Slashdot Mirror

wraggster writes " Tapwave Zodiac owners today enjoyed the Release of a major multiple system emulator called LittleJohn Z that includes such systems as Snes, Genesis, PC Engine, Nes, GBC, Wonderswan and NeoGeo Pocket. Sites such as Zodiac Gamer & Zodiac Emulation have more information on this release."

CrankyFool writes "Never having been a huge graphic book fan, I didn't discover Neil Gaiman until my appreciation for Pratchett led me to find Good Omens. Years after Good Omens I discovered urban fantasy as done by Gaiman and hungrily devoured American Gods and Neverwhere. After raving about Neverwhere, someone recommended King Rat by China Mieville (rather than James Clavell, who wrote a very, very different King Rat ) to me. Well, I'll give any author a chance, especially after they'd been reviewed so positively on Slashdot (see an earlier review of Perdido Street Station)." Read on for the rest of CrankyFool's review. King Rat author China Mieville pages 320 publisher Tor Books rating 8 reviewer CrankyFool ISBN 0312890729 summary Saul Garamond is blamed for his father's death, broken out of jail, and finds out his the half-human heir to the rat kingdom and a thousand-year-old conflict. Things go downhill from there.

King Rat is incredibly similar to Gaiman's American Gods and Neverwhere -- I've purposefully not looked into the chronology of publication so I don't want to assert who was influenced by whom, but some significant elements of Neverwhere -- London as a setting, the critical presence of rats, a malevolent, almost-unkillable foe -- and American Gods -- a protagonist who loses someone dear to him very early in the work (Shadow loses his wife in AG, while Saul loses his father), and who struggles through a new understanding of his role in the world, a new appreciation for the fact he was born for a specific destiny, and a rebellion against his father. Hell, one character actually appears in both American Gods and King Rat.

There's probably a very strong correlation between people who liked American Gods and Neverwhere and people who'll like King Rat. At the same time, King Rat's tone is incredibly different -- it's not a derivative of Gaiman's work as much as it is a close family relation. It's almost totally bereft of humor, unlike Neverwhere, and not quite as awash in a palpable sense of loss as American Gods (especially given Shadow's ongoing relationship with his wife). Unlike the other two books, I found this one a little slow to get into, reading five pages here, ten pages there, until it finally hooked me.

King Rat's story revolves around Saul Garamond, who comes home one night to find that someone has killed his estranged father -- and the police think it's him. Garamond is broken out of prison by the title furtive character, who lost his dominion over the rats in the Hamlin catastrophe, and who introduces himself as Saul's uncle. So yes, the protagonist of King Rat is, in fact, Prince Rat (who is half man and half rat).

The rest of the book is the detailing of the conflict between the Rat, Bird, and Spider people and the pied piper of Hamlin who, in fact, turns out to be quite evil and fond of killing things.

Music is at the core of King Rat, from the basic most powerful talent of the nemesis, to the particular defenses of Saul (since he's a halfling, neither human-snaring music nor rat-snaring music alone could get him), to the interweaving of Saul's story with that of Natasha, a friend of his and a jungle-music DJ. Parts of the book, discussing the music arrangement and the role of bass in the actual communication of emotion to an audience, felt like they might be lost a little on a reader who hasn't been awash in that rhythm in a club. Thankfully for the vast majority of slashdotters, that's not a huge part of the book and even if you've never gone clubbing, held a rhythm, or danced your ass off, you're not likely to be alienated by it.

Mieville decided to end the book and the conflict in a way that felt more ambiguous than it could have been. While I applaud any author who doesn't bow and scrape to the convention that if you have a battle between good and evil, evil must be completely vanquished by the end of the work, I couldn't help feel that Mieville ended the book in such a way at least partially so a sequel could be written, featuring largely the same characters. It left me uneasy and on the verge of feeling a little cheated.

