Slashdot Mirror
Homogenized Music
Mansing writes "The connections between broadcast radio and music industry are well known. In the old days, payola was the method to increase a song's (or album's) exposure. But now, the same "free market" corporate music that infects the music industry is also infecting the broadcast radio industry as well. What makes the article so informative is not the business angles, but how business has changed what is broadcast. Seeing the parallels between the recording industry's force fed music and Clear Channel's "nothing is left to whim or chance" programming, I now understand how hard it is for any non-corporate sanctioned music to become widely heard."
The market is working just fine. The problem is that the majority are willing to listen to the homogeneous crap that CCU broadcasts. You can argue all you want that the airwaves are a "public good" and not just another form of property, but in the end of the day, someone is going to be arbitrarily choosing what goes on the airwaves no matter how the power to choose is apportioned. And if it's the public (read: majority) choosing how to use that good, you can be assured they're not going to waste that bandwidth on indie rock, metal, big-band music, or African tongue-clicking.
Instead of complaining, choose one of the alternatives: listen to satellite radio, internet radio, listen to CD's (the real ones, not those phony pseudo-CD's), etc. If CCU truly isn't performing a service that people want, advertisers will stop buying airtime and it will go bankrupt. I'm guessing that isn't about to happen anytime soon.
[ home ]
i think the problem here is one of bandwidth... here in the UK, we have a small number of large indepedent radio networks, as well as regional stations that are currently peddling almost exactly the same type of music as each other, all going for the least offensive (to the average listener) and most bland music 'product' that they can find, in order to maximise advertising revenue - a 'one size fits all' system.
However, I can't see that this will last for long, as soon as any of the following technolgies reach the average consumer household: Net radio, Stand alone recievers for audio-only channels over satellite, digital radio (we are a long way ahead of the US in this field, I believe, as the BBC have pushed the technology) and increased spectrum avaialbilty due to theproposed switch off of terrestrial analogue TV transmitters (which the UK governement are keen on as they stand to rake a fortune in from selling the bandwidth off).
When any (or all) of the above technolnogies are mature, then it will be possible to deliver cost-effective radio to much smaller markets (with tightly targetted adverts), so the constant search for the lowest common denominator will no longer be the best way to maximise advertising revenue, providing a wide spectrum of choice will be more cost effective.
A pizza of radius z and thickness a has a volume of pi z z a
Check out the extensive coverage they've gotten over at Salon for the past year or so. There's about a dozen articles about various aspects of their business practices.
http://www.salon.com/ent/clear_channel/Did you even think to research this before you spewed it out?
The
-- "Other than that, how was the play Mrs. Lincoln?"
Clear channel was pushing that top-level domain, and originally had changed all their radio and television stations and even provided sponsors websites .cc domains. (as in clear channel)
It does stand for Cocos Islands, but was being sold as meaning "Clear Channel"
Conformity is the jailer of freedom and enemy of growth. -JFK
So what? I haven't listened to music on the radio since high school. Why? Well I can decide what I want to listen to for myself. If you can't investigate new music on your own then the radio telling you what to like shouldn't be a concern of yours.
Checkout some independent or smaller labels. Labels like Matador Records, Prawn Song, Fat Wreck, and may others. It's a shame that labels like Grand Royal were forced out of business for not force-feeding the status quo. Read Nude As The News for non mainstream album reviews.
Find a band you Like and check out their influences. This is a good way to find new stuff to listen to. Like Led Zeppelin? Listen to Muddy Waters. Like Trey Solo? Listen to Count Basie, Sun Ra, or Little Feet. Like Primus? Listen To Rush. Ect.
GO SEE LIVE MUSIC! If you live near a large city there are tons of show to go see, there are some good websites dedicated to finding shows in your area. Check out Jambase for example.
Trade Live Music! There are several communities for the trading of live tapes, a large number of bands ok the taping of their shows and the thousands of tapes are out there for free. One Such community Etree is a great example of this.
