,
I'll pass on evangelizing a more complicated (or even just 'different') user experience to these people, thank you very much.
I presume if you run this through multiple translations at babelfish, you can get the hidden meaning:
Microsoft needs more of you to upgrade to NT to pay its executive salary bonuses, and memory manufacturers are fervently hoping for the same upgrade to NT with the memory upgrades that go hand-in-hand with the move.
If Microsoft wanted progress, it wouldn't redline Windows 95 next, it would redline Windows ME, which was at best the worst of both (win9x) worlds (nt) with the advantages of neither.
For what it's worth, this is the state of DAT audio.
Consumer DAT was stillborn, and instead became the de facto standard in the recording industry.
...the marketplace should never be open to formats which are almost direct replacements for previous formats.
...and the BBS versus MiniTEL.
In 1973, when the Compact Disc was introduced, the "infrastructure of capabilities, services, and support" for analog audio cassettes - prerecorded and otherwise - was vastly superior to that of the audio cassette. The CD prevailed despite the fact that there was no ability to record - analog cassette recorders are now most often encountered as unused legacy devices on multi-function audio hardware.
This "whole product" theory is an unenlightening justification for the emerging popularity of specific standards - it's the best product because it's the one most people buy? While there's truth to this, this fact is often less interesting than examining WHY this is the case.
If the technical standards of Betamax were superior to VHS - and they were - it's more useful to examine why these did not produce the dominant product than it is just to hand-wave the issue by saying that the best product is that which everyone else ended up buying. Any discussion of VHS versus BetaMax that doesn't discuss the fact that Sony wouldn't license its format to adult video studios misses another important aspect of why formats emerge and gain dominance over existing formats - the 'killer ap'.
The fact that he dismisses DAT audio with his "whole product" argument does not strengthen it in the least. The DAT cassette was a product the market was eager and ready for, and the more passive segment of the consumer base would have eventually caught up with the geeks, audiophiles, and techs. The RIAA crippled the format before it reached the consumer by disabling digital-to-digital copying, which given the dominance of the audio cassette DESPITE noted technical deficiencies (fragility, sound quality on normal-bias cassettes, less convenience for liner notes than vinyl), would have been an easy sell to a consumer base used to direct copying. Score one for the RIAA.
Enter MP3s. I've argued that the MP3 format is the just revenge of the marketplace against the deliberate crippling of DAT audio by the RIAA. The MP3 format became popular for technical reasons and became ubiquitous because the "whole product" was exactly what the marketplace had wanted and needed ever since the pre-recorded music industry moved to a read-only CD format - a high fidelity means of audio dubbing free from the limitations and physical fragility of analog cassettes. Had the RIAA had computer audio formats on its radar before it became a consumer reality, have no doubt that it, too, would have been a great idea that never made it to the broader marketplace.
The argument isn't, and never has been that BetaMax was the "better" format or that it was more suitable for the marketplace - the argument is that, based on wholly technical anaysis, it delivered a better performance than VHS. The VHS standard won out because RCA didn't keep their product a proprietary standard subject to its licensing regieme, because of porn as the 'killer ap' among early VHS adopters, because it was a cheaper product to adopt for end-users as well as studios (related to the license issue), and because as more manufacturers developed for what was effectively an open standard, they developed features to get their products noticed which in many cases became standards - multiple recording speeds, for instance. There's no reason why, if the BetaMax standard were open, a savvy competetor in the market could have developed multiple recording speeds. Sony felt it had a say in this matter, RCA didn't.
While the "whole product" isn't a completely invalid method of analyzing competing formats, it is as narrow a look at a larger issue as solely focusing on the technical specs, and is particularly poorly-suited toward determining why a particular format bucks the trend of the status quo and gains market dominance.
If "whole product" were the whole story, we'd probably have never gotten to VHS or BetaMax, and Laser Disc and DVD would have been relegated to a curious historical diversion like the Ford Edsel, 3D cinema, or - more to the point - the DIVX DVD format...