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Pete Townshend On Lifehouse, The Net, And Pirating

An anonymous reader sent an interview with Pete Townshend where he talks about Lifehouse and more. He talks about pirating, as well as how Lifehouse was attempting to address the social implications of The Internet before the world had even heard of it. (BTW, I went to the Who concert in detroit last tuesday. It was awesome. I own something like 50 odd CDs of Pete's music, but to finally see them Live was pretty damn cool. If only I had been born 30 years earlier ;)

36 of 129 comments (clear)

  1. Re:remeber a day by blakestah · · Score: 2

    We are not talking about scientific discovery here. No one "pirates" science. Science has always for the most part worked like the open source community does today.

    Of course it does. Could you be a LITTLE more vague and naive about it ??

    Here is another question. How many drugs that are not patent protected are being pushed by drug companies today ?? How is it that the drugs that work on AIDS all have intellectual property protection that pushes them out of the financial range of African nations who need them most ?? Who exactly is that protecting ??

    Discoveries in science that have potential benefit to society are nearly always strongly protected with patents. New cures for diseases are nearly always protected. Things that cannot receive intellectual property protection - such as potential good uses of vitamins as a part of treatment regimes - have limited funding because of their lack of potential utility to a corporation.

    Science - wrt generating intellectual property for society's usefulness - is not open and free.

    Look at it this way. If it were not for me, the creator of this media, then whatever I created would not exist. Does that not give me some sort of special rights over it?

    The creators of the US Constitution allowed congress to grant LIMITED time monopolies on copyrighted works. That concept does not exist today - as copyrights no longer expire (well, technically they do expire, but none have expired in a LONG LONG time). The true perversion is that copyright law has been co-opted by corporations like Disney seeking to protect long time copyrights (like the early Mickey Mouse cartoons) that would have expired under laws written to protect the consumer.

    Benefits to society are maximal with LIMITED TIME monopolies. That concept has expired with new laws in the US.

    PS. As I'm sure you know, the concept you are suggesting is commonly known as "communism", whereas I am avocating "capitolism".

    Whereas that is a nice distractor away from the original arguments, the fact remains that it is in no way capitalistic to maintain absolute control over intellectual property indefinitely. Intellectual property MUST have a limited time protection. That limited time must also expire within a reasonable time frame for benefits to society to be maximized.

  2. Re:remeber a day by clifyt · · Score: 2

    "I write software. You "pirate" the software. I have software. You have software. You haven't taken anything _from_ me, rather, I have given something to you, with no loss to myself. If you're implying the thing taken is money, not the information itself, that's on the periphery, and not considered in your analogy."

    This is just utter bullshit. I write software for a living. If you take it without paying me, I AM OUT MONEY. I wouldn't be writting the type of software I do if I wasn't getting paid, and you wouldn't be using it. I write a lot of educational software that are used in High Schools and Colleges. This is stuff that would not be helping anyone if someone didn't pay for it. Because I choose to work on software that I feel helps others, I am excluding myself from a lot of lucrative offers I could easily go out and get and work for big business.

    The attitude that software does not cost usually comes from people that do not program, or if they do, have never done shit that any one would want anyways.

    Now on the other hand, I have finally convinced my boss to GPL a computer adaptive testing package we developed a few years back. As soon as we get clearance from one other copyright holder (so we can give the item bank with this) it will be in the public domain. Still, this was software we have deemed appropriate to give out. It cost us a lot of money to design develop and test...even giving it away for free means we are loosing money that would have probably gone back into the design of new software or improvement of this one. I doubt if many geeks have the psychometric backgrounds to improve this much on their own, but I can always hope someone finds it of use.

    clif

  3. Re:Piracy cost us all.. nothing. Here's simple pro by um...+Lucas · · Score: 2

    Lost revenues aren't expenses. They're just revenues that never appeared. Hence, it doesn't need to be reported.

    In some cases, people try to make justifiable arguments about pirating software like "I could never afford AutoCAD, so i stole it" or "i'd never buy, so i got a copy, and got good and then i bought it". Those are one thing. Illegal copies of windows are another.

    When you buy a computer with Windows on it, you SHOULD be paying for your copy of Windows. Charges of price gouging/monopoly whatevers aside, if you on't want to pay for what software you're using, you shouldn't be using it. This isn't like empty seats at the theatre. It's more like people sneaking into your movies. Obviously those people are stealing from you, because they're getting what you're selling without paying for it.

