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Set Digital Music Free

The latest issue of EFF's newsletter covers the HackSDMI challenge. Probably not surprisingly, they're urging the same thing as Don Marti, who Salon interviewed.Update: 09/19 3:33 PM by michael : The RIAA, EFF, and 2600.com debated SDMI on Pacifica radio today.

34 of 235 comments (clear)

  1. Don Marti steps down by Fervent · · Score: 3

    As I submitted earlier, Don Marti has stepped down from the boycott. Hopefully it will get posted on Slashdot soon.

    --

    - I don't care if they globalize against free speech. All my best free thoughts are done in my head.

    1. Re:Don Marti steps down by bfields · · Score: 5

      Here's what you say:

      As I submitted earlier, Don Marti has stepped down from the boycott. Hopefully it will get posted on Slashdot soon.

      Here's what the articl e that you link to says:

      Marti has softened his stance just a bit. "I'm still concerned, and I'm still researching, but I'm less concerned," Marti said.

      and, later:

      Still, Marti said he wouldn't encourage people to participate in the hack. "I think SDMI is becoming less and less relevant," he said, as the popularity of digital music continues to grow.

      This might suggest some unfortunate waffling on Marti's part. But it's not exactly the strongest evidence for your statement. Do you have any other source?

      --J. Bruce Fields

    2. Re:Don Marti steps down by WNight · · Score: 3

      They are just doing this for a ploy. Here's the proof. (A quote from their click-through agreement.)

      (1) you will not be permitted to disclose any information about the details of the attack to any other party,

      All they plan on doing is buying the silence of people who manage to hack it, such that they can sue them if they ever speak out about it. This way they don't have to fix anything, just claim that the bug could never be exploited again. And because the person who found it has signed a contract with them, they can't tell everyone that SDMI is the same lame format as before but XORed with 68 instead of 67, or something stupid. (To use a CueCat example.)

      And SDMI is inherently evil. This isn't one company selling music in a restricted way and hoping that the lower prices this allows will encourage people to use the restricted media, this is a conglomerate wanting to restrict people's ability to ever use any other format, and using their power to ensure that only they (or licensed companies) ever sell music or music devices, and not for reduced prices, we've never seen a monopoly with rock-bottom prices... no doubt music will get more expensive to cover the processor time to encrypt it, or something stupid.

      These are the same people who bribed politicians to pass laws like the DMCA that make it illegal to get around their (previously illegal) price fixing technology. (The region locking.) Not to mention the fact that playback (not even piracy, which I could understand) on unlicensed players is, in their view, completely illegal. Which is no big deal except that they've proven they can buy judges.

  2. Another take on the story by broody · · Score: 4

    I am rather partial to this editoral myself.

    --
    ~~ What's stopping you?
    1. Re:Another take on the story by finkployd · · Score: 4

      I'm sorry, but that editorial is garbage. It seems the author believes that as "hackers", we HAVE to crack SDMI if we are truely against it, otherwise we are just all talk. What the author completly fails to see is that this contest is not the war, it's not even a battle. If we can't hack it, they win. If we hack it and turn in the prize money, they still win because then they can simply close the holes we found. All they are doing is learning from CSS's mistake and trying to make sure they aren't letting something really unsecure out the door.

      The "real" hackers will be breaking it after the contest, when it's officially released. And they won't do it for money, they will do it for freedom.

      Finkployd

    2. Re:Another take on the story by gorilla · · Score: 3
      The way to win is wait until it's in hardware, THEN hack it.

      If DVD's & CSS were just software, then no-one would care that it was hacked. Hundreds of games have had their protection broken, and no-one has ever been sued over that. However, in order to put a new version of protection code means replacing all the existing players, either meaning an expensive recall, or pissing off the existing customers, and no-one is prepared to make either move.

  3. Only if it isn't secure. by bluGill · · Score: 4

    The goal is to have no eyeballs look at this until it is ratified. This increases our chance that once they force this down everyone's throats someone can find a hole.

    Remember, if the system is really secure there isn't much we as hackers can do. 128 bit encryption is 128 bit encryption, and baring major advances is unbreakable to hackers. Let the music industry get a strangle hold on the people with a new standard and there isn't much we can do to lossen it technologicaly.