Listen to College radio if you live near one!
Don't complain about the lack of variety on the radio, just don't listen to it.
Capitalism does tend towards monopoly. But the monopolistic trend is countered by some things Marx never considered. Inventers, developers, people who just think outside the business box, they then provide more competition. Of course, the Monopolies will try to eat them up, but they can and do fail at that, and get washed up and forgotten.
While Communism, that's the Monopoly of the state, with no chance for competition, after all the State KNOWS what you need and want. Even if it's true for the majority, the Tyranny of the Majority is not something to be desired either.
So Monopoly, from Communism or Capitalism is bad. But at least with Capitalism, we have a chance against it.
Bill
OK Tired of radio and MTV? Me too! Who the heck decided that bad Eddie Vedder impressions would be popular this year?
Here's some bands worth checking out: (reply and post your own)
Neutral Milk Hotel
The Microphones
The Shins
The Dismemberment Plan
Need New Body
The Mountain Goats
Boards of Canada
... and You Will Know Us by the Trail of Dead
Sparklehorse
Belle & Sebastian
Brighteyes
Matmos
The Hot Snakes
The White Stripes (yeah, they've got a video, but they rock harder than anything since Zepplin)
music has always been comercial and pandering to trends, but in the past five years or so it has gotten *much* worse. There has not been a single innovative band to make it to the popular stage, music hasn't seen anything like this since the dark ages of the late 50s/early 60s. Think about it, what was the last novelty hit? What was the last song that got popular just because some DJ thought it was amusing? It's been quite a while. The early 90s saw innovative acts like Nirvana, Beck, and Liz Phair getting tons of airplay, and now we just have 1001 Pearl Jam/Creed rip-off acts. I won't comment on the R&B teen pop, that's obviously commercial fluff, and it wouldn't bother me if there were good things elsewhere. When we had the New Kids on the Block, we also had U2 and REM. Rap is, thankfully, still going strong, it probably has a good 10 or 15 years of life left in it.
Rock and Roll is approaching death. It will soon be as dead as Jazz. It will still be made. There will still be people doing amazing and creative things with it. But it's period of cultural relevancy is nearing the end.
Maybe I'm wrong. Maybe the Strokes/White Stripes garage/blues punk thing will take off. That would be cool.
In Capitalist America, bank robs you!
I'm convinced that the Internet is what will lead to the demise of the recording industry and the broadcast industry.
As it is today, radio and record sales are the two main ways for an artist to become popular, sell out their shows, and make money. However, there is a high barrier to entry; the recording and broadcast industries want to profit, and so they only support music that will make them money--regardless of quality.
But the Internet allows all artists to be heard, by all people, with no strings attached but the size of your pipeline. Since artists never get paid for record sales to begin with, it hardly matters whether their music gets copied online--so long as it's good, they'll still sell out their concerts.
Ten to twenty years from now, the recording industry will be a crumbling colossus. People will get sick of being force-fed their music, of having to pick between identical blonde models with equally bad style, of seeing the same old stuff on the charts every week. By then, the Internet will have become powerful enough that any artist who wants to be heard, will be.
If you wanted your own daily radio show, Clear Channel would sell you the time for about $1,200 an hour.
Wow! That's really sad and kind of cool at the same time. It shows that a lot of their stuff really is basically extended commercial time, but it's also a chance for something else to slip in the lineup.
Think about it. For about $300 grand (yes I KNOW that's a lot), pretty much anyone could have his own show for an hour a day on weekdays, all year long. Now they probably wouldn't let you do anything "subversive" like rant on about corporate radio sucking, BUT: why not get a coalition of several dozen smaller labels together to get a show?
Clearchannel stations are by nature large-market ones, and if you picked a slot at like 3 or 4 pm, you would get kids after school and it would be before the "rush hour" slot that's so valuable. Say 50 labels chipped in, they could each get at least a couple songs on per week, and take some time to promote local shows, websites, band interviews, and all that.