  4. Other old examples of net vision? by goingware · · Score: 3
    Does anyone else have old examples of the future vision of the net from 1970 or before?

    Consider that what people in the past thought today would be like, with flying cars and stuff, rather than what we have.

    Cars haven't changed substantially but a technology that is really simple in principle is steadily changing society - one that doesn't seem to have been widely predicted.

    --
    -- Could you use my software consulting serv
    1. Re:Other old examples of net vision? by Petethelate · · Score: 2
      Does anyone else have old examples of the future vision of the net from 1970 or before?

      Not exactly sure of the year, but in the early '70s, John Brunner wrote Shockwave Rider. The 'net in question was accessed through video terminals, both fixed and portable. Not a great representation of the net, but the protagonist's means of staying ahead of the (obiligatorily corrupt) feds was to use a 'tapeworm'--a program that would alter his identification on demand. OTOH, it required a federally controlled ID block, and some of these had effectively superuser permissions with the federal computers... Too bad Brunner's game of Fencing never got adopted. Looks like it would be fun to computerize. (Analog to Go, but with triangular areas defining the territory claimed.)

    2. Re:Other old examples of net vision? by by+by · · Score: 2
      Shockwave Rider: A cyberpunk story from the days before "cyberpunk" was a concept was written by John Brunner. The book goes for about $5.99 or $7.00 in Canada, with an ISBN of 0345324315. Scifi.com has a review of this book you may find interesting.
      Nickie Haflinger has a unique talent: He's a phone phreak, someone who can manipulate the global data network using an ordinary veephone. And in a world where everything but the odd "paid-avoidance zone" is tied to the net, he's a dangerous man. More than one man, actually, since his ability -- combined with a pilfered high-level government code -- allows him to change identities at will.
      Great book. Another review is here, here.
      A good deal of the time Science Fiction only gets part of the future right. John Brunner, at least in terms of the setting of the future, is very correct. His book foresaw the internet when most science fiction writers were still imagining big supercomputers acting as separate entities, programmed by tons of punch cards. However the pessimistic view he takes of the effect of this new future I find unbelievable. But then again, what do I know, this essay might have well caused someone to experience information overload :-)

      To answer your question about tapeworms, in 1980 researchers at Xerox PARC dubbed the first self-replicating, self-propagating computer program a "worm", after the "tapeworms" Nickie used to erase his previous identities.

      Hope this helps.

    3. Re:Other old examples of net vision? by anonymous+cowerd · · Score: 2

      Here's a bit of prior art which prefigures not just any number of our new Internet-era "innovations," among them Amazon's "one-click" patent and likewise rubbish, but indeed the entire toxic psychical atmosphere of this degraded, cramped, leashled era.

      Yours WDK - WKiernan@concentric.net

  5. Re:On Behalf of Old Farts by llywrch · · Score: 2

    Well, as one of the old farts who frequent here . . . (pant, pant, gotta smoke a doobie before I can down my Geritol), lemme say that I see what's gonna happen next.

    At the birth of the Web, everybody talked about cyberspace & how cool it would be -- including me. Then came talk about ol' Max Headroom (& I still have a crush on Amanda Pays). Then folks saw _The_Matrix_, & almost evrybody wanted to have the login of ``Neo" (yeah, there was a few wierdos who wanted to be known as ``BOFH").

    Now Ol' Bottlenose talks about his ``Lifehouse" album. Who's got *that* domain. (Hrm. Type whois, grumble. Grumble about NSI. Ah, heerweego.)

    Registrant:
    Christian Life Center (LIFEHOUSE3-DOM)
    2020 Vista Street
    Belle Fourche, SD 57717
    US

    Domain Name: LIFEHOUSE.COM

    Administrative Contact, Billing Contact:
    Manna, Mike (MM14730) mmanna@MATO.COM
    Christian Life Center
    2020 Vista Street
    Belle Fourche,, SD 57717
    605-892-4767
    Technical Contact, Zone Contact:
    Shafto, John (JS446) jwshafto@MATO.COM
    Altaire Enterprises, Inc.
    144 East Grant
    Spearfish, SD 57783
    (605) 642-1400

    Record last updated on 18-Jun-1998.
    Record expires on 18-Jun-2000.
    Record created on 18-Jun-1998.
    Database last updated on 2-Jul-2000 18:52:58 EDT.

    Domain servers in listed order:

    NS1.MATO.COM 199.240.78.3
    NS2.MATO.COM 199.240.78.2

    Hey, look, they forgot to send their check in! Now which 3I337 4aXoR is gonna send in their $35 & take it away from these lamer Fundies?

