How about using 48bps compression on the same cd source and see how each sounds.
The one that sounds better should sound better at 256 or higher. Wouldn't the audio artifacts that appear at the high compression still be there at lower compression, only less noticable?
If this sounds plausable, then comparing the two is simple? no?
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How about using 48bps compression on the same cd source and see how each sounds.
The one that sounds better should sound better at 256 or higher. Wouldn't the audio artifacts that appear at the high compression still be there at lower compression, only less noticable?
If this sounds plausable, then comparing the two is simple? no?
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