I don't see how ANYONE can patent a gene, they are basically making it illegal to get some of MY OWN BLOOD and study it. This is completely ludicrus. The patent system has gone too far.
I live in Canada (Ontario to be exact), and the main reason our health care system is struggling so much (IMO) is because people are IDIOTS. People do stupid stuff to get hurt, then wind up in the emergency room, have an operation that costs the taxpayers $200000 then they do it again. Whoever thought that it would be a good idea to waterski on a skateboard behind a car, or (after any major snowstorm) the 4 or so people who take thier hand of in a snowblower. If people weren't idiots things like this breast cancer patent wouldn't be such a big deal.
GREAT! I didn't buy the regular version because I stuck out for this version, Now it is finally here!
Wow, the link is sloooow. Here i copied out all the text.
Lord Of The Rings:
The Fellowship of the Ring
Extended Edition
Studio: New Line
Year: 2001
Rated: PG-13
Film Length: 208 minutes
Aspect Ratio: 16X9 Enhanced Widescreen (2.35:1)
Subtitles: English
One ring to rule them all,
One ring to find them,
One ring to bring them all
and in the darkness bind them
Published in 1954-1955, J.R.R. Tolkien's
masterpiece Lord Of The Rings trilogy still
remains one of the most definitive works of
imaginary fiction ever written. The extraordinary
efforts to get this trilogy to the screen is a
testament of how popular these stories are today.
Featuring 350 constructed sets, 100 or more locations,
and 20,602 extras, this is the largest film project
ever undertaken by a studio. New Line took a huge
gamble and risked everything by filming all three
movies back-to-back without knowing the fate of the
original release. That gamble obviously paid off as
Fellowship of the Ring grossed a phenomenal
$157 million in just 12 days and held the No. 1 spot
for weeks since its opening.
Perhaps the most significant testament to the
film's success lies in how magnificently the book
was adapted to the screen. I was a pre-teen when
I first read the entire trilogy. The book sparked
my imagination like no other book has since. Never
would I have believed that anyone could capture
my imaginations and put them on the screen. Production
designer Grant Major and art director Dan Hennah
have created a visual masterpiece -- from the wonderfully
pleasing Shire to the soaring elven town of Rivendell
to Moria, the dwarven caves deep inside a mountain.
The incredibly varied terrain of New Zealand was
used to great advantage in the movie, and it was
very difficult to tell what was natural scenery and
what was constructed set or even computer generated
effects.
Set in the mythical land of Middle Earth, in an
era of goblins and wizards, the evil Lord Sauron
and his dark forces once again threaten to rule all.
The fate of the world relies on who possesses the
one ring, which holds unspeakable power. Lord Sauron
created the ring out of the fiery depths of Doom
Mountain years and years ago, but it was during a
battle where Sauron was killed that the ring
changed hands. The ring is lost once again only
to be found by Gollum, a lowly creature that gets
poisoned by its power. The ring is eventually stolen
by a hobbit named Bilbo Baggins. And so, this is where
the trilogy begins.....
As the film opens, Gandalf the Wizard (Ian McKellen)
is visiting his old Hobbit friend, Bilbo Baggins (Ian
Holm). When Bilbo makes a daring announcement to a
group of party guests, Gandalf realizes that Bilbo is
in possession of a very important ring. Gandalf
convinces Bilbo to give up the ring, and give it to
the very young Frodo (Elijah Wood). When the secret
of the ring is finally revealed to the old Wizard,
Frodo is warned to leave the Shire at once. However,
evil agents are already on their trail. Pursued by
dark riders, the Hobbits are forced to team up with
a mysterious stranger named Strider (Viggo Mortensen).
The reluctant adventurers make their way to Rivendell,
a temporary safe haven, where a grand council decides
the ring must be destroyed by returning it to the
fire from which it was made. With reluctance, nine
chosen companions embark on a most perilous quest.
The Director's Cut
It is not until you watch this Director's cut that
you realize how much bigger-than-life this epic has
become. The film becomes a totally fresh and new
viewing experience mainly thanks to the film's
cleverly reconstructed 15-minute opening, which is
included in the addition of 30 minutes of footage
that greatly flesh out the characters and bring more
depth to the story. As many times as I have seen
this film in its standard version, this new cut was
an awe-inspiring experience for me. I'll never
watch the standard version again.
The Lord Of The Rings: FOTR arrives in
a brand new 4-disc edition housed inside an
attractive book-like casing. The movie is spread
across discs One and Two. This means that nearly
1:45 minutes into the film, you will need to
switch to disc two in order to continue. The
upside is that this enables the inclusion of
four new audio commentaries as well as several
audio formats including English Dolby Digital
EX 5.1 Surround and English DTS ES 6.1
Surround. The downside is that when you
switch discs, you must go into the SETUP area and
once again set your audio preferences. The
bottom line is that you will not be able to watch
an uninterrupted presentation of the film. Discs
Three and Four contain The
Appendices, Part I and II.
The added footage
What I am going to do now is break down the list
of added footage for you, as well as including a
handful of screenshots. Please note that most of
this is from memory, and there is always the
possibility I may be describing a scene that was
already in the standard version. I think my memory
is pretty good and that I will come very close to
being pretty accurate. Also please realize that since
a small amount of added footage comes through quick
cuts, I may have missed a few minor additions.
Disc One
- In a newly reconstructed introduction to the film
(and before the opening credits), we listen to
added narration from Bilbo as he sits at his table
working on his memoirs. We learn more about the
Hobbits...their passions for food, planting and
celebration. More importantly, we are introduced
to the ring at a much earlier interval.
- During a fireworks display, Bilbo welcomes guests
and hides from others as he has extended dialogue
with Frodo.
- In the library. Gandalf reads more of the history
of the ring, complete with added flashback.
- A party has Merry and Pippin dancing on a table
as others talk about the war brewing beyond their
borders.
- A beautiful sequence where in the woods just
outside of the Shire, Sam and Frodo peer upon a
group of wood-elves on their way to the harbor
beyond the grey towers. Sam also complains about
not being able to sleep amongst the roots.
- An extended sequence inside the Prancing Pony
regarding Strider.
- Additional dialogue with Strider. The Hobbits
talk amongst themselves as to whether they should
trust Strider and if he really is a friend of
Gandalf.
- A walk through a marsh filled with mosquitos
(great rear channel effects here). Later, Strider
sings beneath the light of the moon about a love
he lost.
- Saruman consulting the "eye of Sauron" which
tells him to "build an army worthy of Mordor."
- Frodo awakens after being stabbed by the blade
of a Wraith. He is in a thicket surrounded by
Troll statues.
- As the Wraiths chase Arwen Undómiel, they stop
at a river crossing. One of the wraiths calls
out to her, demanding she give up the halfling.
(not certain if the wraith call was in the
original version)
- A really cool sequence that takes place during
the roundtable meet in Rivendell. As Frodo
places the ring on the table, Borimor goes for it,
claiming it is a gift to be used against Mordor.
A spell is raised that literally shakes the
mountains.
Disc Two
- A brand new sequence opens the second disc as
Aragorn (formally known as Strider) visits
the grave of his Mother as Elrond Peredhil reminds
him of his destiny.
- Elrond bids farewell to the departing nine
companions as the fellowship awaits the ring
bearer.
- A short sequence upon a wintry mountain where
Saruman responds to Gandalf, reminding him of
the dangers of going into the Moria mines.
- A short dialogue sequence where Gandalf asks
Frodo to help an old man. Gandalf asks the
Hobbit how his shoulder is as both discover how
powerful the influence of the ring is becoming. The
wizard advises Frodo to only trust himself. We also
learn that Gandalf is sensing impending danger
inside the Moria mines that will ultimately test him.
- Another sequence has Gandalf becoming irate
over not being able to find the words to open
the doors of Durin that lead the way to the heart
of Moria.
