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Universal to Copyprotect All CDs

angkor wrote in with a link to a story about how Universal Plans to copyprotect all CDs which will render them unplayable on Macs, DVD Players, PS2s, and some CD Players. And it won't even stop people from ripping MP3s I bet.

38 of 887 comments (clear)

  1. Obvious solution to this by damieng · · Score: 5, Insightful

    Don't buy em.

    Vote with your wallet. It's the only true voice you have in a capitalist society.

    --
    [)amien
    1. Re:Obvious solution to this by Peter+Dyck · · Score: 4, Insightful
      Uh... if you don't buy CDs they will see a drop in the sales.

      And do you know who that will be blamed on? Right. It's the fault of the nasty internet pirates! So, we need even more protections.

    2. Re:Obvious solution to this by bricriu · · Score: 5, Informative

      Also, keep a watch on Fatchuck's Corrupt CD list to tell you what batches to avoid and who to contact.

      I've made my call to the Federal Trade Commission. Have you?

      --

      AHHHHHHH! I'm burning with goodness again!
      - Reakk, Sluggy Freelance

    3. Re:Obvious solution to this by rbgaynor · · Score: 5, Interesting

      Better to buy them and return them as defective - that way Universal gets grief from their retail outlets as well as seeing their sales drop.

      --
      "Good things don't end with eum, they end with mania or teria." - H. Simpson
    4. Re:Obvious solution to this by TheAngryMob · · Score: 5, Insightful

      Won't this just increase piracy?

      Think about it. If I want to hear Twisted Wet Noodle's lastest single "Geriatric Cheerleader" and I can't play it on over half the devices in my house, guess where I'm gonna turn?

      MP3's are becoming the only way to play on all forms of players (including DVDs).

      Do all companies have this kind of disrespect for their customers? I really hope not.

      --

      Don't just game, Dungeoneer
    5. Re:Obvious solution to this by Tackhead · · Score: 5, Informative
      > But then they'll have teeth behind the SSSCA.

      Funny you should mention that.

      Quoth Wired: "Jack Valenti predicts that Congress will require copy-protection controls in nearly all consumer electronic devices and PCs."

      Quoth Tackhead: "Jack Valenti can take a long, hard suck on my arse."

      The scary part is the article's title: "A Call to End Copyright Confusion". I don't see any confusion. I'm sure Jack isn't confused either.

      Right now, ripping is legal. Distributing ripped MP3s isn't. Jack wants to make sure that ripping is also illegal, so he can sell us the same movie twice - once on DVD, and once on our PC. Just like Hilary wants to sell us the same music twice - once on copy-crippled CD, and once-per-listen on our PCs.

      The other scary quote from the Wired article: "'I am openly, unabashedly in support of the government stepping in to set standards,' said Preston Padden, head of government relations for Disney."

      1) Head of government relations. Nice title for your business card. That's right. Walt Disney, the cute little mouse company, has a position that might as well be called "Ambassador". No fucking wonder they get the copyrights on the Rat extended on demand. They've fucking got an embassy.

      2) The word "standards", and all that implies.

      I think we can see the spin for SSSCA right now. Existing copyright laws are somehow confusing. Existing copy control technologies are broken because they're not standardized across all devices. We therefore resolve the "confusion" by having the government adopt Jack and Hilary and Mickey's "standard" in all devices.

      If you make hardware that doesn't meet the standard, you're guilty of making things "confusing" for the consumer, and nobody will buy your product. (And men with guns, "empowered" by the new law, will "protect the consumer" by taking your hardware off the market.)

    6. Re:Obvious solution to this by ArtDent · · Score: 5, Informative

      You missed the really scary quote from that article:

      Disney's Padden wasn't buying it. "There is no right to fair use," Padden said at the event. "Fair use is a defense against infringement."

      Need we say more?

    7. Re:Obvious solution to this by Nurlman · · Score: 4, Insightful
      You missed the really scary quote from that article:

      Disney's Padden wasn't buying it. "There is no right to fair use," Padden said at the event. "Fair use is a defense against infringement."


