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Geoffrey.landis writes "Some of you may have heard me talk about colonizing Venus. Well, for those who haven't, Universe Today is running story about floating cities on Venus. It's a reasonable alternative for space colonies — after all, the atmosphere of Venus (at about 50 km) is the most Earth-like environment in the solar system (other than Earth, of course). '50 km above the surface, Venus has air pressure of approximately 1 bar and temperatures in the 0C-50C range, a quite comfortable environment for humans. Humans wouldn't require pressurized suits when outside, but it wouldn't quite be a shirtsleeves environment. We'd need air to breathe and protection from the sulfuric acid in the atmosphere.'"

Geoffrey.landis writes "A Purdue University panel investigated allegations against nuclear engineering professor Rusi Taleyarkhan, finding that he had in fact committed scientific misconduct in his work. Taleyarkhan had published papers in which he reported seeing evidence of nuclear fusion in the collapse of tiny bubbles in a liquid subjected to ultrasonic excitation — a finding that would be groundbreaking, if true, but one that apparently could not be replicated by other researchers. The allegations against Taleyarkhan were made in March of 2006. A local Indiana paper gives the full list of allegations against Taleyarkhan, and the resolution of each by the panel. The full report (PDF) is also available. Of the nine specific allegations, only two were found to comprise scientific misconduct. The committee 'could not find any other instances of scientists being able to replicate Taleyarkhan's results without Taleyarkhan having direct involvement with the experiments,' but notes that this comes 'just short of questioning whether Taleyarkhan's results were fraudulent.'" We've discussed this gentleman's work and the scrutiny it has received several times, and members of the scientific community seem to have given him the benefit of the doubt in many cases.

Geoffrey.landis writes "The Massachusetts Department of Industrial Accidents fired worker Michael Fiola and initiated procedures to prosecute him for child pornography when they determined that internet temporary files on his laptop computer contained child porn. According to Fiola, 'My boss called me into his office at 9 a.m. The director of the Department of Industrial Accidents, my immediate supervisor, and the personnel director were there. They handed me a letter and said, "You are being fired for a violation of the computer usage policy. You have pornography on your computer. You're fired. Clean out your desk. Let's go."' Fiola said, 'They wouldn't talk to me. They said, "We've been advised by our attorney not to talk to you."' However, prosecutors dropped the case when a state investigation of his computer determined there was insufficient evidence to prove he had downloaded the files. Computer forensic analyst Tami Loehrs, who spent a month dissecting the computer for the defense, explained in a 30-page report that the laptop was running corrupted virus-protection software, and Fiola was hit by spammers and crackers bombarding its memory with images of incest and pre-teen porn not visible to the naked eye. The virus protection and software update functions on the laptop had been disabled, and apparently the laptop was 'crippled' by malware. According to Loehrs, 'When they gave him this laptop, it had belonged to another user, and they changed the user name for him, but forgot to change the SMS user name, so SMS was trying to connect to a user that no longer existed ... It was set up to do all of its security updates via the server, and none of that was happening because he was out in the field.' A malware script on the machine surfed foreign sites at a rate of up to 40 per minute whenever the machine was within range of a wireless site."

An anonymous reader writes "The Mars rover Spirit has been inching carefully down the north slope of the feature 'Home Plate' to tilt its solar panels into the sun to survive the long Martian winter. On Friday, it reached a tilt of 29.9 degrees, probably the final tilt it will reach for the winter. Although it's used the tilt strategy to increase power over the Martian winter twice before, this year it's especially critical, since a global dust storm last summer has left the solar-powered rover covered with dust and starved for power. Geoffrey Landis, one of the MER scientists, commemorated Spirit's trek to the winter haven with a sonnet on his blog. (The second of the two rovers, Opportunity, is at a landing site that's not as far into the southern hemisphere, and hence has less need to find a tilted surface.) OSU has a website explaining some of the software used to visualize the terrain to optimize the tilt, and for the latest news, the ongoing log of the rover status is updated weekly."

