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Sharing Doesn't Hurt

Freeptop writes "Here's a fun followup to an old slashdot article: Eric Flint just posted another Prime Palaver article on the Baen Free Library. In this article of his, he talks about the effects of posting his books for free on the library. Specifically, he uses his own royalty statements to show that sales for his books have gone up whenever he has made them available for free. As usual, Mr. Flint writes a well thought out article demonstrating the pointlessness of encrypting e-books, and this time, he has proof to back up his assumptions."

9 of 266 comments (clear)

  1. So... by sean23007 · · Score: 5, Insightful

    Why? In most cases, simply because they don't really know anything about the writer and aren't willing to spend $7 to $28 just to experiment. So, they keep buying those authors they are familiar with.

    But wait- that means that authors would have to start... writing better... what about... how come....? Pffft, all this "library" does is promote healthy competition and publicize good works by unknown authors, which effectively ruins the monopoly held by the big names in the business. So actually, this library with its free postings does lower sales... of works that aren't as good.

    --

    Lack of eloquence does not denote lack of intelligence, though they often coincide.
  2. I think the biggest problem is.. by Sc00ter · · Score: 5, Insightful

    That unlike most consumer goods, like VCRs or portable radios, is that when you don't like them within 30 days you bring them back to the store and get a refund (most of the time). Sure, there's sometimes conditions, like you have to keep the box, but that's reasonable.

    Why is this not true for books/cds/software, because they assume that you copied them. This is what needs to change. If I hear a song on the radio that I like, go and buy the CD and the whole rest of the CD sucks, then I should be able to bring it back to the store and get a refund.

  3. Of course there's the most obvious way to benefit: by Otto · · Score: 5, Interesting

    Series.

    Most books I (and others I've spoken with) really enjoy tend to be parts of a series of novels. Trilogies, etc.

    If you really want to avoid obscurity, make your first book as free as possible, sell it on the cheap, give the text away freely on the internet in every conceivable format, etc. Then sell the rest of the books via traditional sales methods.

    Get 'em addicted, then jack up the cost. Hey, it works. Ask your local drug dealer. (What, you don't think books are addictive??!?)

    --
    - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
  4. yeah but. by MisterBlister · · Score: 5, Insightful
    This guy is virtually unknown to the general public. Does anyone out there think this system would extend well to established authors (or musicians)? As a counter-point, I'd bring up Stephen King's experiment, where he allowed free download of his book and asked for a tiny donation in return. Very few of the people who downloaded the book paid for it and the project was scrapped.

    My basic point is that this guy is getting free advertising by releasing the book for free, which is resulting in some more sales than he would have gotten if nobody had ever heard of him...But the situation is much different when you're talking about an established very well-known author..And the same goes for music. MP3s given away for free by small bands may increase their market..But does anyone hear Britney Spears for the first time on MP3 and think wow, that's great..lets go buy the album? Of course not..And the the RIAA/other publish associations know this, and will quickly discount this guy's story.

    1. Re:yeah but. by ToLu+the+Happy+Furby · · Score: 5, Insightful

      This guy is virtually unknown to the general public. Does anyone out there think this system would extend well to established authors (or musicians)? As a counter-point, I'd bring up Stephen King's experiment, where he allowed free download of his book and asked for a tiny donation in return. Very few of the people who downloaded the book paid for it and the project was scrapped.

      False. For those who've forgotten the facts (i.e. you) here's what happened: in the fall of 2000, Stephen King offered up every chapter of his book-in-progress "The Plant" for free download, with the caveat that if at least 75% of the people downloading each chapter didn't pay $1, he wouldn't release the next one. (The PDFs were encrypted to prevent uncounted freeloaders.)

      He released 7 chapters. That means over 75% of people paid him the buck for 6 times in a row. "Very few" indeed. And this was hundreds of thousands of people, despite the fact that almost no one had a dedicated e-book reader at the time and, well, e-books suck. He made hundreds of thousands of dollars off this half-a-book. (Admittedly, this is less than he makes for his paper novels.) And despite the fact that he RAISED THE PRICE in the middle!! (To $2 AFAICT.) Many, many people paid $13 for half of a serialized mystery novel that there was a very real chance they would never get to finish (as indeed happened), even though they didn't have to pay a cent to get it.

      [Caveat: I believe King fudged the numbers to allow slightly less than 75% pay rate at one point. OTOH, there were very very widespread reports of corrupted downloads, so many of the "freeloaders" were actually people who downloaded once, paid, and then didn't want to pay again just to download a working copy.]

      My basic point is that this guy is getting free advertising by releasing the book for free, which is resulting in some more sales than he would have gotten if nobody had ever heard of him...But the situation is much different when you're talking about an established very well-known author..And the same goes for music. MP3s given away for free by small bands may increase their market..But does anyone hear Britney Spears for the first time on MP3 and think wow, that's great..lets go buy the album? Of course not..And the the RIAA/other publish associations know this, and will quickly discount this guy's story.