    Ya know, when ya get old, your mind wanders? Gawd I hope sumone reads this.

    Geoff

    --
    I think I see a trend here. Maybe for them it really would be easier to muzzle the entire internet than to produce p
  6. Re:remeber a day by Chris+Johnson · · Score: 2
    OK: here- www.mp3.com/chrisj and for that matter www.mp3.com/RFW. Will twenty years of practicing and hacking with audio gear and buying equipment do, or should I work another twenty years and buy another studiofull of equipment to have a right to an opinion? ;P

    I am immensely delighted that Pete Townsend is on 'our side' here. He not only has the right idea around music and creating it and listening to it, but he's also made some of the best _sounding_ albums ever- in fact I own (fetish,treasure etc) a special guitar I made myself with maple body and ceramic pickups a bit lower-impedance than Strat pickups _just_ so I could have a guitar that gets a tone like the Rickenbackers Pete has used. There's nothing quite as rowdy as a cranked-out Rick :) probably the best example of what this tone is like (from my mp3s) is the tune 'Dog' from my 'anima' album, where there's a rhythm guitar that gets a pretty Townsendesque amount of snarl- actually that tune is about the closest to a Who homage tune as anything I've done :)

    For _real_ ultimate Who guitar tone: "Live At Leeds". On LP, on a monster uber-high-ender-turntable. Using one of the original British pressings with the label writing that says 'crackling noises OK, do not correct!'. It only crackles like that on bad turntables. On good turntables you are THERE.

  7. Re:Thanks for nothing, New York Post by flossie · · Score: 3
    Pete's site is at http://www.petetownshend.com.

    Merchandise is available from http://www.eelpie.com.

    A search engine is at http://www.google.com.

  8. Re:remeber a day by cpt+kangarooski · · Score: 4
    If someone creates a piece of information, they have every right to control how it is used.

    How? Play a piece of music to me and I remember it. I can adapt it for new uses; hum or whistle, and maybe even reproduce it faithfully. How do you propose the creator of that music (or of any other piece of information) control it?

    In fact, there is no way to control how people use the information you've called up into being once it's been shown, even once, to an audience of any size. Blame God if you like, but that's how people work. Whether or not we then impose a wholly artificial notion of rights onto the subject is secondary. Even as it stands the fundemental rule of copyright law (in the US - you'll find it in Article I) is that the creators of works only have those rights as far as it's good for society, not the creators. And better yet, what's good for society is for the creators to have as few rights as possible, for as short a time as possible.

    In fact, since the goal is not to help creators one whit, or restrict how anyone in the world can use information, if it were found to promote the arts and sciences more by abolishing copyrights altogether - that would be only course of action that Congress could take.

    So while I greatly respect the pople that create new works, and in fact, _am_ one of those very people, I realize that works are most valuable when everyone can use them. As well as that once you get an audience (and there's very little information that's useful without an audience for it) you've lost your control. You want them to think about your work? Well, you can't take that back.

    If this isn't enough, think about this: Who doesn't stand on the shoulders of giants? Where would we be if no one could create works which relied on past works. Science would be forever reinventing the wheel in a literal sense. No author could write a great novel that either opposed another writer's opus or reaffirmed it. Hell, man - we'd be restricted in the words we could use. Restrict information and it's not helpful, it's harmful. Nothing new happens, nothing is done, no progress is made. Let it flow and it's capable of doing great good and inspiring the creation of more of itself.

    On copyrights now: I think that they're unconstitutional. The idea _could_ work, perhaps it has worked. But I sincerely doubt that it's working now, and it goes against the spirit of the law of the land. Reform is necessary. No good can come of expanding copyright further, or letting the status quo persist.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  9. Re:remeber a day by Temporal · · Score: 2

    We are not talking about scientific discovery here. No one "pirates" science. Science has always for the most part worked like the open source community does today. We are talking about media. Audio and video clips. And software.

    Another thing. I am talking about exact copying. If someone remembers some information and reproduces something similar from their memory, I do not think that that necessarily counts as copying. Remember, we're talking about piracy. No one pirates a game by reproducing it themselves. That is actually not even illegal under copyright law. I'm talking about mechanical and/or digital copying.

    Now, if you still stand by what you say, stop to think for a moment. If I spend weeks, months, or even years of my life creating some wonderful piece of information, be it software, music, movies, or art, do you think that I have no right to gain something from it? To use it as I see fit? According to you, that information which I create should no longer be mine, and I should get nothing for it. That idea is so ludicrous that I'm having trouble even describing it in a way that makes sense.

