Super Audio CDs Rolling Your Way
donutello writes "Slate is running an article about the Rolling Stones Remastered series discs having two layers: CD and SACD. The article contains some interesting information about how Sony is sneakily distributing SACD players without the buyers noticing it. This FAQ provides some information about SACDs. Don't expect to be able to play or reproduce these on your computer anytime soon. The SACD format contains a physical watermark on the disc. SACD players will only play discs with valid watermarks. Music watermarks had two opponents: The audiophiles who didn't like their music distorted and people who didn't like the watermarks preventing copying of the music. With the physical watermarks, they have found a way to appease the former while still stopping the latter thus causing a break in the ranks of the opposition."
Is the watermark system going to affect how people produce music? Say for example, the SACD format becomes adopted as the standard audio format. If I own a small record label, how am I supposed to distribute my bands' music? Will I have to pay some arbitrary royalty fee to someone like Sony just so people can listen to music? Will such fees and required equipment make the barrier to entry for the recording business significantly higher? This kind of thing affects many more people than just your average slashdotter with an mp3 habbit.
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Cogito cogito, ergo cogito sum.
The idea of buying something to listen to on your iPod, or in your car, or on your computer that is SACD makes no sense. You're going to have hardware that is holding you back far more than the qualify of the medium. Unless you're listening on a computer with a really nice DAC and some Grado RS1 headphones, you can probably stick to CD audio or mp3's and notice not much difference. However, if you are listening on a real stereo with decent speakers, then listening to a well made SACD compared to a CD will blow you away.
If I want to make a backup copy of my music, I can buy a copy on CD since I'm not going to be able to make a copy of a SACD myself anytime soon. To me, the compromise of incredibly high quality sound, that does beat the high end vinyl I've listened to, and having copy protection that doesn't interfere with that sound quality is a tradeoff I'm alright with. If you're mad over not being able to rip them for mp3's, then you should just buy the CD.