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Domain: billboard.biz
Stories and comments across the archive that link to billboard.biz.
Stories · 12
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Sony Entertainment Head Steps Down
New submitter Mephistophocles writes "Japan Times reports today that Sony Entertainment Chief Tim Schaaf has stepped down. Schaaf's division has recently drawn the ire of users and governments alike after multiple hacks which resulted in the theft of millions of users' personal information. Schaaf joined Sony after a stint at Apple, and had ambitious plans for unifying the end-user's entertainment experience on Sony products, as well as having some big words for how to help out Sony's music division. Tim will be replaced by Andrew House, currently of Sony's Game Division. One wonders — is this a continued sign of deterioration in Sony's Entertainment house?" -
Canadian Music Industry Copyright Class Action Settled
limber writes "The largest Canadian copyright class action suit has been settled for $50 million. The offenders? The four labels comprising the Canadian Recording Industry Association — EMI, Sony Music, Universal Music, and Warner Music. Ahem." The terms of the settlement are a compromise — anyone with works on the pending list can receive compensation while the music industry is absolved of further liability. The two major Canadian licensing agencies (CMRRA and SODRAC) will be tasked with improving the licensing process to prevent future abuse. -
RIAA Now Blames Journalists For Its Piracy Trouble
adeelarshad82 writes "RIAA executives have written a letter to PCMag expressing 'deep disappointment' for publishing an article on Limewire Alternatives. While the article includes a disclaimer from PCMag that it does not condone the download of copyrighted or illegal material, RIAA executives believe that 'PCMag is slyly encouraging people to steal more music.' The letter goes on to ask PCMag to retract the article from their website. PCMag's Editor in Chief has responded to the letter by stating that music industry's charges remain groundless and that it reeks of desperation. He points out that PCMag covers all aspects of technology, which includes the products, services and activities that some groups and individuals might deem objectionable. He defends publishing the article by saying 'We covered these Limewire alternatives because we knew they would be of interest to our readers. We understand that some might use them to illegally download content. We cannot encourage that action, but also cannot stop it. Reporting on the existence of these services does neither.' PCMag has also refused to retract the article." -
ASCAP War On Free Culture Escalates
An anonymous reader writes "After ASCAP declared war on free culture and Creative Commons responded on the incident, the war of words is escalating. Drew Wilson of ZeroPaid has been following this story closely. The EFF responded to the ASCAP letter, saying 'we don't think that ASCAP characterized EFF and its work accurately. We believe that artists should be compensated for their work, and one proposal we have for that is Voluntary Collective Licensing.' The response from the EFF came with a study and a letter written by one irate ASCAP member who donated to the EFF and to Public Knowledge as a result of the ASCAP letter. Public Knowledge also responded to the letter, saying, 'It's obvious that the characterization of Public Knowledge is false. Public Knowledge advocates for balanced copyright and an open Internet the empowers creators and the public. What we oppose are overreaching policies proposed by large corporate copyright holders that punish lawful users of technology and copyrighted works.' Now the National Music Publishers Association has weighed in to support ASCAP, saying that organizations like Public Knowledge and the EFF 'have an extremist radical anti-copyright agenda,' according to a transcript of a speech posted on Billboard. Public Knowledge has dismissed those allegations, saying 'anybody who has spent more than five minutes on our website or talking to our staff knows that these things are not true.'" -
UMG To Price New CDs Under $10
marmoset writes "Perhaps a decade late, Universal Music Group has decided to try out sub-$10 CD pricing in the US. 'Beginning in the second quarter and continuing through most of the year, the company's Velocity program will test lower CD prices. Single CDs will have the suggested list prices of $10, $9, $8, $7 and $6.'" CD retailers are not convinced the price cuts will work out. For one thing it depends on whether other major labels follow suit, but the article notes that "executives at the other majors were nervous about the UMG move" and "privately, some appeared annoyed." -
Copyright Troubles For Sony
ljaszcza writes "Daily Tech brings us a story about Sony's run-in with the Mexican police. (Billboard picked up the story as well.) It seems that they raided Sony's offices and seized 6,397 music CDs after a protest from the artist, Alejandro Fernandez. Fernandez had signed a seven-album deal with Sony Music; he completed that commitment and then left for Universal. During the time with Sony, he recorded other songs that did not make it into the agreed-upon seven albums. Sony Music took it upon themselves to collect that material and release it as an eighth album. Fernandez claims that he fulfilled his contract with Sony, and residual material belongs to him. Hmm. Precedent from the Jammie Thomas infringement and distribution case gives us $80K per song. Sony vs. Joel Tenenbaum gives $22.5K per song. So 6,397 CDs at an average of 8 songs/CD is 51,176 infringing songs, with (IMHO) intent to distribute. The damages to Fernandez should be $1,151,460,000 using the Tenenbaum precedent or $4,094,080,000 using the Thomas precedent. Seems very straightforward to me." -
Apple Shifts iTunes Pricing; $0.69 Tracks MIA