      What's so scary about that? I mean, besides the fact that it's legally accurate?

      Section 107 of the copyright at, which describes the doctrine of "fair use," sets for particular instances where reproduction of a copyrighted work is "not an infringement of copyright." Specifically, reproducing some portion of a copyrighted work is not considered a violation of Section 106 of the Act (which vests exclusive rights in copyright holders to control the reproduction and distribution of their work) where, among other things, the purpose of the reproduction is for "criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research."

      In other words, when I publish a review (i.e. criticism or commentary) of the new Britney Spears album, I can quote lyrics from the songs without infringing on the copyright in those lyrics held by the author, but can't republish those lyrics in part of my novel about a young teen pop star. I can use clips of the "Lord of the Rings" movie in a news story (i.e. news reporting) about the advances in movie technology, but I can't videotape the whole movie and give copies of it to my friends.

      Granted, the concept of a "right to fair use" and fair use being a "defense against infringement" is subtle, and probably just semantics. But the doctrine of "fair use" isn't the idea that you have a right to do whatever you want with a copyrighted work, as long as you consider what you're doing to be karmically "fair."

    8. Re:Obvious solution to this by genericus · · Score: 4, Informative
      The problem with this approach is it does just the opposite of what it appears to. Theoretically, we want our $$ to go to the artists and not the suits, and that is just the argument the suits have been using all along: that these provisions "protect the artist". Well, artists don't get paid when records get returned but record companies do. Even if Universal accepts returns from stores at full price, they are still going to make money.
      Picture this scenario:

      The artist is in hock to the record company for a few hundred thousand dollars. This is typical, and pretty lowball, actually. The way the artists gets out of debt to the company is through royalty rates: Out of the sale price of the CD you've bought at Tower, Tower gets a cut, the distributor (possibly a shell company owned by the record company) gets a cut, leaving the wholesale price for the record company. Let's say that's $10, just to keep the numbers easy.

      The songwriter must get paid, by law. Last I checked, it was .066 dollars per song, per unit sold. Let's say there's 10 songs on the album; the songwriter gets 66 cents on the CD you bought, right? No, during contract negotiations, the songwriter probably "voluntarily" negotiated that down to 4 cents on maybe 8 of the album tracks, so $.34.

      The rest of the musicians in the band get $0; they don't get paid until they are out of debt to the record company. Out of the $10 wholesale, they get say 6%, and the hundreds of thousands they owe the record company are made up out of this 6%, not the wholesale price of the CD.

      The record producer gets paid by the company. He probably has a 15% cut of albums shipped. So he gets $1.50 for the CD whether you bought it or not, just because it's at the store. So the company is down $1.50 per cd for the producer, right? Nope. That expense goes to the artist to be recouped from their royalty rate.

      The artist also gets to pay for packaging out of royalties. This is an absurd amount, like $1.50 - $2.00, more than I pay to do it myself in my room, and way more than an independant would pay a pressing factory. There's also a deduction for breakage that's around 1%, I believe. Also, the 6% they get is not actually 6%, since the record companies even in this day and age consider CDs to be 'expirimental media', and they pay about 1/2% less on CD sales. Let's say they bump this figure up to 1% because of this radical new anti-pirate technology.
      • The score so far:
      • Record company: $9.66
      • Songwriter: $.34
      • Producer: (100,000 units shipped, as an example) $150,000
      • Band: 4% (6% per unit - 1% breakage - 1% new technology) = $.40 - packaging, producer's fee, manager's cut (generally 10-15%), marketing/promotion, returns, and initial advance.

      So, along comes you, returning your shitty copy protected CD to Tower.

      Scenario 1: Tower puts it in its cut bin. Record Company gets paid, producer gets paid, distributor gets paid, Tower gets paid, albeit at a lower rate than normal. Songwriter does not get paid, royalties on sale are not credited to band.

