I'm a customer of theirs - . I still have my little Sun Cobalt Raq 4i since 2001, when I got it from Rackshack (who became EV1, who became The Planet). I share space with lots of my artist friends. No big loss.:)
I use the NYTimes.com login for Ken, one of my best friends ever. Not only were his details accurate (Ken was a marketing guy), but his username and password were the same for like... everything.
Ken also passed away over six years ago. His login still works. Someday I'd like to see what happens when they finally put marketing data together for him.
As a semi-professional photographer, I'm still working up to getting things published repeatedly. But in those few cases where I have been published (Billboard, Boston Globe, among others), I'm getting tired of 1. my photos not being credited and 2. having my credit actually photoshopped out of the picture! The worst part is that when I do get credited properly, the photo is printed like ass.
It's my opinion that the publications are definitely doing all they can to screw the working photographers, from little guys like me to the titans like Nachtwey and McCurry.
Again, I rarely have anything to contribute (hey, I'm an artist) to/., but I've seen these things before. This particular one is at the intersection of 5th Avenue and 40th Street in Manhattan.
Slashdot Mirror
I'm a customer of theirs - . I still have my little Sun Cobalt Raq 4i since 2001, when I got it from Rackshack (who became EV1, who became The Planet). I share space with lots of my artist friends. No big loss. :)
I use the NYTimes.com login for Ken, one of my best friends ever. Not only were his details accurate (Ken was a marketing guy), but his username and password were the same for like... everything.
Ken also passed away over six years ago. His login still works. Someday I'd like to see what happens when they finally put marketing data together for him.
As a semi-professional photographer, I'm still working up to getting things published repeatedly. But in those few cases where I have been published (Billboard, Boston Globe, among others), I'm getting tired of 1. my photos not being credited and 2. having my credit actually photoshopped out of the picture! The worst part is that when I do get credited properly, the photo is printed like ass.
It's my opinion that the publications are definitely doing all they can to screw the working photographers, from little guys like me to the titans like Nachtwey and McCurry.
I might be missing the point, but isn't putting your important data on the same appliance as the firewall missing the point?
Again, I rarely have anything to contribute (hey, I'm an artist) to /., but I've seen these things before. This particular one is at the intersection of 5th Avenue and 40th Street in Manhattan.
Toynbee Tile here
I don't normally have anything to contribute to Slashdot, but I have some detailed photos on my website of a 747-400, including the cockpit. Enjoy.