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Napster to Filter by Filenames

mE123 writes: "Zdnet is reporting that Napster said that they would voluntarily block songs by filtering the filenames sometime this weekend. Because no one would ever spell Meta11ica wrong." Meanwhile, back at the ranch, FSF legal eagle Eben Moglen is wasting no time getting the word out about Napster alternatives.

34 of 338 comments (clear)

  1. Re:A potential problem by the_quark · · Score: 4
    Yes. This sucks, because it effectively ends unsigned band distribution on Napster. It's even worse than you describe - an unethical competitor of Naspter's could put up Mariah Carey's music as "Mirah," intentionally. Mariah's record company would complain, and that would be the end of Mirah on Napster.

    The irony here is that Napster's LYING about the jtechnical challenges of MD5 sum blocking is what led to this. They've maintained MANY, MANY times (in sworn declarations, even) that MD5 sum blocking is impossible. The above link has their VP of Engineering, Eddie Kessler, stating "Given the large universe of MD5 checksums, it is impossible for Napster to monitor the checksums when we process thousands of new files a second. Napster's service would be rendered unusable under such conditions." But now, it's suddenly possible to block based on a TEXT SEARCH, which is much more computationally intensive than an MD5 sum compare? Can you say "perjury," boys and girls?

    Anyway, I'm just amused by the fact that they're being hoist on their own petard. If they hadn't protested overmuch that MD5 was impossible, and just done it, they might've been able to keep it going for the indies. But text compares are gonna kill the service - once they get 50,000 bands in there (and millions of track names), EVERY file you try to share will match SOMETHING.

  2. CmdrTaco's Dream! by sulli · · Score: 5

    M4nd4t0ry mi55p311ing! I love it.

    --

    sulli
    RTFJ.
    1. Re:CmdrTaco's Dream! by moonboy · · Score: 3



      Too funny! I often laugh about the great disregard for proper grammar and correct spelling on Slashdot.

      133t h4x0r5 will now rule Napster because most average users will be unable to decrypt their h4x0r 5p34k.


      --

      Co-founder and designer at Music Nearby: http://musicnearby.com
    2. Re:CmdrTaco's Dream! by Segfault+11 · · Score: 3

      Personally, I favor ROT-13 hashes, preferably two passes of it, for maximum security.

      --

      I registered my hate for Jon Katz

  3. Unbelievable.... by Danse · · Score: 5

    Not that I expected any less from a bunch of common thieves.

    As opposed to what? Corporate thieves? Those who bribe politicians for legislation? Those who fix prices in an attempt to avoid fair market prices? Quit acting like the music industry is so fucking squeeky clean. They are much bigger thieves than any of us will every be by downloading some songs from Napster. They steal millions from us and from the artists whose rights they claim that they care so much about. They're hypocrits and you've bought into their bullshit. The fans are the only ones who give a shit about the artists. Until we have a system that let's fans contribute directly to the artists for their work, both artists and fans will continue to get fucked by the music industry.

    --
    It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    1. Re:Unbelievable.... by nightfire-unique · · Score: 3
      Why is it a reasonable to steal other peoples' property just because you don't think they have a right to it in the first place.

      Dear god, make the hurting stop.

      I'm sorry you're the one to bear the brunt of my frustration, but I am just so sick of hearing this garbage regurgitated again and again.

      When you pick apple off a tree, what do you call it? If someone looks at you, and says, "hey, what is that," do you reply "this is an apple," or "this is an orange?"

      Most rational people would reply "this is an apple." It's important to keep our apples together, and our oranges together - and the two separate - when dealing with things. In this way, we can think logically and coherently, without confusing ourselves or each other.

      Here's a good one. When you right-click-drag an icon in Windows (I'm sure you've used Windows before), and you get that little menu (you know, the one that says copy, move, cancel, etc.), do you know why they differentiate between copy and move? They do so, because copy and move are different operations. One copies, the other moves.

      Queue the music.

      When you steal, you move an object.

      When you copy, you copy an object.

      Data cannot be stolen. The best we can do, is equate "stealing of data" with a copy and erase (that is, you copy the source, and then erase it). Thankfully, computers are very good at copying data, without erasing it (at least, from a user's perspective).

      Here's a good one.. would you prefer that I steal your computer's hard disk, or image it? Don't say neither. That's not the point. If I were to do it, which would you prefer? Should I image that cd, or image it, then destroy it? In order to think clearly about the subject, we must differentiate between copying, and stealing.