Geoffrey.landis writes "The administration announced plans to withdraw its support from FutureGen. FutureGen was a project to develop a low CO2-emission electrical power plant, supported by an alliance of a dozen or so coal companies and utilities from around the world. The new plant would have captured carbon dioxide produced by combustion and pumped it deep underground, to avoid releasing greenhouse-gas into the atmosphere. It had been intended as a prototype for next generation clean-coal plants worldwide. Originally budgeted at about a billion dollars, the estimated cost had "ballooned" to $1.8 billion, according to U.S. Energy Secretary Samuel Bodman."

Geoffrey.landis writes "Microsoft apologized to rival software vendor Corel Corp. for saying that Corel's file format posed a security risk, and issued a set of tools to unblock file types that had been blocked by default in the December Office 2003 service pack. In his blog on the Microsoft site, David Leblanc says 'We did a poor job of describing the default format changes.' He goes on to explain, 'We stated that it was the file formats that were insecure, but this is actually not correct. A file format isn't insecure — it's the code that reads the format that's more or less secure.' As noted by News.com, 'it is the parsing code that Office 2003 uses to open and save the file types that is less secure.' Larry Seltzer at pcmag.com also blogs the story."

Geoffrey.landis writes "It was only a small news item four months ago: all three of the Russian computers that control the International Space Station failed shortly after the Space Shuttle brought up a new solar array. But why did they fail? James Oberg, writing in IEEE Spectrum, details the detective work that led to a diagnosis." The article has good insights into the role the ISS plays as a laboratory for US-Russian technology cooperation — something that is likely to be crucial in any manned Mars mission.

Geoffrey.landis writes "Auto industry blogger Lawrence Ulrich notes that Honda is now making a "Partial Zero Emissions Vehicle" (or PZEV for short) version of the 2008 Accord, an all-new vehicle that is redesigned to meet California emission standards. He notes "So, just how green is a PZEV machine? Well, if you just cut your lawn with a gas mower, congratulations, you just put out more pollution in one hour than these cars do in 2,000 miles of driving." But the irony is that it's actually illegal for automakers to sell these green cars outside of the special states they were designed for! Apparently, anybody selling one of these ultra-green vehicles out of the correctly-designated venue — which means either California, or seven northeast-states with similar pollution laws — "could be subject to civil fines of up to $27,500. Volvo sent its dealers a memo alerting them to this fact, noting that its greenest S40 and V50 models were only for the special states.""

Geoffrey writes "The recent movie Sunshine features a scene (echoing the famous scene in 2001: a Space Odyssey) in which two astronauts have to cross from one ship to another without spacesuits. But, can you survive in space without a spacesuit? Morgan Smith, writing in Slate, asks whether this is realistic, and concludes: "Yes, for a very short time.""

Daniel Dvorkin writes "In the latest example of over-the-top intellectual property demands, Russia wants licensing fees for the production of AK-47s. According to first deputy prime minister Sergei Ivanov, the unlicensed production of Kalashnikovs (which have been around in very nearly their current form for 60 years) in ex-Soviet Bloc countries is 'intellectual piracy.' A giant but declining power starts demanding royalties on commonly used methods and materials that are widely understood, well known, and by any reasonable standard have long been in the public domain — does this sound familiar?" Wikipedia notes that the Izhevsk Machine Tool Factory in Russia obtained a patent on the manufacture of the AK-47 in 1999.

Geoffrey.landis writes "Turns out if you have a top-end Nissan car, your cellphone may erase your car key. '"We discovered that if the I-Key touches a cellphone, outgoing or incoming calls have the potential to alter the electronic code inside the I-Key," Nissan spokesman Kyle Bazemore said. "The car won't start and the I-Key cannot be reprogrammed."'"

Daniel Dvorkin writes "A New Scientist article details the claims of Jonathan Huebner, a Naval Air Warfare Center physicist, that the rate of technological innovation is actually decreasing, not increasing exponentially as some people believe. Huebner says that there are now fewer 'important technological developments per billion people' than at any time since the 17th century! I'm far from convinced, but it's an interesting and thought-provoking article." From the article: "He says the rate of technological innovation reached a peak a century ago and has been declining ever since. And like the lookout on the Titanic who spotted the fateful iceberg, Huebner sees the end of innovation looming dead ahead."

