Slashdot Mirror

An anonymous reader writes "I've never been able to work up a fear of the robot apocalypse," admits R.U. Sirius, who more than 20 years after Mondo 2000's original guide to geek culture has again collaborated on a new encyclopedia of emerging technologies. As we progress to a world where technology actually becomes invisible, he argues that "everything about how we will define the future is still in play," suggesting that the transhumanist movement is "a good way to take isolated radical tech developments and bundle them together". While his co-author argues transhumanists "like to solve everything," Sirius points out a much bigger concern is a future of technologies dominated by the government or big capital.

theodp writes "Made possible by a $30 million grant from the Dept. of Education's Race to the Top program, the NY Times reports that every student and teacher in 18 of Guilford County's (NC) middle schools is receiving a tablet created and sold by Amplify, a division of Rupert Murdoch's News Corporation. The tablets — 15,450 in all — are to be used for class work, homework, educational games — just about everything. With a total annual per unit lease cost of $214, Amplify was the low bidder of those responding to Guilford's Race-to-the-Top RFP, including Apple. Touted by Amplify as one of the largest tablet deployments in K-12 education, the deal raised some eyebrows, since Guilford's School Superintendent once reported to an Amplify EVP when the latter was the superintendent of Charlotte-Mecklenburg schools, coincidentally a proving ground of the Gates Foundation. Amplify and the Gates Foundation are partners on a controversial national K-12 student tracking database that counts the Guilford County Schools among its guinea pigs. Getting back to the hardware, after putting their John Hancock on a Student Tablet Agreement and the Acceptable Use Guidelines for Tablet, students are provided with an ASUS-made tablet "similar to ASUS MeMO Pad ME301T" ($279 at Wal-Mart). The News & Record reports on some glitches encountered in the first week of the program, including Internet connectivity issues affecting about 5% of the tablets."

theodp writes "For all of their handwaving at Code.org about U.S. kids not being taught Computer Science, tech execs from Microsoft, Google, and Facebook seem more focused lately on Plan B of their 'two-pronged' National Talent Strategy. So, who's going to teach your children CompSci? Enter friend-of-the-Gates-Foundation Rupert Murdoch. Murdoch's Amplify Education is launching an AP Computer Science MOOC this fall (Java will be covered), taught by an experienced AP CS high school teacher (video). An added option, called MOOC Local, will provide additional resources to schools with students in the CS MOOC. MOOC Local will eventually cost $200 per student, but is free for the first year."

alexburnsdisinfo writes "Mark Pesce has given a riveting talk to Australia's Smart Internet CRC on Open Source Television. Rights for reuse granted under the Creative Commons Attribution License." (The talk is here transcribed as text, and it's good reading.)

alexburnsdisinfo writes "Mark Pesce has given a riveting talk to Australia's Smart Internet CRC on Open Source Television. Rights for reuse granted under the Creative Commons Attribution License." (The talk is here transcribed as text, and it's good reading.)

Sure, we are being lied to by bloated, corporatized media all the time. What else is new? The great promise of the Net and Web has always been more truth: a great, hyper-linked network of diverse, individual expression, a vast, linked alternative subculture. There is hope. You can go to the Disinformation Web Site to see that idea in action, despite the AOL-ing and MSN-ing of cyberspace. This trove -- its content ranges from "The X-Men" and "Space Mutation" to "The Matrix" to pieces on the Real Jesus and Radiohead -- is what the Web is really about. It offers perspectives you definitely won't find anywhere in the mass media. Don't miss Marty Beckerman's "Death to all Cheerleaders 1." (Marty, whose piece became a book, was canned from a daily newspaper for observing that cheerleaders were "a urine stain on the toilet seat of America.")

The site's left-of-center-pieces -- with generous links to other POVs -- vary wildly in quality and usefulness, but you can find some real gems on disinfo.com. Taken together, the stories on this important, possibly even landmark site are a sharp indictment of the humorless and tepid way the popular media screen out opinion and commentary that's different, provocative or original.

We know too well that most mainstream media -- TV networks, major newspapers and newsmagazines, commercial news web sites -- have been corporatized, homogenized and mass-marketed by profit-obsessed corporate execs from Disney and General Electric. They could as well be -- and simultaneously are -- selling them park tickets and light bulbs as ideas and opinions. Newspapers have grown stupefyingly boring, their commentary relegated to snoozy op-ed pages. Cable TV, once the great hope, is becoming a nightmare of fragmentation, eternal argument and dogmatic fanaticism. Except for slight variations -- Fox News' interesting right-wing tilt, for example -- most mainstream news organizations stock to a militantly moderate point of view, veering a wee bit to the right or a tad to the left but never much further.

The target audience of most major media, from your daily paper to Time and CNN, is the appliance-and-car acquiring middle class, who seem to like their politics tepid and lite, the way AOL users like their Net. With media so firmly in the grip of market research, it's tough to know what they might cover if they were left to their own imaginations.

"Disinformation" is, to say the least, different. It was launched in l996 by Richard Metzger, now edited by Alex Burns. It's arguably one of the best-designed and most interesting alternative news and underground culture sites online. Apart from its own content, the site provides a subculture search engine which directs a reader to sites and relevant links. The site's political bias is clearly leftish, but its links are refreshingly open-minded, incorporating ideas, opinions and responses far beyond traditional definitions of "progressive." In fact, Disinformation is really, in many ways, a dogma killer. Despite the editors' viewpoint, readers get drawn into all sorts of opinions and debates any time they pursue a story or essay.

