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DMCA Loophole For Peer-to-Peer TV Show Sharing?

An anonymous reader writes "Fortune.com asks, "Is TV Show Swapping Legal? For those using TiVos or new Windows PCs, it just might be." Why? "The law that ensnared ... DVD hackers, the Digital Millennium Copyright Act, doesn't specifically address the question of [personal video recorders]. But when it comes to the legality of hacking digital media, the law zeroes in on 'circumvention' -- did hackers have to circumvent protection to copy the video? Several hackers who have published their techniques online say they didn't have to crack anything to extract video from their TiVos""

162 of 290 comments (clear)

  1. What's the big deal about show swapping? by angle_slam · · Score: 5, Insightful

    To the perspective of the networks, don't they want MORE people watching their shows? Plus, taping shows is already legal, what's the difference with letting people put it on computer?

    1. Re:What's the big deal about show swapping? by kahrhoff · · Score: 3, Informative

      They don't want just viewers they want people who will watch the commercials too. I would tend to think that most people who watch recorded shows skip the commercials. Not something networks want.

    2. Re:What's the big deal about show swapping? by spanky1 · · Score: 3, Informative

      I think it boils down to the fact that networks make money on the commercials. They don't make any more money if you copy the videos and give them to your friends. Plus most people skip commercials when they record a show... a practice the networks HATE. That's why TiVo has never implemented an automatic commerical skip feature. ReplayTV has it, but they are getting harrassed because of it. Very lame.

    3. Re:What's the big deal about show swapping? by Duds · · Score: 2

      Don't you watch the news? Computers are EEEEEEEEEEEEEEEEEEVIL.

      Besides, they don't want more people watching the shows, they want more people watching the commercials.

      It's an important distinction. I certinally cut out the ads when I TV cap and even if I didn't you can bet my mate would whack "Forward 30secs" until they finished.

    4. Re:What's the big deal about show swapping? by glesga_kiss · · Score: 5, Interesting
      I would tend to think that most people who watch recorded shows skip the commercials.

      Even if the people watching the shows from a p2p download did watch the commercials, the network still wouldn't get paid for these viewings. They simply have no idea on how many viewers will see it, and have no way to prove it.

      To me, all p2p has done is to change the business model. If the networks had any sense, they'd have every show available for download on a popular p2p app, with some major hosting at their end. Then they get to choose the commercials that exist in the de-facto standard download for that episode. And the advertisers will know that, and pay more for the privledge.

      Or, you could just bribe politions to change the law in-keeping with current practices, and have no control over a system that is growing larger every day. You can get almost any popular show on p2p now, with no commercials in it, having been stripped out by the person who did the capture.

    5. Re:What's the big deal about show swapping? by rvaniwaa · · Score: 4, Informative

      Actually, TiVo does have a 30 second skip feature. It is just not enabled by default and it is not well known how to enable it. See this link for details on how to enable it.

      --
      main(i){(10-putchar(((25208>>3*(i+=3))&7)+(i ?i-4?100:65:10)))?main(i-4):i;}
    6. Re:What's the big deal about show swapping? by Cpt_Kirks · · Score: 3, Insightful

      I missed the Enterprise episode "Catwalk" due to bad weather. I just downloaded it and plan to watch it later. Love that Kaazaa!

    7. Re:What's the big deal about show swapping? by jgerman · · Score: 5, Insightful
      Well, they really have no way of knowing if you watch the commercials now, unless you have a Nielsen box that is.


      Though I do agree that the business model must change, it's not as easy for an executive to see that. The status quo is what makes them money, they don't want to change.

      --
      I'm the big fish in the big pond bitch.
    8. Re:What's the big deal about show swapping? by ryanvm · · Score: 5, Insightful

      That's why TiVo has never implemented an automatic commerical skip feature. ReplayTV has it, but they are getting harrassed because of it. Very lame.

      Very lame? I know the /. mantra is "I wan't it free!", but you've got to be realistic. These companies are providing you entertainment at no cost to you. They do this because they're paid by advertisers. Why shouldn't they be opposed to commercial skipping?

      I don't think commercial skipping should be made illegal, but you have to understand that your actions have consequences. If everyone is skipping the ads, free TV is going to go away. Either you'll be forced to watch ads (like the unskipable previews on some DVDs) or you'll have to pay for your TV programming (e.g. HBO). There are no other solutions.

      Personally, I'd like to see TiVo stay a cult item so I can "cheat" the advertisers with mine while the rest of you suckers foot the bill.

    9. Re:What's the big deal about show swapping? by glesga_kiss · · Score: 2
      Even with the Nielsen box, you can still go an put on the kettle and take a leak. It does give you a rough idea of your audience, which is better than nothing.

      Mind you, modern (digial) cable systems can track watch you watch with their two communications. They will surely be observing channel-hopping during commercials, but for every 10 channel-hoppers, there are 1 or 2* people who did watch the commercial.

      Note: *Numbers made up

    10. Re:What's the big deal about show swapping? by jgerman · · Score: 2

      I have a feeling that tv networks have the same note on the bottom of their memos ;) This is exactly what I was saying though, even WITH a box they don't really know.