Argyle writes "I recently finished reading The Golden Transcendence by John C. Wright. A great novel that serious science fiction readers should pick up. The Golden Transcendence is the third book in The Golden Age trilogy. The first two books were The Golden Age and The Phoenix Exultant." Read on to see if this series might be for you; if so, you're just in time, because author John C. Wright (a retired attorney) is working on the next book, Orphans of Chaos. The Golden Transcendence : Or, The Last of the Masquerade author John C. Wright pages 350 publisher Tor Books rating Excellent reviewer Michael Pusateri ISBN 0765307561 summary Can the determination of an individual change the entire society?

The books are firmly in the space opera genre with a dash of Heinlein libertarianism tossed in for good measure. The story takes place in the far future when artificial intelligences (known as sophotechs) and humans live immortal lives in a libertarian society of near unlimited technology. The experience of real physical interaction is replaced in many cases by remote bodies, recorded experiences of others, and complete control of what a person perceives. Humanity has moved beyond the one body - one brain system and has adopted many different systems of thought and even physical form

Mr. Wright puts forth a brilliant vision of technology and society in the far future where wealth is measured in seconds of computer time and physical labor is non-existent. In this future, there is are still wealthy and poor people but in a different way. In a good interview, Mr. Wright explains:

There would still be rich and poor, even if the poorest of the poor were absurdly well off by our standards. No advancements can eliminate differences in the abilities of men, or the differences in how men value the abilities of their fellow man (which is what causes inequality of prices and hence of incomes). If only by comparison, there will be poverty, even in Arcadia. My characters Ironjoy, Oshenkyo, and the Afloats [...] are meant to represent this idea of future poverty; the Seven Peers represent wealth.

As an example as just one of the concepts presented, we can look at the idea of 'sensefilters.' Perception is no longer what organic senses directly tell the mind. The signals received by the body or remote bodies are processed to be acceptable to the person's particular preferences. If a person doesn't like to see advertising, their mind eliminates the advertising from their vision and fills in the scene with what would be there if the advertisement wasn't there. Consciously, the person isn't aware of this, only that they have requested not to see advertisements. Sensefiltering can be used to remove (or add) objects, people, and even ideas from an individual's perception. The plot devices are interesting stuff that Mr. Wright explores in just enough detail to keep you wanting more throughout the trilogy.

The protagonist, Phaethon, is the son of one of the most important people in the society (known as the Golden Oecumene). In the first two books, Phaethon struggles against first the realization that he is missing parts of his memory, his struggle against society, his fall into exile, and his return to strength.

The third book finds Phaethon poised to fight against the true enemy that has been revealed to him. Without spoiling too much, Phaethon is forced to fight for the very survival of his society (which tossed him out) or allow it to be destroyed.

The author, John C. Wright, obviously has a libertarian heart and embodies the attributes of individuality, resourcefulness, ingenuity and desire for progress in Phaethon, the hero. In the opening novel, we find a society content with things how they are, willing to simply stop progress to prevent anything from changing their utopia in any meaningful way. Phaethon is a man of action in opposition to the statist Golden Oecumene. The underlying theme is that without mankind's strive for exploration and new goals, it is doomed.

Overall, an excellent book and series for the science fiction reader looking for something more than blasters and evil six-legged aliens. Getting used to the terminology and concepts is slow at first but well worth the effort.

Final note: If you enjoy Iain Banks's Culture series, Peter Hamilton's Night's Dawn, or John Varley's Eight Worlds, you will enjoy the The Golden Transcendence and the entire Golden Age Trilogy.

You can purchase The Golden Transcendence from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

Daniel Dvorkin writes "This BusinessWeek article argues convincingly that Linus Torvalds has more resources at his disposal than Bill Gates. Not only is it a nice overview of Why Open Source Really Matters pitched to a non-technical audience, but it makes a solid argument in favor of OSS in general and Linux in particular, from a solidly capitalist perspective."

securitas writes "For those that follow these sorts of things, the 2003 Hugo Award Winners list has been released (PDF). Robert Sawyer's 'Homonids' won Best Novel, fan favorite Neil Gaiman won Best Novella for 'Coraline', Geoffery A. Landis won Best Short Story for 'Falling Onto Mars', Buffy the Vampire Slayer's 'Conversations with Dead People' won Best Short Form Dramatic Presentation and predictably 'The Lord of the Rings: The Two Towers' won Best Long Form Dramatic Presentation. You can get all the details at the Torcon 2003 Hugo Awards section."