- Inside the mines of Mordor, against a steep
cliff, Gandalf points his way down the chasms as
he shows his companions the true wealth of Moria.
- A newly found passage into the great hall of
the mines of Mordor. Gandalf speaks of the
oncoming Balrog. The jump across the bridge is
also greatly extended with a new set of stairs to
cross and a much earlier arrival of a full-formed Balrog.
- As Frodo walks through the woods he hears
additional calls of Galadriel, Lady of the
Galadrhim. Gimli makes a very uncourteous remark
about the lady after being captured by elves. Later,
Aragorn tells Frodo that Gandalf's death was not
in vain.
- The group is handed cloaks and food by the elves
as well as parting advice. Galadriel gives gifts
to each of the members. Gimli has a very
unlikely request. Wait till you hear what he
receives.
- As the group makes a short stop on shore,
there is another sighting of Gollum in the
water. Sam pleads to Frodo that he is truly his
friend and wants to help. Boromir and Aragorn
argue.
- An extended battle sequence between Aragorn and
the head Orc.
- As Frodo embarks on his final journey of this installment,
he remembers the words of Gandalf, who briefly appears
in flashback.
Again, I must stress that all of this is from
memory. Please be kind if I made any mistakes here.
Fortunately, the added material can easily be
identified by going into Select a Scene
where asterisks indicate **new scene as well
as **extended scene. Please note that I
did not refer to this area prior to writing the
above scenes.
How is the transfer?
To say that this is an absolutely flawless
transfer and leave it at that would be sort
of shortchanging this review -- but it would
be the absolute truth. What we have here is
an absolutely pristine image that is very close
to Hi-Def. The transfer looks absolutely smooth
and with extremely accurate colors -- especially
in the facial flesh tones. Blacks are rock solid
and the picture never becomes too sharp nor soft,
giving this film a very natural beauty.
This DVD features both English Dolby Digital
EX 5.1 Surround and English DTS ES 6.1
Surround. Even though My system is limited
to a 5.1 setup, it wasn't difficult to get totally
immersed in the audio presentation. As I usually
expect from most DTS tracks, the sound has a very
spacial quality to it -- not sounding the least
compressed. This is one hell of an aggressive mix
with sound that is extremely accurate and detailed.
The rear channels are nearly always active throughout,
and there's tremendous LFE channel support that adds
booming floor-shaking response. This is one of the
strongest sounding LFE tracks in memory -- so strong
in fact that I was very concerned about blowing out
my subwoofer.
It really becomes difficult to define a transfer
that is as beautiful as this one. Thus far, Attack
Of The Clones has become the best DVD I have
seen, thanks to its direct digital transfer. I
was amazed to see that this film transfer looked
almost as good. This tells you much about the effort
New Line has put into making this DVD look flawless.
Special Features
As I sit here with four discs containing over 6 hours
of material, I sort of hesitate to move on. What
lies before me is over a full day's worth of review
material devoted to one DVD package. I will do as
thorough of a job as I can with this, but will
mostly highlight what you can expect out of these
supplements.
Disc One and Two
As you pop in the DVD, you are welcomed at a
Hobbit table where a book, The Fellowship of
The Ring opens to reveal a page of menu
selections.
Disc One contains the first part of the
Director's cut which runs close to 1hr. 45 minutes.
The side break is at the 1:45 mark where Pippin
inquires "when are we goin'?!". A black screen
comes up prompting you to continue to Disc Two.
From the Special Features menu you can
select any one of four commentaries. These
commentaries feature: Track One: The
Directors and Writers: Peter Jackson, Fran
Walsh and Philippa Boyens. Track Two:
The Design Team: Grant Major, Ngila Dickson,
Richard Taylor, Alan Lee, John Howe, Dan Hennah,
Chris Hennah and Tania Rodger. Track Three:
The Production/Post Production Team: Barrie
Osborne, Mark Ordesky, Andrew Lesnie (and a
approximately 11 more) Track Four: The
Cast: Eliijah Wood, Ian McKellen, Liv Tyler,
Sean Astin, John Rhys-Davies, Billy Boyd, Dominic
Monoghan, Orlando Bloom, Christopher Lee and Sean
Bean.
What is very unique here is that each supplemental
audio commentary track is accompanied by a subtitle
identifying each different speaker.
Now I must apologize in advance. Commentaries are
usually the last thing I review. After spending
a day writing this one, I am going to briefly touch
upon just one of the commentaries. That
commentary is of the cast. First, you will
be very happy to learn that all of them are here
together in one room -- except for Christopher Lee
whose tracks seemed to have been recorded separate.
Two things of immediate interest here. First, it's
a very tame group effort for such a bunch of young
cast members. Second, it seems all of these
individuals are watching the added DVD material for
the very first time as many of them seem to be in
awe of what they are watching. McKellen talks about
a windy day in the shire and the problem of keeping
his hat on. The group never hesitates to point
out where each scene was filmed -- especially when
an actor crosses from an outdoor set onto a
soundstage. You'll also hear the cast talk about
"BK", who is Elijah's 3'4" double, used in scenes
where height comparison was needed. Christopher
Lee talks about some of the falls he had to do,
being knocked around quite often (but fortunately
not from any great height). A wraith chase through
the woods leading the Hobbits to the Ferry is not
so fondly recalled here. The boys had an awful
time in the pouring rain not only from shoes
that went flying off...but by the time they reached
the bottom of the hill, they were so exhausted they
had to be carried back up.
I realize I have merely scratched the surface on
the commentaries, but I think all of you understand
that I just cannot rewatch 3 hours of material to
give you the type of review you want.
Disc Three
Here begins what is called The Appendices.
They are spread out across Discs Three and Four.
Let's begin with Disc Three which is titled
Part One: From Book To Vision
As in the rear pages of the Tolkien books, these
Appendices give the back stories and
origins of how the mythology of Middle Earth was
created. Part One (Disc Three) has 2.5
hours worth of documentary material and Part Two
has 3.5 hours of additional documentary material.
Let's begin with Disc Three: Part One: From
Book to Vision
We begin with an Introduction from director
Peter Jackson who not only welcomes you aboard, but
lays out exactly what you can expect from the two
supplemental discs before you. In fact, he gives
you several options of how you can best navigate
through all of the enclosed material.
J.R.R. Tolkien - creator of Middle Earth
begins with Peter Jackson talking about the sheer
wealth of information that Tolkien brought to his
books. From there, we get a thorough background
history on Tolkien who became an orphan at the
very early age of 12. His Mother actually was the
person who inspired him to read, and after her
death, he was committed to continue with his
literary studies. We learn of his studies of
the English language at Oxford, as well as his
involvement in the World War where most of the
suffering he witnessed had a profound affect on
his later writings. Tolkien Biography author
Humphrey Carpenter tells us that Tolkien wrote the
first installment of the book almost blindly, not
knowing what its structure would be, practically
shaping it all as he went along. The documentary
also explores the phenomenon of the books, thanks
to its underlying themes of human existence.
(length: approx. 22 minutes)
From Book to Script reveals how much Jackson
is a real fan of the books, first reading the
trilogy at the age of 18. Director of Photography
Andrew Lesnie agrees -- this was the first book
that really taught him how powerful words could be.
We go down the line in interview after interview
with cast members and filmmakers like Sean Bean
(Boromir), Dominic Monaghan (Merry) and others who
talk about their first experiences reading the books.
The subject of proposing a three-film deal to New
Line Cinema is discussed here, with added comments
from filmmakers and cast members such as Christopher
Lee (Saruman), who was actually in favor of the
decision. The team responsible for shaping the
script into a three film story talk a little about
what the process was like. The cast members talk
about the incredible writing process of the film.