      And please - don't give me any of this horseshit about lost revenue. It is not an absolute. If it were, it would be solid basis for a copy == theft equation. But since copying data does not always result in lost revenue (for example, when a person copies data with no intent or ability to pay for it otherwise), it is a poor argument.

      Copying data (for personal or commercial gain, or not) may be unethical and/or illegal, for the love of humanity, IT IS NOT THEFT. Say it a hundred times.

      --
      All men are great
      before declaring war

      --
      A government is a body of people notably ungoverned - AC
  4. Re:Easy by Ignatius · · Score: 4


    1. Lurk in musical genre-themed chat room.
    2. Look for users with good connection speeds/small ping/large number of shares
    3. Browse through their shares.
    4. Yuse tha fzzy logyc patrn-recognition systm God gave you.

    ... and we end up exactly where we used to be in the pre-napster era.

    The whole point of napsters success and the reason why it began to trouble the big players in the music industry is that it is simple enough for the average windows user to (a) find and get the music he wants and (b) to offer his own collection for redistribution at the same time.

    Making (a) or (b) even slightly more complicated and the whole scheme will collapse as it is unable to produce the necessary snowball-effect to attract a critical number of contributing users.

  5. Re:The Future by JediTrainer · · Score: 5

    On the one hand, I agree with your post in that I think it's ridiculous to try to limit the potential of the internet, and free speech and all that.

    On the other, though, is the fact that this is a product that they sell, and naturally they want to protect that position. I'll probably get lynched as a troll for saying this, but I've made two observations:

    1 - the argument in the past has been to say "What if I'm downloading legal music that's not mainstream, and thus not owned by the RIAA"? The answer to this question is that this filtering shouldn't affect the "legal" music, so it's a non-issue.

    2 - "what if I own the music I'm downloading, since I bought the CD"? Well - if you've got the CD, I guess you can either rip the tracks yourself, or use the my.mp3.com service. If you've already got it, why do you need to download it?

    Let's be realistic here - yes, music is overpriced, and I feel that we do have the right to have the music in any form we wish once we've purchased it, but the recording industry is trying to protect themselves too.

    Taking this further, we don't have the "right" to buy a piece of software (say, a copy of Quake3), snapshot the ISO and distribute it. We don't have the right to go and download that snapshot if we haven't bought it. Nor do we need it if we have bought it. Id Software earned their right to sell it (at whatever price they want). If you feel it's overpriced, then DON'T BUY IT! Feeling that something is overpriced does not give you the right to steal. This applies to music too. If enough people stood up and refused to buy, then they'd be forced to respond to the market.

    If you already have it, then you don't need another copy either. Obviously we haven't been doing a good job of telling the RIAA that their music isn't worth the price, judging by the fact that sales were up last year.

    --

    You can accomplish anything you set your mind to. The impossible just takes a little longer.
  6. The whole napster case... by Greyfox · · Score: 3
    Is founded on some people can use it for piracy so it should be shut down. Since it is users trading music, all Napster's delivering is indexes.

    If you take that reasoning not too much further, you could sue all the backbone internet providers because their networks could be used for piracy. The court which tried this case would be favorable to shutting the internet down for that reason.

    Likewise it becomes very easy to shut someone down if all they do is tell you where to find stuff, and even if that process is automated. The implications of a corporation with whom you have never entered into a contract being able to thus control your speech (Even if what you are doing is perfectly legal by the way, because your ISP will never stand up to the threat of a lawsuit) is chilling.

    Of course, it seems that these days, money outweighs justice in our legal system. Perhaps they should redo that statue of the lady with the blindfold and the scales so that she has a big stack of $100 bills on one side of the scales.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  7. Re:So What by schuster · · Score: 4

    I have a better question for you. Should it be illegal to swap music that's copyrighted but no longer in print? It's almost like the RIAA wants to tell you what you can and can't listen to.

    --
    --- Don't ever trust a woman until she's dead- B.B. King
  8. Easy by wunderhorn1 · · Score: 5
    1. Lurk in musical genre-themed chat room.
    2. Look for users with good connection speeds/small ping/large number of shares
    3. Browse through their shares.
    4. Yuse tha fzzy logyc patrn-recognition systm God gave you.