Daniel Dvorkin writes "MSNBC (oh, the irony) is running a scary article entitled Microsoft's big role on campus, detailing how Microsoft is working its way into academic computer science through a combination of bribery and propaganda. The aricle may be overstating the case, but it does make it sound as though MS products are displacing others at a disturbing rate in computer science departments. Given that academic computing has traditionally been both the source of and the stronghold for innovative software, this is a disturbing long-term trend."

Jack William Bell asks: "Could the PHBs possibly be right on this one? A recent evaluation I performed of competing commercial and Open Source products yielded the surprising result that the Open Source products were more expensive (in terms of lifetime costs) over a long term than many of the commercial offerings! Why? Basically this mostly revolves around higher support costs for Open Source products where no commercial support is available (unlike, say, Linux where you can purchase support from Red Hat, etc). This particular case might also be a result of one special set of requirements and environment and a similar evaluation for a different set of requirements and environment might yield a different outcome. But, nonetheless I found the experience instructive and I would like to ask two questions of the Slashdot readership: Firstly, is Open Source usually more expensive when all lifetime costs are factored in? And, secondly, is anyone in the business of providing commercial support and training for the entire universe of Open Source, perhaps contracting on a product-by-product basis? I guess a corollary to that question is, if not then why not? There might be a viable business model here!"

"Here are some details for you:

I am currently doing consulting work to create a complex custom search utility for a governmental agency. The first major step was, of course, to select a Search Engine that provides as many of the custom requirement features as possible; thus reducing the amount of custom code and my expensive time. Besides high-end search features my customer also required something that was fast, easily administered and likely to be supported for a very long time. Why the last? Well, the expected lifetime of the new project is ten years and this is not out of line considering that their current system is more than a generation old!

Consider again the environment; this is a government agency and is somewhat resource starved. They have a limited number of staff and the staff must split their time among many different working areas. They must be generalists and do not have time to specialize. Plus there is some turnover, especially among the better skilled staff. These factors lead to a basic requirement that there is someone they can call for support for every product they use, preferably 24 x 7. They also need to know that this support will be available for the entire lifetime of the project -- in this case a full decade.

Now to the chase -- without going into boring details, or names, we were able to locate nearly sixty Search Engines that might be suitable. Most of these were commercial, but some were Open Source. From this list we selected eight that seemed most likely to provide all the capabilities we needed, of which one was Open Source (in fact this was actually two variations of the same project). We then performed detailed paper analyses of these products, comparing features to our requirements list and doing some estimated per-year costs to determine the lifetime costs. From the results of this we selected a smaller number for in-house evaluation and from that we selected the final recommendation.

For the commercial products the vendors could supply us with support costs, often broken down in such a way we could choose our support like a Chinese menu. But for the Open Source products this was not the case. Contacting the maintainers of the Open Source products and asking if anyone provided commercial support was fruitless; in one case the response was downright rude (basically a variation on RTFM) and in the other the response was more helpful, but still could not suggest anything other than being active on the mailing list.

So I had to figure in the cost of one of my customer's IT staff staying active on that list and learning enough about the product to provide in-house support supplemented by the email list. Estimating this at one tenth of an FTE and that FTE at a low $80,000 per year resolved to $8,000 per year. This was nearly three times the cost of the most expensive commercial product support!

When factored in with equal administration costs, adding in training and support (available from these vendors) and other one-time and yearly costs (for such things as licenses), the commercial products were more expensive for the first four to six years of lifetime costs, after which the Open Source product became more expensive. Of course the difference wasn't too great, ranging from 20% to 60% higher in a ten-year lifetime. But it was there nonetheless.

