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Alternatives to the Entertainment Industry?
Lendrick writes "With all the discussion lately about the increasing proliferation of Digital Rights Denial and the erosion of fair use rights, it occurs to me that if the entertainment manufactured by the big entertainment companies gets to a point where it's no longer worth the trouble, then maybe we should get our entertainment elsewhere. My question is this: Does anyone know of any places (apart from the obvious mp3.com) where music and especially movies by independent artists can be legitimately downloaded?"
There are lots of indie film sites on the web these days... form hypnotic.com to ifilm and such.
Support them.
In addition, maybe sending an email to your favorite bands to put some mp3s up on their site could generate some interest. If a band sees that their stuff is eagerly downloaded form their site, maybe they'll start thinking about alternative means of producing and publishing their work.
I've learned about new music and expanded my international music collection.
downloading gives inconsistent quality. when I rip/encode/tag myself, I know its done right.
borrowing from co-workers totally takes the entertainment industry out of the loop (after First Sale, of course; which is all the damned rights they deserve!) and I like it that way.
--
"It is now safe to switch off your computer."
Furthurnet.com is, to quote from their site:
"...a non-commercial, opensource, peer-to-peer decentralized music sharing program currently under development by PCP Networks, LLC, with much support from members of the etree.org and Sugarmegs music sharing communities.
Furthur is unlike any other music sharing software on the Internet. Furthur is the first and only 100% non-commercial peer-to-peer network of legal live music created by fans for fans! We have no paid software or website developers, nor do we accept any advertising or compensation. We are developing Furthur to help spread live music to fans. Any musician that allows the non-commercial taping and trading of their live performances are fair-game for Furthur."
There is a *lot* of free music here.
Over at IBiblio, they've launched a plan for free community recording studios, under the condition that the recordings be public domain. I'm not convinced that this is the way to do it; I think maybe some sort of GPL for music might be better.
Andy Oram at O'Reilly has some interesting thoughts along these lines: Stop the Copying, Start a Media Revolution.
If you occasionally need a bit of industry-sanctioned entertainment but don't want to fund their legal teams, get it at your local library.
Buy a Macintosh with a superdrive and get a camcorder. Make your own movies.
Learn an instrument and make your own music. You'll be happier and smarter.
Take up gardening, pottery, painting, sculpture etc. Have something you can give away or sell.
Getting out of the house has the added benefit of introducing you to new people. You may even meet the cute guy or girl you've always hoped to meet. Better than a chatroom cause you can see what they look like.
Or stay at home and look at pr0n and watch whatever dribble they package to replace Friends.
I've hit Karma 50 and gotten a Score:5, Troll... I win!
The entertainment industry was built around the fact that it cost money to distribute the entertainment. As distribution channels changed (and became cheaper) the industry adapted in more and more profitable ways. The internet gives us an opportunity to shortcut that (again), and cut out the middleman. The industry, obviously, is searching for ways to adapt and become even more profitable - now they can get the customer to pay for the content, and distribution. Their charges are now all profit.
The problem is that the creaters of content are so intertwined with the distributers that it'll be a long time before we see creators uncoupled from the providers. In the meantime you find that providers will only support creators that do it their way, ie, exclusively through proper channels. They also act as the middlemen between the advertisers and the creators in the case of 'free' content such as TV.
We won't see independant creaters even near the quality of current movies/music/shows/series until we show creaters that it is worth their time. The model that premium cable channels have (no ads, full unlimited access) needs to be adopted. But - guess what - no one will pay for that model. Not yet, anyway...
-Adam
Support Righteous Babe Records, Ani Difranco's indie label. They have a lot of high quality, frequently politically charged, and non-mainstream music. On top of that, the music doesn't suck.
None of that money goes to a big corporation; most of it goes back into making music and fighting the good fight, so to speak. If you want to put your money where your mouth is, go support Ani and the artists she publishes.
If you just want free music, you should get involved with etree.org, which is a community that distributes "bootlegs" of live concerts...the bootlegs are legal, recorded from performances of taper-friendly bands, such as Phish, older Grateful Dead shows, Bela Fleck...stuff like that. The bands that allow this tend to fit a certain profile (lots of improvising, etc), so if you don't like songs that can be fed to you in 3.5 minutes between commercials, you aren't going to like this avenue, however, there is a genuine community being fostered here that tends to be more artistic and intellectual, and frequently, very tight-knit for a bunch of virtual strangers. It's kind of cool, actually, and unlike the P2P mentality of leeching everything you can, there's a sense of the value of contributing back.
etree.org also happens to be Linux-friendly; there are links for XMMS plugins on the frontpage, etc.