    Look at it this way. If it were not for me, the creator of this media, then whatever I created would not exist. Does that not give me some sort of special rights over it?

    In an ideal society, people would do what they do solely to help others. However, in real life, people are greedy. Very few people are willing to spend years working on something if they are not going to get anything in return. You can talk all you want about how copyrights are supposed to be good for the people, but they are only good for the people because they encourage the creators to creat. Without copyrights, they would not creat, and we would have nothing.

    It seems to me that you are just griping because you want stuff free, and you are not getting it.

    That said, I write open source software as a more-than-full-time job and I don't get paid. I do it for personal entertainment. Go to my homepage and see if you must. But, as my /. user info says...

    I spend my time writing open source software, not complaining when others don't.

    Put more generally:

    I spend my time creating free information, not complaining when others don't.

    Why? Because everyone has a right to do what they choose with anything that is their sole creation.

    PS. As I'm sure you know, the concept you are suggesting is commonly known as "communism", whereas I am avocating "capitolism". You'll notice that communism, as implemented by the Soviets, failed miserably, whereas capitolism, as implemented originally by the Dutch, and brought to its peak by the United States, is and incredible success. Why? Communism tried to force people to do things in a way contrary to human nature. Capitolism, on the other hand, is set up to harness human nature. Under capitolism, people benifit society by helping themselves, and thus the human race manages to advance despite its flaws. Remember, human beings hate to be forced to do things, and any system which tries to control them or limit their rights will inevidably fail.

    ------

  10. dangerous syntax by Skald · · Score: 3
    Slashdot &#62 the bible

    This will probably not do what you expect. Try:

    Slashdot &#62&#62 the_bible

    Please do not overwrite the bible; it is very important to many university classes, and several Sunday-morning TV shows. If you feel strongly about it, you can always moderate it down.

    --

    "The best we can hope for concerning the people at large is that they be properly armed." - Alexander Hamilton

  11. I wonder if he's ever met Lars... by flossie · · Score: 3

    "As an artist, what I think is important is that people listen to your work, and if you are properly rewarded for it, that's the bonus."

  12. Re:Pete Townshend by PiMan · · Score: 2

    The things he does don't quite seem awful cold, though :)

    --
    Windows 2000: Designed for the Internet. The Internet: Designed for UNIX.
  13. Some interesting from his website by PiMan · · Score: 2

    From petetownshend.com:

    <!-- The images displayed on this web site are for viewing only, and may not be downloaded to be stored locally. -->

    So while music piracy is OK, caching is bad :) In all seriousness, someone should point this out to him, or point that interview out to...
    <!-- Site designed and maintained by -->
    <!-- Clockwork Web -->
    <!-- http://www.clockworkweb.com -->
    <!-- +44 (0)20 7471 0770 -->

    --
    Windows 2000: Designed for the Internet. The Internet: Designed for UNIX.
  14. Re:remeber a day by bgarcia · · Score: 2
    As I'm sure you know, the concept you are suggesting is commonly known as "communism", whereas I am avocating "capitolism".
    Wrong, wrong, wrong.

    This is not a disagreement over fundamental social policies. What the above poster is saying is that ideas, software and the like have no scarcity problems like most other goods and services. That is, in order for me to get it, nobody else has to loose it.

    If I want a CD, WalMart has to part with it.

    But if I want a song, nobody else has to lose their song. A copy can be made for extremely low or no cost.

    Now, you can argue that you have the right to attempt to make money off of your Intellectual Property. But people who don't believe this are not communists. Indeed, they are actually much closer in their beliefs to the founders of the United States of America than you are.

    Remember, human beings hate to be forced to do things, and any system which tries to control them or limit their rights will inevidably (sp) fail.
    If there's one thing that capitalists hate to do, it is to part with their own money when they believe they shouldn't have to.

    Intellectual Property is an attempt to limit the rights of people in order to create profits for the Corporation^H^H^H^H^H^H^H^H^H^H^HArtist. Yes, the inventors/creators usually like to have some control over their invention so they can profit from it, but the copyright laws in this country are way, way out of control and not at all what was originally envisioned or intended.

    --
    I'm a leaf on the wind. Watch how I soar.
  15. Oh come on, Rob by cje · · Score: 2

    This story just happened to be submitted by an "anonymous author?"