      Scenario 2: Let's say Universal refunds the wholesale price to Tower and to the distributor. First, the distributor is probably Universal itself, so the difference between the wholesale and the distributor's price is still in Universal's hands, but written off as a loss to be deducted from the band's royalties. Universal is now in posession of a number of "defective" CD's. They could:
      • deduct the wholesale price from the artists royalties.
      • sell the CD's to a third party to be distributed to cut bins, used CD stores, and/or Europe, resulting in the same payment scheme as if Tower put it in their own cut bin. And deduct the wholesale price from the artists royalties. Or
      • They could "lose" them. (to a third party to be distributed back to Tower, cut bins, used CD stores, and/or Europe). And deduct the wholesale price from the artists royalties.


      This is the kind of creative accounting that goes on in the record industry. I guarantee that the copy protection WILL be used to justify paying artists a lower royalty rate on the front end, and to further reduce payment to them on the back end. That's just how they work...
    9. Re:Obvious solution to this by Jeremi · · Score: 5, Interesting

      A better way to protest: go to your favorite record store, find the copy-protected CDs, and place a big red DEFECTIVE/NONSTANDARD sticker on each one. Then see how well they sell ;^)

      --


      I don't care if it's 90,000 hectares. That lake was not my doing.
  2. well shit by Ender+Ryan · · Score: 5, Interesting
    I guess I'll have to download all my music now so I can play it on my home mp3 stereo, since I won't be able to rip them.

    I'd like to pay for my music, but I'm not going to buy a product I can't use!

    Oh well, I don't like the music industry anyway... I've been listening to more non-mainstream music...

    --
    Sticking feathers up your butt does not make you a chicken - Tyler Durden
  3. This will stop people Ripping Mp3's... by Bonker · · Score: 5, Interesting

    Au contrare!

    If anything, any time I see a post on Usenet of Mp3's from a CD that is supposedly copy protected, the poster usually takes great pains to brag discuss the fact that he was able to rip despite copy protection.

    Really, I think that even the record industry didn't expect the various copy protections to really work. What they're doing is building an easily hackable content protection system so that they can prosecute MP3 traders under the anti-circumvention provisions of the DMCA.

    --
    The next Slashdot story will be ready soon, but subscribers can beat the rush and slashdot the links early!
  4. I don't understand something... by banky · · Score: 4, Insightful

    OK, so when I play it in my Discman, it's OK; (even if i go to Radio Shack and buy a couple bucks worth of cable, 'line in' to my sound card, and record)

    But if I play it on a Sony CDROM drive in my computer, it's bad?

    First, how *exactly* does it know? As my dad used to say, "A laser is just a laser".

    Prepare for massive consumer backlash. Even if people don't want to ever "rip, mix, and burn" (thank you Apple 'Dont Steal Music' Computer) they want to listen to their CDs when and where they want to.

    --
    ZOMG I WOULD LOVE TO KNOW ABOUT YOUR FEELINGS ON MACINTOSH VERSUS WINDOWS, VI VERSUS EMACS, AND HOW YOU'RE NOT A DORK
    1. Re:I don't understand something... by Amazing+Quantum+Man · · Score: 4, Funny

      The copyright protection schemes generally introduce "noise" into the recording

      Gee, wasn't one of the reasons that CD was pushed over vinyl was "superior audio quality" and "less noise"?

      Oh well...

      --
      Fascism starts when the efficiency of the government becomes more important than the rights of the people.
  5. To quote, the REAL problem... by Ars-Fartsica · · Score: 5, Insightful
    Others point to lackluster sales of hotly anticipated new releases from artists like Mariah Carey and Macy Gray, and the glut of look-alike, sound-alike boy bands.

    There you have it, instead of letting true musical diversity create authentic, viable fan bases, the music industry has locked itself into the failing practice of top-down music manufacturing...reminiscent of a Soviet state capitalism that never worked either.

    Maybe one day when a free market for music exists again, people will care.

    1. Re:To quote, the REAL problem... by Spamalamadingdong · · Score: 5, Insightful
      Someone mod that up as "insightful".