    It would be easy enough to write a shell script that would go through all your mp3 files and make a random misspelling in each. Ditto if they ever start checking MD5sums, write a program that changes a single bit (maybe in the comment field of the ID3 tag) for each file.

    --
    Karma: Bored. (Thinking about resurrecting the "Anyone else is an imposter" joke.)
  9. Re:CNN hints at Nap$ter Pricing Structure... by sonny317 · · Score: 4

    From CNN.com:

    "The new proposed Napster, slated to launch this summer, also would have limitations of 128 kilobytes per second and lower for sharing files, which would hamper both the speed and quality of music being swapped."

    I read this as meaning only 128kbs or lower MP3's, as opposed to transfer speed, which would effictively kill off high quality CD burning.

  10. Lets assume the RIAA are not idiots. by dasunt · · Score: 5

    Now I know that the popular attitude here at slashdot is that all the members of the RIAA have a collective IQ of a retarded rock. I want to respectfully disagree. Record companies do not have dumb CEOs, and they do not have dumb lawyers, to survive in the business climate, you have to be smart, and lawyers who make more in an hour then I make in a week probably graduated near the top of their class.

    For a thought exercize, lets give the RIAA the same numbers we are looking at. As far as I can tell, Napster isn't hurting the music industry. CD sales are still up. Napster has introduced a lot of people to different bands and singers, its a good source of promotion. If Napster is hurting sales, its by a tiny percent. A mere blip on the revenue chart.

    Therefore, why go after Napster? Any move against Napster makes the Opennap and gnutella-like networks much more popular. Instead of having one big localized target, the RIAA will create many small targets, often with no central location. Gnutella, for example, is not killable by the RIAA. Even if they would get all the ISPs in the world to block the default Gnutella port and start scanning for search requests, Gnutella could shift over to ports 21/23, and start encrypting their data. The RIAA must know this. Yet the RIAA moved against Napster. Why?

    If Gnutella/OpenNap is a threat, logic dictates taking Napster and corrupting it for the RIAA needs. Napster has the largest chunk of the pie through its popularity, a nice fee-based service with high-quality mp3s would keep Napster popular, and hinder the amount of users flocking to non-Napster alternatives. If RIAA/Napster had 128+ kbps encoded songs on a central server with correct names and no trunciated files for a mere $5/month usage fee, it would be very competetive.

    But the RIAA didn't go this route. They decided to kill Napster. This suggests to me that they have some plan to attack OpenNap/Gnutella. I have to admit, I can't see how they can pull off a successful attempt, for the reasons I stated above, but unless the RIAA are idiots, they have a plan. Maybe new laws going into effect (but how would they be inforced), new monitoring devices built into new hard drives, or maybe a new cd encryption scheme...

    Of course, maybe I'm wrong and the RIAA is filled with idiots. But I don't think so.

  11. The Future by ff · · Score: 3

    If the RIAA had its way, the only thing coming down the Internet pipe would be ads, and the only thing going up would be credit card numbers. It's good that people are looking for alternatives to Napster, but it would also be wise to develop some kind of activism against attempts to limit functionality of the Internet (which is what these rulings really are) before it's too late.

  12. Nap Pulls Wool over Fed Eyes by perdida · · Score: 3

    woot!

    I am older than the founder of napster, even though I am just in college. He is of the generation whose culture it is to believe that there is a distinction between material and intellectual property.

    Hence, no injunction will save that.

    Napster will do many things that can clearly be intepreted as an effort to curb piracy issues. People who want to deliberately avoid piracy can use the protections. Napster is essentially setting guidelines that if followed will prevent accidental commission of illegal behavior.

    However, they will still leave the loopholes (misspellings, etc.) for folks who choose to define IP differently than the government and RIAA do.

    napster is rightfully shifting blame for piracy away from the technology and towards the pirates- the users.

  13. So What by lizrd · · Score: 3
    We've all known that the end of Napster was coming since it started. The whole Napster movement is based on people not having any respect for the wishes of the artists and copyright holders. People around here got awfully excited when Katz suggested publishing a book with some comments from /. quoted in in. Did you really expect the music industry to react differently when you went around willy-nilly handing out copies of their work.