    Of course there is the other way to look at this: help make this standard as secure as possibal. Then keep reminging people that you used to be able to copy music for your own purposes, and legally you still can. When people get mad congress does listen, and they can force the industry to release the ability for everyone to take advantage of fair use. Grass roots politics is where things get done in the US, so join a political party that mostly thinks like you, and get things done. (It doesn't have to be the republicrats, but a major party gives you a better shot of getting your canidate elected in exchange for some lesser issues going against you)

    1. Re:Only if it isn't secure. by ka9dgx · · Score: 5
      "128 bit encryption is 128 bit encryption, and baring major advances is unbreakable to hackers."

      If there's one thing I learned from reading Secrets and Lies, it's that there is ALWAYS a hole in the system somewhere.

      The players for this format will always be unsecure, because we'll have physical access to them, and can take them apart and tweak as much as we want. In order to be playable on an infinite number of players, there has to be a global secret, locked up in the hardware (just like the DVD keys), that secret WILL be reveiled, and probably in a shockingly short amount of time.

      It's not possible to lock things up the way the RIAA wants to, they should devote their energies to their original mission, assuming it had something to do with promoting music, and let this issue drop!

      --Mike--

  4. One nit on EFF's letter by Masem · · Score: 3
    Scroll down to read their advice to unsigned artists, they suggest to release their songs as MP3 or other open formats. It seems to sugges that the EFF wants them to release the songs *for free* (as in beer). I would have amended that line to suggest to release their digital music to sites that offer direct micropayments to the artist, such as Mp3.com or others. Free sample tracks are good and all, but we all know that artists have to eat too.

    --
    "Pinky, you've left the lens cap of your mind on again." - P&TB
    "I can see my house from here!" - ST:
    1. Re:One nit on EFF's letter by JoeBuck · · Score: 5

      As Courtney Love points out in detail, artists aren't eating under the current system. Artists may well do better giving away MP3s and asking for tips and making money from concert tours than under the current system. As she says:

      Today I want to talk about piracy and music. What is piracy? Piracy is the act of stealing an artist's work without any intention of paying for it. I'm not talking about Napster-type software.

      I'm talking about major label recording contracts.

    2. Re:One nit on EFF's letter by Bruce+Perens · · Score: 3
      It makes sense to release music for free until you have a following of sufficient size that they are willing to pay for music at a rate that would feed you. Then, you get to decide whether to sign to a record label or use the Street Performer Protocol. Charging for your music before you have much of an audience is self-defeating, you won't get an audience that way. The only people who do get audiences that way have convinced a record company to invest in them first.

      Bruce

  5. Irrelevant by corby · · Score: 3

    Extract the watermark, don't extract it. It really doesn't matter.

    Yesterday's Forrester report on the new Nomad reiterates the commonly held view that SDMI is irrelevant:

    "SDMI is too late to make a difference. Net users see access to free music as a key benefit of digitally downloading music. While the Jukebox is hardware-ready to support SDMI -- the security rules developed by the music industry's Secure Digital Music Initiative -- owners will ignore secure, paid-for music downloads and opt for the free version."

    I don't have any problem paying for music, but I am going to continue to rip my CD's to use the unrestricted MP3 file format, rather than use watermarked SDMI files. Flexibility and convenience is very important to me as a music consumer. And there will always be music players for unrestricted formats.

    Corby

    1. Re:Irrelevant by xercist · · Score: 3

      Score: -1, Redundant

      I am going to continue to rip my CD's to use the unrestricted MP3 file format

      Please remember MP3 is not an unrestricted format, and there are better (as in quality as well as freedom) alternatives, such as Ogg Vorbis.

      Personally, I'm very anxiously awaiting the Vorbis encoder to finish its beta stages and start being heavily optimized for quality and speed.

      Sure, MP3 over SDMI, but OGG over both :)

      --

      --

      --
      grep "xercist" /dev/random ...you'll find me in there someday
  6. Why? (Just like a 2 year old) by ka9dgx · · Score: 5
    I just sent this off to info@sdmi.org earlier today:

    Why do we need "secure digital music"?