      I liked this terror-scenario from the article:

      Such rules let consumers enjoy music on an array of consumer electronics devices -- from PCs to portable players. But it would discourage 15 high school friends from getting together and pooling their money to buy a single music CD and a spindle of blank discs and making dubs for everyone in the group -- with a few extras to sell at school.
      Speaking for myself, I don't want to keep the kids from copying the bubble-gum stuff and throwing it all around the school. I want the market for that to dry up, because the whole concept of a manufactured youth-culture is destructive to society as a whole and it deserves to be destroyed.
  6. Buy it, open it, return it. by msuzio · · Score: 5, Insightful

    Let's insure this prediction turns out to be untrue :-). I say we all make sure to buy and return this sucker, preferably in a coordinated effort targeted on a certain day...

    What idiots... we long ago ceased being "customers" to them, now they just expect us to roll over and play dead. Forget that.

    ``They've been testing this in Europe and they're experiencing less than a 1 percent return rate from consumers. It really has turned out to be nothing,'' said Jerry Kamiler, TransWorld Entertainment's division merchandise manger. ``If we get the same results here, as I imagine we would, I don't think it's going to manifest itself into a consumer problem.''

  7. Use their best weapon against them by WaIter+Bell · · Score: 5, Insightful
    I purchased one of these copy protected CDs without knowing that it was defective merchandise, and the store I bought it from will not accept the return since the music was opened. Since I paid cash, I have no right of appeal.

    However, I am fed up with this charade and I would like to end it once and for all. I have the paperwork in front of me to take Universal Records to small claims court to recover the purchase price of the CD. Since Universal is not based in my area, it will be very expensive for them to send their high-priced lawyers to my county to deal with the charges. And, worst case, I will lose the cost of the CD (and best case, I will get a refund on the CD and make a political statement at the same time).

    I strongly encourage all of you to do the same thing: buy whatever CDs you want, and sue the record labels if they are copy protected. Even if most of the cases get thrown out, it will be *very* expensive for the labels to take any sort of action against the thousands of individuals who are suing them.

    The RIAA has been able to manipulate the legal system into standing up for their rights. Why shouldn't we do the same thing back to them?

    ~wally

    1. Re:Use their best weapon against them by gmhowell · · Score: 5, Insightful

      You don't have to go to Universal to complain. You sue Best Buy. I can't remember the legalese, but basically, they agree that the merchandise is fit for a given use. It wasn't. They misrepresented the product. You win.

      Now, Best Buy can now sue the distributor, essentially under the same grounds. (and it keeps going up the food chain from there).

      But you have no cause of action directly with Universal. Only with Best Buy. It's kinda like Windows Refund Day: no cause with M$, but with the seller of the product.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    2. Re:Use their best weapon against them by kreyg · · Score: 5, Informative

      Well, since there's NO WAY you could have copied it, because it is COPY PROTECTED, there's no reason they shouldn't accept a return.

      :-)

      --
      sig fault
  8. heck no by _avs_007 · · Score: 5, Informative

    Don't settle for in-store-credit... Demand a full refund for 1 of two reasons...

    1.) The thing is labeled as CD Digital Audio (CDDA), which is in violation of logo, because in order to be CDDA, it must be red-book compliant, (or whatever book it is), and this copy protected CD is most definately NOT compliant.

    2.) The CD is "defective" because it is labeled as CDDA, but does not play in a CDDA compliant player, ie my DVD player, my computer, etc etc.

  9. Re:If it's 1s and 0s by ichimunki · · Score: 4, Insightful

    The copy restriction scheme (if I understand it correctly) involves putting noise into the data stream that normal error correction in stereo racks, boomboxes and the like correct for. So yes, it should be easy enough to lift the actual data stream from the disc and remove these anomalies in the streams. If they can error correct in hardware, we can certainly error correct in software.

    Even easier math to code up would be to play the audio to an analog channel and feed that back into the sound-in plug on your computer. If you are hyper-concerned about fidelity you can copy it four or five times and blend the copies together using an averaging algorithm (the composite stream is more likely to be accurate to the original than any of the instance streams).