      --
      I'm the big fish in the big pond bitch.
    11. Re:What's the big deal about show swapping? by Triv · · Score: 4, Insightful

      you'll be forced to watch ads (like the unskipable previews on some DVDs)...

      Ooooh, how I HATE them. It's one thing to hit me with ads for something I'm essentially getting for free (TV) but to put 'em in front of a movie I've paid for is extremely annoying. Our economy is becoming more and more entrenched in "Free=advertising, cost=no advertising" land, which is fine, but it makes violations of this 'agreement' stick out like a sore thumb.

      Triv

    12. Re:What's the big deal about show swapping? by neildogg · · Score: 2

      The whole point of cable was to get rid of commercials. You know, customer paying for TV rather than advertisers paying for TV. Not to mention product placement. If we're talking about free-as-in-free TV that you got from your rabbit ears, we can question it. But, if we're talking about paid TV, you're only accepting that there are commercials, not that there should be.

    13. Re:What's the big deal about show swapping? by elmegil · · Score: 2, Insightful

      Oh, and I suppose networks like Nickelodeon, who can't be bothered to air Invader Zim (a favorite in my house) at a consistent time from week to week if at all, really deserve my time to track down the show through all the dreck they usually replace it with along with making me watch their commercials. Sorry, but I'm very happy to swap shows over the net so I can see animation that really amuses me without the hassle of an insane entertainment provider.

      --
      7 November 2006: The day Americans realized corruption and incompetence weren't addressing 11 September 2001
    14. Re:What's the big deal about show swapping? by squiggleslash · · Score: 2
      If everyone is skipping the ads, free TV is going to go away.
      And this is bad how exactly?

      Has anyone ever considered the possibility that some of us would gladly pay for TV, given the choice, and not see ads?

      It's not just a matter of advertising being irritating to the point of making it impossible to actually watch TV in many instances. It's also the complete lack of accountability a TV channel has when it is run for the benefit of advertisers rather than viewers. This varies from channels that deliberately produce provocative and dishonest shows to attract a wide audience (an audience that would be perfectly willing to cancel subscriptions given the option) to nonsense like cancelling TV shows or showing only the second half because a sports game has overrun. Note how Futurama always has advertising, even when it's shown "already in progress"?

      I cancelled my cable. It's TV for someone else. I will not pay for something that's accountable to some other agenda. I look forward to the day TIVO and ReplayTV can force a change.

      --
      You are not alone. This is not normal. None of this is normal.
    15. Re:What's the big deal about show swapping? by Lumpy · · Score: 4, Informative

      Re:What's the big deal about show swapping? (Score:5)
      by glesga_kiss (596639) on Monday January 06, @02:28PM (#5027101)
      I would tend to think that most people who watch recorded shows skip the commercials.
      Even if the people watching the shows from a p2p download did watch the commercials, the network still wouldn't get paid for these viewings.



      I have a revelation for you... they dont know that 99.997% of all viewers see them or are even watching the show. they dont know that your Tv is tuned to channel 4 from 3:30pm to 7:30 pm during the soft core porn afternoon.

      the cable Tv companies do not YET collect the viewing demographics and sell them.. (I said YET.. it is coming!)

      your point is moot ... they don't know that I am watching TV at all let alone what channels at what time. they dont care... I'm not a nielsen family so my choices dont mean squat to them..

      They get paid on the commercial UP front based on the viewers in that area.. if UHF-62 in your town has 20,000,000,000,000 viewers and has a high rating point number then they charge $$$$$$$ for that spot... even if ony 3 people watched that commercial and everyone else tuned out, they still got paid all that money for that airing.

      NOBODY pays on how many people saw that show/commercial... they pay up front for X amount of subscribers at X rating for X daypart..

      I'm inside TV advertising... I know this stuff.

      --
      Do not look at laser with remaining good eye.
    16. Re:What's the big deal about show swapping? by ryanvm · · Score: 2

      The whole point of cable was to get rid of commercials.

      Nah. With cable you're paying for the distribution. If you were actually paying for the progamming to be produced the cost would much, much higher. It's like a newspaper subscription.

      Consider HBO, that's a channel where you're actually paying for the production, and it breaks down to something like $5/month. Imagine paying $5 per month for EVERY channel that you receive on cable. You'd be paying $4000 a year for cable.

      I think I'll endure the ads.

    17. Re:What's the big deal about show swapping? by suman28 · · Score: 2

      I am not a corporate lacket or anything, but I don't understand how you can justify this. I am a business owner and I started a business to make money. Just because it is a big corporation and they want to make more money, it is wrong? What would you do differently if you were the owner of that corporation. Be truthful when you answer.

    18. Re:What's the big deal about show swapping? by grrliegeek · · Score: 2, Insightful

      I currently don't subscribe to cable at my home, because of the lack of quality programming for the price and all the commercials. However, I would pay for TV service that was lacking commercials and had better quality than the current drek that passes for "cable TV". I also remember when the option first arrived where we could pay for service without commerials (in the days when you had a little black decoder box on your TV for each premium channel). It seemed pretty simple, they provide the tech & content, you pay them for it. I realize that I pay the cable company for the cable tech, not for the content that is delivered, but (on a side note) I've seen some cable channels come in with *really bad reception*. Apparently some cable companies aren't really concerned with making sure their tech does the job of ensuring you get the channels they contractually promised in a way you can view without going blind.

