Matrix Reloaded Trailer Online
cheinonen writes "Trying to steal away the thunder from the opening of Star Wars, the trailer for The Matrix Reloaded is online now in Quicktime format. Must say I'm looking forward to this far more than I'm looking forward to Episode 3."
I can't wait for Matrix III: The Matrix Diagonalized. ;)
No one can tell you what the matrix is, but a TI-86 can solve for it in seconds.
I've mirrored it at http://helium.denterprises.org/~saveth/MATRIX_SVCD _JH.rar. I will take it down before I go to work in seven hours, so abuse it while you can. :)
http://progressive.stream.aol.com/wbonline/reload
It's about 24 MB
480x224e d_teaser_1_480.mov
http://progressive.stream.aol.com/wbonline/reload
and 320x144e d_teaser_1_320.mov
http://progressive.stream.aol.com/wbonline/reload
-gandalf23
Comment removed based on user account deletion
I don't particularly like the fact that it features a song from the previous
This is very common, unfortunately. They probably because a) the soundtrack isn't done yet, or b) they want to keep the soundtrack a secret (since it's a part of the whole movie experience, and they don't want to take away too much of that experience with one ad).
The Attack of the Clones ad has music from Episode I. The most recent add for the Twin Towers (At the end of FotR) has the soundtrack from FotR.
And still, to this day, many action movie ads use the sound track from Aliens (during the part where the Terraforming Plant is exploding); and that song is nearly 16 years old!
"Can of worms? The can is open... the worms are everywhere."
For those of you with low bandwidth connections, here is the trailer, in ASCII:
$ { } & 0
$ @ . . 0
% 1 / ; 1
^ ~ # " 0
@ @ ! . 1
! ( ] @ 0
"THE MATRIX RELOADED"
2003
(and actually, that's pretty much all there is to the trailer)
Gnu/Matrix ... finally, a platform powerful enough for emacs!
Very true. The matrix has huge plot holes throughout.. if the goddam AI's have 'some type of fusion' they would have utterly no NEED for the human's as 'batteries.' Fusion, even in the simple form we are devolping today, gives them all the power they could ever need. Since they are obviously a technically advanced race giant solar mirrors in orbit beaming power to the surface would work alss. The power used to keep the humans alive, and maintain the matrix, would exceed what the humans would generate (Young Lady, in this house we OBEY THE LAWS OF THERMODYNAMICS!) It also never quite made sense to me why they even created "the matrix", simply putting russian sleep sets on the people (3 electrodes passing an electric current through your brain - puts you to sleep until it is shut off) would have worked.
The only thing I could think of, and maybe they will address it in these next 2 movies, is that the AI's still have some sort of vestigal programming to the sort of 'never harm humans' or like Asimov's 3 laws of robots and are literally unable to just swear off the human race. Or, they could feel some sort of obligation to their creators, and feel a need to 'take care of them.' Worse crimes in history have been justified by a need to 'protect the race.'
I still love the movie to death though... =)
Is it at all possible to simply enjoy a movie without over analyzing it like you're some sort of Harvard educated sociologist?
Mac OS X and Windows XP working side by side to fight back the night.
The shots are:
There's some large soundstages there, built from old airplane hangars, all owned by EON Productions, the Wachowski's company. During the Matrix 2 shoot they had the logo for Burlyman, the Matrix films' working title, emblazoned on them, and signs sprang up around town that simply said "BURLY" on them, followed by an arrow.
Near the hangar soundstages, a set was built on a vacant paved area next to the coast of the island. A mock freeway, sturdy enough to drive many cars on, pointed towards downtown San Francisco but ended hanging in space at an incline. (you can see the Bay Bridge in the background of some of the aforementioned shots) When standing on the freeway set, it would appear to lead straight into downtown San Francisco. To add the appearance of "realism," there was a highway sign proclaiming, "Palo Alto 7 miles." Palo Alto's about 30 miles from San Francisco. Whatever.
Anyway, the set was really amazing to see, and since it was right next to public property (the local skate park) you could walk out and take pictures of the set, and the various prop cars (including most of the ones in the trailer) parked in the lot around it. There were always a few guys out firing off cameras when I went by. The set was taken down very quickly, shortly after filming completed and all the "Burly" signs came down.
Also interesting to note is that some of the car chases were filmed in downtown Oakland and in the tunnel between Alameda & Oakland (causing a nasty traffic snarl one Saturday morning). The tunnel is notorious for being covered in grime, and is in fact so filthy that grafitti artists will come in with squeegies and start cleaning their tags into the walls. Even after the truck comes through and washes the walls off once every quarter, the tags are always just a little cleaner than the rest of the walls.
The most prolific of these taggers is apparently known as "wetso," and on Friday night before filming he had his name writ large toward one end of the (fairly recently cleaned) tunnel. I'm very curious to see if it survives into any of the final shots in the finished film. Go Wetso.
Even Jesus hates listening to Creed.
The Matrix, much like Star Wars, is really a fantasy movie that's trying to tell a story that's almost wholly removed from science fiction (in the traditional "fiction with loads of science in it" sense). Trying to find scientific holes in the quick and easy explanations they give for complex technology is like complaining that lightsabers are "scientifically unsound" and that The Force "has no basis in reality". Star Wars is a story about Flash Gordon-esque fantastic adventures and The Matrix is a story about enslavement by a race completely removed from humans; neither is really about science, but both use science as a thin background for a story, much like fantasy novels use a twisted version of medieval Europe as their setting. Which, by the way, could also be called a historically ridiculous portrayal of medieval Europe.