American Gods
The note that Gaiman makes on the cover of my book regarding the difference between this book and Neverwhere, his book about Underground London, is a good one.
"If Neverwhere was about the London underneath, this would be about the America between, and on-top-of, and around. It's an America with strange mythic depths. Ones that can hurt you. Or kill you. Or make you mad.American Gods is about the mythology of America, but also about its relationship with gods, stories and what America is about. I think that's the story of this book; the story of what America is and what it is about.American Gods will be a big book, I hope. A sort of weird, sprawling picaresque epic, which starts out relatively small and gets larger. Not horror, although I plan a few moments that are up there with anything I did in Sandman, and not strictly fantasy either. I see it as a distorting mirror, a book of danger and secrets, of romance and magic.
It's about the soul of America, really. What people brought to America; what found them when they came; and the things that lie sleeping beneath it all."
The characters, mainly, are Shadow and Odin. Odin has been an frequent character throughout Gaiman's works, and as someone who memorized Odin's stats in Legends and Lore, I've always enjoyed Odin, and think that Old One Eye is an interesting historical figure -- and one who is interesting to get to know a bit more intimately, albeit through a writer's eyes. Shadow's character, is the one character I liked the least. Well, that's not quite how I mean it -- I did like Shadow the character, and I think I'd like him as a person. But it feels sometimes like the Shadow's actions and dialogue are a bit stilted, but that's only a slight flaw in an overall wonderland of reading.
The two relationships I glommed most on to are the ones between Shadow and Odin, and (in a very different way) between Shadow and the other gods and goddesses that he meets. The other curious relationship, if it can be called that, is the one between Shadow and his dead wife. Trust me. It sounds wierd, but it works really well.
In a nutshell, this is the tale of what happens to old gods when they are brought, sometimes without the believers even knowing it, to a country that doesn't really hold a belief in gods - or rather, a belief in traditions. One of the most interesting parts about America, to be nationcentric for a moment, is the lack of traditions in things, compared to the rest of the world. But America has created its own gods, of a sort, and the main plot point is about the intersection of the old gods and new gods. And the most interesting part of the story is there, I think. Because that's where the meat of the book is, and where it transcends being just a story about "god hangs out with guy, creates havoc, guy has dead wife who talks to him, old & new gods want to fight, guy solves problems." (Well, I suppose that is a pretty cool story.)
American Gods delves into larger issues of what it means to hold on to our traditions and beliefs in a world that has dramatically changed, and in which our relationships with each other and what's around us has In summary, this is a book with a good story. More then that, it's a story about relationship to the world around us, and what being human means. It's good. Really good. If you've got even a [metatarsal] of philosphy, or a modicum of interest in reading good stories, buy it.
You can purchase this book at Fatbrain.
$subj
-- "Ever wonder why the SAME PEOPLE make up ALL the conspiracy theories?"
...or at least wiothout a significant past for the majority of population, amerindians excluded.
I was born in Ukraine. The thing that struck me most about USA when I moved here, is the lack of history. A couple of centuries is all there is -- the country feels to me to be almost rootless, just sprawling on the surface, without a deep connection to history. There is very little here-ness in USA, a distinct lack of historical and cultural sense of emplacement. This to me seems to be an almost tangible hole in the cultural farbic of USA, a rather nagging sense of absence.
It's a strange feeling. Where americans do feel as if they possess an american identity (as opposed to the old-world national identity), it tends to appear almost artificial -- such people seem to be working very hard on figuring out what being an American is, culturally, instead of just being one.
Oh well... give it a few more centuries, perhaps a few more wars and revolutions, and this will change.
--
--
Victor Danilchenko
> from the fiction dept.
I wasn't aware Slashdot had one-word, non-hyphenated departments anymore!
Cheers,
levine
Another great book about divinity in the modern era. In this case, Ballard takes a small-time crook and gives him the powers of a pagan god. Imagine what the author of "Crash" would do with divine powers and you get the idea. Well worth reading.
--
"Deep in the ocean are treasures beyond compare,
Deep in the ocean are treasures beyond compare; but if you seek safety, it is on the shore.
Just out of idle curiosity, why is /. so cozy with Barnes & Noble (owners of Fatbrain)? Is it just a straight marketing deal, are they the only ones with good prices and not Amazon, or what?
The only "intuitive" interface is the nipple. After that, it's all learned.
"The question of whether a computer can think is no more interesting than that of whether a submarine can swim" -EWD
I think the US Constitution is a big part of what makes America what it is. Having Law is neat, but even the Law is made by men, and subject to whims of men, and their short-term (and long-term) insanities.
As a response, everyone seems to want something Above The Law. In some countries, it's a King, in others, religion. These things become a core part of the Tradition of that country, which brings this back to topic.
In the US, as we weaned ourselves from our European traditions, we attached it instead to the Constitution. With that Uber-Law behind the Law, we gained an extra element of faith in ourselves, which perhaps leads to the work ethic mentioned on another response on this subthread.
Unfortunately, of late it seems that even the Uber-Law is powerless against Sufficient Application of Money, witness the RIAA and DMCA. The twisting of 'limited' in the Constitution, where it provides for patents and copyrights, is downright obscene.
It casts a chill on my faith in America.
The living have better things to do than to continue hating the dead.
That said, as a result of the last book review I ordered £60 in Diskworld books from Amazon.co.uk. Hopefully this, worthy of getting too, will be far enough down the road for me to accumulate sufficient wealth to buy it.
Summer reading I dreaded in H.S., now it's a long lost dream to sit in a park, under the shade of a tree, and read. Best I can do is 30 minute snatches during lunch. So much good fiction, so little time.
-- .sig are belong to us!
All your
A feeling of having made the same mistake before: Deja Foobar
England is where they think 100 miles is a long distance.
The U.S. is where they think 100 years is a long time.
Nope, no sig
Gaiman has been keeping an online journal during the creation of American Gods, it can be found here: http://www.americangods.com/journal.html
What were you expecting?