I was a long suffering customer of this particular ISP (Rogers) and found that their shaping technology had such an impact on my relatively benign use of the net, that I switched to a small local DSL ISP - at 25% of the bandwidth - and I can't get over how much more stable my 'net experience is. I didn't think I had the choice - but you know, there are always options...
What you have to understand about many of these artists, is that they are distributed by multinationals outside of Canada, and don't have any control over what happens. Sarahs album Afterglow was distributed in Canada by her proper label Nettwork Records in Canada. You might remember them: http://yro.slashdot.org/article.pl?sid=06/01/27/05 40233
This is all part of the same movement.
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I was a long suffering customer of this particular ISP (Rogers) and found that their shaping technology had such an impact on my relatively benign use of the net, that I switched to a small local DSL ISP - at 25% of the bandwidth - and I can't get over how much more stable my 'net experience is. I didn't think I had the choice - but you know, there are always options...
What you have to understand about many of these artists, is that they are distributed by multinationals outside of Canada, and don't have any control over what happens. Sarahs album Afterglow was distributed in Canada by her proper label Nettwork Records in Canada. You might remember them: http://yro.slashdot.org/article.pl?sid=06/01/27/05 40233
This is all part of the same movement.