John Rys-Davies (Gimli) jokes about revisions of
the script that were slipped under his door the
night before a shoot. One of the most difficult
characters for Jackson and his team was Arwen
'Evenstar' Undómiel, a character that had a very
small role in the book series. In order to make her
a character with some weight, more material had to
be added for her. The scenes around the table of
Elrond was also difficult to shoot because of the
amount of material that was in the book. We also
learn how the evil encased within the ring had to
be animated -- given its own character.
(length: approx. 20 minutes)
Visualizing the story contains a wealth
of storyboards, animatics and animation to film
comparisons. Here we go...
Storyboards and Pre-viz: Making words into
images presents Jackson, his effects and
miniatures team as they discuss the amount
of detail that was involved in order to shoot
the film as fluidly as possible. Every single
frame in this film was story boarded by Peter.
This greatly helped the visual and effects team.
Jackson took the storyboard process one step further
by creating small models with little figurines so
that camera shots could be more accurately conveyed.
(length: approx. 13 minutes)
There are three early storyboards that are
really cool to watch -- especially for the fact that
they play as individual movies set against music
and dialogue. In addition to an alternate prologue
(done with storyboards and CGI), there are two
abandoned scenes that have been cleverly
recreated for this DVD. Very cool!
In Pre-Viz Animatics we watch how computer
graphics laid out the blueprint for what was to be
filmed, including specific camera angles. The
scenes presented here are Gandalf rides to
Orthanc and The Stairs of Khazad-Dum.
Animatic to film comparisons give you
a split-screen look at how two specific scenes
look from original storyboard concept to final
print.
Finally, in this section, Bag End set test
is a very nice treat to watch. In a yet unfinished
wooden set, film production and set design members
partake in a sort of blocking test. It's funny to
watch Jackson scurry around the set (acting like
Bilbo) as someone holds up a head on a stick that
represents Gandalf.
(length: approx. 6 minutes)
Let's go to Designing and filming Middle Earth...
Designing and building Middle Earth takes
us through original book illustrations of trolls,
Wizards and Goblins that create such a believable
environment that you think it was all once real.
We take a look at a team of designers who, before
the script was finished, put together models and
drawings that portrayed a totally believable world
inserted in shots of actual New Zealand locations
where the stories originated from. There are some
very interesting home movies of the models being
built, as well as the many drawings that were
offered for feedback before sculpturing began.
This is a very extensive featurette that goes far
more into depth than I could describe here, but
it represents the huge collaborative effort of
creating the world of Middle Earth.
(length: approx. 41 minutes)
Weta Workshop takes us to Camperdown Studios,
a place that Elijah Wood describes as "Willy Wonka's
chocolate factory without the candy". Everything
in the film that you saw was made here -- all the
armor, all the weapons, the creatures and miniatures.
I think you will be mesmerized as you weave through
the very tight shop filled with an awesome amount
of miniature models (that aren't so miniature).
Some of the miniatures were the size of soundstages.
All the masks, and yes, hairy feet were created
here as well. My favorite part was watching the
creation of the Cave Troll made out of plaster
and skin. We also learn how impossible it is to
create armor, due to all its complexities.
(length: approx. 43 minutes)
Costume Design introduces us to Costume
Designer Nglia Dickson and her 40 seamstresses
that created the costumes for the film. Nglia
talks about how huge and complex the project was,
being very thankful that a lot of designs were
already in place before she came aboard. I was
absolutely amazed to look at footage of a warehouse
lined with rows upon rows of costumes. With
original concept drawings in hand, Nglia takes
us through each set of characters and how costumes
(and their colors) were specifically designed for
their race and personality.
(length: approx. 12 minutes)
There are two design galleries that
represent the peoples and realms of Middle Earth.
There is such a wealth of information here
presented as a slide show that I cannot go
through it all in one sitting. Let me just say
that it is chock-full of original artist
renderings from enemies such as Sauron, The Cave
Troll and Orcs to the characters that
make up the fellowship. Then there are original
drawings of all the realms of Middle Earth that
include (among others) The Shire, Bree, Moria
and Rivendell. So much material here and
so little time.
Middle Earth Atlas lays out a large map
of the entire landscape as you use your remote to
pick a location and see scenes from the film that
show how that area was involved in the journey.
New Zealand as Middle Earth lets you use
your remote to pick particular locations on a map
and see where they were filmed. For instance,
Rivendell was filmed in Wellington, with
its beautiful forests and landscapes. We watch how
sets were built against these backdrops.
Disc Four
Okay, time to move on to Disc Four, Part Two:
From Vision to Reality
Once again we are treated to an introduction
to all the material on this disc. Surprisingly, that
introduction comes courtesy of Elijah Wood (Frodo)
who tells us that this portion of the DVD covers
everything from the film's production right on
through the film's release. He also gives you some
advice on how to properly navigate your way through
the material.
Filming The Fellowship of the Ring is
divided into four main areas. Let us take a look
at them....
The Fellowship of the Cast, as you would
expect, takes us through the casting process.
Since none of these actors had worked together
before, Jackson talks about being nervous once
all of them got off the plane in New Zealand,
meeting each other for the first time. In
separate interviews, the cast members talk
about leaving home for an extended period
and meeting each other for the first time. You
will have a big fat smile on your face as you hear
the story of how Billy Boyd (Pippin) and Orlando
Bloom (Legolas) first met. Ian McKellen talks
about taking a year out of his life, away from
home, making new friends. It turned out to be
a kind of Boy Scout adventure for the men -- a
real boys club. There are some great stories here
told by the actors themselves, including one about
Sean Astin (Samwise Gangee) being very nervous
about a helicopter ride. Another story involves
John Rhys-Davies (Gimli) taking a small group of
12 out to a restaurant and ordering enough food for
40 people. I love to hear Billy Boyd tell this
story while doing a dead-on impersonation of the
actor. This is simply just a fun collection of
individual stories from all the cast members that
truly show how much they love one another.
(length: approx. 34 minutes)
I heard the news today oh, boy! A Day In The
Life of a Hobbit starts at 5am and takes us
through the makeup and prosthetics that go into
making a Hobbit. We see how the feet are attached,
as well as the ears which absorb sound and make
it difficult to hear. There are some really fun
home movie footage of cast members in makeup
eating and relaxing between film takes. We are
also introduced to Elijah's smaller version of
himself as we dwell into the art of staging a
scene to show proper size proportions.
(length: approx. 13 minutes)
Cameras in Middle-Earth is a very lengthy
look at how so many units of camera crew managed
to shoot the entire epic in a remarkably short
period of time. Jackson depended on the people
that ran these units to be in places he could not.
The documentary takes us through the many realms
of the film as we visit location after location,
watching how each segment was shot. Christopher
Lee talks about the unusual amount of takes that
Peter Jackson wanted from him, wanting to get words
and mannerisms exactly right. Cast members recall
trudging through the marshes where the water was
absolutely freezing cold while Peter Jackson was
by his trailer giggling about it all. It's
interesting to watch how outdoor location shots
of Rivendale had to be duplicated for later shots
done inside of a studio. Lighting was a major
importance here. Jackson talks about filming on
the snowy mountaintops with helicopters bringing
the entire cast and crew aboard...all except Sean
Bean (Boromir) who refused to fly, and instead
took a ski lift to the top. As the featurette
draws to a close, we watch Jackson coordinate
the huge fight that comes at the end of the film.
It was an incredibly long shoot in blazing hot
weather, and there's some great behind-the-scenes
footage here that captures it all.
(length: approx. 50 minutes)
Production Photos contain about 72 stills
that were taken on location.
Let's take a look at the section devoted to
Visual Effects...
Scale simply deals with heights. There's
a relationship of size between Hobbits and Humans.
This featurette looks at things such as scale
compositing, forced perspective, and creating
sets that properly portray size. There's also a
very interesting look at the big rigs used in the
film and the small people that drive them. These
big rigs were used to make the Hobbit characters
seem smaller.
