The RIAA just doesn't get it
on
RIAA Smacked by DoS
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· Score: 5, Interesting
In all of this law making, the RIAA has not realized a few basic facts. Most of these are relative to me, but I'm sure I'm not alone:
1. When Napster was big, I purchased 75-100 CDs in two years and enjoyed about 80% of them. Since then, I have purchased about 10 CDs and enjoyed about 20% of them. I would rather gamble $15 on a blackjack table then buy a $15 CD when I have only heard one song I like on it.
2. I don't own a plain-old CD player. I have a MP3-CD player, a laptop, and a desktop. If I can't listen to or convert the CD I won't buy it.
3. I'm not a fan of the MPAA either, but which would you rather purchase: A soundtrack CD of a given movie for $17.99 or the DVD of the same movie for $14.99? To me, a music CD is worth about $8, and at least 25% of that should go to the people who actually created those sounds(artists, songwriters).
4. I don't believe the DoS on the RIAA last weekend was necessary, but it will be a preview of what will happen if that new law passes. (Just a prediction)
5. What ever happened to "The customer is always right"? All of this copy-protection, "everyone is stealing our music", "we need tougher laws" stuff can't possibly be in the consumer's best interest. Sounds to me that they are trying to maintain a monopoly. (Hmmm... now where have I seen this before?)
Anyway, I dig into my current music collection, books, magazines, and a few select internet sites for my media these days. I've just about had enough. Everything in this post is my opinion based on some facts and is probably in need of some correction. Have a nice day.
In my later years at my old college, they started requiring each student to sign the source code stating that: "...the student consulted no one else besides the professor on the creation of this program." I can see the point behind checking for similar code, but requiring no outside help is ridiculous.
But my biggest worry about programs like this is what would happen if someone's code was stolen? This happened to me in one of my early CS classes and thankfully nothing came of it. (Now where did that disk go?) I found out later that over ten people turned in 'revised' versions of my program. Now how would the real programmer prove that out of all of the 'cheaters', that he/she turned in genuine work?
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In all of this law making, the RIAA has not realized a few basic facts. Most of these are relative to me, but I'm sure I'm not alone:
1. When Napster was big, I purchased 75-100 CDs in two years and enjoyed about 80% of them. Since then, I have purchased about 10 CDs and enjoyed about 20% of them. I would rather gamble $15 on a blackjack table then buy a $15 CD when I have only heard one song I like on it.
2. I don't own a plain-old CD player. I have a MP3-CD player, a laptop, and a desktop. If I can't listen to or convert the CD I won't buy it.
3. I'm not a fan of the MPAA either, but which would you rather purchase: A soundtrack CD of a given movie for $17.99 or the DVD of the same movie for $14.99? To me, a music CD is worth about $8, and at least 25% of that should go to the people who actually created those sounds(artists, songwriters).
4. I don't believe the DoS on the RIAA last weekend was necessary, but it will be a preview of what will happen if that new law passes. (Just a prediction)
5. What ever happened to "The customer is always right"? All of this copy-protection, "everyone is stealing our music", "we need tougher laws" stuff can't possibly be in the consumer's best interest. Sounds to me that they are trying to maintain a monopoly. (Hmmm... now where have I seen this before?)
Anyway, I dig into my current music collection, books, magazines, and a few select internet sites for my media these days. I've just about had enough. Everything in this post is my opinion based on some facts and is probably in need of some correction. Have a nice day.
But my biggest worry about programs like this is what would happen if someone's code was stolen? This happened to me in one of my early CS classes and thankfully nothing came of it. (Now where did that disk go?) I found out later that over ten people turned in 'revised' versions of my program. Now how would the real programmer prove that out of all of the 'cheaters', that he/she turned in genuine work?