    CDs and MP3 files seem to do just a fine job of handling my music needs, there seems to be nothing missing.

    Would this initiative secure funding for the artists, or offer new capabilities for the listeners that don't currently exist?

    Would this allow me to secure my music by getting access to it if the media it came on was damaged?

    How does this guarantee my right to fair use under existing copyright laws?

    --Mike--

  7. NO, that will make things worse. by Rahaeli · · Score: 3

    What would that prove? That the evil hacker(sic) types are bad and nasty and want to make life difficult for the RIAA?

    Guess what? They know that already.

    DDoS isn't going to do anything except make our reputation *worse*. What we need to do is boycott the challenge, and be very, very vocal about *WHY* we are boycotting the challenge -- not that we can't do it, but that we won't do their dirty work for them until and unless they decide that it's time to play nice.

    --
    "RFC 882: We put the . in .com." - Christian Bauerfiend
  8. Perhaps a secure format has a place by namespan · · Score: 5

    Lately I've been thinking that we're drawing the lines for battle in the wrong places. Perhaps there SHOULD be a secure format that can be used for things like limited listening. I know we all cringe about self-destroying CDs and the like, but really it could be a great method of exposure -- 2 listens, and the disc is done, and then you can buy a PERMANENT CD. That might be an agreeable setup, material waste aside. A limited download might be used to accomplish the same thing. You can play it n times, but then you have to buy. Sort of like the trial period/limited number of times kind of shareware (which has a place, even if it's non-free).

    Now, I think most of us fear that if secure initiatives come out:

    1) they WON'T be used wisely. We might be forced to pay per every viewing/listening/reading.

    2) that it will somehow be made illegal and/or very difficult to freely view/distribute stuff you actually have the rights to.

    It seems to me that #1 is possible, but that if we start fighting the battle from the other end (#2),
    we might be able to make a lot more headway with conservative policy makers AND preserve the freedoms that are truly important. Remember, the GPL doesn't stop Intellectual Property from existing under the law, and make everything free. It (and other free licences) just makes Free Software possible.

    We are fighting the battle for #2 in a number of places (DeCSS I think falls in this category), but we're also wasting a lot of time on #1. Given a chance, I think secure initiatives might find a fair place next to free alternatives.

    --
    Libertarianism is rich wolves and poor sheep playing gambler's ruin for dinner.
    1. Re:Perhaps a secure format has a place by finkployd · · Score: 3

      Sure, it could have it's place. However, from the media executives point of view wouldn't it be even better if secure, or time restricted media were the ONLY choise. Then they could do what they tried and failed to do with DIVX.

      Lets face it, they have shown time and again in their action and words that they feel "fair use" is their enemy, the public cannot be trusted with unsecure media, and that they NEED total control over it. This is just another step towards the world media execs ideal world, where EVERYTHING is pay per view.

      Finkployd

  9. Re:The test files.... by bfree · · Score: 3

    This is actually a very, very good idea. One of the alleged reasons for this competition in the first place is to try and track the people who would or could crack this. I for one couldn't (unless I happened to be the perfect monkey happening on War and Peace at the keyboard) but I would want to see this cracked the second it is released. I am going to go and download everything I can find now, and everyone else who wants to see this cracked in the end should do the same. Then when they go chasing the crackers we can watch them plough through the slashdot effect to try and find a culprit.
    Of course if I happen to have a monkey day and do crack it......I'll be waiting for launch time:-) About the only thing this competition should guarantee is that everything will be broken even quicker than before!

    --

    Never underestimate the dark side of the Source

  10. Will someone READ the SDMI challenge? by JPS · · Score: 3

    I'm a bit disappointed by the reaction of all the big guys in the hacker community. Did they actually read the challenge? You can get to try to break their stuff with almost total privacy (all but your IP address), and you don't have to give up any of your rights if you don't want the money.

    Also, you don't give them expertise, as nothing forces you to explain how you hacked their stuff if you did.

