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Thanks to subscription-based music streaming services, the music industry is seeing a significant growth for the first time in nearly two decades. According to International Federation of the Phonographic Industry (IFPI), an industry trade group, the global music sales rose 3.2 percent last year, also surpassing those from all physical music formats. The important tipping point in 2015 saw digital services account for 45 percent of recorded music revenue. According to the report, Spotify, Apple Music and other music streaming services brought in about $2.9 billion in revenue. The findings are in line with Recording Industry Association of America (RIAA)'s estimates from last month. IFPI also noted that music on free streaming services such as YouTube has also grown quickly, creating a panic among record labels and artists alike. Billboard elaborates that aspect: In criticizing ad-supported services, the IFPI joined a growing list of trade bodies and music company executives to criticize YouTube for paying royalties that are relatively low when considering its popularity. The report argues YouTube distorts its negotiations with labels by hiding behind the DMCA "safe harbor" rules that limit the liability of online intermediaries from the infringing actions of their users. The result, the IFPI argues, is YouTube can use an "act first, negotiate later" that "fundamentally distort[s] the negotiation process."

Zaatxe writes with a bit of news about the music industry; sales are slightly up (basically flat). From the article: "The music industry, the first media business to be consumed by the digital revolution, said on Tuesday that its global sales rose last year for the first time since 1999, raising hopes that a long-sought recovery might have begun. The increase, of 0.3 percent, was tiny, and the total revenue, $16.5 billion, was a far cry from the $38 billion that the industry took in at its peak more than a decade ago. Still, even if it is not time for the record companies to party like it's 1999, the figures, reported Tuesday by the International Federation of the Phonographic Industry, provide significant encouragement. 'At the beginning of the digital revolution it was common to say that digital was killing music,' said Edgar Berger, chief executive of the international arm of Sony Music Entertainment. Now, he added, it could be said 'that digital is saving music.'" Because CDs aren't digital. CD sales are declining, and being replaced by the sale of lossy files. I wonder how much more money they could be making if they'd just sell folks lossless music on the open market (not just iTunes) since at least that's all that keeps me buying a CD or three a year (I own way too many CDs personally, and stopped buying music until discovering Bandcamp and easy lossless downloads rekindled my desire to find new stuff).

An anonymous reader writes "The IFPI, the global recording industry association, recently released its Recording Industry in Numbers 2012, which provides detailed sales data from countries around the world. While CRIA talks about 'rebuilding the marketplace,' the industry's own data indicates that Canada already stands among the global leaders in digital music sales. Michael Geist digs into the data and finds that Canadians purchased more single track downloads than Germany or Japan, and more than double the sales in France, despite the fact that each of those countries has far larger populations. In fact, Canadian sales were larger than all the sales from Austria, Belgium, Croatia, Finland, France, Greece, Ireland, the Netherlands, Portugal, Spain, and Sweden combined. Not only is the Canadian digital market far larger than virtually every European market, it continues to grow faster than the U.S. digital music market as well. In fact, the Canadian digital music market has grown faster than the U.S. market for the past six consecutive years."

fgaliegue writes "Ars Technica has a follow-up on the ifpi.com domain takeover by The Pirate Bay. The International Federation of the Phonographic Industry, ifpi.org, is quite unhappy that the .com is now a link to the (still not live) International Federation of Pirates Interests. The ifpi.com domain has been free as soon as March of this year, according to WebArchive. Nevertheless, the "real" IFPI wants to take it to the WIPO under the accusation of cybersquatting."

mrsalty writes "CNET reports that IFPI representatives are pushing a new piece of software to delete filesharing programs. It will also 'search computers for music and movies and remove any illegal copies'." From the article: "Digital File Check is easy to use and can help people prevent their employees, children and others from illegally downloading and swapping movies ... It could be especially useful for parents who want to encourage their children to enjoy music responsibly on the Internet ... It is free, voluntary and for private use only and does not tip off any antipiracy organizations."