    I'm not saying that Napster isn't cool and fun. And I'm not saying that the RIAA isn't a bunch of assholes. But honestly, did you really think that Napster had a workable business model?
    _____________

    --
    I don't want free as in beer. I just want free beer.
    1. Re:So What by Wah · · Score: 3

      well, one part of the problem is there is very little of the thing known as public domain music, nor will there be in the future. There should be, and the idea of copyright is usually one of limited protections, but our business run government has destroyed that idea.
      --

      --
      +&x
    2. Re:So What by Lucretius · · Score: 4

      As much as I hate to agree with you, I have to. Most people care about Napster in this order:

      free music artist's rights free music free music did I mention free music?

      While napster did not stand up to a court attack (and lets be honest here, who actually thought that they would? Fair use can go along way, but when there is so much of it going on and there is money being lost... who is going to win? The fair use clause, or the people losing the money?), it did do a few things. It did liven up the whole topic of artist's rights and electronically distributed music, which is in itself a good thing.

      I personally have a feeling that while Napster forced open the door to the distribution of music electronically (adopting a fee based system) there is something else on the horizon. With all of the grassroots movement going on, someone is going to figure out a way to distribute music electronically and give more of that money to the artist rather than to the record company. Its really a pipedream at this point, but there is hope that it can happen (something like mp3.com, except that would actually work right).

    3. Re:So What by Gen-GNU · · Score: 4
      While I agree with most of what you said, I believe your choice of an example was poor...

      The difference between Katz and napster users is napster users exchange other peoples IP for free, Katz wanted to do it for money.

      All in all, this changes little. Those who chose to exchange IP, in violation of the law, will continue to do so. (Granted some don't like these laws, but the fact remains that the laws *exist*). So maybe this will mean less napster stories on /. in the future, as more people move to the alternatives.

    4. Re:So What by DennisZeMenace · · Score: 3
      I'm not saying that Napster isn't cool and fun. And I'm not saying that the RIAA isn't a bunch of assholes. But honestly, did you really think that Napster had a workable business model?

      Well, many CEOs would *kill* to have the brand name and user base that Napster has. Just that single fact, and the fact a lot of napster users are ready to pay for the service, makes it very feasable to build a sustainable business model. There are technical issues of course, but from the marketing standpoint it's rock solid.

      Your opinion on the people using Napster seems pretty short-sighted to me. I personally consider Napster as the most fantastic tool ever created for promoting music and musical culture in general. I'm a lot more into new styles of music than i was a couple of years ago, in particular i go to a lot more concerts now. I thank Napster for that.

  14. Ohmygosh! No more Brit NeySpears. by laetus · · Score: 3
    Let's see how far we can take this thread:
    • El TonJohn?
    • Mad Donna?
    • In Sink?

    ----------------------------------
    --

    "We're sorry, but the website you're trying to reach has been disconnected."
  15. Too little, too late by FortKnox · · Score: 3

    This reuters story states that the hearing is over, and that an injunction draft is on its way. They tried to delay the injunction to make this new 'filtering' system, but they were unable to sway Judge Patel to delay the injunction.
    Napster is over guys. Quit posting about it.

    --

    --
    Good quote, too many chars. Seriously, the slashdot 120 char limit sucks!
  16. Re:misspellings? I dunno about that. by THB · · Score: 3

    It seems like everyone responding to this thread 'understands' that there are ways to get around file name screening. Yes there are ways, napster knows it and the RIAA knows it, but they don't care.

    Why, you may ask?

    Its very simple, and represents the problem they have with napster; its simple, mainstream and promotes causal pirating of mp3s.

    Many people here remember the days before napster, having to search ftps and sharing them with friends. The RIAA didn't care, its difficult and time consuming. For many people its just not worth the time. That is why this will work.

    And i still have opennap.

    On a side note, i think this whole article just shows the lack of understanding of human nature 'geeks' and 'nerds' really do have.

    Please don't moderate me down because you do not agree with me.

  17. They're not idiots BUT by commodoresloat · · Score: 3
    They have egos the size of Jupiter. For the execs and the lawyers this isn't just about extorting Napster for every penny of its investors' money (though it certainly is about that - here is RIAA lawyer Russell Frackman in Friday's LATimes: "the damages will be very, very large. There will be lots of zeros [at the end of that number]")- that's just the side benefit of the real crusade, which is, "We're not going to let a bunch of fscking teenagers do whatever they want with our stuff damnit!!" They want total, 100% control over every sound they own. They can't bear the thought of fans having any control over music distribution. The guy I quoted above claims to have been "fighting piracy" for 30 years starting with "8-track piracy." They can't stand the thought of 15year olds listening to what they want to listen to rather than what they are told to listen to. It's about control more than money, which is why they seem so blind to the fact that everything they do will backfire. They are also burned to high hell that a college dropout had the gall to capitalize on an idea they should've seen coming a million miles away. So they're going to steal the idea and make the kid fork over money there is no way they would have made in the absence of Napster.