Now my customers are not averse to using an Open Source product. After all, there is no guarantee that even the most established vendor will not fall by the wayside in those ten years. They just want to have a certain comfort level, even if it is illusory. And I must admit that any commercial product will require some time from their IT staff, but because there is 'support' available this is seen as being much less important. Major fixes or changes can be dealt with by hiring consultants like myself, and lesser issues dealt with by calling customer support. They might even be right in this estimation.

My estimates might have other holes as well, but that isn't germane. The selection process is nearly complete now and, in a detailed analysis the Open Source products turned out to be missing a couple of features that would have been showstoppers even had support been available. I want to know what resources I can use to (honestly) avoid this issue the next time I am comparing Open Source to commercial software for a client!"

uberdood writes "Dr. Charles Sheffield, noted for such SF works as the Heritage Universe series, Tomorrow and Tomorrow, Higher Education, The Ganymede Club, Brothers to Dragons, Cold As Ice, and The Mind Pool, has died of brain cancer at the age of 67. Sheffield will be remembered for colorful characters such as McAndrew - and the wealth of short stories that helped make SF pulp rags so enjoyable. More information can be found via the Washington Post article. One of my favorite authors, dammit."

Daniel Dvorkin writes "CNN is reporting that a planet has been found in a double star system. I know, another extrasolar planet -- whoopee! But this one is different since it is in a double star system, and because given the size of the stars (the larger one is about 1.6 times as big as the Sun), the orbit (a little bigger than that of Mars), and the planet (somewhat bigger than Jupiter) it seems very possible that the planet might have a moon of roughly Earth's size and climate. I believe this is the first discovery that comes close to matching those criteria."

Hugo and Nebula winner, fantasy/sf author for nearly half a century, Poul Anderson passed away today. Among his works I really enjoyed were the classic Tau Zero and The Boat of a Million Years. CaptainCarrot passed along the sad news: "Word had gone out to the science fiction comminity a short time ago that Poul Anderson was very ill and was probably in his last days. Earlier today, Anderson's son-in law Greg Bear posted the following to a board at sff.net:

"Friends,

Poul Anderson passed away last night, July 31-August 1, around midnight. During the afternoon, he received hundreds of emails and messages from friends and readers and fellow writers, which Astrid and Karen printed out and read to him. He died knowing (and how!) that he was loved and valued, and hearing how much his work had entertained and moved so many. Though he was weak at the end, there was no loss of mental capacity, and my last conversation with him was slow but sparkling with the curiosity and deep-seated gentlemanliness that Poul always had, and which was, I think, built into his whole body and being.

He is survived by his wife and writing partner, Karen, his daughter Astrid, brother John, grandchildren Erik and Alexandra, nieces Janet and Cathy, and by millions of readers.'

Poul Anderson was an extraordinarily rare kind of man, a brilliant writer with an impressive intellect who was yet always open, friendly, approachable, and a downright decent human being. I had the pleasure of meeting him and his wife Karen on several occasions over the years at BayCon, and I will always treasure the experience. I extend my sympathies to Karen and condolences to his family.

You can look up Poul's impressive bibliography or read an interview he did for Locus a few years ago. You can also read an obituary at the Locus site, or this notice at SFWA."

Let's start this off with bio2's link to "the tube": an unrollable laptop:super crazy hardware. seizer sent us the most amusing firewall circumventer: a TCP/IP Email Tunnel. While on the subject of bizarre technology, John Petz sent us a webserver running on an Atari 800. Still not in shock? hool sent us a hack over at x42.com which uses the hostname as input to a calculator. tdunn linked us to a place that lists odd things found inside PC cases. It includes a *shudder* severed finger tip. For more wierd tech support, yeahbensteres submitted iamanidiot.com which has some tales that you may or may not believe. Pike sent us 94 Uses for Old Altoids Tins: Who eats 94 tins of altoids? Oh... wait. OwenF sent us linkage to the latest robotic pet craze. Look out AIBO, here comes Robotic Fish! Slashdot's own jamiemccarthy points us to TimeCube.com for all your wierd-science needs. You econ majors might be interested in Yhetti's link to the fortune-cookie market index. Bradley noted a story about a man who changed his name to 'Oxford University' to avoid domain squatting charges from Oxford University. If you have a mission:impossible scheduled next week, Dr. Manhattan sent us a link to a Swiss company that is developing self-destructing CDs. The CIA has some on back order. An anonymous reader pointed us to EarthKam, which has several really beautiful pictures of earth from space. Check out their top 10 ... if only they were bigger they'd make great background art. And finally for those of you who are sick of all the naughty language on TV, deepak saxena sent us a machine that claims it will filter all the damn swearing from TV and video. I'm waiting for a version that filters out Regis.