      First of all, I think you're wrong again; except for a very small number of artists, nobody really has saturation exposure, particularly amongst people who don't listen to pop radio or MTV. Plus you're forgetting that the record labels *pay* very very large amounts of money to *get* these artists songs to be played on pop radio/MTV.

      Although no, I don't expect the RIAA will be swayed by this or any other evidence, even the evidence that Napster fueled the largest increase in CD sales in history and that shutting it down directly caused the massive drop they are currently whining about. That's because the big record labels realize that even if they would initially make more money under such a system, they would lose their power. The reason artists sign with the big 5 is that the big 5 have a oligopoly on all the distribution channels; if you add a new distribution channel that cannot be easily controlled, then artists will sign with smaller labels that give them better contracts, or not sign with a label at all.

      The sad thing is, even if such a system did decrease the sales of the top few artists (or even the total revenues of the music/publishing industry), that is still not a reason not to move toward it. The only reason we have copyright laws is to encourage as many artists as possible to go into the career of producing valuable art for the rest of us. This motivation is explicitly stated in the Constitution. The copyright laws are *not* there to maximize the earnings of the top artists or of the record labels, only to ensure that the largest amount of music is available to the public.

      In other words, if a new system has the effect of increasing the number of people who can make a decent living creating art while decreasing the incomes of the top stars already in the industry, then by the criteria set forth in the Constitution our copyright laws ought to promote that system over the current one. Instead, all the evidence is that the way those laws are currently written prevents rather than promotes their stated purpose.

  5. Yet another anecdote by ansible · · Score: 5, Informative

    I read "On Basilisk Station" by David Weber (also in the free library). I was immediately hooked, and ended up buying the rest of the series. That's 7 books purchased, when I got one for free.

    I think Weber did pretty well by me, and now I keep an eye out for other books of his. This is an author I had never even heard of, before I ran across the Baen Free Library.

    I'm slowly working through the rest of the free library. I haven't seen anything else that really grabbed yet, but no doubt I will end up spending some more cold, hard, cash.

    I'll purchase the electronic versions where available, because they are cheaper and in a non-proprietary format. I have a Rocket e-book reader, but never purchased books for that because I didn't want to be locked into a single reader device.

    Rock on Baen!

  6. The wife factor by sunset · · Score: 5, Funny
    In addition to the improved readability of the printed page, I'm pretty sure it has a special appeal to those of us with wives, or near-equivalents.

    Because, you see, for some reason reading a book in the same room with our SO counts as "quality time together"; but reading the same book online counts as "he's obsessed with that damn computer."

  7. Not a Napsterite, but I'll respond... by pagsz · · Score: 5, Insightful

    Point well taken. There certainly is a difference between an artist offering up his/her works and having them forcibly taken.

    However, this article points to the stupidity of the publishing industry (and by extension, the MPAA/RIAA)rather than the illegality of services like Napster.

    File-sharing could be a boon to these guys if they would just pull their heads out of their asses. Rather than hurting sales, file sharing has been demonstrated to help it (small sample, but it's certainly far more evidence than the MPAA or RIAA can provide). Instead, they push for anti-copying legislation (CBDTPA).

    It's just so pathetically ironic: in their attempts to stop piracy, they push more people into seeking illegal alternatives (who wants to pay $30 for a crippled CD when the good tracks are available online for free; no encryption is uncrackable).

    And the very thing that they're fighting is the one thing that could save them. As I see it, the internet will leave them in the dust if they don't stop fighting it. Non-mainstream, quality artists will begin bypassing the MPAA/RIAA for internet alternatives. Then things will change.

    Aw, hell, who am I kidding? A CBDTPA type-bill will pass, and free will equal illegal.

    Extreme optimism and extreme pessimism in the same post? I better get my head checked, I may have schizophrenia,

    --
    -- If any of the above made sense, I assure it was purely by accident.
  8. Interesting, but inconclusive. by interstellar_donkey · · Score: 5, Insightful

    Trying to draw parallels between free music and text publishing in relationship to weather they help or hurt sales is an apples to oranges situation.

    On the surface, distributing pirated books should be a heck of a lot easier then music. The file size is small (espically in unformated plain text). There is a slightly more difficult situation of getting the printed page to electronic format, but a bored pirate with some OCR software and several hours to kill should be able to do it with little problem.

    So, why is'nt anyone trading pirated books? Part of this has to do with a declining love of the medium found in the Internet generation. But I suspect more is found in the computers inability to translate media into an enjoyable format.

    When I download a song I like, it's very easy to take the music, pump it to my stereo or burn it onto a CD, making the recording indistingusable from a purchased copy. A text file enjoys no such luxery. Lying on my couch reading off the screen of a laptop is just not as good as holding a book in my hand.

    So, when somebody goes online and sees a free book they enjoy, the next logical step is to purchase the thing, because having an actual book format copy is better. There is little value added, other then album art/liner notes, and the knowledge you've done the right thing, by going out and purchasing music.

    That having been said, I still think unrestricted free trade of music is a good thing, and helps the artists in the long run. I just don't see this article as being a credible argument for that.

    --
    The Internet is generally stupid