    Of course, none of this will protect you from the low quality of the original content, and frankly I think it's ironic that in order to protect the copying of a high quality digital stream they are basically degrading the quality of the signal. If I wanted a degraded signal I'd go back to tapes and vinyl (and please, no audiofile flames about sound range and that stuff, okay?).

    I suppose I've just violated the DMCA by providing fairly vague instructions on how to circumvent this so-called protection (as in racket) device.

    --
    I do not have a signature
  10. Universal *will* honor refunds by count_dooku · · Score: 5, Interesting

    From the article:

    Universal told retailers that it would honor refunds on all returned discs -- even for CDs that have been opened.

    This is great news. If you believe copy-protected discs are wrong, just buy one, open it, and return. In fact, buy 50 of them, open them all, then return them. If enough people do this, maybe Universal will get the message.

    If you want to be even more eeeeeeeeevil, you could open it, rip it via line out, post the ripped tracks to newsgroups, then return it.

    They asked for it.

    --

    --
    For the book says, "We may be through with the past, but the past ain't through with us."
  11. Re:Unreturnable by terpia · · Score: 4, Interesting

    I doubt you can return the CD if it says "will not play on CD-ROM" on the cover.,

    Unless you RECEIVED it as a GIFT. DUH.

    --
    .sig wanted: Must be concise, funny, and display my cleverness.
  12. Maybe the music sucks! by HardCase · · Score: 5, Insightful
    What just kills me about the recording industry's whining about a drop in domestic (US) sales is that the whole thing is blamed on piracy.


    What about the quality of the music that's being released? Did Universal, BMG, Sony, et al ever stop to wonder if part of the problem is that they're churning out bands that are carbon copies of each other? Do we really need more "boy bands" or breathy, heartbroken beauty queens? It's just like TV...as soon as Survivor became a hit, every network had to have a clone...but now that the market is saturated, ratings are terrible.


    Oh, and what about the economy? I'll bet that if you're one of the million or so high tech workers who doesn't have a job anymore, buying the latest Brittany Spears CD is probably way down on your list, below, say groceries!


    Piracy is always an easy card to play, and not just for the music industry. It's a whole lot easier it blame some kid with a ripper, a burner and a fast Internet connection for destroying their market than it is to realize that the industry itself, by churning out disc after disc of bubble gum flavored dreck, is killing itself.


    -h-

  13. Oh yeah, for every Slashdot reader by Myself · · Score: 5, Informative

    there's a whole bucketload of ignoramii who won't hear about this unless we tell them.

    SPREAD THE WORD. Evangelize at your local record store. Bring it up in conversation. Dangle CDs from your car mirrors and prepare a 10-second explanation that you can deliver at stoplights. Tell your aunt blabbermouth, make sure she's got the facts straight, then let gossipnet take over.

  14. Re:history repeats itself by FFFish · · Score: 5, Interesting

    The difference being, back in the 80s-90s, the publishers weren't on the hunt, prosecuting the crackers and pirates. They didn't have the wonderful DMCA and SSCA backing them up. They didn't spend more money on lawyers than they did on creating good content. And they didn't see the writing on the wall.

    What we're witnessing is a rat backed into a corner. RIAA recognises that its days are numbered, and it's doing every goddamn thing it can to fight its way out of the corner.

    It's beyond mere music piracy. They could live with piracy: they always have.

    It's to the point where they can see that artists are going to go independent. And so they're desperately trying to invent a reason for artists to stay with them. "Music protection" seems to be the salespitch they've chosen.

    But they're doomed anyway.

    Artists don't need the megaexpensive recording studios. These days, most anyone can set up a decent studio for a relatively small investment.

    Artists don't need the megaexpensive advertising. These days, anyone can gain popularity via web media. Fansites, mailing lists, word of mouth: it's worked before, it's working now, and it's hella cheaper than MTV.

    Artists don't need the distribution chain. They can post to the web. As soon as a good payment system comes along, where the artist can be paid directly and receives most of that payment, the distribution chain is toast.

