Ask 'They Might Be Giants'
Yes, folks, it's time for another special Slashdot music celeb interview, this time with They Might Be Giants, creators of much excellent music and the famous Dial-a-Song (which has been mentioned on Slashdot before). Anyway, TMBG is a pretty cool band, so go ahead and ask them anything you want -- about their music or Napster or their deal with eMusic or anything else. Post your questions below. Moderators will choose their favorites. Saturday afternoon we'll select 10 of the best ones, and TMBG will have their answers back in the next week or so.
I know that many artists would discount #2 right off the bat. These artists, however, are the ones that either don't want to bother with touring, or just don't have the talent to play outside a closed studio. There are loads of bands that actually do make a good living off touring, e.g. DMB, MMW, Bela Fleck, Phish, etc. It's no coincidence that these are the same bands who want their fans to trade music freely; they know that it only helps their business in the form of free publicity.
So, what stance does TMBG take on this issue?
"Pinky, you've left the lens cap of your mind on again." - P&TB
"I can see my house from here!" - ST:
I was at the Philadelphia show (day after thanksgiving) when that doofy guy jumped on stage and started flailing about. You whispered into his ear before security took him away. I was just curious what you said to him. Other than that and the few sound glitches (ouch) that was an incredible show. Thanks guys.
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As a musician myself I must ask my role models this burning question:
Digital or Analog?
Indeed I know there lurks a purist analog soul in TMBG, but who better to get the most out of digital mixing??
Also, if the boys could reccommend a good portable 4-Track I'd be much obliged.
Jason Maggard
"I might be giant, too."
If music *could* be distributed securely online, would you as an artist be willing to do so INSTEAD of signing with a label?
If not, would you be willing to do so and pressure your label?
Finally, if secure transmission of music wasnt possible (as it doesnt seem to be now), are you willing to live with the possibility of people copying your music for free digitally, just to get more people to listen to it?
GPL'd web-based tradewars themed space game
Part of what draws me so deep into TMBG's music is the deeper meanings that your lyrics instill in myself. Although all lyrics by any artist may be taken many ways, it has always seemed to me that TMBG's lyrics promote thinking deeper about the song, its meaning, and the feelings of the songwriter.
:) Thanks for answering!
In a world where much of the new, "popular" music coming out (Spears, Aguilera, Martin, et al) which promotes the "party time" atmosphere and "think with your crotch, not with your mind" mentality, how does TMBG shape their mission in songwriting and performances to keep their unique, mind-intensive style going? How do you keep from falling into that "lesser-meaning-lyrics" groove?
On a side note, when are you coming back to Iowa?
Blog,Twitter
Hi guys - I've been a big fan of TMBG for some time, and a long-time subscriber to your mailing list.
Prior to the introduction of the $10 a month EMusic "TMBG Unlimited" service, TMBG frequently provided free MP3 downloads of unreleased songs and live versions not available on Dial-A-Song to those fans on the TMBG mailing list.
Now that the service has been introduced, membership seems to be a requirement for any new MP3 downloads. All the e-mails that I've received from TMBG lately have essentially been advertisements for this new service, with little or no free material offered fans. Because I don't like getting what is essentially glorified spam for Emusic in my mailbox, I've actually unsubscribed myself from your mailing list.
I understand that you guys have to make money and all, but are you concerned at all that you may be posing what could be construed a membership fee to be a member of the "official" TMBG fan community, asking fans to pay for material you had previously provided for free?
I'm perfectly willing to pay money for new TMBG albums and music, but I'm concerned that asking fans to pay $10 a month to have access to new TMBG tunes may cause you to lose more fans than you gain.
I'd personally like to think that it does, but I've heard some pretty powerful arguments against it as well.
Got Rhinos?
Got Rhinos?
I saw your concert in Philly and was surprized to see all the extra people on stage. I felt like the group did not mesh as well as when it was just the two of you. Was this a one tour thing or do you plan to keep the extra members? Besides the shake up when that one guy climbed up on stage, it felt like you guys were not as energenic as when it was just the two of you. The songs were all there, but the energy was missing. Even the croud seemed quiet.
What do you think the answer is? Is the day of the professional artist over? Is it still possible to make the music you love and make enough to pay the bills? If so, how? How do you see the record industry changing over the next ten years?
Oceania has always been at war with Eastasia.
Honestly, I'll bet a lot of people out there first heard you when Tiny Toons did that music video day with two of your songs (Istanbul and Particle Man, to the slashdotters who don't know).... how much do you think your carreer owes to that episode? How did that get handled, were you simply approached by WB with a proposal and a contract to sign, or was it more complicated?
Thanks, Matt
Joshua
Terradot
When in danger or in doubt, run in circles, scream and shout!
Joshua
Terradot
When in danger or in doubt, run in circles, scream and shout!
There are rumors that there is a "good" John and a "bad" John. Is this true? If so, would the John's care to reveal who is who?