JamesD_UK writes "John Kennedy, President and COO of Universal Music is to succeed Jay Berman as Chairman of the IFPI, the worldwide equivalent to the RIAA. Andrew Orlowski of The Register has written an article covering John Kennedy's views on copyright infringement and the public domain. Although Kennedy's thoughts on the former are predictable, he has vowed to fight hard to extend European recording copyrights past the current fifty year term. An extension of the European term to match the US would be particularly damaging to the public domain and efforts such as the Internet Archive as well as increasing the control that the recording industry holds over performers. For those interested, I run a small blog of articles regarding copyright recordings."

securitas writes "AP and many others report that the International Federation of the Phonographic Industry - IFPI - has sued 247 accused file-sharers in Germany, Denmark, Italy and Canada as part of an unprecedented, coordinated attack. The IFPI represents the global recording industry through its members - national associations like the IFPIG, DRIA, FIMI, CRIA and RIAA - and says it will launch more international lawsuits in the months ahead. You may also want to read the official IFPI 'first wave' press release/related documents and a statement by the IFPI's chairman and CEO. Lots of coverage at AP/AJC, USA Today, the New York Times, Reuters/CNN Money, ZDNet/CNet, Bloomberg , netimperative and the BBC. The timing of the international legal attacks is especially interesting in light of the recent study that indicates file-sharing has a negligible impact on music sales."

securitas writes "AP and many others report that the International Federation of the Phonographic Industry - IFPI - has sued 247 accused file-sharers in Germany, Denmark, Italy and Canada as part of an unprecedented, coordinated attack. The IFPI represents the global recording industry through its members - national associations like the IFPIG, DRIA, FIMI, CRIA and RIAA - and says it will launch more international lawsuits in the months ahead. You may also want to read the official IFPI 'first wave' press release/related documents and a statement by the IFPI's chairman and CEO. Lots of coverage at AP/AJC, USA Today, the New York Times, Reuters/CNN Money, ZDNet/CNet, Bloomberg , netimperative and the BBC. The timing of the international legal attacks is especially interesting in light of the recent study that indicates file-sharing has a negligible impact on music sales."

securitas writes "AP and many others report that the International Federation of the Phonographic Industry - IFPI - has sued 247 accused file-sharers in Germany, Denmark, Italy and Canada as part of an unprecedented, coordinated attack. The IFPI represents the global recording industry through its members - national associations like the IFPIG, DRIA, FIMI, CRIA and RIAA - and says it will launch more international lawsuits in the months ahead. You may also want to read the official IFPI 'first wave' press release/related documents and a statement by the IFPI's chairman and CEO. Lots of coverage at AP/AJC, USA Today, the New York Times, Reuters/CNN Money, ZDNet/CNet, Bloomberg , netimperative and the BBC. The timing of the international legal attacks is especially interesting in light of the recent study that indicates file-sharing has a negligible impact on music sales."

Don Symes writes "Sony Music and Universal appear to be getting ready to allow downloads of singles for $.99 and albums for $9.99 without crippleware or restrictions on personal copying/burning." Another semi-interesting piece submitted by several people is this propaganda from the recording industry. 2.8 million copyright-infringing CD-R's were seized in the U.S. last year (9 million world-wide); from that the IFPI extrapolates that 950 million copyright-infringing CD-R's were actually sold, world-wide. How do you get from 9 million to 950 million? Mostly hand-waving .

Lots of people sent in links to stories about the music industry holding a press conference and claiming that people are copying music rather than buying it (see their press release if you like). But there are some alternative points of view too: a study at the University of Buffalo claims that music sharing may cut down on superstars and promote new music. The New Republic has a story about a band that released their album on the Net six months before CDs were available, and is now wondering whether fans will buy more, less, or about the same number of aluminum and plastic circles. And a nice chart I saw a few days ago compares CD sales vs. price over the last several years and suggests that price-fixing by the recording industry may play a part in slowing sales.