      I see a parallel here to the P2P music swapping debate. If a TV broadcaster / network produces something that people want to pay for, they will. If they produce quality shows in a way that the customer finds convenient (unlike the Nickelodeon example) that offers benefits which outweigh TV show swapping, people will fork over the money for it. I'd be one of them.

      --
      Grrliegeek
    19. Re:What's the big deal about show swapping? by m1a1 · · Score: 3, Informative



      I agree, and this is a very good thing. I don't know how many /.ers watch HBO, but I know I do and it is excellent. HBO has, bar none, the best original programming of any channel. They are simply far superior. Why? To make money they need you to choose HBO. They don't just throw it out over the wire with commercials and hope someone watches it. You buy it because you like it. If other channels had to compete for viewers on that level there would be an explosion of excellent programming as opposed to the nigh-unwatchable garbage floating about the airwaves and cable lines. Go HBO

      By the way, news channels and channels such as TechTV would probably still get by with advertisements. It is channels trying to sell content that would have to improve their business models.

    20. Re:What's the big deal about show swapping? by Cramer · · Score: 2, Informative

      Yes they do. It's just not at the same level as the traditional Nielsen tracking data (ages of people watching the shows, etc.) TiVo does keep statistics on what is watched (and even which commercials are skipped, viewed, or replayed); it's just "anonymous" (yes, it can be tracked back to the specific tivo, however it's not simple and tivo promises they won't try.)

    21. Re:What's the big deal about show swapping? by Andy+Dodd · · Score: 2

      "They simply have no idea on how many viewers will see it, and have no way to prove it."

      How is this (Except for Nielsen ratings, which only provide statistics on what percentage of people is watching a given show, not how many people are watching in absolute numbers) any different from broadcast TV (Or non-PPV cable/satellite channels for that matter?)

      Content gets transmitted, it goes to the void, and there is no feedback.

      Radio stations have a way to get around this lack of feedback - Care to guess why they run contests on a regular basis? Keeping listeners is only a small part of the reason they run contests. Getting statistics on number of listeners compared to other radio stations is much more important.

      --
      retrorocket.o not found, launch anyway?
    22. Re:What's the big deal about show swapping? by ryanvm · · Score: 2

      You're paying for the distribution. Do you think 25 cents pays for your newspaper production too? Guess what - advertising pays, and it pays big.

    23. Re:What's the big deal about show swapping? by ryanvm · · Score: 2

      Has anyone ever considered the possibility that some of us would gladly pay for TV, given the choice, and not see ads?

      I have, and I decided I couldn't afford it.

      Consider HBO, your $5/month for HBO actually pays for the production of their programming. Imagine paying $5/month for EVERY channel. Yikes.

      I don't want to pay the same rate I pay now and only receive 9 channels. And I certainly don't want to get the same number of channels I get now and pay $4000 a year for them.

      The fact of the matter is that advertisers are footing the entire bill for the television industry. You can't excise them from the arrangement and expect prices to stay anywhere near what they are.

    24. Re:What's the big deal about show swapping? by Cpt_Kirks · · Score: 2

      I use an old machine for a Kazaa box. It stays up all the time. Except when it freezes, then I just reboot it.

    25. Re:What's the big deal about show swapping? by ivan256 · · Score: 2

      If everyone is skipping the ads, free TV is going to go away. Either you'll be forced to watch ads (like the unskipable previews on some DVDs) or you'll have to pay for your TV programming (e.g. HBO). There are no other solutions.

      The probelm is not that "free" TV is going to go away, the problem is that we have to deal with all these broadcast industry idiots kicking and screaming on the way down. Let's face it: PVRs have the capability of destroying broadcast television as we know it, and eventually they will. Wouldn't it be great if they all just gave up now and we didn't have to oppose all these stupid laws they're trying to buy to maintain their obsolete business model?

      From what I'm reading here, people aren't bitching about the possibility of free TV going away (they keep paying the cable bill every month and going to see movies no matter how many time the prices go up), they're bitching about the crap that is going on while the industry tries to survive. They should just give in and find a new business model that is compatible with current technology already. Not only would we be spared all these new restrictive laws, but maybe people would think for themselves more instead of doing what the commercials say.

    26. Re:What's the big deal about show swapping? by ryanvm · · Score: 2

      But don't tell me that we can split the atom and put a man on the moon, but we can't find a way to fund television development sans commercials.

      Fine, but don't tell me that we can unless you can tell me how.

      The problem is that developing TV programming costs a lot of money. Somebody has to pay for it. Whether it's funded by commercials, subscriptions, donations, taxes, slave labor, or whatever, it's still going to cost somebody. And so far, commercials (in whatever form) are the best idea.

    27. Re:What's the big deal about show swapping? by squiggleslash · · Score: 2
      That's HBO, which has a (relatively) small subscriber base and has to produce much higher quality programmes than average (let alone than normal...) to attract what audience it has.