Johnzo asks: "I'm in the market for a new printer, and I've noticed that a lot of sub-$300 laser printers are popping up on the marketplace. I don't need colour, as most of what I print is text -- but I want that text to be crisp and sharp and damp-resistant -- so a cheap laser would seem to be ideal for my needs. So, my question: can one buy a good laser for less than three bills? Does anyone have any input on specific models to look for or to avoid?" Interesting thought. The printer market seems to be chainging from year to year, and now B&W laser printers are becomming affordable for your average computer user. What recommendations do you all have?

Occasionally someone submits a feature that really raises my eyebrow. Jack William Bell did just that by submitting 'Open Source as an Ant Farm'. Its a really interesting piece that talks about code as art, and much more. Its quite funny, and its got a lot to think about. Click now, you won't regret it. Open Source as an Ant Farm by Jack William Bell

Where Open Source is concerned, hyperbole from the digerteratti hype meisters proliferates nearly as quickly as the hyperlinks they hype. Let's face it -- Clapton has been deposed; Linus Torvalds is now God. And those pundits shouting his divinity the loudest can^Òt even tell a stack register from a walrus. I wonder if Jesus had the same problem?

This constant lionizing of Linus is getting on my nerves. I mean, he is probably a great guy and all (if you know what I mean), but a great man? Usually you wait until people are safely dead (and unable to further embarrass themselves) before heaping those kinds of laurels on their heads. If I was he I would start worrying about that strange human proclivity for taking our living idols down a notch once in a while. Or even nailing them to a tree. Not to mention burning at the stake, drawing and quartering and satirizin g on TV.

But I knew things were getting ridiculous this last week when I saw three different weblogs pointing to the same dumb article using variations on the same dumb caption: 'Open Source as an Art Form' . I mean come on, just because a bunch of nutzoid art types gives Torvalds an award for Linux doesn't mean that an operating system or a development model is art! Yeesh!

Not that I don't think of programming as art mind you. After all I am a programmer myself and I often like to compare what I do to the creation of art. A kind of raw industrial art perpetuated underneath the digital world by Morlo cks like myself while the Eloi cavort on the surface, unaware of the immense complexity (and fragility) of their world. In other words code is art, but it is exclusionist art. No more approachable to the everyday person than a Jackson Pollock work. And twice as incomprehensible!

After all if everyone could do it, it wouldn't be art, would it? It would be just another craft. And if everyone could appreciate good code the way I appreciate the Impressionists then it would be 'Classical' (read 'Dead') Art. Not something alive and thriving. Bubbling and fermenting and making funny smells the way the process of hacking out good code does.

But, you say, it is being appreciated just as you would like! After all, isn't that what the award was all about?

Well, no frankly. Not even close. In my opinion if you can't write good code you can't appreciate good code. At the most you can only appreciate the end result, the compiled program. And, while some programs are definitely 'art' in their own right, many others cannot be described as such based on their even visible-to-the-user external features. And Linux, while a work of art in my programmer eyes, is really just a kernel. A piece of code that, if everything is working right, the user will never see directly. Some of my peers would agree with this. Some will not. As always opinions are all over the map...

One poster on Slashdot tried to have it both ways when he opined "Which part of the programming is the art? Is it the code, neatly formatted, with creative comments and clever algorithms or is it the finished product? When you look at 'art' in a museum, all you see is the finished product . . . So which is the art? The code or the program? I personally think it's the program, and beautiful programs usually have very nice/efficient/clean code."

While another lamented "When the New Yorker compares Open Source to the Algonquin roundtable, the seventh seal will be complete and Microsoft will be free to release Windows 2000."

And another asks "So how is this art going to be displayed? Will art galleries have framed printouts of C code, or will they just give out Linux CDs?"