Apart from the excitement generated by a website that circulates about alternative ideas -- ideas the Net helps to keep alive -- Disinformation is beautifully designed. There's a Disinformation store, of course, offering T-shirts and books. There's easy access to stories by popularity and topic -- from activism and aliens to media, mind control, spirituality and technology. For all the ballyhoo and media hype about sites like Slate, with its heavy Microsoft subsidy, Disinformation really seems to get the fusion between interactivity and ideas. It's an exciting place to browse.

From the beginning, the Net was meant to open up information and give voice to different kinds of people and points of view. The Web, with its hyperlinking, took that idea still further. But in the past few years, that notion seems to have grown tired, in between the copyright wars, the dot.com era and the so-called Net slump. It seemed that corporate America -- Yahoo, MSN and AOL -- was devouring the Web whole. That's why sites like Disinformation are so important. They are the real heart of the Web.

Sure, we are being lied to by bloated, corporatized media all the time. What else is new? The great promise of the Net and Web has always been more truth: a great, hyper-linked network of diverse, individual expression, a vast, linked alternative subculture. There is hope. You can go to the Disinformation Web Site to see that idea in action, despite the AOL-ing and MSN-ing of cyberspace. This trove -- its content ranges from "The X-Men" and "Space Mutation" to "The Matrix" to pieces on the Real Jesus and Radiohead -- is what the Web is really about. It offers perspectives you definitely won't find anywhere in the mass media. Don't miss Marty Beckerman's "Death to all Cheerleaders 1." (Marty, whose piece became a book, was canned from a daily newspaper for observing that cheerleaders were "a urine stain on the toilet seat of America.")

The site's left-of-center-pieces -- with generous links to other POVs -- vary wildly in quality and usefulness, but you can find some real gems on disinfo.com. Taken together, the stories on this important, possibly even landmark site are a sharp indictment of the humorless and tepid way the popular media screen out opinion and commentary that's different, provocative or original.

We know too well that most mainstream media -- TV networks, major newspapers and newsmagazines, commercial news web sites -- have been corporatized, homogenized and mass-marketed by profit-obsessed corporate execs from Disney and General Electric. They could as well be -- and simultaneously are -- selling them park tickets and light bulbs as ideas and opinions. Newspapers have grown stupefyingly boring, their commentary relegated to snoozy op-ed pages. Cable TV, once the great hope, is becoming a nightmare of fragmentation, eternal argument and dogmatic fanaticism. Except for slight variations -- Fox News' interesting right-wing tilt, for example -- most mainstream news organizations stock to a militantly moderate point of view, veering a wee bit to the right or a tad to the left but never much further.

The target audience of most major media, from your daily paper to Time and CNN, is the appliance-and-car acquiring middle class, who seem to like their politics tepid and lite, the way AOL users like their Net. With media so firmly in the grip of market research, it's tough to know what they might cover if they were left to their own imaginations.

"Disinformation" is, to say the least, different. It was launched in l996 by Richard Metzger, now edited by Alex Burns. It's arguably one of the best-designed and most interesting alternative news and underground culture sites online. Apart from its own content, the site provides a subculture search engine which directs a reader to sites and relevant links. The site's political bias is clearly leftish, but its links are refreshingly open-minded, incorporating ideas, opinions and responses far beyond traditional definitions of "progressive." In fact, Disinformation is really, in many ways, a dogma killer. Despite the editors' viewpoint, readers get drawn into all sorts of opinions and debates any time they pursue a story or essay.

Apart from the excitement generated by a website that circulates about alternative ideas -- ideas the Net helps to keep alive -- Disinformation is beautifully designed. There's a Disinformation store, of course, offering T-shirts and books. There's easy access to stories by popularity and topic -- from activism and aliens to media, mind control, spirituality and technology. For all the ballyhoo and media hype about sites like Slate, with its heavy Microsoft subsidy, Disinformation really seems to get the fusion between interactivity and ideas. It's an exciting place to browse.

From the beginning, the Net was meant to open up information and give voice to different kinds of people and points of view. The Web, with its hyperlinking, took that idea still further. But in the past few years, that notion seems to have grown tired, in between the copyright wars, the dot.com era and the so-called Net slump. It seemed that corporate America -- Yahoo, MSN and AOL -- was devouring the Web whole. That's why sites like Disinformation are so important. They are the real heart of the Web.

The movie industry, at least as embodied by the eight big studios that make up the MPAA, has an attitude about home movie viewing of "fair use, schmair use." Just because you bought a movie on DVD, and the hardware to play it back, the MPAA doesn't want you to watch it except with playback mechanisms they've approved. And despite the relative fame (or is it notoriety?) of software to allow viewing DVDs under Linux, or to convert the data-hungry DVD format to leaner alternatives, using it is beyond the ken of most computer users -- Yes, even Linux users. Not to worry.

Nick Hodulik, Director of Technology for disinfo.com writes:

" [...] Anyway, I thought that Slashdot might be interested in a dossier that we are featuring this week. The dossier covers the basics/history of the DivX codec, Video Compression, and DVD piracy. In addition the dossier features numerous links to tutorials and further information. I'm excited about this piece because I feel that it not only is a good introduction to this genre, but it also provides the reader with access to just about everything needed make and play DivX encoded files. The dossier is currently being featured on the front-page of disinfo.com, and is also accessible at [T his page].

The brief history and explanation of DeCSS and DivX is geared to readers unfamiliar with them, and probably contains little new information to regular slashdot readers. On the other hand, the collection of links -- leading to information about setting up video playback on your system, about the DeCSS saga in more detail, and about next-generation DivX codecs -- is well-chosen and worth exploring top to bottom.