      Now consider the BBC. This has 20 million subscribers, each of which pays around $150 per year. That's a little over $10 per month.

      For that, the BBC is able to fund two TV channels with relatively little repeated content (compared to US stations) and with reasonable regionalisation when it comes to local news, sport, etc. The BBC also, out of the same fund, operates five national radio stations including a 24 hour news channel. From that already depleted fund also comes a network of local radio stations in addition to the five national stations, and a symphony orchestra as the cherry on the cake. The programs vary in quality and quantity but there's an excellent mix of high quality, minority interest, public service, and populist programming that the BBC provides. The radio integration has lead to some of the most innovative comedy (especially) in the last fifty years, and has generally migrated to television very easily.

      Imagine what a US network with 100 million subscribing households could produce. Certainly it could do more than the BBC, on a subscription of less than half the cost, without much difficulty. Five times as many households, paying $5 a month, would still net several times as much revenue as the BBC receives, and theoretically could form the basis of many more channels and much more experimentation and innovation.

      Even if a network was only able to achieve half that target subscription base, on a $5 subscription it would still get more than the BBC. It should still be able to operate two full television channels showing mostly original content, and with decent radio and reasonable regionalisation.

      So I don't buy the idea that because HBO is a little bit pricy, that means that subscription TV has to be. It doesn't. HBO is going for a premium audience who are already forced to purchase 50 or 60 other channels of crap and so will need something signficantly better. HBO is not a typical operator in a commercial-free world.

      --
      You are not alone. This is not normal. None of this is normal.
    28. Re:What's the big deal about show swapping? by ryanvm · · Score: 2

      Good points. I was wondering when someone was going to refute my HBO extrapolation. ;)

    29. Re:What's the big deal about show swapping? by AntiNorm · · Score: 2

      Cable TV continues to baffle me. For that we actually pay to get the channel, then still have to watch commercials. its like the worst of both worlds.

      You're paying for access to the cable infrastructure in your area. Nothing more, really. You aren't paying each individual channel for their bills; even if you didn't watch very many channels, the bill would get huge quickly. You can get some of the same channels off of the air for free, but obviously have to watch the ads then...this is the same sort of thing in that you're getting the channel for free, you're just paying for a better delivery medium than air.

      --

      I pledge allegiance to the flag...
      of the Corporate States of America...
    30. Re:What's the big deal about show swapping? by elmegil · · Score: 2
      1) I pay a whole hell of a lot more than $.25 for my cable.
      2) I don't have to read the ads in the paper if I don't want to.
      3) Nobody has to pick that cable programming up and carry it to my house. Once the cable is run, 95% of the effort of delivering content to my door is done. So much for distribution costs, eh?

      If you mean "middleman costs" too goddamn bad. Why should I be concerned about their bad business models? Not to mention that if I had an option to pay more to avoid the advertising, you betcha I would. Too bad they don't seem to think about what the customer wants....

      --
      7 November 2006: The day Americans realized corruption and incompetence weren't addressing 11 September 2001
    31. Re:What's the big deal about show swapping? by Dimensio · · Score: 2

      I'm currently waiting for tomorrow night's Buffy to show up in alt.binaries.multimedia.buffy-v-slayer.

      Of course, I normally watch the broadcast the next day as well, except for episode 10, which was preempted due to basketball.

    32. Re:What's the big deal about show swapping? by ChadN · · Score: 2

      If I could pay $5 a month for just the channels I cared about, commercial free, I'd be a happy, happy man. (Comedy Central, maybe discovery, hmmm. not much else). As it is, I don't watch TV, 'cause it fucking sucks.

      BTW. The post you responded to meant exactly what you said (for many of the early adopters, cable channels == HBO, etc., plus good reception). So he was talking about covering the production, not distribution, costs.

      Viewer supported channels have better content (IMO), because the viewers are the customers, not the product.

      --
      "It's overkill, of course. But you can never have too much overkill." - Anonymous Slashdot Coward
    33. Re:What's the big deal about show swapping? by glesga_kiss · · Score: 2
      the cable Tv companies do not YET collect the viewing demographics and sell them

      Quite a bold quote, considering the size of the world! ;-) I know that my cable system has the capability to do this, but I've not heard one way or the other on what they are doing with it. My only hope is that's it's got a degree of anonyminity in it, I'm agreed, it it inevitable.

      I'm not a nielsen family so my choices dont mean squat to them..

      I thought the Nielsen and similar systems were intended to work with demographics? They give the box to a representative sample of the population, then extrapolate that out into the viewing figures. That's how it goes in the UK anyway. I've seen it in action on television, there is a box placed in the room and the family (or single male 20-30 etc) has to keep it informed on who is in the room.

      Not an exact science and it surely has a massive margin of error. But it beats having nothing...

    34. Re:What's the big deal about show swapping? by nathanh · · Score: 2
      Very lame? I know the /. mantra is "I wan't it free!", but you've got to be realistic. These companies are providing you entertainment at no cost to you. They do this because they're paid by advertisers.