    And artists have recently begun to discover that they can sell out concerts via the net. There's no need to for the megapop media orgy that the old-style companies provided. Word of mouth is doing it.

    The writing is on the wall: as soon as the one hiccup is removed -- paying the artists directly, cheaply -- the RIAA is dead. Their *only* hope is to convince artists that music theft is more harmful than the music mafia.

    --

    --
    Don't like it? Respond with words, not karma.
  15. This works quite well by sting3r · · Score: 5, Interesting
    ...against telemarketers, at least. One of my buddies sues about one telemarketer per month on the average, and only one (1) out of 43 has actually shown up in court. Though the statute says they can only be sued for $500, the judges usually award about $1000 to $1500 to compensate him for his wasted time and effort, and to penalize the telemarketer for flouting the subpoena.

    So, this could be a very effective strategy for dealing with record companies. With hundreds of lawsuits coming from different directions, they won't bother appearing in court and they will lose every case - making copy protection economically infeasible.

    -sting3r

  16. Re:Obligatory Warning by DoorFrame · · Score: 4, Insightful

    Any why do mom-and-pop shops deserve anything better than the major stores? They're both owned by somebody. Just because the guy who owns Virgin is quite a few steps removed from the actual brick and mortar stores, doesn't mean that in the end, he doesn't lose whatever profit is to be made from the sale of that cd. It does get to the end of the chain eventually. When you return cds to the store, you're hurting the owner. I don't really see why it matters if they're far removed from the store, or directly in charge.

    Anyway, if the mom-and-pop stores really cared about their customers, and were really worthy of the support taht you people always want to throw at them, they'd save themselves the trouble and NOT STOCK THE CDS YOU'RE GOING TO RETURN. By selling those cds they are just as guilty as any store, if you're going ot be mad at HMV for selling defective disks and helping the record industry, you've got to angry towards the mom-and-pops as well.

    You're either for the copy protection, or you're against it.

  17. I meant the outside mirrors, so it attracts atten by Myself · · Score: 4, Funny

    ion. I used the plural "mirrors" to indicate that but I guess additional clarification was needed. Yes, I know CDs dangling from the inside mirror are dangerous and illegal. A friend of mine got an "obstructed view" ticket for his fuzzy dice. It was thrown out after he showed the judge 18 Polaroids of larger decorations hanging inside the city's cop cars.

  18. Record Labels UNDERNEATH Universal Music Group by AgTiger · · Score: 5, Informative

    Okay everyone, I spent some time out at the Universal Music Group section of the Universal Music Studios website, and there's a fairly hefty list of music labels in this group.

    Just saying you won't buy from Universal isn't enough. Here's the list I found:

    A&M Records
    Decca Record Company
    Deutsche Grammophon
    Geffen Records
    Interscope Rercords
    Island Def Jam Music Group
    Jimmy and Doug's Farmclub.com
    MCA Nashville
    MCA Records
    Mercury Records
    Motown Records
    Phillips
    Polydor
    Universal Records
    Verve Music Group

    I also went through their list of artists, and saw a shocking number of artists that I either currenly own CD's from, or want to purchase some or all from their discography.

    My next quest is to find landmail addresses for all the record labels *and* the Universal Music Group, plus the RIAA, as well as the artists of UMG's that I listen to, and start writing a lot of letters stating my disappointment at what they're planning to do, and how it stands to completely wreck my ability to purchase and enjoy their music.

    I don't have a "regular CD player". Not _one_. The CD player in my car is based on CD-Rom drive technology. I listen to my music on my computer, or I pipe the audio out straight to the stereo and listen on the big speakers. I listen to my headphones at work while I do my design documents, and that's to MP3's I ripped from CD's that I purchased.

    Frankly, their decision sucks if they want me to keep purchasing music from their group. Simple as that.