How indeed? Well, if you read the dumb article I mentioned above you will find the author's thesis is that neither the source code nor the compiled Linux kernel code is the issue, rather the art in question is the Open Source development model that built it! He bases this proposition the following facts:

• China Youth Daily used the Microsoft consternation over Open Source for propaganda purposes.
• The Open Source development model (as described by Eric Raymond) is about cooperation and participation.
• Indian Potlatches were about cooperation and participation.
• The Surrealists did some stuff that involved cooperation and participation.
• A lot of twentieth century art uses 'quotation' (like painting soup cans or sampling 1970's Rock and Roll for Rap music) and 'quotation' is kind of like Open Source, isn't it?
• John Myatt's art forgery scam was kind of like 'quotation' too! And it was kind of like art as well
• When some people share a pseudonym to do wacky performance art, and then someone else uses the same nom de plume to crack a web site or to write an on-line 'tag-team' novel you have cooperation and participation and quotation and propaganda all rolled into one, with an Internet connection as a sweetener!

My first thought on reading the article was "Huh?" Then I reread and listed the salient points above and reiterated "Huh?"

Clearly Harvey Blume isn't a programmer. If he was I wouldn't trust him to code a 'for' loop based on his demonstrated grasp of simple logic. Nonetheless if he had simply stated that Open Source programming with the Bazaar model is 'Art' because he says it was art I would have much less to quibble with. After all art, like beauty, is in the eye of the beholder. Only he didn't. Instead he chose to defend his allegation using arguments that indicate he doesn't understand anything about the subject. In other words, I cannot say Mr. Blume is wrong, but I can state with near certainty that he is the wrong person to make the claim. He might be right, but for the wrong reasons.

So, assuming you can call a development model an art form -- how do you hang it on the wall? I would argue that it is already there. The main point about Open Source is that it is (wait for it) . . . OPEN! Duh^Å Unlike 'Closed' development the source code is available for all to see. And often the discussions between developers are available as well, archived on one list server or another. In the Internet sense you can't get up against the wall any more that that!

But what does the average art lover see hanging there? Open Source as an Art Form? I think not. More like Open Source as an Ant Farm! At most they will get a glimpse of we scurrying workers as we toil underground. But they will never, ever understand. As I said before, I am OK with that.

Non programmer types can present art awards for Linux or even Sendmail if they like, but it doesn't signify to me. In my opinion these awards mean nothing until they are given by someone who understands why the jargon file definition of 'Recursion' is funny. Until then I would rather they just threw money. Wouldn't you?

Occasionally someone submits a feature that really raises my eyebrow. Jack William Bell did just that by submitting 'Open Source as an Ant Farm'. Its a really interesting piece that talks about code as art, and much more. Its quite funny, and its got a lot to think about. Click now, you won't regret it. Open Source as an Ant Farm by Jack William Bell

Where Open Source is concerned, hyperbole from the digerteratti hype meisters proliferates nearly as quickly as the hyperlinks they hype. Let's face it -- Clapton has been deposed; Linus Torvalds is now God. And those pundits shouting his divinity the loudest can^Òt even tell a stack register from a walrus. I wonder if Jesus had the same problem?

This constant lionizing of Linus is getting on my nerves. I mean, he is probably a great guy and all (if you know what I mean), but a great man? Usually you wait until people are safely dead (and unable to further embarrass themselves) before heaping those kinds of laurels on their heads. If I was he I would start worrying about that strange human proclivity for taking our living idols down a notch once in a while. Or even nailing them to a tree. Not to mention burning at the stake, drawing and quartering and satirizin g on TV.

But I knew things were getting ridiculous this last week when I saw three different weblogs pointing to the same dumb article using variations on the same dumb caption: 'Open Source as an Art Form' . I mean come on, just because a bunch of nutzoid art types gives Torvalds an award for Linux doesn't mean that an operating system or a development model is art! Yeesh!

Not that I don't think of programming as art mind you. After all I am a programmer myself and I often like to compare what I do to the creation of art. A kind of raw industrial art perpetuated underneath the digital world by Morlo cks like myself while the Eloi cavort on the surface, unaware of the immense complexity (and fragility) of their world. In other words code is art, but it is exclusionist art. No more approachable to the everyday person than a Jackson Pollock work. And twice as incomprehensible!