    Go on .. pull the other leg, why dontcha. :-)

    --
    We're going down, in a spiral to the ground
  16. Yeah... by Greyfox · · Score: 3

    Where are my flying cars? I WANT my flying cars! Sharing I25 with 60,000 other people trying to get to work is a drag! Move that problem into 3D space and the commute to work would be a lot faster and easier. Although the dipshits who somehow manage to get into accidents on the interstate would probably have a much higher fatality rate when they do it in the air...

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  17. remeber a day by john_locke · · Score: 2

    "Piracy" is an issue that I like to be fanatical about. I remeber when teachers taught us that sharing was nice... now they teach us sharing is illegal. I don't think "pirating" music or video hurts anyone except the big fat buisness men. It's so horribly capitalist to sue people for being kind to other people instead of the corporations

    --
    So quick with fear you tiny fools!
    1. Re:remeber a day by Temporal · · Score: 3

      That is disgusting.

      Pirating is NOT sharing. Sharing is letting other people use your stuff at your own expense. That is honorable. Pirating is letting other people use other people's stuff at other people's expense. That is NOT honorable.

      If someone creates a piece of information, they have every right to control how it is used. Don't like it? Don't use their stuff. If it weren't for them, you would not have it. You think you have a right to disrespect them?

      Now, there are some artists who choose to make their works freely available. I applaud their generosity. If you want free stuff, you should be supporting these people, not fighting those who choose to do other things with their creations.

      Better yet, spend a few years of your life creating something, and then give it away. Until you do, you have no right to complain.

      ------

    2. Re:remeber a day by PiMan · · Score: 2

      > Teachers certainly didn't like it when we shared our class assignments with other students.

      Indeed, and I've taken issue with this with my teachers. However, consider the fact that by sharing music, more people listen (the point of music), but distributing classwork creates less learning (the point of school). The consideration that must be taken is a) What is the purpose of the information, and from that, b) What is the best way to accentuate that purpose?

      > Teachers also taught us to share things we owned, but certainly not to take things from other people.

      I write software. You "pirate" the software. I have software. You have software. You haven't taken anything _from_ me, rather, I have given something to you, with no loss to myself. If you're implying the thing taken is money, not the information itself, that's on the periphery, and not considered in your analogy.

      > And justifying "piracy" by saying it only hurts "big fat businessmen" is just salve for your guilty conscience.

      No, it's probably an attempt to appeal to the anti-business, anti-commercial attitude most of Slashdot (and most of the moderators) have. But that doesn't invalidate the rest of his points.

      --
      Windows 2000: Designed for the Internet. The Internet: Designed for UNIX.
    3. Re:remeber a day by cpt+kangarooski · · Score: 3
      Scientific discovery and works of art (which is generally interpreted - and this is ok by me - to include literature, film, sculpture, etc.) are both covered by the same ground rules. Trademarks aren't - I believe they're in existance because of the Commerce clause at a national level, but they're not all that germane here, I think.


      Scientific discoveries are typically protected by patents. And trust me, there are no small number of people out there who want to copy patented discoveries. You're dead wrong if you say that no one wants to copy science.


      Anyway - you're off base on a few things. First of all, it is illegal to reproduce a work which is still protected by a valid copyright (assuming that the reproduction is, for instance, in order to sell copies - other purposes are likely quite legal) even if done so from memory.


      Otherwise there would be no small number of people with good or even perfect memories employed to go into bookstores, read the latest bestseller, and run back to a publishing company to type from memory.


      Now of course, I have never said that you have no right to make money from your hard work and toil. I'm all for it. I hope you do very well. But once that work has been distributed, as it somehow must be in order for you to actually make any money off of it, you've lost that right. Presently, there is a rather expansive artificial right which helps to replace it, but the justifications are all different, and I don't think that anyone knowledgeable on the subject defends it as an innate right.


      Now you do have some special abilities because of your authorship; that ability is that you can create this work. How on earth do you propose that you automatically - without laws to supply this right - get everlasting powers over it? If that were so, why would we need copyright laws?


      Would creators still create without those laws? I think so in a lot of cases. This has been the example for thousands and thousands of years. I will grant that they might not create as much, and that there might be fewer people creating works. But I have been trying to say that copyright law is not necessarily the best way, it's not at all natural (free speech is natural - copyrights are in direct opposition to free speech) and that it's a great mistake to assume that it is the best way, or that it is natural. I would rather see significant changes made to copyright law to make it serve the people again, than for it not to. And copyrights, as spelled out in the US Constitution, must advance the useful arts and sciences. There's no mention there of paying authors. The goal is human betterment. The *tool* employed is your vaunted greediness. But it's just a tool, and clearly not a goal in itself.