  19. Re:Go to Coconuts TODAY.... by EricWright · · Score: 4, Insightful

    Please please please do NOT do this to the local indie music retailer. Only use this tactic against the large chains, the Coconuts, Best Buys, Wal-Marts of the world. They can afford to lose a little money and have to fight Universal to get it back. Most of their profit comes from other merchandise lines (home electronics, for instance).

    The indie music store makes nearly 100% of its money from selling music, and they typically have much better/wider selections than big corporate stores. If they end up losing a lot to ship it all back to their supplier, they might not be able to swallow the loss, even if it is eventually refunded. I'm all for pissing off the music companies, but don't screw your local music stores at the same time.

    Eric

  20. If you don't like the rules, stop playing the game by mttlg · · Score: 4, Insightful

    So a label has announced that it will cripple all of its CDs... Did they announce that they will be cutting their prices in half to make up for the decreased functionality? I doubt it. So now all Universal CDs are effectively more expensive because you get less for the same price. Where do these guys learn their economics, from drug dealers? Get people hooked on the "good" stuff, then cut down on the amount of actual product they get for their money...

    The simple solution, as others have pointed out, is not to buy the crap. More than that though, don't buy anyone else's crap either. Don't buy any CDs, DVDs, e-books, etc. Don't go to movies, don't rent movies, don't order pay-per-view, don't subscribe to premium cable channels, or possibly even cable itself. Don't buy anything because of ads on TV, radio, or billboards, in magazines, etc. Cut back on consumer electronics purchases, buy only used books, don't go to sporting events. If you do buy anything, only buy it when it is so cheap that someone must be taking a loss somewhere. The only way to change things is to get the entire entertainment industry to rethink its business model. Otherwise, we will keep getting less value.

    If that is too drastic a step for you, then return the CDs right after you buy them:

    Universal told retailers that it would honor refunds on all returned discs -- even for CDs that have been opened.

    We're in this mess because the entertainment industry is driven by maximization of profits through decreasing value and not by delivering quality products at reasonable prices. Through marketing and legislation, they have fought to preserve this flawed model, which will succeed as long as people remain mindless drones who buy anything someone is trying to sell them. Yes, I realize that there really is no hope...

  21. go look on morpheus... they're all there! by linuxrunner · · Score: 5, Funny

    I first went to Fatchucks to see which cd's are currently being copy protected.....

    I then hopped on Morpheus (musiccity.com) and typed in the name of the album that was copy protected....

    guess what?!
    All the ones that I tried are there. So what does that tell you Mr. RIAA....?

    --
    www.slightlycrewed.com - Because aren't we all?
  22. Re:new doublespeak: # of blank CDs vs. music CDs by Alsee · · Score: 4, Funny

    GfK found that blank CD sales jumped 129 percent this year. Purchases of pre-recorded music dropped 2.2 percent in the same period.

    129% of blank CD's = 2.2% of music CD sales. With some basic math we therefore conclude an additional 2560% rise in blank CD sales will reduce music CD sales to ZERO. COOL! If we really want to wipe out the RIAA, all we have to do is all go out and buy a buttload of blank CD's!

    -

    --
    - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  23. The REAL reason they're doing this by Jason+Levine · · Score: 5, Insightful

    Good article. There's another article that might explain Universal's reasoning for adding copy-protection. (HINT: It really has little to do with piracy.)

    http://www.wired.com/news/mp3/0,1285,49188,00.html

    On Tuesday, Universal Music Group becomes the first label to sell copy-protected CDs in the United States with the release of its soundtrack Fast & Furious -- More Music. This comes at a time when the recording industry is asking consumers to pay for music that can only be listened to on the PC.

    The newly released CD will keep people from listening to their music on the computer, game consoles and other digital devices. If they wanted to go through the major labels to buy the same music for their computer, the only way would be to sign up for Pressplay, one of the major label subscription services, when it launches later this month.

    Essentially, consumers would be required to pay once for a physical CD and once for the digital music file. The restrictions for online subscription services and physical CDs are part of a music industry-wide attempt to stop online music piracy.