    What is hysterical is that this will backfire ridiculously, or at least it should. If we end up with a Napster where you can only trade stuff that RIAA doesn't own.... Here's a news flash, gentlemen: I can buy that crap in stores if I really want it. If the only music I could get on Napster was indie labels, bands that support napster, and unknown artists -- that sounds pretty cool to me! Sure I like a lot of the RIAA stuff and would love to have access to that as well (especially the stuff you can't even find in stores), but if they want to take it off Napster, let 'em. That means many of us will spend more time discovering new artists. And new artists have an easy means of distribution, without worrying that people will be too busy downloading Metallica to find them. And guess where RIAA labels will eventually come looking to find new artists to sign. Having already built followings via Napster, these artists will be in a lot better position to call the shots of their contracts, and a lot more knowledgeable about the way the industry exploits artists. In some ways this is not that different from what college radio did in the 80s but it is much more dramatic and far-reaching. The recording industry will never go away but it just might become what it really should have been in the first place - a tool for artists.

  18. Maybe not idiots, but technically challenged. by s390 · · Score: 4

    I disagree somewhat, but for complex reasons....

    What the RIAA members do well are contract negotiations with musicians and distributors, plus creative accounting (almost as slick as the movie industry), and deploying lobbyists and lawyers to (a) buy favorable laws and (b) win civil suits. Signed musicians make pennies on the dollar from sales of their works. So do music distributors for selling CDs, etc. The big music publishers take most of the money to feed their bloated egos, but add very little value. Their talent for writing contracts at both ends of the chain keeps them solidly in the middle, taking the big money. They create artificial scarcity by controlling the CD presses (and what goes into them) and the physical distribution of music on (overpriced) CDs.

    They have been (and still are, but are learning) clueless about what technology, specifically ubiquitous PCs with good digital sound cards and CD-R/RW drives, and the Internet, makes possible.

    Having been blindsided by advances in both the sophistication and pervasiveness of technology, they're trying to use their familiar means of lobbying and lawyering to hold back the tide. If only they could negotiate iron-clad contracts with every person who owns a PC requiring them to pay through the nose every time they used their sound card, everything would be just fine for Big Music!

    Well, they're working on this. CPRM, and now its stealth replacement proposal at the T13 Committee, are one front in this battle. The SDMI effort is another, perhaps related, approach to locking up digital content. A new CD format is yet another.

    But all these initiatives are doomed to failure. Let's suppose the best cases (for Big Music) are realized: the DMCA and like laws bought by the digital middleman companies are upheld in courts and extended by treaties to the Common Market and Japan and Taiwan, etc.; equipment manufacturers are bullied/bought-off to include obscure keys in mainboard/CPU/hard-drives/CD/CD-R etc. hardware; criminal penalties are applied for circumvention, reverse-engineering, or whatever work-arounds....

    It will all be futile. Why? Because the second and third worlds don't care about or observe the niceties of digital rights, that's why! The day after all those shenanigans are worked up in smoke-filled back rooms around the world, China will be building fabs to build kit that strangely fails to implement all these extra protections for Western media and content. They'll be ecstatic! And so will all the people who prefer to sample music first before they buy a high-quality image (this class includes nearly all music consumers).

    So, the mainboard, perhaps CPU and hard-drive, certainly CD-R/RW and soundcard, that you'll want in 2010 will come with a "made in PRC" sticker on it, and they won't respect Big Music copyrights. Or, it might say "made in Nigeria" alternatively.

    The rest of the world won't allow domination by corrupt first-world based media middleman fatcats.

    No need to shoot 'em, just ignore 'em - that'll kill 'em just as dead.

  19. misspellings? I dunno about that. by dR.fuZZo · · Score: 5

    The point that some of y'all are missing here is that if someone misspells a song name or artist, how are other people going to find it through napster? Any systematic method (as some here have mentioned, index files, etc) would be just as easy to filter by as the name, and wouldn't be used anywhere nearly as widely used as Napster itself.