      And their block of the radiowave spectrum is LEASED to them by the PEOPLE. That's right, the TV stations do not own the airwaves. They are given use of them by the people for the benefit of the people. The TV stations have no damn right to then turn around and pretend that they own the airwaves. If they can't find a business model that works then it's time for them to go the way of the dinosaur. I honestly don't think the world will be any worse off when (not if, WHEN) this happens.

    35. Re:What's the big deal about show swapping? by abe+ferlman · · Score: 2

      If everyone is skipping the ads, free TV is going to go away.

      Haha, yeah, then we'll all have to run a special wire to our houses and pay for the same content we get for free now. It'll never happen buddy.

      But it would be nice- if we were already paying for it, we wouldn't have to sit through the commercials. And if we paid for it, we'd own it, right? right?

      --
      microsoftword.mp3 - it doesn't care that they're not words...
    36. Re:What's the big deal about show swapping? by ryanvm · · Score: 2

      Comercials were the best idea, given the conditions that previously existed

      I think they will still be used for some time to come. They'll just be hidden in product placement form. Like that Lexus that Tom Cruise drives in 'Minority Report', or the digital ads superimposed on billboards during televised sporting events.

      To beat TiVo et al, the television industry will just make it more difficult to remove the ads from the content. In the end that will prove immensely easier than creating and enforcing new legislation.

    37. Re:What's the big deal about show swapping? by ryanvm · · Score: 2

      The TV stations do not own the airwaves. They are given use of them by the people for the benefit of the people.

      Right. But what most people at Slashdot fail to understand is that the people are happy.

      Tucked away within these little enclaves of delusional superiority, the Internet "elite" (K5, Slashdot, etc.) refuse to grasp that American citizens are more happy with current TV programming than they've ever been. As Slashdotters we like to posture and pose, and fantasize that we're on the brink of some magnificient collapse of the media industries. Guess what - we're not. Americans are watching (and listening to) shit and we like it. Why do you think that, as a country, we watch more TV now then ever. All the money that TV execs throw at focus groups and ratings research pays off. They keep fine tuning exactly what the average American wants to see and unfortunately it's dreck like "Fear Factor" and "Who Wants to Marry a Millionaire?".

      You can dream about the TV industry's demise all you want, but as long as they're spoon feeding that digital sludge down our fat, Cheeto-stained lips, we're going to be happy. And if we're happy, they're happy.

    38. Re:What's the big deal about show swapping? by nathanh · · Score: 2

      Right. But what most people at Slashdot fail to understand is that the people are happy.

      First up, I get really annoyed when people claim "most people at Slashdot fail to understand BLAH" when you don't have any idea whether "most people at Slashdot" understand BLAH or not.

      Tucked away within these little enclaves of delusional superiority, the Internet "elite" (K5, Slashdot, etc.) refuse to grasp that American citizens are more happy with current TV programming than they've ever been. As Slashdotters we like to posture and pose, and fantasize that we're on the brink of some magnificient collapse of the media industries. Guess what - we're not. Americans are watching (and listening to) shit and we like it. Why do you think that, as a country, we watch more TV now then ever. All the money that TV execs throw at focus groups and ratings research pays off. They keep fine tuning exactly what the average American wants to see and unfortunately it's dreck like "Fear Factor" and "Who Wants to Marry a Millionaire?".

      You can dream about the TV industry's demise all you want, but as long as they're spoon feeding that digital sludge down our fat, Cheeto-stained lips, we're going to be happy. And if we're happy, they're happy.

      I don't have any opinion on whether the American public is happy with the current TV lineup, nor do I care. I was only addressing the idiot claim that "these companies are providing you entertainment at no cost to you". The American public is lending the TV stations a valuable public asset - the radio spectrum - so the TV shows are NOT for free.

    39. Re:What's the big deal about show swapping? by jweatherley · · Score: 2

      You are wrong - see the accounts - they spent over £2.5bn last year so they certainly have revenues of >$3bn. The licence fee is a big chunk of that but there is also syndication rights for stuff like TellyTubbies and natural history programs. Not to mention all those DVD/Video sales.

      --

      --
      Reverse outsourcing: it's the future
    40. Re:What's the big deal about show swapping? by mpe · · Score: 2

      To me, all p2p has done is to change the business model. If the networks had any sense, they'd have every show available for download on a popular p2p app, with some major hosting at their end. Then they get to choose the commercials that exist in the de-facto standard download for that episode.

      You'd still have no way to track exactly how many downloads. Also it wouldn't be long before someone distributed a version without commercials, even without any compression it would be 30% smaller.

    41. Re:What's the big deal about show swapping? by mpe · · Score: 2

      I don't have to read the ads in the paper if I don't want to.

      You can also read a newspaper at a puhblic library, sometimes even on the web without having to buy a copy.

      Nobody has to pick that cable programming up and carry it to my house. Once the cable is run, 95% of the effort of delivering content to my door is done. So much for distribution costs, eh?

      The major part of this would be fees paid to other television companies for distribution. Rather than the cost of maintaining the cable infrastructure. Unlike telephones the various costs don't get itemised. Also channels are often only available in "packages"...

    42. Re:What's the big deal about show swapping? by mpe · · Score: 2

      The problem is that developing TV programming costs a lot of money.