(length: approx. 15 minutes)
Miniatures begins with Big-atures.
Miniature Director of Photography Alex Funke talks
about the importance of using miniatures rather
than creating them digitally. These miniatures
models became the basis for some of the most
jaw-dropping visual sequences of the film. The
bigger the miniature, the more realistic that
model is going to look on screen. We take a look
at much of the miniatures used in the film and
how they were combined with the live action
sequences.
(length: approx. 16 minutes)
After you are through watching the above featurette,
you can browse through hundreds of photos that
make up the miniatures gallery. Presented
in slide-show fashion, just about every realm from
the film is represented here.
Weta Digital takes us through the post-
production process of adding visual effects to
the film. This specially built facility was
built to bypass huge costs, in order to create
all the digital effects. Of course, you can
be assured that you will be shown lots of
digital computer effects in this segment,
including the creation of the squid creature that
grabs Frodo. My favorite part? Taking a look
at how the original wraith kings (as seen through
Frodo's invisibility) was shot. You see the live
actors reaching for what would be Frodo. Coool!
(length: approx. 24 minutes)
Let's look at Post Production: Putting it all
together....
Editorial: Assembling an Epic introduces
us to Editors John Gilbert and Peter Skarratt who
talk about the immense size of the film project,
and the huge amount of footage that ended up in
the editing room. There were eight units producing
footage daily, and it was up to the editors to
sort through 5 million feet of film, bringing it
down to 4 million feet. One of the most difficult
scenes to edit was Arwen's horse chase scene. There
were just hours and hours of footage with horses
that had to be trimmed down to just a few minutes.
There's also discussion about the scenes that were
deleted from the film early on and now being
reinserted in this DVD.
(length: approx. 12 minutes)
You couldn't ask for anything better than this!
Anyone interested in filmmaking will indeed cherish
Editorial Demonstration: The Council of Elrond,
which consists of 36 different takes and illustrates
the challenges faced by the editorial team. Six
windows play above the final cut of the film. Each
of those six windows will highlight a take that
was selected by the editor as the one used in
the film.
Digital Grading talks about shooting footage
on location, which looks all too real, and nudging
it up a bit -- adding elements that make it look
sort of unworldly. This is done by taking a film
negative, scanning it, and then manipulating the
image with a variety of tools. Once you add colors
and highlights it gets scanned back onto the negative.
Supervising Digital Colourist Peter Doyle takes
us through raw footage and shows how individual
sequences were manipulated. Graded and ungraded
images are compared inside-by-side windows.
(length: approx. 12 minutes)
Let's take a look at Sound and Music...
The soundscapes of Middle-Earth is all
about the sound design of the film. There was
a wealth of sound effects that had to be created
in the studio. Using high-tech equipment, a
small team of artists created sounds that transported
the audience to Middle Earth. There are several
examples here how sounds were created for many of
the key sequences. You'll be surprised how plungers
and rubber floor mats became very useful. The
biggest challenge was creating the screams of the
ring wraiths. How was it done? It was actually
the screams of Fran Walsh.
(length: approx. 12 minutes)
Music for Middle-Earth introduces us to
composer Howard Shore who wrote the music that
guided our emotions throughout the film. Shore
worked on the film for nearly two years. We
watch the composer on the soundstage of Skywalker
Ranch (where I personally stood not more than 1
month ago), where he conducts the orchestra. We
learn how a dialect coach helped put together a
song sequence sung by Viggo Mortenson (Aragorn).
What surprised me is that he made up the tune
himself and was simply looking for the words.
The Abbey Road studio is the setting for a chorus
of young boys that added the sweet, emotional
passages to the film. Later, shore talks about
writing a score as if it were an Opera, bringing a
certain kind of grandeur to the soundtrack.
(length: approx. 12 minutes)
Finally...
The Road goes ever on is the perfect closing
featurette as it looks at the promotional aspects
of the film, particularly the premiers where cast
members were treated like royalty by their adoring
fans. There's some quick footage from Elijah's
home movies as the cast arrives at a French premiere.
Featured here are hordes of fans, grand speeches
of thanks and lots of flying confetti. Peter Jackson
talks about the film being more than just a job --
it was a breathtaking experience where friends came
together and created something really special.
(length: approx. 7 minutes)
DVD-ROM content basically takes you to
New Line's website that promises updated Lord
of the Rings content.
Easter Eggs? Check out the reviews on
other websites. After spending hours on this
review I just did not have the strength to search.
I do know there are 2 eggs hidden somewhere in
this package.
What is not here?
With all the added material that is available
here it is utterly surprising to find a lack of
promotional materials. There are no trailers
nor TV spots nor poster stills. Forgiveable?
I suppose so.
Final Thoughts
Seriously folks, my head is spinning. I must
have spent 10 hours on this review between watching
the film itself and going through two discs of
supplemental material. By far, this is the most
extensive project I have ever worked on -- and it's
no wonder -- Lord Of The Rings is the most
elaborate cinematic epic ever, and the journey is
just beginning.
One might look at this 4-disc package as being
complete overkill for the average fan. Fortunately,
it isn't the average fan that this set is geared
towards. This is a visual encyclopedia that shows
every aspect of the film's journey from pre-production
to promotion.
Most of all, this set is the product of a huge
amount of care and dedication that started with
Peter Jackson and his team who provided this
wealth of supplemental material right on down to
New Line Cinema that has produced one of the most
beautiful transfers ever to be seen on DVD. It is
that reason that I let myself age a full day while
writing this review. Consider it a homage to the
magnificence of this set!
"Catched up"
and
"I use mandrake for years"
although I use mandrake for years does make sense gramatically it shouldn't be used here.
Nevertheless. I find mandrake slow, and bloated. the menues are stupid, though I like the fact that it comes with so many desktop managers. I would never use it for my primary OS. Possibly on a virtual hard drive, but never as my primary OS.
I will not contribute to palladium either however in light of the circumstances i think AMD had to make the move to support palladium, They want to get thier foot in the door of desktop computing. Dell, Gateway etc all ship with Pentiums. Dell, and gateway are where Joe Blow from Idaho buy thier computers. AMD wants to capitalise on thier market. Currently people who know more than my mom about computers opt for pentiums because of thier massive ad campaigns.
If AMD did not opt for palladium then eventually support for windows would be dropped from them, thier leaves less than 4% of the market to sell to. Since MS controls such a large portion of the desktop operating system market, and Joe Blow from Idaho doesn't care what is on his computer (so long as he can check his email and play solitare), AMD coulnd't afford to not have palladium in thier chips.
The fact that Passpoer is being ported to linux means nothing, really. For a system to exist people have ot use it. The base of linux users who actually register for passport (especially those who use linux because it isn't MS) will be very small. The people who use linux are not idiots. They read thier EULA's, they know what rights MS gives itself with the passport system. Although it is nice that mainstream software is being ported to linux.
In my opinion WP beats office any day for functionality, the downside is that it peppers my system tray with millions of useless icons trying to control every facet of my life. I like 4 icons in my systray. MBM (takes up 2), apache, mysql.
At least alternatives to office are being considered.
Apple, i will give you, is the only viable alternative to MS on the destkop (I don't hink that linux is ready, if palladium comes along then linux will get killed on the desktop before it can gain any foothold) apple, however is first of all, expensive, the hardware costs much more than a PC equiuvilent, with the strained relationship between apple and motorola we may be soon se seeing Apple OS moving to the x86 platform. As for sun, when was the last time you used a sun computer for a desktop machine. As i have stated earlier, I have never been in the same room as one let alone played solitare, or checked email on it.
you seem to be forgetting about several other 'desktop' systems out there.... MacOS.. Sun... HP... SGI Unix workstations
I've yet to see how Linux is the only available/possible' OS to compare to windows.