    Whether you like the idea that SDMI are trying to implement or not, a public challenge is always a good thing. And they are actually giving up a rather convenient and powerful way to test their algorithms...

    Finally, the best way to prevent SDMI from existing is certainly to undertake their challenge and to break the schemes. Otherwise, they'll implement it, and maybe it will be broken afterward, but bypassing it then may involve more complicated legal issues...

    1. Re:Will someone READ the SDMI challenge? by jCaT · · Score: 3

      You can get to try to break their stuff with almost total privacy (all but your IP address), and you don't have to give up any of your rights if you don't want the money.

      I believe you're missing the point. The point is not anonymity, it's not doing their dirty work for them. SDMI is in place to prevent people like you and me from doing what we do. Am I gonna step up and help their efforts?

      Also, you don't give them expertise, as nothing forces you to explain how you hacked their stuff if you did.

      That doesn't matter. You have to demonstrate that you circumvented their security measures, and that means explaining WHAT you exploited to get past it. That's enough for them to unleash their people on that one portion of the software. Take SSH1 for example. Let's say there was a similar challenge, and you found that kerberos bug that made it vulnerable. Stating that you used a bug in SSH1's kerberos stuff narrows the field down quite a bit. They end up having A LOT less code to check.

      Whether you like the idea that SDMI are trying to implement or not, a public challenge is always a good thing. And they are actually giving up a rather convenient and powerful way to test their algorithms...

      Not when the public challenge will be supporting something that is inherently evil! Would we have helped the germans debug their enigma machines? Ok, so maybe the SDMI folks aren't nazis, but you get the idea. :)

      Finally, the best way to prevent SDMI from existing is certainly to undertake their challenge and to break the schemes. Otherwise, they'll implement it, and maybe it will be broken afterward, but bypassing it then may involve more complicated legal issues...

      I don't think it is possible to make SDMI airtight, but let's assume for a moment that it is. If that's the case and we find every bug in it now and make it flawless, then they will release a theoretically perfect version. It's not like they are gonna throw their hands up and say "oh well, we had some bugs, lets scrap the project." HOWEVER, if we were to wait until SDMI is out there, in LOTS of software and maybe even hardware for that matter and THEN find the bugs in it, the results are much more devastating. It becomes evident that they released a technology with some serious problems. Do you consider CSS and SDMI to be similar? Sure, later on we could be mired in the same sort of legal battles, but in the end DeCSS got out there and it's gonna stay out there.

  11. click-through SUCKS by jbridge21 · · Score: 3

    If you don't want to read the click-through license agreement, just use this URL:

    http://hacksdmi.org/hackDownload.asp

    I'm not sure if the agreement prevents me from telling others how to circumvent it, but I don't really care that much.

    Have a nice day.

    -----

    1. Re:click-through SUCKS by jbridge21 · · Score: 4

      A flaw has been pointed out be a fellow poster; thank you.

      I don't see any cookie required to view the page... so maybe I'll link directly to the downloads:
      download a
      download b
      download c
      download d
      download e
      download f

      And, in case those don't work, I will have mirror up soon enough at diddl.firehead.org/censor/hacksdmi.o rg with no license agreements necessary for download.

      Have a nice day.


      -----

  12. SDMI is not uncrackable by Mark+F.+Komarinski · · Score: 5

    It took almost two years to crack CSS, and that was only because Xing didn't encrypt their keys (BTW, did Xing ever get in trouble for this?)

    If the "crack SDMI" goes on for 3, 6, 9 months, even a year, without being cracked, it doesn't prove anything. There is no such thing as an uncrackable algorithm. The Germans thought Enigma was uncrackable, they were wrong. The MPAA thought CSS was uncrackable, and they were wrong. Now the RIAA is trying to build anther "uncrackable" code. And they're going to find out in a year, two years, 5 years, whatever, that they're dead wrong as well. The best that the RIAA can hope for is making the encryption such that it can't be cracked brute-force by today's computers. How long have CDs been around? 20 years or so? How far has computing technology gone in that time? Will computers sometime during the life of SDMI be enough to do a brute-force attack against SDMI? I'd wager yes.

