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Music Industry Seeks Payola Inquiry
An Anonymous Coward writes "The big media story of the day seems to be that the RIAA, artists, and others in the industry are complaining that there are monopolies (such as Clear Channel) forming in the radio broadcast industry. The group is stating that the practice of "independent promotion" is really a new form of payola and that it is hitting the artists' bottom line directly." Another submitter writes in with another story on the subject and the industry's Joint Statement on Current Issues in Radio.
A brief history of the original 1950s payola scandal is here. Another interesting payola scandal that I don't think ever went anywhere is that Salon ran an article accusing the US government of payola for having Hollywood run anti-drug plots...
That's why I usually only listen to NPR or CDs while I'm in my car. I can't stand the horribly limited playlists of the radio stations any more.
Not to mention the 20+ minutes of ads (not including the DJ's yapping away) in every hour of music.
And from what I've heard, Clear Channel can be a rough company to work for. The corp HQ selects the playlists and the DJ doesn't get to choose very many songs to play, unless they're working after 9:30 or 10:00 pm (and who's listening then anyways?)
When I'm at work, I listen to Wolf FM. They've got some ads, but the ratio of music to ads is very high.
Well, of course ClearChannel follows "what listeners want to hear". They TELL them what they want to hear. THEY make the play lists. Absoultely absurd response on the part of CC.
CC: "These are not the bands you are looking for"
PUB: "These are not the bands I am looking for"
CC: "You will listen to our drivel and enjoy it"
PUB: "I will listen to your drivel and enjoy it"
Even more confusing is why the industry is trying to kill internet radio. In that scenario they can send their material directly to the Internet radio DJ to get considered for play. Or better yet the labels could start their own stations. Instead they are making the Internet radio people cough up Payola to kill them off.
"I don't think it's selfish, to eat defenseless shellfish." -NOFX
Boo hoo. They fought for deregulation and now they're feeling the bite in a purportedly free market of monopolies. Fuck them all. They made their bed, now sleep in it.
Am I supposed to lose sleep knowing that they've gotta pay their indies $10K/song/station to get an add because the stations are all owned by the same conglomerate when the record labels have joined into a conglomerate and engaged in price fixing?
I don't listen to radio (except for the independent, supersuave WFMU) and I can't wait until inevitability catches up with the RIAA.
Easy does it!
This comment has been submitted already, 276865 hours , 59 minutes ago. No need to try again.
Oh, so the industry that is effectively controlled by five companies is saying the radio industry is too concentrated?
Oh, boo hoo. Live by the sword, die by the sword.
"It is blatantly absurd that they attempt to hold the radio industry accountable for the creation or execution of business practices that they control," [Clear Channel spokesperson] Taylor said. "The money comes from them."
The recording industry is complaining that the recording industry is paying to have certain songs played on the radio. They why don't they just stop paying?
Of course, all the labels will have to agree to do this, since if all but one stops, and this payola really works, that one label will have tons of airplay.
Tired of payola? Pissed off by the RIAA? Think our elected officials are owned by Hollywood? Then you need..... PIRATE RADIO! Irreverant, illegal, apolitical, and hard to find. Broadcast schedule? What's that? Lots of fun, tho, and guaranteed to pick up the corners of your mouth.
/
http://dmoz.org/Arts/Radio/Formats/Pirate_Radio
Not to side with the RIAA (shudder), but Clear Channel is a pretty ugly company. You probably listen to them now and don't even know it. There's a station list available at http://www.cjr.org/owners/clearchannel.asp
Josh Woodward
-or-
The president of Kazaa complaining that people are pirating their software by using programs like KazaaLite?
All I have to say is BWAHAHAWHAHWHAW!
"Seven Deadly Sins? I thought it was a to-do list!"
Man, that reminds me -- I really ought to subscribe to Salon :-/.
PS Since ClearChannel has a large stake in XM Radio, I completely expect XM Radio to support payola >:-[. But, does anyone know if SiriusRadio also support payola? I'm thinking of subscribing, but I wouldn't want to do so if they're corrupt as well.
Alex Bischoff
HTML/CSS coder for hire
Clear Channel's motto is "How many ways has Clear Channel reached you today". And you thought Microsoft was obnoxious. Their corporate creed is "We believe the ultimate measure of our success is to provide a superior value to our stockholders.".
Clear Channel even owns Rush Limbaugh. He was a big help in getting Congress to remove all limitations on one company owning all the radio stations.
...And it ain't payola.
.05 mhz of their frequency and driving circles around their transmitter should give their engineer a nice Excedrin headache...
Part of the story here is that Clear Channel is also in the "Concert Promotion" business. I put the term in quotes because it's more like legalized racketeering. Their standard procedure, regardless of what specific business they're working in, is to make as much for them regardless of the damage it does to their customers, business partners, and the public. Their theory is, what's good for us is good for us, fuck all others. (I can already see the knee-jerk "the market will decide" Rush Limbaugh clones racing for the reply button about how this is a good thing...Read-on first, please.)