The ultimate problem of these massive media corporations is they _do_ have a product that you want. I mean, if you want N'Sync (or that Episode 2 DVD, or some new Disney-owned Anime, etc...), then you can only get it in one place. I can also respect that not everyone is going to be falling over themselves for the latest release from indie band Bitch and Animal, but you _can_ consider this a chance to broaden your horizons; entertainment doesn't have to be mindless, and can in fact be a bettering activity.
Get out there and try something new.
--ryan.
Don't say, "don't quote me," because if no one quotes you, you probably haven't said a thing worth saying.
As a producer, composer, and general content creator, I think that looking for quality entertainment is the critical concern. There's plenty of stuff out there, the trick is finding the good stuff. And with a few notable exceptions (Ani DiFranco, etc.) you aren't going to find it at your local Best Buy, and maybe not even at your local record store (if any of those still exist). For now, the web is where it's at.
While certainly not a litmus test for quality, you can at least trust that artists that use alternate distribution like CDBaby to provide distribution for self-produced/funded titles at least cared enough about their music to scrounge up the money to press a CD and arrange for distribution.
If you're willing to trudge through some crap (albeit interesting crap in many cases), the big music sites like IUMA, MP3.com, and Garageband provide more tracks than you'll be able to listen to.
One hint for the more commercial sites like MP3.com - skip the charts occasionally. The way the MP3.com charts work, you'll typically get a song at number 1 that stays at number 1 for a long time because everyone's listening to it because it's number 1. A self-perpetuating hit, if you will. Also, ever since Vivendi bought MP3.com out, there have been an awful lot of mainstream artists in the top charts. Still, if you're looking for mainstream, you can at least get a "legal" mp3 of a bunch of stuff there.
An additional hint, you'll find some real gems in the less-traveled genres like film music, darkwave, folk, comedy, etc.
Finally, there are lots of small independent labels/artist collectives like RTFM Records that have quality artists that either got tired of working in the mainstream entertainment business, or were smart enough to try and slog it out themselves. Supporting labels like these is a good way to encourage more of the same.
I don't have much advice for you on the movie side of things - I think with the advent of cheap digital camcorders and products like iMovie and Final Cut Pro, you'll see more of this kind of content hitting the web in the next year or two, though. Especially as more people get broadband, which is more or less required for visual stuff.
One site I can recommend if you're into fan-produced Star Wars stuff is theforce.net which has quite a few short films and trailers of varying quality. There's also an absolutely stunning short film set in the Star Wars universe called Duality that you just have to see to believe.
Finally, I'd like to put a plug in for a new benefit album created by a bunch of musicians from around the world in response to the WTC/Pentagon attacks. The album, September Rising, is now available. It was put together by a bunch of pros, most of whom have never met each other face to face. Complete information is available at septemberrising.org. It's some really great stuff, and unlike most of the benefit albums coming from the major entertainment conglomerates who only donated a percentage of sales, I believe that all proceeds from sales of this album go to the New York Firefighters 9-11 Disaster Relief Fund.
Slashdot comments... splitting hairs since 1997.
OK, here's a question approaching this from the other side. I know a local band that in my opinion has the potential to appeal to quite a number of people. Due to intra-band relational shit they've been out of it for a year or so, but are now starting to pick up steam again in a slightly different configuration.
Because of where this band operates (the lowlands), it's unlikely that they'll be able to reach over the Atlantic through the normal channels, and I've been thinking that the way to go for them would be the internet. Seeing as what they're after at the moment is exposure (as opposed to huge profits, a little money would be interesting, though), what would be the best way to get attention to their gig?
I understand the first stop would be a good website that announces their presence on the world of music... but what then?
They already have the bare-bones website up 'n' running (it needs A LOT of work, though), but how do you get the people coming in, and possibly paying a small amount for the tracks they like and download?
BTW, they have some six tracks up for download
xchg
jmp emailMe
Who needs an industry?
That's actually the point of the question. The entertainment industry lost me when they became an industry. What I'd like to find out is where I can find real art created by real people who are creating for fun, not profit.
To all those who have said I should create something myself--I do. I write. I also program in my spare time. However, it's nice at times to sit back, relax, and enjoy someone else's creation.
Peace,
Lendrick
http://mp3.washingtonpost.com/
Local to washington area bands. More newspapers need this feature.