I specificly stated "the desktop market" MacOS runs on a mac platform which is not getting palladium so we don't even need to worry about that, I dont' know about you but i have never been in the same room as a sun computer let alone used one on the desktop, and unix is definateyl not the most user friendly operating system around. Also sin isn't even for x86.
Perhaps you should read my posts more carefully
The question i would most like to see them confronted by (though i most likely know the answer) is:
Microsoft has been called a monopoly in the PC market, it maintains control over more than 95% of the desktop market. Since the only operating system that can even compare to windows (desktop wise) on the PC is linux. If palladium is integrated won't this mean death for linux and Microsofts complete domination over the desktop market?
They will most likely try to sugar cote thier answer, or say that linux should go closed source (HA!) however it will boil down to "Yes".
Slashdot Mirror
I don't see how ANYONE can patent a gene, they are basically making it illegal to get some of MY OWN BLOOD and study it. This is completely ludicrus. The patent system has gone too far. I live in Canada (Ontario to be exact), and the main reason our health care system is struggling so much (IMO) is because people are IDIOTS. People do stupid stuff to get hurt, then wind up in the emergency room, have an operation that costs the taxpayers $200000 then they do it again. Whoever thought that it would be a good idea to waterski on a skateboard behind a car, or (after any major snowstorm) the 4 or so people who take thier hand of in a snowblower. If people weren't idiots things like this breast cancer patent wouldn't be such a big deal.
GREAT! I didn't buy the regular version because I stuck out for this version, Now it is finally here! Wow, the link is sloooow. Here i copied out all the text. Lord Of The Rings: The Fellowship of the Ring Extended Edition Studio: New Line Year: 2001 Rated: PG-13 Film Length: 208 minutes Aspect Ratio: 16X9 Enhanced Widescreen (2.35:1) Subtitles: English One ring to rule them all, One ring to find them, One ring to bring them all and in the darkness bind them Published in 1954-1955, J.R.R. Tolkien's masterpiece Lord Of The Rings trilogy still remains one of the most definitive works of imaginary fiction ever written. The extraordinary efforts to get this trilogy to the screen is a testament of how popular these stories are today. Featuring 350 constructed sets, 100 or more locations, and 20,602 extras, this is the largest film project ever undertaken by a studio. New Line took a huge gamble and risked everything by filming all three movies back-to-back without knowing the fate of the original release. That gamble obviously paid off as Fellowship of the Ring grossed a phenomenal $157 million in just 12 days and held the No. 1 spot for weeks since its opening. Perhaps the most significant testament to the film's success lies in how magnificently the book was adapted to the screen. I was a pre-teen when I first read the entire trilogy. The book sparked my imagination like no other book has since. Never would I have believed that anyone could capture my imaginations and put them on the screen. Production designer Grant Major and art director Dan Hennah have created a visual masterpiece -- from the wonderfully pleasing Shire to the soaring elven town of Rivendell to Moria, the dwarven caves deep inside a mountain. The incredibly varied terrain of New Zealand was used to great advantage in the movie, and it was very difficult to tell what was natural scenery and what was constructed set or even computer generated effects. Set in the mythical land of Middle Earth, in an era of goblins and wizards, the evil Lord Sauron and his dark forces once again threaten to rule all. The fate of the world relies on who possesses the one ring, which holds unspeakable power. Lord Sauron created the ring out of the fiery depths of Doom Mountain years and years ago, but it was during a battle where Sauron was killed that the ring changed hands. The ring is lost once again only to be found by Gollum, a lowly creature that gets poisoned by its power. The ring is eventually stolen by a hobbit named Bilbo Baggins. And so, this is where the trilogy begins..... As the film opens, Gandalf the Wizard (Ian McKellen) is visiting his old Hobbit friend, Bilbo Baggins (Ian Holm). When Bilbo makes a daring announcement to a group of party guests, Gandalf realizes that Bilbo is in possession of a very important ring. Gandalf convinces Bilbo to give up the ring, and give it to the very young Frodo (Elijah Wood). When the secret of the ring is finally revealed to the old Wizard, Frodo is warned to leave the Shire at once. However, evil agents are already on their trail. Pursued by dark riders, the Hobbits are forced to team up with a mysterious stranger named Strider (Viggo Mortensen). The reluctant adventurers make their way to Rivendell, a temporary safe haven, where a grand council decides the ring must be destroyed by returning it to the fire from which it was made. With reluctance, nine chosen companions embark on a most perilous quest. The Director's Cut It is not until you watch this Director's cut that you realize how much bigger-than-life this epic has become. The film becomes a totally fresh and new viewing experience mainly thanks to the film's cleverly reconstructed 15-minute opening, which is included in the addition of 30 minutes of footage that greatly flesh out the characters and bring more depth to the story. As many times as I have seen this film in its standard version, this new cut was an awe-inspiring experience for me. I'll never watch the standard version again. The Lord Of The Rings: FOTR arrives in a brand new 4-disc edition housed inside an attractive book-like casing. The movie is spread across discs One and Two. This means that nearly 1:45 minutes into the film, you will need to switch to disc two in order to continue. The upside is that this enables the inclusion of four new audio commentaries as well as several audio formats including English Dolby Digital EX 5.1 Surround and English DTS ES 6.1 Surround. The downside is that when you switch discs, you must go into the SETUP area and once again set your audio preferences. The bottom line is that you will not be able to watch an uninterrupted presentation of the film. Discs Three and Four contain The Appendices, Part I and II. The added footage What I am going to do now is break down the list of added footage for you, as well as including a handful of screenshots. Please note that most of this is from memory, and there is always the possibility I may be describing a scene that was already in the standard version. I think my memory is pretty good and that I will come very close to being pretty accurate. Also please realize that since a small amount of added footage comes through quick cuts, I may have missed a few minor additions. Disc One - In a newly reconstructed introduction to the film (and before the opening credits), we listen to added narration from Bilbo as he sits at his table working on his memoirs. We learn more about the Hobbits...their passions for food, planting and celebration. More importantly, we are introduced to the ring at a much earlier interval. - During a fireworks display, Bilbo welcomes guests and hides from others as he has extended dialogue with Frodo. - In the library. Gandalf reads more of the history of the ring, complete with added flashback. - A party has Merry and Pippin dancing on a table as others talk about the war brewing beyond their borders. - A beautiful sequence where in the woods just outside of the Shire, Sam and Frodo peer upon a group of wood-elves on their way to the harbor beyond the grey towers. Sam also complains about not being able to sleep amongst the roots. - An extended sequence inside the Prancing Pony regarding Strider. - Additional dialogue with Strider. The Hobbits talk amongst themselves as to whether they should trust Strider and if he really is a friend of Gandalf. - A walk through a marsh filled with mosquitos (great rear channel effects here). Later, Strider sings beneath the light of the moon about a love he lost. - Saruman consulting the "eye of Sauron" which tells him to "build an army worthy of Mordor." - Frodo awakens after being stabbed by the blade of a Wraith. He is in a thicket surrounded by Troll statues. - As the Wraiths chase Arwen Undómiel, they stop at a river crossing. One of the wraiths calls out to her, demanding she give up the halfling. (not certain if the wraith call was in the original version) - A really cool sequence that takes place during the roundtable meet in Rivendell. As Frodo places the ring on the table, Borimor goes for it, claiming it is a gift to be used against Mordor. A spell is raised that literally shakes the mountains. Disc Two - A brand new sequence opens the second disc as Aragorn (formally known as Strider) visits the grave of his Mother as Elrond Peredhil reminds him of his destiny. - Elrond bids farewell to the departing nine companions as the fellowship awaits the ring bearer. - A short sequence upon a wintry mountain where Saruman responds to Gandalf, reminding him of the dangers of going into the Moria mines. - A short dialogue sequence where Gandalf asks Frodo to help an old man. Gandalf asks the Hobbit how his shoulder is as both discover how powerful the influence of the ring is becoming. The wizard advises Frodo to only trust himself. We also learn that Gandalf is sensing impending danger inside the Moria mines that will ultimately test him. - Another sequence has Gandalf