So CC will do things like leverage all their businesses... So, if you want to play a concert at the desirable venues (ie. Not a shitty dive bar) in XXX City, you'll have to have a "music promotion" contract with WXYZ to get your tunes played, a concert prmotion contract with CC Entertainment which also includes a budget for ads on WXYZ, agree to do these other CC shows in other cities, AND do it all for what CC is offering.
In other words, CC is victimizing the RIAA membership the same way the RIAA members victimize their customers. (Ie. Accept our lowball offer to do a conecert, or get no airplay the month you play at a competing venue vs. Pay $19 for a CD we paid $2 to create.)
What we're getting ready for is a battle royale of influence and political contributions, as the two big behemoths who both think they own Congress and have a constitutional right to their obsolete business models go toe to toe, trying to see who can spend the most to get their way.
If I didn't know that this battle will only result in the consumer being screwed even further, I'd say get some popcorn and enjoy the show. As it is, I'd say go pirate some music on Kazaa and start your own pirate radio station.
Or just jam CC properties, if you don't feel like you'd make a good air personality... Tuning your 50 watt transmitter to +-
Who did what now?
It is possible to dislike the RIAA and love this at the same time. It's like a machiavellian wet dream. Couldn't have achieved better if we'd planned it.
Some people have a way with words, and some people, um, thingy.
How many US citizens does the RIAA represent? No, I don't mean how many artist or backroom techies or even corporate weasels in suits, because it's not actually representing them. The RIAA (rather the labels that comprise it) are businesses. As such, they represent their owners, not their employees, and not third parties relying on them to market their talents or products. Answering only to shareholders is a fiduciary duty for a publically traded company. If happy employees are the key to financial success, great, but if sacking 95% of them becomes a smarter move, they'll do that without batting an eye. The RIAA represents only the shareholders (or private owners) of the companies that comprise it.
So, does anyone actually know how many US citizens are shareholders in the music businesses that comprise the RIAA? Do these US citizens know? Do they know or care that their ownership legitimizes RIAA demands on Capital Hill?
I ask this because I keep hearing about how much money the RIAA represents, and there seems to be some sort of connection between this and the political influence that they have. Now, in a democracy, this can't be true, because then your vote would count more depending on your income, right? And that's not how a democracy works, is it?
So, let's hear it. Does anyone know how many US citizens the RIAA actually represents (that's US shareholders, not employees)? I'd really like to hear someone in government asking this, because it might (not likely, but perhaps) make Jane Investor start asking exactly where her financial representatives have been gambli^H^H^H^H^H^H investing her money on the stock market, and who she's legitimizing with her investment.
If you were blocking sigs, you wouldn't have to read this.
This is off-topic (more or less), but I felt an urge to contribute my own personal experience in the pre-digital radio industry:
I used to work for an FM station, too -- KQ102 in Canton, Missouri -- and it was pretty interesting. It was from 1988-1989 -- and seemed to be the time right before "digital" took over everything FM.
Everything we played was on 45s -- vinyl -- and each 45 was rated according to its "tempo."
There were thousands of 45s at the station and about ten different tempo numbers. A #1 song was really, really fast -- and a number 10 was really, really slow.
Someone listened to all the music and -- based on the tempo -- placed them into the appropriate tempo bin.
Now, our mission was to look down at our playlist and play songs of varying tempo. We had markings like 1-5-8, or 2-6-10 to indicate the next three songs (fast, medium, slow) and breaks for each commercial or public service announcement.
The idea was that you were supposed to take a 45 from the front of the bin, play it, and then put it in the back of the bin. Of course, it didn't work like that, since our playlist was based on tempo and not song titles -- so all the shitty stuff was in the back of the bins never to be touched, and all the good stuff was in the front.
And we only had to hit our commercials plus or minus two minutes -- and give our top of the hour station announcements within 60 seconds plus or minus -- so we had a *lot* of leeway to play what we felt like, when we felt like it. It was fantastic, actually.
We broadcast out of a tiny white house that had been converted into a radio station. Transmitter in the living room, main booth in one bedroom, production studio in the other, and the sales office in the kitchen.
And we had a *huge* listener base. I used to do a lot of Friday and Saturday night shifts -- from 8pm to 2am -- and, man, I had groupies. I couldn't fucking believe it. People would hear your voice -- on account they'd be playing you at parties and in their car -- and they'd drop by in droves to see what you looked like. It was sick and bizarre, but it was loads of fun. We'd be sitting in the booth and staring out the window into the backyard and see all these people back there, waving and trying to get your attention.
It was really a bizarre thing but amazingly exciting. The fact that we were spinning 45s, playing more or less what we wanted (within reason) made for some amazing nights of music.
Sadly, KQ102 was put out of business by the rise of digital and the fact that they were one of the last stations in the area to still use vinyl. We actually had *turntables* -- as if we were a college radio station. It was a trip.
Great fun. Huge listener base. Gave away lots of prizes and cash.
But it was pretty much stomped out by corporate radio.