      But once a TV programme is made it dosn't (with the exception of royalties which are an entirely artifical creation) cost much to show it. The expensive bit is the actual production.

    43. Re:What's the big deal about show swapping? by mpe · · Score: 2

      They'll just be hidden in product placement form. Like that Lexus that Tom Cruise drives in 'Minority Report'

      There is actually quite a bit of subtle product placement going on in both movies and TV.

      To beat TiVo et al, the television industry will just make it more difficult to remove the ads from the content.

      If it's reasonably subtle then removing it isn't likely to be an issue. If it's blatent then it looks kind of daft if a brand or company disappears. e.g. 2001 and the PanAm product placement.

    44. Re:What's the big deal about show swapping? by nathanh · · Score: 2
      Firstly, we auction off the spectrum, we don't lend it ... We're selling it

      The spectrum is not sold off: it is leased for a fixed period of time. There is a bidding process but it is NOT an auction.

      Waffle waffle waffle...

      Unfortunately, your understanding of even basic economics has failed you.

      If you weren't so arrogant you might have listened to your own economics lecturers when they explained Opportunity Cost.

    45. Re:What's the big deal about show swapping? by John+Hasler · · Score: 2

      > These companies are providing you entertainment
      > at no cost to you.

      These companies are pumping their rf into my home without my permission.

      > They do this because they're paid by advertisers.

      That's their problem.

      > Why shouldn't they be opposed to commercial
      > skipping?

      Oppose away, but as long as they can spew their rf all over me I should be able to demodulate it and look at whatever parts of it I please.

      > If everyone is skipping the ads, free TV is
      > going to go away.

      Public television will vanish if everyone skips the ads on commercial tv? Sure.

      > Either you'll be forced to watch ads (like the
      > unskipable previews on some DVDs) or you'll
      > have to pay for your TV programming (e.g. HBO).
      > There are no other solutions.

      Yes there are. You can not watch tv at all. Which is what I do right now.

      --
      Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
    46. Re:What's the big deal about show swapping? by John+Hasler · · Score: 2

      > It's reserved for that purpose alone, so you
      > cannot use that part of the spectrum.

      Not merely reserved for that purpose: reserved for certain politically well-connected people. The fact is that the scarcity of spectrum is artificial and has been for at least 70 years.

      > Furthermore, how else do you propose they
      > broadcast signals?

      I propose that in return for the right to broadcast signals into my home I should, at minimum, be allowed to access those signals.

      > You can't just declare that since the mechanism
      > for their transmission is accessible to you that
      > you have a right to access it.

      Why the hell not? In fact, the law in the US was once exactly that: everyone had the right to receive (though not necessarily copy the contents of) any radio signal.

      If broadcasters want to keep their stuff secret they can encrypt it. If someone figures out how to break their encryption, tough luck.

      > Did I say "public" or did I say "free"? Because
      > unless you're not paying taxes, they aren't the
      > same thing.

      US public television could get along fine without its relatively small government subsidy.

      There is also no technical reason why we couldn't have large numbers of small low-power stations funded in all sorts of imaginative ways. The present system exists only for political reasons.

      --
      Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
  2. there is that whole by geekoid · · Score: 4, Insightful

    copyright issue.

    Trading copies of the program(regardless of medium) to people is a copyright violation.
    sure, you can record a show for your own use, but not for distribution.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    1. Re:there is that whole by Cyno · · Score: 3, Insightful

      I believe as long as you are not selling it fair use applies. Besides most TV shows are broadcast across the airwaves making them public domain, since anyone could intercept them. Basicly everyone has a license to view TV programming. HBO Movies might be a different story. Or an encrypted TV network, like digital cable or HDTV.

    2. Re:there is that whole by Wesley+Felter · · Score: 3, Insightful

      I believe as long as you are not selling it fair use applies.

      People have argued this both ways, but your interpretation seems to be losing.

      Besides most TV shows are broadcast across the airwaves making them public domain, since anyone could intercept them.

      No. That's not how copyright law works.

      Basicly everyone has a license to view TV programming.

      To view it, but not to redistribute it.

    3. Re:there is that whole by mph · · Score: 2
      I believe as long as you are not selling it fair use applies. Besides most TV shows are broadcast across the airwaves making them public domain, since anyone could intercept them.
      You want to support either of those statements?

      Although commercial vs. non-commercial use is a consideration in determining fair use, the intent is to protect non-commercial educational use, not just giving copies to your friends for the fun of it. The fact that you're not charging money does not automatically make it fair use.

      Nor does free distribution place a work in the public domain. Works in the public domain by definition receive no copyright protection. There are plenty of examples of freely distributed works which are under copyright, including most free software.

    4. Re:there is that whole by Monkelectric · · Score: 3, Insightful
      Thats kind of tricky though ... Is it legal for me to record a show with a VCR and then keep it? Is it legal for me to record a show on a pc and keep it? Is it legal for a friend to record a show on a vcr and give me the tape ? Is it legal for a friend to record a show on a vcr and for me to make a copy of his tape? Is it legal for a friend to record a show on a computer and give me a copy?