becoming irate over not being able to find the words to open the doors of Durin that lead the way to the heart of Moria. - Inside the mines of Mordor, against a steep cliff, Gandalf points his way down the chasms as he shows his companions the true wealth of Moria. - A newly found passage into the great hall of the mines of Mordor. Gandalf speaks of the oncoming Balrog. The jump across the bridge is also greatly extended with a new set of stairs to cross and a much earlier arrival of a full-formed Balrog. - As Frodo walks through the woods he hears additional calls of Galadriel, Lady of the Galadrhim. Gimli makes a very uncourteous remark about the lady after being captured by elves. Later, Aragorn tells Frodo that Gandalf's death was not in vain. - The group is handed cloaks and food by the elves as well as parting advice. Galadriel gives gifts to each of the members. Gimli has a very unlikely request. Wait till you hear what he receives. - As the group makes a short stop on shore, there is another sighting of Gollum in the water. Sam pleads to Frodo that he is truly his friend and wants to help. Boromir and Aragorn argue. - An extended battle sequence between Aragorn and the head Orc. - As Frodo embarks on his final journey of this installment, he remembers the words of Gandalf, who briefly appears in flashback. Again, I must stress that all of this is from memory. Please be kind if I made any mistakes here. Fortunately, the added material can easily be identified by going into Select a Scene where asterisks indicate **new scene as well as **extended scene. Please note that I did not refer to this area prior to writing the above scenes. How is the transfer? To say that this is an absolutely flawless transfer and leave it at that would be sort of shortchanging this review -- but it would be the absolute truth. What we have here is an absolutely pristine image that is very close to Hi-Def. The transfer looks absolutely smooth and with extremely accurate colors -- especially in the facial flesh tones. Blacks are rock solid and the picture never becomes too sharp nor soft, giving this film a very natural beauty. This DVD features both English Dolby Digital EX 5.1 Surround and English DTS ES 6.1 Surround. Even though My system is limited to a 5.1 setup, it wasn't difficult to get totally immersed in the audio presentation. As I usually expect from most DTS tracks, the sound has a very spacial quality to it -- not sounding the least compressed. This is one hell of an aggressive mix with sound that is extremely accurate and detailed. The rear channels are nearly always active throughout, and there's tremendous LFE channel support that adds booming floor-shaking response. This is one of the strongest sounding LFE tracks in memory -- so strong in fact that I was very concerned about blowing out my subwoofer. It really becomes difficult to define a transfer that is as beautiful as this one. Thus far, Attack Of The Clones has become the best DVD I have seen, thanks to its direct digital transfer. I was amazed to see that this film transfer looked almost as good. This tells you much about the effort New Line has put into making this DVD look flawless. Special Features As I sit here with four discs containing over 6 hours of material, I sort of hesitate to move on. What lies before me is over a full day's worth of review material devoted to one DVD package. I will do as thorough of a job as I can with this, but will mostly highlight what you can expect out of these supplements. Disc One and Two As you pop in the DVD, you are welcomed at a Hobbit table where a book, The Fellowship of The Ring opens to reveal a page of menu selections. Disc One contains the first part of the Director's cut which runs close to 1hr. 45 minutes. The side break is at the 1:45 mark where Pippin inquires "when are we goin'?!". A black screen comes up prompting you to continue to Disc Two. From the Special Features menu you can select any one of four commentaries. These commentaries feature: Track One: The Directors and Writers: Peter Jackson, Fran Walsh and Philippa Boyens. Track Two: The Design Team: Grant Major, Ngila Dickson, Richard Taylor, Alan Lee, John Howe, Dan Hennah, Chris Hennah and Tania Rodger. Track Three: The Production/Post Production Team: Barrie Osborne, Mark Ordesky, Andrew Lesnie (and a approximately 11 more) Track Four: The Cast: Eliijah Wood, Ian McKellen, Liv Tyler, Sean Astin, John Rhys-Davies, Billy Boyd, Dominic Monoghan, Orlando Bloom, Christopher Lee and Sean Bean. What is very unique here is that each supplemental audio commentary track is accompanied by a subtitle identifying each different speaker. Now I must apologize in advance. Commentaries are usually the last thing I review. After spending a day writing this one, I am going to briefly touch upon just one of the commentaries. That commentary is of the cast. First, you will be very happy to learn that all of them are here together in one room -- except for Christopher Lee whose tracks seemed to have been recorded separate. Two things of immediate interest here. First, it's a very tame group effort for such a bunch of young cast members. Second, it seems all of these individuals are watching the added DVD material for the very first time as many of them seem to be in awe of what they are watching. McKellen talks about a windy day in the shire and the problem of keeping his hat on. The group never hesitates to point out where each scene was filmed -- especially when an actor crosses from an outdoor set onto a soundstage. You'll also hear the cast talk about "BK", who is Elijah's 3'4" double, used in scenes where height comparison was needed. Christopher Lee talks about some of the falls he had to do, being knocked around quite often (but fortunately not from any great height). A wraith chase through the woods leading the Hobbits to the Ferry is not so fondly recalled here. The boys had an awful time in the pouring rain not only from shoes that went flying off...but by the time they reached the bottom of the hill, they were so exhausted they had to be carried back up. I realize I have merely scratched the surface on the commentaries, but I think all of you understand that I just cannot rewatch 3 hours of material to give you the type of review you want. Disc Three Here begins what is called The Appendices. They are spread out across Discs Three and Four. Let's begin with Disc Three which is titled Part One: From Book To Vision As in the rear pages of the Tolkien books, these Appendices give the back stories and origins of how the mythology of Middle Earth was created. Part One (Disc Three) has 2.5 hours worth of documentary material and Part Two has 3.5 hours of additional documentary material. Let's begin with Disc Three: Part One: From Book to Vision We begin with an Introduction from director Peter Jackson who not only welcomes you aboard, but lays out exactly what you can expect from the two supplemental discs before you. In fact, he gives you several options of how you can best navigate through all of the enclosed material. J.R.R. Tolkien - creator of Middle Earth begins with Peter Jackson talking about the sheer wealth of information that Tolkien brought to his books. From there, we get a thorough background history on Tolkien who became an orphan at the very early age of 12. His Mother actually was the person who inspired him to read, and after her death, he was committed to continue with his literary studies. We learn of his studies of the English language at Oxford, as well as his involvement in the World War where most of the suffering he witnessed had a profound affect on his later writings. Tolkien Biography author Humphrey Carpenter tells us that Tolkien wrote the first installment of the book almost blindly, not knowing what its structure would be, practically shaping it all as he went along. The documentary also explores the phenomenon of the books, thanks to its underlying themes of human existence. (length: approx. 22 minutes) From Book to Script reveals how much Jackson is a real fan of the books, first reading the trilogy at the age of 18. Director of Photography Andrew Lesnie agrees -- this was the first book that really taught him how powerful words could be. We go down the line in interview after interview with cast members and filmmakers like Sean Bean (Boromir), Dominic Monaghan (Merry) and others who talk about their first experiences reading the books. The subject of proposing a three-film deal to New Line Cinema is discussed here, with added comments from filmmakers and cast members such as Christopher Lee (Saruman), who was actually in favor of the decision. The team responsible for shaping the script into a three film story talk a little about what the process was like. The cast members talk about the incredible writing process of the film. John Rys-Davies (Gimli) jokes about revisions of the script that were slipped under his door the night before a shoot. One of the most difficult characters for Jackson and his team was Arwen 'Evenstar' Undómiel, a character that had a very small role in the book series. In order to make her a character with some weight, more material had to be added for her. The scenes around the table of Elrond was also difficult to shoot because of the amount of material that was in the book. We also learn how the evil encased within the ring had to be animated -- given its own character. (length: approx. 