      But I'm not griping because I want and am not getting anything. I'm an artist, and I routinely create works of art - generally work for hire, and also many things just for fun. So not only does copyright law have a lot to do with me, I think that it is important for me to understand copyright law, to understand the basic fundementals that copyright law is founded upon, and to take all of it with some grains of salt; humans are fallible. I don't presume to know that copyright is the best way, but I'm willing to chance it that there's something better, even if I'll never know what. I try to keep this in mind.


      Your 2nd to last paragraph is kind of startling to me though. Is your code your own creation? I say it's not. I say you're full of beans. Did you wake up one morning with the knowledge of how to write code newly shining in your head? No, you learned it somewhere. You pretty certainly use other people's code (e.g. standard headers and libraries) and techniques and algorithims developed by others. The language you use, and the compilers, and the processor were all certainly developed by other people unless you're awfully prolific. If Ritchie solely created the use of /* */ to denote the beginnings and ends of comments, what possible right do *you* have to use them, by your argument? Can't Ritchie knock on your door and tell you to quit doing that?


      No one stands alone. We all stand on the shoulders of those who came before us. If people did somehow acquire permanent rights to their creations it would be far worse than if people had rights only until they revealed their work. If you say otherwise then it is you who is acting unreasonably. Why should the protection of your code for your benefit be any different than the protection of the letters of the alphabet for the fellow who invented them so long ago? You insist that your works be protected, but that the works of the people who you rely on constantly not be - both times for your benefit.


      I'm no communist. I think that it's a nice enough idea, but I know I could never be a communist, and I can tell the difference between someone who is a communist and someone who claims to be. The Soviets had a brutal dictatorship, and don't let anyone tell you otherwise. Stalin was, in many ways, worse than Hitler, and that's not at all easy to do.


      But capitalism is not perfect either. I will easily say that capitalism more closely aligns with how humans generally prefer to behave. But there are problems with it, there's no doubt. Capitalism has it's own cancer: monopolies. It frequently causes great harm to people in the sake of profits. I would much prefer that no harm, or as little harm be done, even if it should hurt your money. Money's a tool of people, just like copyrights. It's not a worthy goal in itself.


      In closing, here's a great gem from your post: ...any system which tries to control them [human beings] or limit their rights will inevidably fail.


      So what is copyright, but a limit on my natural right, granted by God, to free speech? Clearly it is such an infringement, and I take heart in your statement that the system of copyrights will someday fail.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:remeber a day by cpt+kangarooski · · Score: 2

      Well, one of the issues that I keep close to mind is that of derivative works. It's not the only one, but it has a lot to do with your particular argument here re: implementation and ideas.

      Let us propose that Alice writes a novel. The novel isn't awfully good, but it has a number of unique and memorable characters. The storyline in Alice's novel isn't all that impressive, but it's interesting to a fair number of people.

      Bob is one of these interested readers of Alice's work. He's so compelled by Alice's novel in fact, that he writes - without any authorization, completely on his own - a sequel. One that is closely tied to Alice's original piece of literature. The sequel expands on the characters and takes the storyline in a completely different direction. But Bob's story cannot stand alone. It relies completely on Alice's novel to set the stage, and is barely even comprehensible to people who haven't read Alice's book first.

      Bob has created a very worthy piece of literature, we'd all agree. But it is still at it's heart a derivative work, based on Alice's lackluster (but inspirational) original. Bob's sequel depends too closely on Alice; it honestly can't be changed without losing anything that makes it worthwhile.

      Under the present system of copyright law, Alice has about a 99.44% chance of winning in a court case against Bob. She's clearly protected, not because her ideas are in any way better, but because they are more original.

      This is not a wholly made up example. One of my little hobbies is that I am an avid reader of fanfiction. Like anything else, Sturgeon's Law applies, but there are some truly good gems out there. But in order for people to enjoy them, they must already be familiar with the foundation laid by an actual copyright holder. While this isn't my particular area of interest, let's consider something everyone knows: Star Wars.

      I don't think that anyone really loved The Phantom Menace as much as, say, A New Hope or The Empire Strikes Back. But do you have illusions that if some guy, slaving over a word processor in his basement for six months single-handedly wrote a Star Wars script that was a zillion times better, would stand a chance in hell of NOT being sued into oblivion if he released it commercially?