      I think the networks will have a tough time litigating this one beacause, you pay for the shows (yes, I pay adelphia for the shows, I dont pay for "service". They dont advertise great HBO *service*, they advertise HBO SHOWS. If the electric company worked the same way, I would be paying for the power poles and not the electrons.) Second of all, if a show is on in my area I *could* have recorded it and that would have been legal. Now for people who dont subscribe to cable, that might be a different story.

      --

      Religion is a gateway psychosis. -- Dave Foley

    5. Re:there is that whole by Sparr0 · · Score: 2, Insightful

      intercepting them is legal (except for cable, which it is illegal to "steal" in most states). watching them is legal. REDISTRIBUTING them is illegal regardless of whether you are selling it or not. Fair Use applies to clips, quotes, screenshots, etc, not entire episodes.

    6. Re:there is that whole by Cyno · · Score: 2

      Thanks for the reply, but can you provide some links or reasoning to backup your claims? Its legal for me to copy anything transmitted over the airwaves, any content I grab out of the air does not have a copyright attatched to it, as far as I know. Or else I would be able to limit the court's use of my cell phone transactions because I'd own the copyright to them. Copyright is not as strict as you make it out to be. Initially it was intended to protect the valuable intellectual property of authors from the printing press and businesses that wanted to profit off of their work. Now you are using it, like the MPAA and RIAA would prefer us to use it, to limit our freedom to copy and distribute works without causing financial harm to anyone. See the difference? Napster was at fault because they were profitting off of other people's work. Gnutella is not and as a result is not breaking copyright law.

      You say: People have argued this both ways, but your interpretation seems to be losing.

      Perhaps that is what you precieve to be true because you get your News from the popular media.

    7. Re:there is that whole by gilroy · · Score: 3, Insightful
      Blockquoth the poster:

      Is it legal for me to record a show with a VCR and then keep it? Is it legal for me to record a show on a pc and keep it? Is it legal for a friend to record a show on a vcr and give me the tape ? Is it legal for a friend to record a show on a vcr and for me to make a copy of his tape? Is it legal for a friend to record a show on a computer and give me a copy?

      Yes. Yes. No. No. No. It really isn't tricky: The courts have said you may make a copy of a TV broadcast for timeshifting or spaceshifting for personal use only. Heck, remember the MP3.com case: A judge said that MP3.com couldn't distribute digital copies of a CD even to people who verifiably owned the CD (and thus were entitled to making their own copies).
    8. Re:there is that whole by gilroy · · Score: 2
      Wow, this is like the distilled essence of copyright myth...


      I believe as long as you are not selling it fair use applies

      No. Although profit motive has a role in deciding whether a thing is fair use, it is not the sole or even primary factor.

      Besides most TV shows are broadcast across the airwaves making them public domain

      No. Broadcast on the public airwaves does not render something "public domain" (which has a very precise meaning in copyright law). It does entitle you to making a "timeshift" copy (i.e., to record it on VCR).

      Basicly everyone has a license to view TV programming

      Sort of but this license does not include copying.
    9. Re:there is that whole by Cyno · · Score: 3, Interesting

      Under your interpretation of copyright law we'd have no DJs. Copyright law does not prevent you from copying content. If I own a license to view content I can view it reguardless of which format it is in. I don't own a license to view a DVD, I own a license to view a Movie. If both you and me own that license, then what happens if I can copy my DVD into an ogm file and give you a copy. Would we be breaking copyright law? (I'd be breaking the DMCA, but that's beside the point here) That's something I bet even our courts would have a hard time figuring out.

      How many friends have handed you mixed tapes of their favorite music. Its the same thing. How do you prosecute someone for making a mixed tape or giving it to their friends. Its different when their friends become everyone connected to Gnutella, but to keep things simple let's just talk about neighbors sharing TV broadcasts.

    10. Re:there is that whole by Cyno · · Score: 2

      Oh, and it could be argued that viewing new content, reguardless of origin or nature, it educational is some way providing the view with new experiences to draw from, for example, in creating new works of art. Yeah, its all about money anyway, but I love this arguement.

    11. Re:there is that whole by mph · · Score: 3, Informative
      Under your interpretation of copyright law we'd have no DJs.
      You're talking about radio DJs, not wedding reception DJs, right? They play music under license, of course. (And, traditionally, the labels are even willing to pay them to do so. Look up "payola.") Copyright law is about unauthorized reproduction, of course.
      Copyright law does not prevent you from copying content.
      Do you know anything at all about copyright law?
    12. Re:there is that whole by krlynch · · Score: 2

      You might want to take a closer look at your "cable tv agreement", that is, the legalese that most of us haven't read buried in the bills. I bet it says that you are paying neither for service (as in, no guarantees on service quality, and you have to pay anyway), nor for the shows (because they don't have the rights to sell you "shows"). You are probably paying for (essentially) an antenna that they don't guarantee will ever have any reception.

    13. Re:there is that whole by ajs · · Score: 2
      Trading copies of the program(regardless of medium) to people is a copyright violation.

      Oh so? An how is this different from sharing a video tape or a book (both of which have been held up as fair use).