20 minutes) Visualizing the story contains a wealth of storyboards, animatics and animation to film comparisons. Here we go... Storyboards and Pre-viz: Making words into images presents Jackson, his effects and miniatures team as they discuss the amount of detail that was involved in order to shoot the film as fluidly as possible. Every single frame in this film was story boarded by Peter. This greatly helped the visual and effects team. Jackson took the storyboard process one step further by creating small models with little figurines so that camera shots could be more accurately conveyed. (length: approx. 13 minutes) There are three early storyboards that are really cool to watch -- especially for the fact that they play as individual movies set against music and dialogue. In addition to an alternate prologue (done with storyboards and CGI), there are two abandoned scenes that have been cleverly recreated for this DVD. Very cool! In Pre-Viz Animatics we watch how computer graphics laid out the blueprint for what was to be filmed, including specific camera angles. The scenes presented here are Gandalf rides to Orthanc and The Stairs of Khazad-Dum. Animatic to film comparisons give you a split-screen look at how two specific scenes look from original storyboard concept to final print. Finally, in this section, Bag End set test is a very nice treat to watch. In a yet unfinished wooden set, film production and set design members partake in a sort of blocking test. It's funny to watch Jackson scurry around the set (acting like Bilbo) as someone holds up a head on a stick that represents Gandalf. (length: approx. 6 minutes) Let's go to Designing and filming Middle Earth... Designing and building Middle Earth takes us through original book illustrations of trolls, Wizards and Goblins that create such a believable environment that you think it was all once real. We take a look at a team of designers who, before the script was finished, put together models and drawings that portrayed a totally believable world inserted in shots of actual New Zealand locations where the stories originated from. There are some very interesting home movies of the models being built, as well as the many drawings that were offered for feedback before sculpturing began. This is a very extensive featurette that goes far more into depth than I could describe here, but it represents the huge collaborative effort of creating the world of Middle Earth. (length: approx. 41 minutes) Weta Workshop takes us to Camperdown Studios, a place that Elijah Wood describes as "Willy Wonka's chocolate factory without the candy". Everything in the film that you saw was made here -- all the armor, all the weapons, the creatures and miniatures. I think you will be mesmerized as you weave through the very tight shop filled with an awesome amount of miniature models (that aren't so miniature). Some of the miniatures were the size of soundstages. All the masks, and yes, hairy feet were created here as well. My favorite part was watching the creation of the Cave Troll made out of plaster and skin. We also learn how impossible it is to create armor, due to all its complexities. (length: approx. 43 minutes) Costume Design introduces us to Costume Designer Nglia Dickson and her 40 seamstresses that created the costumes for the film. Nglia talks about how huge and complex the project was, being very thankful that a lot of designs were already in place before she came aboard. I was absolutely amazed to look at footage of a warehouse lined with rows upon rows of costumes. With original concept drawings in hand, Nglia takes us through each set of characters and how costumes (and their colors) were specifically designed for their race and personality. (length: approx. 12 minutes) There are two design galleries that represent the peoples and realms of Middle Earth. There is such a wealth of information here presented as a slide show that I cannot go through it all in one sitting. Let me just say that it is chock-full of original artist renderings from enemies such as Sauron, The Cave Troll and Orcs to the characters that make up the fellowship. Then there are original drawings of all the realms of Middle Earth that include (among others) The Shire, Bree, Moria and Rivendell. So much material here and so little time. Middle Earth Atlas lays out a large map of the entire landscape as you use your remote to pick a location and see scenes from the film that show how that area was involved in the journey. New Zealand as Middle Earth lets you use your remote to pick particular locations on a map and see where they were filmed. For instance, Rivendell was filmed in Wellington, with its beautiful forests and landscapes. We watch how sets were built against these backdrops. Disc Four Okay, time to move on to Disc Four, Part Two: From Vision to Reality Once again we are treated to an introduction to all the material on this disc. Surprisingly, that introduction comes courtesy of Elijah Wood (Frodo) who tells us that this portion of the DVD covers everything from the film's production right on through the film's release. He also gives you some advice on how to properly navigate your way through the material. Filming The Fellowship of the Ring is divided into four main areas. Let us take a look at them.... The Fellowship of the Cast, as you would expect, takes us through the casting process. Since none of these actors had worked together before, Jackson talks about being nervous once all of them got off the plane in New Zealand, meeting each other for the first time. In separate interviews, the cast members talk about leaving home for an extended period and meeting each other for the first time. You will have a big fat smile on your face as you hear the story of how Billy Boyd (Pippin) and Orlando Bloom (Legolas) first met. Ian McKellen talks about taking a year out of his life, away from home, making new friends. It turned out to be a kind of Boy Scout adventure for the men -- a real boys club. There are some great stories here told by the actors themselves, including one about Sean Astin (Samwise Gangee) being very nervous about a helicopter ride. Another story involves John Rhys-Davies (Gimli) taking a small group of 12 out to a restaurant and ordering enough food for 40 people. I love to hear Billy Boyd tell this story while doing a dead-on impersonation of the actor. This is simply just a fun collection of individual stories from all the cast members that truly show how much they love one another. (length: approx. 34 minutes) I heard the news today oh, boy! A Day In The Life of a Hobbit starts at 5am and takes us through the makeup and prosthetics that go into making a Hobbit. We see how the feet are attached, as well as the ears which absorb sound and make it difficult to hear. There are some really fun home movie footage of cast members in makeup eating and relaxing between film takes. We are also introduced to Elijah's smaller version of himself as we dwell into the art of staging a scene to show proper size proportions. (length: approx. 13 minutes) Cameras in Middle-Earth is a very lengthy look at how so many units of camera crew managed to shoot the entire epic in a remarkably short period of time. Jackson depended on the people that ran these units to be in places he could not. The documentary takes us through the many realms of the film as we visit location after location, watching how each segment was shot. Christopher Lee talks about the unusual amount of takes that Peter Jackson wanted from him, wanting to get words and mannerisms exactly right. Cast members recall trudging through the marshes where the water was absolutely freezing cold while Peter Jackson was by his trailer giggling about it all. It's interesting to watch how outdoor location shots of Rivendale had to be duplicated for later shots done inside of a studio. Lighting was a major importance here. Jackson talks about filming on the snowy mountaintops with helicopters bringing the entire cast and crew aboard...all except Sean Bean (Boromir) who refused to fly, and instead took a ski lift to the top. As the featurette draws to a close, we watch Jackson coordinate the huge fight that comes at the end of the film. It was an incredibly long shoot in blazing hot weather, and there's some great behind-the-scenes footage here that captures it all. (length: approx. 50 minutes) Production Photos contain about 72 stills that were taken on location. Let's take a look at the section devoted to Visual Effects... Scale simply deals with heights. There's a relationship of size between Hobbits and Humans. This featurette looks at things such as scale compositing, forced perspective, and creating sets that properly portray size. There's also a very interesting look at the big rigs used in the film and the small people that drive them. These big rigs were used to make the Hobbit characters seem smaller. (length: approx. 15 minutes) Miniatures begins with Big-atures. Miniature Director of Photography Alex Funke talks about the importance of using miniatures rather than creating them digitally. These miniatures models became the basis for some of the most jaw-dropping visual sequences of the film. The bigger the miniature, the more realistic that model is going to look on screen. We take a look at much of the miniatures used in the film and how they were combined with the live action sequences. (length: approx. 16 minutes) After you are through watching the above featurette, you can browse through hundreds of photos that make up the miniatures gallery. Presented in slide-show fashion, just about every realm from the film is represented here. Weta Digital takes us through the post- production process of adding visual effects to the film. This specially built facility was built to bypass huge costs, in order to create all the digital effects. Of course, you can be assured that you will be shown lots of digital computer effects in this segment, including the creation of the squid creature that grabs Frodo. My favorite part? Taking a look at how the original wraith kings (as seen through Frodo's invisibility) was shot. You see the live actors reaching for what would be Frodo. Coool! (length: approx. 