Hodejo1 writes "Steve Jobs vowed weeks ago that when iTunes shifted to a tiered price structure in April, older tracks priced at $0.69 would outnumber the contemporary hits that are rising to $1.29. Today, several weeks later, iTunes made the transition. While the $1.29 tracks are immediately visible, locating cheaper tracks is proving to be an exercise in futility. With the exception of 48 songs that Apple has placed on the iTunes main page, $0.69 downloads are a scarce commodity. MP3 Newswire tried to methodically drill down to unearth more of them only to find: 1) A download like Heart's 34-year-old song Barracuda went up to $1.29, not down. 2) Obscure '90s Brit pop and '50s rockabilly artists — those most likely to benefit from a price drop — remained at $0.99. 3) Collected tracks from a cross-section of 1920s, '30s, and '40s artists all remained at $0.99. Finally, MP3 Newswire called up tracks in the public domain from an artist named Ada Jones who first recorded in 1893 on Edison cylinder technology. The price on all of the century-old, public-domain tracks remained at $0.99. (The same tracks are available for free on archive.org.) The scarcity of lower-priced tracks may reflect the fact that the labels themselves decide which price tier they want to pursue for a given artist; and they are mostly ignoring the lower tier. Meanwhile, Amazon's UK site has decided to counter-promote their service by dropping prices on select tracks to 29 pence ($0.42)." -
Choruss Pitching Bait and Switch On P2P Music Tax
An anonymous reader writes "A few months back, Warner Music Group started pitching universities on the idea of a new program where they would pay a chunk of money to an organization named Choruss to provide 'covenants not to sue' those students for file sharing, leading many in the press to claim that the record labels are looking to license ISPs to let users file share. Even the EFF has called it a 'promising new approach.' However, the details are quite troubling and suggest that the plan is really a bait-and-switch idea." (More below.) "The industry still plans to demand three strikes and try to shut down file sharing networks, and it's already giving up on lawsuits. So... it's basically going to keep doing everything the same as before, but force your ISP or your university (who in turn will raise your rates) to just hand over a bunch of money. Oh yeah, also, since the 'covenant not to sue' isn't a license and only covers the rights of the record labels, it means that you can still get sued by the publishers or songwriters whose rights aren't covered by the deal at all. Unfortunately, the press is just repeating the claim that this is a 'file sharing license' when the details show it's anything but that. It's just a way to get people and companies to hand over large chunks of money to the record labels." -
H.R. 4279 Would Establish Federal IP Cops
MrSnivvel writes "H.R. 4279, Prioritizing Resources and Organization for Intellectual Property Act of 2008, is gaining momentum in Congress. It passed the House a few days back. It would allow the Feds to seize hardware that has even one file coming from 'dubious origins,' e.g. downloaded from P2P. If passed into law, the bill would establish an Intellectual Property Enforcement Division within the office of the Deputy Attorney General. Rep. John Conyers says the goal is to 'prioritize intellectual property protection to the highest level of our government.'" -
MP3 Format Still Gathering Momentum
PoliTech sends us over to Billboard.com for a detailed article about the coming tipping point in the music business in favor of MP3. The two biggest drivers pushing Warner and Sony BMG toward MP3 are an upcoming massive Amazon-Pepsi download giveaway and a positive move by the usually maligned Wal-Mart (according to sources): "...Wal-Mart [alerted] Warner Music Group and Sony BMG that it will pull their music files in the Windows Media Audio format from walmart.com some time between mid-December and mid-January, if the labels haven't yet provided the music in MP3 format." -
RIAA Targets New Colleges, Still Avoids Harvard
NewYorkCountryLawyer writes "Billboard reports that the RIAA has filed its eighth round of 'early settlement' letters to twenty-two colleges. Continuing its practice of avoiding Harvard, the RIAA's new round does not include any letters to that institution, where certain law professors have counseled resistance to the RIAA and told the RIAA to 'take a hike'. The unlucky institutions on the receiving end of the 403 new letters include Arizona State University (35 pre-litigation settlement letters), Carnegie Mellon University (13), Cornell University (19), Massachusetts Institute of Technology (30), Michigan State University (16), North Dakota State University (17), Purdue University — West Lafayette and Calumet campuses (49), University of California — Santa Barbara (13), University of Connecticut (17), University of Maryland — College Park (23), University of Massachusetts — Amherst and Boston campuses (52), University of Nebraska — Lincoln (13), University of Pennsylvania (31), University of Pittsburgh (14), University of Wisconsin — Eau Claire, Madison, Milwaukee, Stevens Point, Stout and Whitewater campuses (62)." -
Court Rules Playlist Customization Is Not Interactive
prostoalex writes "Is music played via customized playlist delivered interactively (i.e., via user participation) or non-interactive (i.e., decisions are made on the server side)? The question does seem metaphysical, but it took Sony BMG Music Entertainment and Yahoo! six years to figure it out via a protracted legal battle. User-driven playlists are bucketed with on-demand music services, while server-driven playlists are equaled to broadcasts, thereby causing different licensing mechanisms to take place. Yahoo! inherited the legal wrangle when it purchased a music startup Launch, which built a music recommendation feature. The court decision determined that recommendation algorithms that rely on usage data to build playlists server-side are still eligible for broadcast license, thereby substantially lowering the costs of operating a music recommendation site."