    Bascially, they want to move everyone into a position where they get paid everytime you "space-shift" your music. Playing your CD in CD player? Pay for it once. Playing it on the computer? Pay for it again. <begin sarcasm>After all, we've got to keep those RIAA pockets filled, don't we?<end sarcasm>

    --
    My sci-fi novel, Ghost Thief, is now available from Amazon.com.
  24. Re:Obligatory Warning by Mullen · · Score: 4, Interesting

    Your argument is pure crap.

    You make three incorrect assumptions:

    I work for Amazon.com and hurting a retailer like us does not effect higher ups like Jeff Bezos, it effects people like me, the lower level owners of the company. My stock is not worth much, so when you damage the company your not hurting someone who owns a million or so shares of stock that they bought at 25 cents or less, your hurting people like me who own a few thousand where the buying and selling price is very narrow. If I sell stock, I do not get much, or worse yet, my buying price is above the market price!

    The second flaw is that everyone who works at a large company is evil does not care about customers and thus desires to be hurt. Most employees of large companies care alot about the customer and thier experiences with thier company. Alot of the large companies spend lots of money and time figuring out how to make the shopping experience better and more enjoyable.

    Third, you make the assumption that Mom and Pop stores are not motivated by pure profit. Mom and Pop places are just as motivated by profit as any large company, they just do it on a smaller scale. In the free market, all persons who own a business are motivated by pure profit, if they are not, they quickly go out of business.

    --
    Linux O Muerte!
  25. Re:Obligatory Warning by namespan · · Score: 4, Interesting

    all persons who own a business are motivated by pure profit

    Everyone needs to turn a profit from business, but that doesn't mean they are in business only for the profit. Many people I've talked with personally (including a number of record shop owners) derive utility from the work they're doing. They do it because they derive satisfaction from doing the work or providing the service, and are content with making a living at it. Let me reiterate: they have a motive -- other than profit -- for doing what they do.

    I have noticed that mom/pop/indie store owners tend to be more knowledgeable (breadth and depth) and passionate about music than their Media Play counterparts. Sure, they're there to sell something and keep the roof over their heads. But they're also there -- instead of getting their MCSE and getting paid double working in IT -- because they're doing work that's in line with their personal mission. In the process, they usually end up providing better service to customers.

    I'm not saying that every small shop is that way. They seem to tend to be, though. And conversely, I'm not saying everyone who works at a large corp is evil...but, I feel like I get poorer service at Media Play and Sam Goody and the like. My theory is that once a corp becomes large and public, the obligation to the (often absentee) owners becomes almost purely that of investment. In our current system, most of the owners are simply looking for a good place to invest their money which will get a good return. They're abstracted away from the operations and mission of the company, and often don't have any interest in the product at all. Just return on investment. Those who make policy decisions high up in the company are thus only affected by financial pressures, and thus customer service and product quality only means something to them in terms of costs and returns.

    My stock is not worth much, so when you damage the company your not hurting someone who owns a million or so shares of stock that they bought at 25 cents or less, your hurting people like me

    First off, no one is trying to hurt amazon or the retailers, but....

    Any action that people could take which would make an appreciable impact on stock prices in the way you describe would be noticed by the ceo, the board, and investors at large. Some of these people may have got in when the getting was cheap, but a lot of them didn't, and furthermore, they have large enough investments in the company that a fluctuation of a quarter can gain/lose them millions in some cases.

    Anyway, back to the point. No one is trying to hurt the retailer, but rather punish the publisher. The large retailers have much more clout with the publishers. Returning lots of CDs to Amazon won't hurt them -- they have the clout and motivation to write it off to the manufacturer/publisher. Thus, returning lots of CDs to Amazon is much more likely to hurt universal than returning them to Crandall Records in Orem Utah.

    Your argument is pure crap.

    While I realize this is not an uncommon mode of discourse/rhetoric on slashdot, avoiding statements like this will actually give you more credibility and respect. Try actually refuting my arguments next time.

    --
    Libertarianism is rich wolves and poor sheep playing gambler's ruin for dinner.