So that's the downside. On the upside, I found Saul's characterization engaging, interesting, and real. Saul is not as good of a man as we all would like to be, but he's probably as good as most of us get to be. Especially in the beginning, he's pretty wretchedly whiny. He's not exceedingly brave, or truthful, or kind. He's just ... a guy, with some special powers due to his parentage, thrust into a reality that is wildly different from his own, and he does his best to adapt to it. Saul's friends, Natasha Fabian and Kay, can't be drawn with as fine of a stroke because the book isn't about them, but they're still interesting and nuanced. Pete, the piper of Hamlin, is rather less complex. He's evil. He's strong. He is, in Jules' immortal terms, a bad motherfucker. With a flute.

Darn decent book, I'd say. If you liked Neverwhere (and can stand urban fantasy that isn't funny), or American Gods (and can stand urban fantasy that isn't set in the U.S.), you owe it to yourself to check it out.

China Mieville's official website was down last time I checked -- you may have more luck finding stuff about him at his unofficial home page.

You can purchase King Rat from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

wraggster writes "The helpful people over at EAGB have done a great review of a new third-party GBA SP Movie Player Adapter. According to the review: 'This adapter... uses Compact Flash Cards (CF)... [and] comes with its own encoder software which gives the user free reign to encode any movie or music he wants.' They note the 'steep learning curve', and a 'rudimentary' feature set, but conclude: 'nothing beats that wow! factor when you see your first movie playing on the GBA/SP'." This is an interesting alternative to the recently announced U.S. and already-released Japanese GBA movie players, both of which restrict the movie content you can put on your Game Boy in some way.

Mirkon writes "After non-specific claims of high sales, Nokia's Ilkka Raiskinen has now stated that the Nokia N-Gage's first two weeks have seen massive success, with sales of over 400,000 units worldwide. Analysts are skeptical, firstly because 400,000 is not an exceptionally great amount, and secondly because the number 'refers to models Nokia has sold to shops and other retail outlets', not the amount sold to consumers." Also, drewqmn writes "I noticed on the GameStop website that they are already selling the N-Gage at $199.99 [GamerFeed has a story on this currently unofficial, store-specific price cut, though there are rumors it may be official soon.] Has any console/platform dropped in price so fast?"

Mirkon writes "A while back, U-Haul filed suit against adware giant WhenU for displaying competing advertisements to users as they browsed U-Haul's site. Friday, District Judge Gerald Bruce Lee's ruling dismissed U-Haul's suit, saying '...the fact is that the computer user consented to this detour when the user downloaded WhenU's computer software from the Internet,' and 'Alas, we computer users must endure pop-up advertising along with her ugly brother, unsolicited bulk e-mail, "spam," as a burden of using the Internet.' While the ruling was issued in the context of unfair competitive marketing, it's speculated that this will have broad implications in the fight against adware - and they aren't kind to the user. WhenU chief executive Avi Naider is unfortunately quoted as saying 'This is a victory for consumer choice -- it ultimately protects consumers' right to control what they see on their computer screens.'"

An anonymous reader writes: "Sellotape New Zealand Limited have recently sent out a number of letters to New Zealanders who have used the word 'Sellotape' on their websites. Sellotape is a brand of adhesive tape. It appears they are attempting to crack down on the use of their trademark in a colloquial/generic sense out of fear that their Trademark value is being diluted and that they may even lose the rights to the mark under proposed new New Zealand legislation. Many of those who have received these letters and/or heard about it regard this as monumentally stupid. One such group of individuals has gone as far as setting up a web-site dedicated to parodying the situation and informing the New Zealand public what they can do to fight back against these 'Big Business Bullies.'"

OmegaGeek writes "Wired is reporting from NECC 2002 that one solution to achieving universal computer access advocated by teachers (and marketing departments too, no doubt) is the use of handheld computers instead of laptops or desktop PCs. Is this a reasonable solution? Does it offer anything for the students other than the ability to beam notes instead of passing a piece of paper? I've also posted a commentary at LearningTech."