After all if everyone could do it, it wouldn't be art, would it? It would be just another craft. And if everyone could appreciate good code the way I appreciate the Impressionists then it would be 'Classical' (read 'Dead') Art. Not something alive and thriving. Bubbling and fermenting and making funny smells the way the process of hacking out good code does.

But, you say, it is being appreciated just as you would like! After all, isn't that what the award was all about?

Well, no frankly. Not even close. In my opinion if you can't write good code you can't appreciate good code. At the most you can only appreciate the end result, the compiled program. And, while some programs are definitely 'art' in their own right, many others cannot be described as such based on their even visible-to-the-user external features. And Linux, while a work of art in my programmer eyes, is really just a kernel. A piece of code that, if everything is working right, the user will never see directly. Some of my peers would agree with this. Some will not. As always opinions are all over the map...

One poster on Slashdot tried to have it both ways when he opined "Which part of the programming is the art? Is it the code, neatly formatted, with creative comments and clever algorithms or is it the finished product? When you look at 'art' in a museum, all you see is the finished product . . . So which is the art? The code or the program? I personally think it's the program, and beautiful programs usually have very nice/efficient/clean code."

While another lamented "When the New Yorker compares Open Source to the Algonquin roundtable, the seventh seal will be complete and Microsoft will be free to release Windows 2000."

And another asks "So how is this art going to be displayed? Will art galleries have framed printouts of C code, or will they just give out Linux CDs?"

How indeed? Well, if you read the dumb article I mentioned above you will find the author's thesis is that neither the source code nor the compiled Linux kernel code is the issue, rather the art in question is the Open Source development model that built it! He bases this proposition the following facts:

• China Youth Daily used the Microsoft consternation over Open Source for propaganda purposes.
• The Open Source development model (as described by Eric Raymond) is about cooperation and participation.
• Indian Potlatches were about cooperation and participation.
• The Surrealists did some stuff that involved cooperation and participation.
• A lot of twentieth century art uses 'quotation' (like painting soup cans or sampling 1970's Rock and Roll for Rap music) and 'quotation' is kind of like Open Source, isn't it?
• John Myatt's art forgery scam was kind of like 'quotation' too! And it was kind of like art as well
• When some people share a pseudonym to do wacky performance art, and then someone else uses the same nom de plume to crack a web site or to write an on-line 'tag-team' novel you have cooperation and participation and quotation and propaganda all rolled into one, with an Internet connection as a sweetener!

My first thought on reading the article was "Huh?" Then I reread and listed the salient points above and reiterated "Huh?"

Clearly Harvey Blume isn't a programmer. If he was I wouldn't trust him to code a 'for' loop based on his demonstrated grasp of simple logic. Nonetheless if he had simply stated that Open Source programming with the Bazaar model is 'Art' because he says it was art I would have much less to quibble with. After all art, like beauty, is in the eye of the beholder. Only he didn't. Instead he chose to defend his allegation using arguments that indicate he doesn't understand anything about the subject. In other words, I cannot say Mr. Blume is wrong, but I can state with near certainty that he is the wrong person to make the claim. He might be right, but for the wrong reasons.

So, assuming you can call a development model an art form -- how do you hang it on the wall? I would argue that it is already there. The main point about Open Source is that it is (wait for it) . . . OPEN! Duh^Å Unlike 'Closed' development the source code is available for all to see. And often the discussions between developers are available as well, archived on one list server or another. In the Internet sense you can't get up against the wall any more that that!

But what does the average art lover see hanging there? Open Source as an Art Form? I think not. More like Open Source as an Ant Farm! At most they will get a glimpse of we scurrying workers as we toil underground. But they will never, ever understand. As I said before, I am OK with that.

Non programmer types can present art awards for Linux or even Sendmail if they like, but it doesn't signify to me. In my opinion these awards mean nothing until they are given by someone who understands why the jargon file definition of 'Recursion' is funny. Until then I would rather they just threw money. Wouldn't you?