    They aughta go read "Applied Cryptography" and just give up. SDMI is irrelevant, CD-Audio will take years to catch on. MP3 is here, working, popular, and sufficient for most users.

    PS, I just proved that SDMI can (and will) be cracked. Send me my $10k.

    --
    -- Ever notice that fast-burning fuse looks exactly the same as slow-burning fuse? I didn't... (Edgar Montrose)
  13. Instead of hacking SDMI... by DrEldarion · · Score: 3

    Anyone thought about hacking the HackSDMI website? Maybe change the index file to something talking about the boycott and laying down the real reason that they want SDMI to become popular...

    Of course, I'm just putting this out there as an idea... I don't condone it one bit! No siree!

    -- Dr. Eldarion --

    1. Re:Instead of hacking SDMI... by prizog · · Score: 4

      That's not what it says! It says "Hack SDMI.org" Not "Hack hacksdmi.org". They want you to hack their main site - that's why they put up this one... wait... :)


      -Dave Turner.

  14. SDMI are Cheap Bastards by ewhac · · Score: 4

    Okay, let's see here: SDMI want me to test the strength of their proposed security measures, measures on which the entire future of the music industry's electronic offerings will be based. An industry that earned over $16 billion in profits last year.

    ...And they're only offering me $10,000. And they want me to do it "on spec".

    How very typical of the music industry. What cheap bastards.

    Tell you what, SDMI: Crank the prize offering by at least three orders of magnitude, and we'll talk...

    Schwab

  15. This is just security by obscurity... by WNight · · Score: 3

    Here's a quote from their click-through license agreement.

    (1) you will not be permitted to disclose any information about the details of the attack to any other party,

    They're just going to buy the silence of everyone who does, then they'll be able to say that the hole they discovered is closed (because everyone who could exploit it has and has been payed off). Worse than that though, it'll enable them to sue these people for breach of contract for ever talking about anything related to digital music, encryption, watermarking, or anything else they they take offense to. Kiss your right to participate in Slashdot discussions goodbye, unless of course you're prepared to toe the SDMI-party line.

    The RIAA and MPAA are all cheats, thieves and liars. Bah, why do they bother, their usual method of bribing all the politicians and judges has carried them this far.

  16. Chiariglione is cheap by jetson123 · · Score: 3
    Even without all the other issues, the challenge is an insult. The $10k are to be shared among all the "winning" entries, and submitters have to assign all related intellectual property to SDMI. There is no legal recourse even to recover that money: by contract all decisions are made by SDMI. $10k would get them about 30 hours of consulting, if the consultants where cheap, and they'd have to agree to an equitable contract and no guarantee of success.

    SDMI and those big music companies are about to deploy billions of dollars in software, hardware, and content, and $10k is all they can cough up? If they add another three zeros to that, together with binding arbitration, we could start talking.

    I think this shows us what we probably knew all along: Chiariglione is cheap. Chiariglione doesn't respect other people's work or intellectual property, he only cares about his own.

    And to anybody thinking about participating in this challenge: don't sell yourself cheap.

  17. Is Anyone Else Disturbed? by wholen1 · · Score: 4

    I hate the fact that the new windows media player, by default, has a little box checked that says, "Allow WinMedia to send information to sites you download movies from.."
    I would be about as excited to know that everytime I play a CD in my computer, or an MP3 file, that information is being sent to the RIAA (or anyone for that matter.) What exactly would be the point in surrounding an audio format in with a barrier to prevent copying? Besides what was mentioned before.. nothing is perfect. PGP isn't perfect (although it has not been cracked in some time, it WILL eventually get cracked..) And the same goes for this new audio format.. CSS got cracked, so will SDMI.
    If I own a company and I invest millions of dollars in an encryption scheme, which I know will not last more than a year, maybe two, but will require a change from hardware manfacturer's to make a new encryption - I'm going to go out of business. Something tells me that 12 months is a pretty generous estimate considering the amount of hype this story has recieved.
    Realistically, the RIAA should look at some different models to make money off of music. Naptser is insanely popular, even among novice users (my Dad is on Napster and he has trouble starting IE and searching Yahoo.) I would pay $5/month to use Naptser and Napter's 4 million + users would make that equivalent to approximately 500,000+ CD's.. ($15 apeice for the CD's). Napster pays the artists or the record labels a royalty and everyone is happy.
    Or base it on downloads.. every song costs .20 or .10 for that matter.. either way you slice it MP3's are free once they are made.. no CD art, no reproduction cost, no CD case, no shipping or handling..
    However, if their intentions are to keep ALL of the pirated music off the net, well that will never happen. There will always be the squadrons for rouges for whatever reason will blatantly infringe on copyrights, just because they can. As there will always be people that download that material because it's free.
    To think that someone gets paid to set there and say, "Hey let's make a new encryption scheme" is ludicris to me. I could be making a ton of money thinking up actual good ideas.. I wonder how that guy got that job... hmmm

