American Gods
The note that Gaiman makes on the cover of my book regarding the difference between this book and Neverwhere, his book about Underground London, is a good one.
"If Neverwhere was about the London underneath, this would be about the America between, and on-top-of, and around. It's an America with strange mythic depths. Ones that can hurt you. Or kill you. Or make you mad.American Gods is about the mythology of America, but also about its relationship with gods, stories and what America is about. I think that's the story of this book; the story of what America is and what it is about.American Gods will be a big book, I hope. A sort of weird, sprawling picaresque epic, which starts out relatively small and gets larger. Not horror, although I plan a few moments that are up there with anything I did in Sandman, and not strictly fantasy either. I see it as a distorting mirror, a book of danger and secrets, of romance and magic.
It's about the soul of America, really. What people brought to America; what found them when they came; and the things that lie sleeping beneath it all."
The characters, mainly, are Shadow and Odin. Odin has been an frequent character throughout Gaiman's works, and as someone who memorized Odin's stats in Legends and Lore, I've always enjoyed Odin, and think that Old One Eye is an interesting historical figure -- and one who is interesting to get to know a bit more intimately, albeit through a writer's eyes. Shadow's character, is the one character I liked the least. Well, that's not quite how I mean it -- I did like Shadow the character, and I think I'd like him as a person. But it feels sometimes like the Shadow's actions and dialogue are a bit stilted, but that's only a slight flaw in an overall wonderland of reading.
The two relationships I glommed most on to are the ones between Shadow and Odin, and (in a very different way) between Shadow and the other gods and goddesses that he meets. The other curious relationship, if it can be called that, is the one between Shadow and his dead wife. Trust me. It sounds wierd, but it works really well.
In a nutshell, this is the tale of what happens to old gods when they are brought, sometimes without the believers even knowing it, to a country that doesn't really hold a belief in gods - or rather, a belief in traditions. One of the most interesting parts about America, to be nationcentric for a moment, is the lack of traditions in things, compared to the rest of the world. But America has created its own gods, of a sort, and the main plot point is about the intersection of the old gods and new gods. And the most interesting part of the story is there, I think. Because that's where the meat of the book is, and where it transcends being just a story about "god hangs out with guy, creates havoc, guy has dead wife who talks to him, old & new gods want to fight, guy solves problems." (Well, I suppose that is a pretty cool story.)
American Gods delves into larger issues of what it means to hold on to our traditions and beliefs in a world that has dramatically changed, and in which our relationships with each other and what's around us has In summary, this is a book with a good story. More then that, it's a story about relationship to the world around us, and what being human means. It's good. Really good. If you've got even a [metatarsal] of philosphy, or a modicum of interest in reading good stories, buy it.
You can purchase this book at Fatbrain.
That's a big part of making America what it is. It makes it easier for people to immigrate here, since there's less of a cultural past to find a place in - they can bring much of their culture with them and not have it be so out of place as if it were to a place with a long, rich history and tradition that people feel they need to defend.
There's also a strong sentiment at least among some of the people that they don't WANT a set of traditions, a common identity, that it takes away from individuality. Sort of a longer-term rebellion.
There is one American cultural identity, one tradition... the extreme work ethic. That you are what your job is. It's not what you do for a living, it's who you are. You don't practice medicine, you're a doctor. You don't program, you are a software engineer. All the other factors that determine who you are come in as secondary considerations. Think about it - if someone were to ask you "who are you?" or "what are you?", what would you answer? Most Americans would state what kind of work they do first. Perhaps that's why there is so little else, because people are too busy working.
There's also such an extreme variety of viewpoints, of opinions, that make it hard to get anywhere, when there are always groups out there who totally despise whatever it is you're trying to do...
But you have a very, very good point, a great observation, that many of us don't think about.
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"You know your god is man-made when he hates all the same people you do."
England is where they think 100 miles is a long distance.
The U.S. is where they think 100 years is a long time.
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