How Yoda Became an Action Star
fexter writes: "This article at Entertainment Weekly talks about Yoda's transformation from a puppet to a completely-CG character, and talks about the animators' horror at Lucas' transformation of Yoda: 'When Coleman and crew first saw them, they were appalled. They thought it was unseemly and undignified for Yoda to bounce through the fight like a Superball loose in a toy store.'"
I'm still annoyed at the Yoda fight scene, and I think the animators were right.
Yes, having Yoda kick ass was cool.
But he didn't have to do it by spinning around at 3600RPM.
Yoda is supposed to be relaxed and smug. He should have overwhelmed Dooku with -skill- instead of just being four times faster, with no moment of inertia. That scene would have been twice as good if the big Y had stayed upright, and parried and feinted like a madman. No need for backflips.
The animators were right all along, and I had a small piece of my childhood die watching Yoda leap around like a gymnist on crack. Yoda was my favorite character growing up, and that fight scene made no sense. I remember a video I saw of the guy who invented Aikido in the 1900s - I forget his name now. He was a wizened old man in the video, probably pushing ninety years old, his diciples had long-since taken over teaching their own varieties of aikido, and he still showed up in his dojo to train his students and give little demonstrations. What he lacked in mobility and strength he made up for in grace and economy of movement, and I watched as he would toss aside the students with little hand movements or slow sweeping gestures. The students could attack in piles, and still they would be tossed aside like leaves. It was really magical to watch such an old man possessed of such power. Anyway - that's how Yoda should have fought. He should have been slow, graceful and easily dispatched his enemies using only the force. He had no business using a lightsaber, and had no reason to spring about like a ping pong ball. Lastly, the reason Yoda and Boba Fett were awesome characters in the original trilogy was because they were mysterious - unknown pasts, unknown barely hinted-at abilities under the surface. Lucas destroyed their mystique by making them full fleshed-out characters in AOTC.
I think it would have been far, far, more impressive if Yoda moved around a lot less and demonstrated his skill with the speed, accuracy and ability to rapidly change his sabre strokes.
Damn straight. Imagine him fighting with an economy of motion and energy. Defeating enemies by using their movement against them; parrying their attack by using their attack against them; using the subtlest shift in weight to completely alter a situation to his advantage.
It'd have been a thing of beauty.
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I'm starting to wonder if our culture isn't collectively losing its ability to suspend their disbelief. Of course, a diminutive warrior like Yoda suddenly flying through the air is going to be funny on the surface. But if you were lost in the film like I was, really submerged into the world on-screen, not self-consciously fearful of what people might think if you let yourself go and connect with it, then that moment was one of the most startling moments in all the SW films.
One nice touch I noticed is that Yoda grabs his cane afterward and we are left to ponder the fact that this guy just moved like lightning in his fight, but has difficultly with the act of walking. It strikes you that he was exerting the Force on himself to move himself through the air and engage in battle. It makes a definitive statement about his ability.
I didn't have trouble with this. I feel sorry for those who couldn't enter that world and experience it full-force. Pity.
--Rick
--Rick "If it isn't broken, take it apart and find out why."
... instead of drawing lightsabers, Yoda (who would be a puppet, because believing a CG image is Yoda is so much harder than believing a wad of latex with Frank Oz's hand up its ass is Yoda) should have fought Dooku by using the Force to summon a clunky ethereal knight (done in cheap front projection of course; matte lines just look more -real-, and matching color palettes are for sissies), who then fight in jerky slow-motion.
During this battle, there is much groaning, pantomiming, and grimacing (except for Yoda, who has only two expressions: "furrow brows" and "lower ears." That's okay though, because PUPPETS GOOD.) Then, at the end, when there is a big flash of light (all done with squibs), Dooku says "You never could beat me, Egg Shen."
Yeah, that totally would have been worth my five bucks.
(Oh, and bring back Mr. Perfect, Irvin "Empire Strikes Back, Robocop II, SeaQuest DSV" Kershner to direct, because that man can do no wrong. Just watch that Amazing Stories episode "Hell Toupee.")
Please, take off the rose-colored glasses. The special effects technology of Star Wars has always, always, always been a work in progress. Watch the difference in space battles, and the lightsaber battles, between Episodes IV-VI. They make a quantum leap in sophistication, complexity, and speed.
That's because FX technology was, and is, always developing. This expectation that CG is somehow infallibe, and all its imagery should somehow be perfect and consistent, is rubbish. There's probably a very good reason there wasn't a CGI Yoda in Episode I -- and he will probably look much better in Episode III -- just like everything else.
Star Wars has always been about pushing the technological envelope as far as it will go. Sometimes it works. Sometimes they drop the ball. This has not changed since 1977. Look at any of the movies and you will find places where the special effects are truly great, and places where they stink on ice. Why all of a sudden this warrants another "George Lucas sucks" troll of a story is beyond me.
I am reminded of a Saturday Night Live sketch starring William Shatner, in which he is pelted with inane questions from feverish trekkies about "What was the combination to the lock in Episode 17?" Shatner tries to explain that it was just a prop, and there wasn't really a lock and therefore no combination at all, and the trekkies just stare without comprehension.
You are those fuckwits now. And yes, that means you too, you butt-munch, who are even now preparing a reply that goes something like "But Ep1 and Ep2 really were betrayals." Yes, you are the fuckwits.
Our intelligent designer has never created an animal that we couldn't improve by strapping a bomb to it.
Well, sort of. The Chinese concept of chi is a fairly internal one, whereas the idea of the force is very external. Chi powers have more to do with manipulating energy in one's body, and force powers have more to do with manipulating energy outside of one's body (not that the force isn't inside of people as well, but it's by virtue of being all-pervasive).
Well, this isn't so idiotic. There are chinese styles that are very, very jumping-heavy. From what I understand, there are some northern styles where a fighting person spends more time in the air then on the ground. (This is supposed to be derived from fighting on ice, where the air is actually a more stable place than the ground is.)
That being said, I heard a story (from someone who witnessed it) about a 60-something year old black dragon gung fu practicioner who drank gin from the bottle, smoked cigars about 1" in diameter, had a pot belly the side of some people's bodies, and waddled around. Some students insulted him (laughed at how fat he was, I believe) and by way of demonstration, after informing them of what he was going to do, he jumped upso that his waste was around the height of their shoulders or heads, kicked one in the shoulder and before he hit the ground had spun around and kicked the other one in the side of the leg. The students both hit the ground at approximately the same time.
So maybe there's more to the idea of a master jumping around at really high speeds than you realize. :-)
Well, I thought that (1) it wasn't his energy - it was the force, so that there was an unlimited supply of it and (2) he was moving around to attack from different positions. After all, it's not like he jumped up and waited to land again before attacking. His saber was spinning around saw-tooth fashion while he was jumping, and I recall Dooku having to block it more than once while yoda's feet were not on the ground.
Given that Yoda probably couldn't even reach Dooku's chest with his light saber, how did you want him to fight? By constantly attacking Dooku's ankles? Do remember that in traditional sword fighting a longer reach count's for quite a lot - and Dooku's arms were something like twice as long as Yoda's, if not more. Yoda would have been severely outmatched just by that, had he stayed relatively motionless on the ground. By jumping around, Yoda was able to attack Dooku near his head.
That being said, he didn't seem to be doing much in the way of deflecting Dooku's saber and attacking a more vulnerable spot, which happens a lot in real fencing. That was a bit dissapointing. That and yoda not winning. It's not like Dooku wasn't expendible.
They laughed at Einstein. They laughed at the Wright Brothers. But they also laughed at Bozo the Clown. -- C. Sagan