      Trust me, Lucasfilm would shut him down in moments because he's infringing on their copyright. A creation isn't an entire story; it can be even a very small but essential kernel of a story. (Although it can be a lot more. I still maintain that the first Mission: Impossible movie would have been better if Tom Cruise really had been a traitor - a five page change to a 100+ page script)

      Aside from your mistakes about artists being able to support themselves entirely from their art (boy I wish - outside of commercial/work for hire art, where the artist never has the copyright at all this is exceedingly rare) it becomes basically a matter of opinion as to the benefits of copyright.

      I think, and I've said many times on /. that copyrights are ok in general, but that they're in need of significant reform. If it inspires more advancement of the arts and sciences (which doesn't necessarily mean creativity; refinement is also good, MS can tell you that) then wouldn't it be best for copyrights to be (unconstitutionally) permanent? That way the heirs of the creator of musical notation could still make money from the people who used it. Jimi Hendrix would have owed a fair amount of cash to the Key family. On the other hand, if there were no copyrights whatsoever, artists could create works without having to pay for their inevitable infringements. The only downside would be that there would be no income beyond the first sale of any given piece. (though if you're popular, you'll get a lot of commissions; if you're not, you'll be poor. This is basically how it works now anyway)

      The answer probably lies somewhere inbetween, barring a revelation as to a different and better system. But given how short the human lifespan is, and that the constant loss of copyrights after a short period is also an incentive (e.g. if you don't collect royalties for more than 10 years, you'd better be prepared to write bestsellers and make money all in one go, or write prolifically like Stephen King and make it up on volume) I would lean towards copyrights of 10-20 years tops.

      Patents are more expansive but don't last as long. This is not a wholly unreasonable balance. But copyrights are swiftly becoming more and more expansive as well as lasting longer and longer.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  18. Aging rock bands and Moore's Second Law. by Black+Parrot · · Score: 3

    The frequency of any given band's "farewell" tours will double every two years.

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    --
    Sheesh, evil *and* a jerk. -- Jade
  19. Wait a minute... by Glowing+Fish · · Score: 3
    If Pete Townsend invented the internet in 1970, he must have beat Al Gore out by, what, five years?

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    Hopefully I didn't put any [] around my words.
  20. Re:Pete Townshend by (Score+-1,+Troll) · · Score: 2

    its just a new mother nature taking over.

    --
    Please moderate this comment down to (Score: -1, Troll). Thank you.
  21. Links and more info by RevRigel · · Score: 4
    You can buy Townshend's music (pretty much directly from him, I believe, with no RIAA middleman) at www.eelpie.com, or just find out more about Pete Townshend at www.petetownshend.com, which used to be Linux-Netscape friendly, but I can't get to display properly anymore.

    Eel Pie is mainly Pete Townshend's solo stuff. For classic Who stuff, you can get that pretty much anywhere.

    I grabbed the Lifehouse Chronicles 6 CD box set when it came out back in February (and submitted it to Slashdot..rejected), so it's really the single CD version that's coming out now, which obviously doesn't have as much material. The box set's a little pricey (40 pounds), but they still sell it, and I don't regret for a second spending that money on it. It's great.

  22. On Behalf of Old Farts by Jim+Tyre · · Score: 4
    CT writes:

    If only I had been born 30 years earlier ;)

    Finally, someone on /. has recognized that we old farts really did have it better. It is high time that such a prestigious publication as slashdot recognize the truth for what it is.

    And, considering that Roblimo is a year older than I am, I'm amazed this has not been addressed before. ;-)

    1. Re:On Behalf of Old Farts by Blue+Lang · · Score: 3

      no offense to jim, who was just posting some random and sort of mildly humorous comment, but this has to be the absolute most poorly moderated article i have ever seen.

      come on, rob, emmet, tim, i know some of you READ this site on occasion - help us out here. can people who get meta-moderated down, give out fewer mod points, and take a more active role in the site.

      or get rid of moderation. trolls do it for the attention - it's a little thrill, getting moderated down. it's gotten to the point where moderation, instead of being some sort of reward or punishment, is a great big funny joke.

      --
      i browse at -1 because they're funnier than you are.
  23. Release Capture Squadrons One and Seven by ocelotbob · · Score: 2
    *Gasp* A musician who has been around for longer than a decade embracing digital music. We must stop him at all costs. It's obvious that the music on his site contains subliminal messages that encourage everyone to praise whatever pagan god he likes.

