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Ipsos-Reid: More Americans Downloading Music

An anonymous reader writes "Ipsos-Reids ongoing research on file trading called Tempo again confirms a continuing rise in the number of Americans downloading music from the Net. Furthermore, almost a third (31%) of those who do download claim they have paid for at least some of the music they got online. Of course, having paid once from services like Rhapsody and PressPlay doesn't mean you were satisfied with the value. It does mean though that a sizeable audience are willing to give these record industry endorsed services a shot even though they can get it all free on KaZaa. You can see the the report graphs here."

6 of 243 comments (clear)

  1. Attention to all Record Labels by GroovBird · · Score: 5, Insightful

    And that goes especially for you, BMG!.

    Since you will no longer be selling uncrippled CDs, you will have forced me to find other sources of Music. I will therefor no longer buy CDs that I cannot play in the manner that I want, even if that manner is in compliance with copyright laws.

    Thank you.

    Dave

  2. is a REAL underground finally possible? by pezpunk · · Score: 5, Insightful

    over the last few years, a tiny number of gigantic companies have locked up all our aural culture tighter than a drum. they hold a monopoly on the ears of the general public. radio stations are almost universally owned by Clear Channel. concert venues of course belong to Ticketmaster. there's pseudo-competition in the record industry, but all the competitors there are equally soulless.

    there has always been those who reject this hierarchy, but until now we've relied on word of mouth, dubbed tapes, lamppost posters and flyers to reach our audience. musicians are slow adopters, but we are catching on. CD-R's and MP3's are mainstream now. can enough like-minded musicians -- musicians who reject the whole corporate machine, and don't mind sacrificing money and fame to operate outside of it -- can enough of us band together to form a cohesive movement, or will we remain isolated and disparate?

    geography is less of a barrier than ever. the music industry has never been in greater need of revolution. and independant musicians have never been as well armed as we are now ... but DAMN, do we like to fight amongst ourselves, and so many woul rather go with the status quo, too afraid to find our own way.

    i suppose only time will tell.

    dan
    the overprivileged
    http://www.theoverprivileged.com

    --
    i could live a little longer in this prison
  3. Re:Brazen Thieves by night_flyer · · Score: 4, Insightful

    "Well you know why popular music scene is full of "artists" like Britney Spears? It's because of people like them stealing music and destroying the chances of decent musicians."

    puleeze, commercial acts like Britney have been around LONG before P2P "pirates". ever hear of Flock of Seagulls, Duran Duran or Poison?
    the good acts will ALWAYS be drowned out by the more commercially viable acts. P2P actually increases the distribution of the good acts, as there is no commitment up front to spend money on an album that you know nothing about.

    --


    Thanks to file sharing, I purchase more CDs
    Thanks to the RIAA, I buy them used...
  4. Re:Another View by bbuda · · Score: 5, Insightful

    I have a hard time believing that that many people have paid to download music in the form of services such as PressPlay, Rhapsody, and others. The numbers? Ipsos-Reid claims that 60 million Americans download music, and 31% (about 18 million) "reported having paid for any of the music they have downloaded." Maybe I'm missing one, but I don't think that these relatively new services have reached nearly that subscription level yet. Instead, I think many people who answered yes to the "have you paid for music" question were confused in one of two ways: either they thought that their ISP fee pays for the music, or they are referring to music that they bought in CD/Tape/other physical form, and also have seperately downloaded to their PCs. Unfortunately, the Ipsos-Reid and TEMPO websites are short on details, such as the exact wording of questions asked.
    I did locate another TEMPO survey that a mere 27% of downloaders would prefer to pay for a music service if it were availabe (italics mine). All these data seem a bit inconsistant, and if you're doing anything valuable with this info, I wouldn't trust it much more than a Slashdot poll.

  5. I'd be happy to pay for the music I get online by Skapare · · Score: 5, Insightful

    I'd be happy to pay for the music I get online, provided...

    • My privacy is absolutely protected (my identity cannot be sold to anyone for any purpose whatsoever)
    • The music comes in a format which will work on my computer system, which is Linux on my desktop, and Linux or OpenBSD for the servers.
    • Once I buy and download it, I can play it from my computer as often as I want.

    I do download music from the net. But what I download I either delete or I buy the CD of it. When I get the CD, I rip the tracks and put them in my junkbox machine (e.g. my Linux file server) and play them there. The CDs are stored and not sold, given away, or even loaned. But if the CDs eventually no longer work, then I will certainly reconsider my plan. If I can pay to download and that works, fine. But if none of the pay-for methods work, what else can I do but steal the music?

    Artists ... is your label ripping you off by not making your music work for me?

    --
    now we need to go OSS in diesel cars
  6. I'm not surprised this is happening. by MtViewGuy · · Score: 5, Insightful

    I think the problem the RIAA does not realize is the fact they are falling victim to the laws of economics--the invisible hand has slapped them hard.

    When you start pricing album-length audio CD's at US$18 per disc in what amounts to a cartel-like situation customers are LESS likely to buy CD's produced by RIAA member companies because the customer thinks the record companies are gouging them for high prices. Anyone who's read up on basic microeconomics know that high cartel good prices encourage ways to undermine the cartel, hence the reason why file-sharing sites have become all the rage in the last four years.

    If the RIAA had been a bit more enlightened they should have priced CD's at round US$11 per album-length disc, which would have drastically cut the economic incentive to pirate music. After all, is there rampant piracy of DVD's here in the USA? Of course not, given the fact that the MPAA allows DVD's to be sold at reasonable prices (US$20 per disc for new releases, US$15 or much less for older releases).