    --
    -- dR.fuZZo
  20. this is sooo done already by HongPong · · Score: 4
    I believe that only a neural net capable of adjusting to common misspellings, combined with a method of sampling songs at random and matching the first couple seconds to a massive database would have any chance of stopping piracy through name-blocks.

    However, it is likely that the neural net will need to be expanded rapidly as 31337 H4XX0R 5p311ing becomes commonplace. The Neural Net, now known as SkyNapNet, employing heuristic algorithms, will cross a as-yet-undiscovered threshold and mankind will marvel at its own ingenuity as it gives birth to 'AI', spawning a whole race of machines.

    It was unknown who fires the first shot, us or Jack Valenti. We do know, however, that it is us who scatter billions of CDs of Metallica's 'Kill 'em All' over the earth.

    A lone intrepid robot, reprogrammed by the rebels, ventured back into time into 1980's Los Angeles. There he began gunning down every Shawn Fanning in the phone book...

    --

  21. Re:Payment is the point you're missing... by Anoriymous+Coward · · Score: 3

    Bard?
    --
    #include "stdio.h"

  22. Re:Spelling by RichMan · · Score: 4

    It is worse than that. A non RIAA artist should be able to apply to get the ban lifted in a second.

    A non-RIAA artist should be able to use web services like napster to become heard. This is fair and proper use of a service like napster. This non-RIAA artist can claim to be using napster as a medium for becoming known and for distributing their work.

    A non-RIAA artist should be able to make a song, even a parody song with a similar name to a RIAA order blocked song. This non-RIAA artist can then sue napster and the RIAA to get the blocking released so that the non-RIAA material can be transmitted.

    The non-RIAA artist can sue the RIAA for the $$$ of potential future career money the RIAA is cutting them out of by blocking the medium.

    Spelling of a title cannot be used as a reason for blocking non-infinging material.

    Example:
    A famous horror writer, a Mr King perhaps, wants to distribute chapter 1 of his book online for free. As an added bonus the author decides to read it and creates -> thriller.mpg. This file is copyright but released free to everyone as a publicity stunt to get everone hooked and to buy the book. Mr King plans to save marketing costs by using the napster transmission medium to spread the word.
    Opps, napster blocks this file. Now the author can sue napster (and the RIAA) for illegal restraint of trade. This was not material the RIAA had control over, nor was it anywhere close. File names are generally short and descriptive, thriller.mpg is appropriate for the reading of a horror story and in no way implies connection to any music titled similarly.

  23. Much better alternative by austad · · Score: 3

    http://www.audiogalaxy.com
    Use it, love it, sleep with it.

    You just run the little proggie on a linux or windows box that connects to them, and you do all of your searching and queueing through their web interface. I just let it run at work on the fat 90Mbit/sec pipe, and sit at home on the DSL and download everything to work.

    Plus, you don't get all of those annoying connection errors that you get with Napster.

    --
    Need Free Juniper/NetScreen Support? JuniperForum
  24. Alternatives to Napster by mgoyer · · Score: 3
    Two (beta) alternatives to Napster are Snarfzilla and Espra. Both are front ends for Freenet which facilitate the sharing of music in an annonymous environment and at the same time allow fans to voluntarily compensate the artist via Fairtunes.

    Matt

  25. CNN hints at Nap$ter Pricing Structure... by Masem · · Score: 3
    At the CNN version of this , there are hints of what Nap$ter (the non-free version) will be charging .. or at least, how to implement it:

    - The max transfer speed will be limited to 128kbyte/s. While I know that is above the limits for some DSL connections, it's well above max cable speeds. In other words, while some may still get more bang for their buck from the flat monthly fee, the high end has been reign in somewhat to about 10x the typical 56K modem user.

    - There will be a fee to burn Nap$ter-obtained files to a CD or to transfer them to a portable player, which definitely means they're going to put an encryption layer somewhere at the user-end... probably meaning that any users of non-Napster-blessed clients, mostly those of opensource, will either be restricted by the file list from this article, or won't be able to talk to the blessed-Nap$ter clients without breaking DMCA.

    (No, the dollar sign isn't meant to be derogatory to Napster, only that it's shorthand for the non-free version).

    --
    "Pinky, you've left the lens cap of your mind on again." - P&TB
    "I can see my house from here!" - ST:
  26. New Metallica Song Kills Napster by Mignon · · Score: 5

    That sneaky bastard Lars came out with a song called *. Now Napster has blocked *.mp3. Damn.