    Oh, wait, the pagan gods throw better parties than the "established" gods. Long live Pete Townshend!

    --

    Marxism is the opiate of dumbasses

  24. many thanks to the WHO by MousePotato · · Score: 3

    "Townshend is one of the few rockers who avidly supports bootlegging. "I'd like to see it proliferate unchecked," he says. "If we don't, we may allow something wonderful to be nipped in the bud." That has got to be among the first sane quotes and stances of someone in the music industry I have heard in a very long time. I think many of us out there should thank and recognise Pete for taking this postition on this contreversial issue. There are many musicians out there who probably feel this way or similiarly to PT. I remember reading articles in magazines in the early 90's about some musicians who actively (and proudly) were collecting bootlegs of thier shows and even a few who gave permission (like RUSH) for limited edition liscensed bootlegs of thier shows to be sold. Does anyone out there remember a Metallica (think before Master of Puppets) that was proud of the fact that thier fanbase was making bootleg audios and videos of thier shows and spreading thier music? Wasn't Cliif'em All produced this way?

  25. Only on condition... by ch-chuck · · Score: 2

    that everything I know NOW remains intact! Yessir, set the wayback machine for 1973 and I'll personally ensure I'll personally ensure Msft remains an obscure hack shop. No, I won't be fooled again!

    --
    try { do() || do_not(); } catch (JediException err) { yoda(err); }
  26. Getting old... by Deemus · · Score: 3

    Tommy can you hear me? Turn up your fucking hearing aid. Tommy can you see me? Please change my colostomy bag.

  27. Re:Don't be fooled again.... by TheCarp · · Score: 2

    > Even Worse Drugs (crack et al)

    Heh freebase cocaine has been around for a long time...the only thing "newer" about crack is that somone realised that you can make freebase with sodium bicarbonate...which means any moron can do it and NOT blow themselves up (like say Richard Priar did back in the 80s - most people just should not be playing with ether and other volitale solvents in their kitchen)

    I still maintain that there are NO bad drugs...just bad relationships with drugs. Peoples lack of self disipline and concern for themselves that is the real problem... that and the use of drugs outside of a socially acceptable context. Other cultures have integrated drugs into their culture...drugs are as much a part of our culture as they are of any other the difference is that we choose to close our eyes and wish they didn't exist... like maybe we can put the genie back in the bottle... but I digress....

    > many wars no one wants

    Has anyone, with the exception of people in power who have something to gain (like say land or more power), ever WANTED war?

    > I don't think we're any better or worse off than
    > our parents' generation.

    That depends how you define "better or worst". What is the criterea for judgement? We are still human beings...no better and no worst in breed than we ever were...still fundamentally the same animal as we were say 5000 years ago.

    Whats different now is that we are on the leading edge of a wave of technological advancement that is unrivaled throughout all of history. Our abilities to manipulate the world around us and pass information around have advanced more in the past 50 years then in ALL of recorded history.

    I think our culture is somewhat in shock from this...as cultures always are after large changes. Just think of the internet itself...the barrier to entry is tiny compared to traditional media.

    Compare to television. What do we see on TV? Is it any wonder that it is called "programming"? Its lots of shows...all paid for and written by the same group sof people. A small, rich, elite control the media. I seem to remember that if you trace the money back, 4 individuals control 90% of the traditional media in all of the US. (in other countries its probably either the same or worst...like the government itself in control).

    In short...I think that our generation, and the ones to come, are in the most interesting situations of all time (well assuming our generation only includes people in the US and similarly developed countries, middle class and "up"...).

    Of course...on the whole the human animal is the same creature, and the biggest unknown variable in how things will progress. It will be interesting to see what social change comes of this.

    Does any of this mean we are "better off"? Thats so subjective that no answer is really possible I guess. However thats never stopped it from being argued before.

    --
    "I opened my eyes, and everything went dark again"
  28. Re:this must be said by istartedi · · Score: 2

    I know, we'll change the language. That'll fix everything.

    "Holdup"
    Convenience store owners often refer to this kind of prohibited payment as a "holdup". In this way, they imply that illegal payments are ethicly equivalent to preventing people from ariving at work on time by stopping all the trains and buses in the city. If you don't believe that illegal payments are just like transportation disruptions, you might prefer not to use the word "holdup" to describe it. Neutral terms such as "prohibited payment" or "unauthorized wealth transfer" are available for use instead. Some of us might even prefer to use a positive term such as "encouraging local businesses to give something back to the community".


    #VRML V2.0 utf8
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    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?