24 minutes) Let's look at Post Production: Putting it all together.... Editorial: Assembling an Epic introduces us to Editors John Gilbert and Peter Skarratt who talk about the immense size of the film project, and the huge amount of footage that ended up in the editing room. There were eight units producing footage daily, and it was up to the editors to sort through 5 million feet of film, bringing it down to 4 million feet. One of the most difficult scenes to edit was Arwen's horse chase scene. There were just hours and hours of footage with horses that had to be trimmed down to just a few minutes. There's also discussion about the scenes that were deleted from the film early on and now being reinserted in this DVD. (length: approx. 12 minutes) You couldn't ask for anything better than this! Anyone interested in filmmaking will indeed cherish Editorial Demonstration: The Council of Elrond, which consists of 36 different takes and illustrates the challenges faced by the editorial team. Six windows play above the final cut of the film. Each of those six windows will highlight a take that was selected by the editor as the one used in the film. Digital Grading talks about shooting footage on location, which looks all too real, and nudging it up a bit -- adding elements that make it look sort of unworldly. This is done by taking a film negative, scanning it, and then manipulating the image with a variety of tools. Once you add colors and highlights it gets scanned back onto the negative. Supervising Digital Colourist Peter Doyle takes us through raw footage and shows how individual sequences were manipulated. Graded and ungraded images are compared inside-by-side windows. (length: approx. 12 minutes) Let's take a look at Sound and Music... The soundscapes of Middle-Earth is all about the sound design of the film. There was a wealth of sound effects that had to be created in the studio. Using high-tech equipment, a small team of artists created sounds that transported the audience to Middle Earth. There are several examples here how sounds were created for many of the key sequences. You'll be surprised how plungers and rubber floor mats became very useful. The biggest challenge was creating the screams of the ring wraiths. How was it done? It was actually the screams of Fran Walsh. (length: approx. 12 minutes) Music for Middle-Earth introduces us to composer Howard Shore who wrote the music that guided our emotions throughout the film. Shore worked on the film for nearly two years. We watch the composer on the soundstage of Skywalker Ranch (where I personally stood not more than 1 month ago), where he conducts the orchestra. We learn how a dialect coach helped put together a song sequence sung by Viggo Mortenson (Aragorn). What surprised me is that he made up the tune himself and was simply looking for the words. The Abbey Road studio is the setting for a chorus of young boys that added the sweet, emotional passages to the film. Later, shore talks about writing a score as if it were an Opera, bringing a certain kind of grandeur to the soundtrack. (length: approx. 12 minutes) Finally... The Road goes ever on is the perfect closing featurette as it looks at the promotional aspects of the film, particularly the premiers where cast members were treated like royalty by their adoring fans. There's some quick footage from Elijah's home movies as the cast arrives at a French premiere. Featured here are hordes of fans, grand speeches of thanks and lots of flying confetti. Peter Jackson talks about the film being more than just a job -- it was a breathtaking experience where friends came together and created something really special. (length: approx. 7 minutes) DVD-ROM content basically takes you to New Line's website that promises updated Lord of the Rings content. Easter Eggs? Check out the reviews on other websites. After spending hours on this review I just did not have the strength to search. I do know there are 2 eggs hidden somewhere in this package. What is not here? With all the added material that is available here it is utterly surprising to find a lack of promotional materials. There are no trailers nor TV spots nor poster stills. Forgiveable? I suppose so. Final Thoughts Seriously folks, my head is spinning. I must have spent 10 hours on this review between watching the film itself and going through two discs of supplemental material. By far, this is the most extensive project I have ever worked on -- and it's no wonder -- Lord Of The Rings is the most elaborate cinematic epic ever, and the journey is just beginning. One might look at this 4-disc package as being complete overkill for the average fan. Fortunately, it isn't the average fan that this set is geared towards. This is a visual encyclopedia that shows every aspect of the film's journey from pre-production to promotion. Most of all, this set is the product of a huge amount of care and dedication that started with Peter Jackson and his team who provided this wealth of supplemental material right on down to New Line Cinema that has produced one of the most beautiful transfers ever to be seen on DVD. It is that reason that I let myself age a full day while writing this review. Consider it a homage to the magnificence of this set!
"Catched up" and "I use mandrake for years" although I use mandrake for years does make sense gramatically it shouldn't be used here. Nevertheless. I find mandrake slow, and bloated. the menues are stupid, though I like the fact that it comes with so many desktop managers. I would never use it for my primary OS. Possibly on a virtual hard drive, but never as my primary OS.
I will not contribute to palladium either however in light of the circumstances i think AMD had to make the move to support palladium, They want to get thier foot in the door of desktop computing. Dell, Gateway etc all ship with Pentiums. Dell, and gateway are where Joe Blow from Idaho buy thier computers. AMD wants to capitalise on thier market. Currently people who know more than my mom about computers opt for pentiums because of thier massive ad campaigns. If AMD did not opt for palladium then eventually support for windows would be dropped from them, thier leaves less than 4% of the market to sell to. Since MS controls such a large portion of the desktop operating system market, and Joe Blow from Idaho doesn't care what is on his computer (so long as he can check his email and play solitare), AMD coulnd't afford to not have palladium in thier chips.
The fact that Passpoer is being ported to linux means nothing, really. For a system to exist people have ot use it. The base of linux users who actually register for passport (especially those who use linux because it isn't MS) will be very small. The people who use linux are not idiots. They read thier EULA's, they know what rights MS gives itself with the passport system. Although it is nice that mainstream software is being ported to linux.
I believe that Isaac Asomov described the galaxy center as being a black hole in his foundation trilogy, in 1951.
Minix is dead, so why is this news? I knew that years ago.
In my opinion WP beats office any day for functionality, the downside is that it peppers my system tray with millions of useless icons trying to control every facet of my life. I like 4 icons in my systray. MBM (takes up 2), apache, mysql. At least alternatives to office are being considered.
I think i may have to download this, though i will stick with Mozilla on my windows partition, there i use many of the functions :D
Apple, i will give you, is the only viable alternative to MS on the destkop (I don't hink that linux is ready, if palladium comes along then linux will get killed on the desktop before it can gain any foothold) apple, however is first of all, expensive, the hardware costs much more than a PC equiuvilent, with the strained relationship between apple and motorola we may be soon se seeing Apple OS moving to the x86 platform. As for sun, when was the last time you used a sun computer for a desktop machine. As i have stated earlier, I have never been in the same room as one let alone played solitare, or checked email on it.
you seem to be forgetting about several other 'desktop' systems out there. ... MacOS .. Sun ... HP ... SGI Unix workstations
I've yet to see how Linux is the only available/possible' OS to compare to windows.
I specificly stated "the desktop market" MacOS runs on a mac platform which is not getting palladium so we don't even need to worry about that, I dont' know about you but i have never been in the same room as a sun computer let alone used one on the desktop, and unix is definateyl not the most user friendly operating system around. Also sin isn't even for x86.
Perhaps you should read my posts more carefully
The question i would most like to see them confronted by (though i most likely know the answer) is: Microsoft has been called a monopoly in the PC market, it maintains control over more than 95% of the desktop market. Since the only operating system that can even compare to windows (desktop wise) on the PC is linux. If palladium is integrated won't this mean death for linux and Microsofts complete domination over the desktop market? They will most likely try to sugar cote thier answer, or say that linux should go closed source (HA!) however it will boil down to "Yes".