  27. Where is the legal replacement for Napster? by JWhitlock · · Score: 5
    Warning: long comment with a bit of thought and spell-checking behind it

    It seems to me that Napster's position is untenable. Although there are some possible legal uses of the service (such as trading public domain MP3s), the illegal uses are more numerous, and there are no protections in place to prevent illegal use. Some may say it is up to the individual to avoid illegal uses, but there is no mechanism in place to determine which uses are legal and which are not. There are no copyright stamps on MP3s, as well as no public domain stamps, which make it too easy for an individual to unwittingly break copyright law.

    Having said that, I use Naspter, and I believe that some of my activities are legal, while others are questionable. Here they are, in order of possible legality:

    1. Finding tracks that I believe to be in the public domain (such as Naspter's Featured Music)
    2. Making MP3s of my CDs at home, then accessing my home server from work or on the road to get songs as desired.
    3. Finding MP3s of songs I own in an analog format, and do not have the time or skill to convert to MP3s myself.
    4. Finding MP3s of songs I once owned in another format, but the original was lost or destroyed (broken / scratched CDs, analog tapes destroyed by placing them on the dashboard, scratched albums).
    5. "Borrowing" MP3s from friends (friends I interact with in the real world), the same way I would borrow a CD that they do not listen to.
    6. "Borrowing" MP3s from friends (again, meatspace friends) of CDs they are also listening to, the same way I would make a mix tape.
    7. Finding MP3s of songs that I am no longer able to purchase, because they are not being sold anymore
    8. Finding MP3s of songs from albums that were well reviewed, to determine whether I wish to purchase the album (deleting them if I decide not to, of course).

    I may be able to argue in a court of law on the first 3 points, but I would be compromised, because while I was legally using them, others could copy them for illegal purposes, and I, in many ways, would have enabled it.

    What I am looking for is a legal way to do these things, but on a massive scale. I think a legal service would have the features:

    1. Digital files include a information portion to hold copyright information. For instance, a .WMP3 format (wrapped MP3) could use the first 2048 bytes for copyright information, artist name, track name, album name, track number, etc. As a side benefit, the file would self-encode information I've had to code into the filename, for instance, "The Laziest Men On Mars - Invasion of the Gabber Robots (All Your Base Are Belong To Us!).mp3" could become "ALLYOURBASE.WMP3", and a reasonable jukebox application could use the header to file and display the song properly. If so desired, the info portion could also contain "kill" information, to tell the server software when the file should be deleted. Record companies could issue you a song for a certain time, then (legal) servers would delete it (or ignore it on other servers) after the kill time. Encryption need not be used, but it would be possible.
    2. Servers would be key protected, for instance with a PGP key. I would need the key to access the server, which implies that the server owner has given me the key. If I broke the key, I would be solely responsible for illegal acts. This allows a bit of fair use - I can use the key at work to get into the home system, as can my wife and extended family. As a side benefit, PGP would get into widespread use.
    3. Public web services could offer free services, such as MP3 listings, server names, and webspace. They could also offer simple forms, where I can request access to someone's server. They could make it a automatic validation process, such as, if you know my email address, you get the key, or you have to know my middle name, my dog's name, and where I was born. Or, it could package requests into simple emails, so you can filter your email client based on one address.
    4. Client software, free or otherwise, could manage your collection, keep up to date on servers you have access to, manage keys, and possibly validate your files. If the record companies could ever come up with a way to validate that you own a CD (maybe a data track on new CDs), the client could take care of any verification needed.

    Such a system has many components, and may be difficult to implement, but the creators of such a system would have ample proof that they encourage legal uses while discouraging illegal uses. I think they would be in a much better position than Napster is, with more possiblity of survial. Now that many people have experienced the ease of trading digital music, they will hunger for a legal way to do it.

    Some will say that I should just set up a home FTP server, but such a soultion will never catch on - it has to be a single purpose server, that takes care of it's own security. Others will say, why don't you make it yourself - valid criticism, but I don't have the time or talent. I'm just looking to see if others think it is a good idea, and maybe someone is already working on it.

    Yeah, this may not directly relate to the story - I wrote it before hand, and, since I want people to read it, waited for a new story. Maybe I should have submitted it, as an Ask Slashdot?)