    "The same thing we do everynight Pinky, try and take over the world." - Brain

  18. Re:Black & white films? by GemFire · · Score: 3

    In 1976 Congress increased the length of time of a copyright to the author/artist's life plus 67 years. In 1995 Congress increased the time of a corporate copyright to well beyond a century (120 years, I think.) So any movie made before 1880 would be in the public domain. Know of any? Of course not. Congress has been systematically stealing from the public domain since 1909 when it was increased from a maximum of 28 years to an automatic 56 years. Write your congressmen, tell them you want Tolkien, Charlie Chaplin, and Mickey Mouse in the public domain where they belong. I have already done so.

    --
    Don't just complain - DO something about it!
  19. New instructions: by stienman · · Score: 3

    New instructions:

    Go to the ClickThrough Agreement, then use the link above. Looks like they might be using cookies, or some other method which forces you to view the license page before viewing the download page.

    You still don't have to click on the 'I Agree' button.

    -Adam

    This space for rent.

  20. The "contest" is poorly set up anyway. by BeBoxer · · Score: 3

    If you actually go and download the files for the contest, you won't find much. Rather than any sort of description of the watermark technology, or any software that checks for the watermark, you get three .wav files. File 1 has no watermark. File 2 is the same audio as file 1 with a watermark applied. File 3 is a different song with a watermark applied. Your "challenge" is to remove the watermark from file 3. To check the file, you have to upload it to their server, and they will send you email with the results of the check.

    So, from a cryptographic point of view, this is pretty worthless. It's along the lines of the newbies who post to sci.crypt saying "I've developed a new algorythm. Here is some ciphertext, crack it!". Of course, to do any valid analysis you need to know how the algorithm works.

    My guess is that either the people setting up the "contest" are pretty clueless, or they have no faith in their algorithm, or both. Or this is just a publicity stunt to reassure the record labels. My money is on the latter.

    Any hacker who attacks SDMI after it's released will certainly have access to a software implementation, or the algorithm, or both. So, to leave both of those out of the "contest" just makes it a sham.

  21. Microsoft Digital Rights Management: silence. by yerricde · · Score: 3

    And there's always the trick of having a soundcard driver that saves the audio stream to the harddrive.

    No. SDMI requires that there be no way to get a digital cleartext out of an encrypted file. For example, all Microsoft Digital Rights Management sound card drivers disable all digital outputs (card outputs, write to file, or a fake waveIn) when an SDMI clip is being played. If a sound card driver driver is not digitally signed by Microsoft and rated MS-DRM compliant, it has no access to the Secure Audio Path and will play silence instead of music.


    <O
    ( \
    XGNOME vs. KDE: the game!
    --
    Will I retire or break 10K?
  22. It'll record silence. by yerricde · · Score: 3

    all it did was recive sound from windows applications like it was a sound card and write 44.1 kHz pcm sound

    It won't work for long. Microsoft Digital Rights Management will silence all SDMI audio going to unsigned drivers. MS will only sign a driver if it shuts off all digital waveOut capability (this includes without limitation disk writers, digital out ports on the card, and waveOut to waveIn aka SB Live What-U-Hear) when playing secure audio; only signed drivers get access to the Secure Audio Path.


    <O
    ( \
    XGNOME vs. KDE: the game!
    --
    Will I retire or break 10K?