And since the labels themselves are putting together the shows, rights shouldn't be an issue. I'm sure I'm missing a dozen reasons why this wouldn't work, but it SOUNDS so neat... *sigh*
Has anyone mentioned internet radio as an alternative? Ok, it's broadband only in terms of possible audience... but that doesn't stop me from listening to Bassdrive.com all day, everyday.
Sure it is usually non-mainstream music. Who cares if it doesn't appeal to the widest, most general audience?
The key of internet radio is that you can usually find what you like. I have stations that play early 90's jungle, hard-step, tech-step, garage two-step, jungle-ragga, acid jazz, russian pop/rock, independent US hip-hop, french hard core.
Ok so it might just be me listening to it. Oh, boo-hoo. Either you listen to what you like with the distinct possibility of ostracising yourself from the mainstream, or accept the shill Godsmack/Creed/DMB so you can talk to other folk about music/hit bigger shows with your friends. Of course then you can pay your 400 bucks for a Rolling Stones ticket.
And that is another thing: underground/independent metal, rock, death metal, electronica, detroit house, hip-hop, and jazz have all survived very well without any help of the mainstream. Steve Albini, Martin Adkins, El-P. Sometimes you have to accept that most people aren't looking for what you are serving.
But if you like this kind of thing, this may be the sort of thing you kind of like.
What is music when you despise all sound?
I have to say at this point that DJ's do nothing but get my dander up anymore.
I'm only 28, so this is before my time, but it seems like the days of the Golden Age of Radio Music (50's and 60's) focussed as much on the music that the DJ played by choice as they did on the personality of the DJ. Nowadays, DJs are handed lists of scheduled tunes to spit out, leaving them completely removed from the decision-making process.
What's the upshot? You can't listen to what the DJ likes to listen to anymore. There's no musical connection to them for the audience to resonate with. Particular DJs don't have particular styles anymore. There's no recognition of individual DJs and styles, no loyalty, and no sense that (*here's the important bit*) the DJ is sharing music with you that he or she thinks is really worth listening to.
(Whoops -- there's that "sharing music" idea again.)
DJs are therefore distinguished by their chatter between songs. Which is not music. I turn on the radio to listen to music or news, not chatter. Hence, I hate DJs. They're cookie-cutter gibbering monkeys to me, failed stand-up comedians who couldn't muster enough journalistic skills to become bona fide reporters.
I listen to my local university-driven NPR affiliate, and that's all. That station has a vast library of out-of-the-way music from every conceivable genre, and the DJs get to pick and chose what they'd like to play. Sometime I hate what they chose. Other times, I'm pleasantly surprised.
Imay not know their names, but I know their styles. I love that.
GMFTatsujin
My daughter is a deejay for KDVS college station in Davis, CA and she tells me that they are forbidden to play any commercial songs: Radiohead, Garbage, and Smashing Pumpkins, which I believe were to a good extent birthed on college campuses are now off limits to college stations. This is not to say its a bad thing, but even colleges have their skewed policies.
On another note, I am in a constant process of ridding my life of commercial interests and commercials. I have stopped listening to radio almost entirely on my daily commute, preferring my cassettes. And let me tell you, after listening to good rock or jazz instead of commercials with their jingles and subliminal messages and urging to consume or be left out, I feel much more relaxed, much less anxious. I have successfully reduced corporate influence in my life to a manageble level. It's just one example of 'think globally, act locally'. If all people did this, ClearChannel would die the death it really deserves. Now when I listen to the rock station I used to hear all the time, it's easy to spot the manipulative messages they are trying to put over on me, and when I realize how much of their time is spent inflating their self-importance, I can be smug about being the non-conformist. Of course, I get laid a lot less.
SDMI: Finally! Music that won't rip or burn! Brought to you by the fine folks at RIAA.