      Let me answer for you, and people can correct me if I'm wrong:
      • Some will try to argue that sharing digital media is inherently an act of "broadcast", and thus is not fair use. If you share a TV show with a friend, I don't see how this could stand up in court*
      • Others will go for the silver bullet of, electronic media such as a TiVo show cannot be shared directly, but instead has to be coppied. This duplication creates a new work which can, in turn be coppied.
      This last one is important. It's not how the media industries will win, but it is a valid point. The obvious response is for TiVo to create a locking mechanism that ensures that the loaner and loanee cannot share the show and both retain coppies, but that won't happen either.

      * As I said above, that's not how they'll win because it requires going after individuals. The one that will be used is the first one. Disney and Sony et al. will latch onto the P2P networks and sue the ISPs to force them to monitor these "priate broadcasts". Once a tool is in place to "detect piracy", the innocent and concientious person who shares with friends and does not retain copies will be suck in the position of having to prove that s/he did not fall into either category above.

      This is a win for businesses because now they can get the law to do their work and only people who aren't too lazy to stand up for themselves will have to be actively attacked.
    14. Re:there is that whole by scowling · · Score: 2

      Copyright is automatic upon the creation of an original work. Simply because it is being distributed by broadcast does not mean that the work is in the public domain.

      Copyright also does not prevent a work from being viewed, performed, used or cited in court; that is explicitly fair use.

      Whether or not one makes a profit from redistribution does not eliminate the copyright.

      --
      www.kitchengeek.com -- Nosh for
    15. Re:there is that whole by krlynch · · Score: 3, Informative

      Not a lawyer and all that, but:

      • When a television show is made by a studio, that studio holds the copyright on the show itself.
      • When it "sells" the show to a network for broadcast, it is generally using its copyrights to charge for a distribution license.
      • The individual stations that broadcast the show over the aether have paid the government for the exclusive right to use a given set of frequencies for the express purpose of delivering broadcasts. The government gets the right to do that from you (in the US).
      • In exchange for being given those exclusive broadcast rights over the airwaves, the received broadcasts are still subject to copyright law (check the appropriate sections of the USC and applicable court rulings, all of which I am too lazy to look up for you :-)
      • In exchange for giving up control over the broadcast spectrum to private interests, the government retains some rights for you the citizen such as the fair use right of time shift recording for personal use, and the right to control content to the extent that it violates community standards of decency (which is why the latter doesn't violate the First Amendment in the US). Note that this DOES NOT impinge upon the copyright law prohibition against distribution by sources not authorized by the copyright holder during the full course of the copyright term.


      Your argument about cell phone transactions is specious, at best. It is generally illegal to record those private conversations, whether they go out over a landline or a cell transmission (because the citizenry has chosen to create/retain their rights to privacy in these cases), but I don't believe that has anything to do with copyright law.

      However, even if it did, don't forget that copyright is a LIMITED monopoly, and one of the limitations of that monopoly is in situations of pressing government interest. A court ordered wiretap or a subpoena for phone records are just hte types of pressing interests that trump copyrights. Patents also have the same sort of limitations (don't forget the "taking" of the Wright airplane patents in the First World War).

    16. Re:there is that whole by Cyno · · Score: 2

      Whether or not one makes a profit from redistribution does not eliminate the copyright.

      But it does have an effect on the amount of damage one can sue for.

    17. Re:there is that whole by Cyno · · Score: 2

      You're talking about radio DJs

      You don't get out much, do you? ;)

    18. Re:there is that whole by Monkelectric · · Score: 2

      I bet you are right... but that dosen't mean its legal.

      --

      Religion is a gateway psychosis. -- Dave Foley

    19. Re:there is that whole by Wateshay · · Score: 2
      Yes. Yes. No. No. No. It really isn't tricky
      Actually, I think it may be No. No. No. No. No. Although you're technically allowed to record for timeshifting purposes, I don't think you are allowed to keep a long-term archival copy of shows that you have recorded off TV (not that that's stopping anyone).
      --

      "If English was good enough for Jesus, it's good enough for everyone else."

    20. Re:there is that whole by benjamindees · · Score: 2
      In exchange for giving up control over the broadcast spectrum to private interests, the government retains some rights for you the citizen

      This makes no sense. The government be not be able to GIVE AWAY public property, regardless of whether they "retain some rights" for the people? We haven't gotten any *new* rights in exchange for giving up our airwaves, just a few of them have been *retained*. This isn't a proper exchange, as the citizens get nothing and the corporations get quite a bit.


      the right to control content

      This isn't a right, it is a governmental power. There is a huge difference. It cannot be *retained* because individuals don't have the *right* to regulate others' speech to begin with. On the contrary, individuals have the RIGHT to express themselves without regulation.

      This is a perfect example of Fascism, government that screws its citizenry for the benefit of private corporations? Christ, sometimes I wonder whether any Americans still take history/civics.

      --
      "I assumed blithely that there were no elves out there in the darkness"
  3. Time limits by march · · Score: 5, Interesting

    I wouldn't be surprised if a time-to-live feature is added to "swapping" devices. I.e., you can swap all you want, but the swapped copy has a limited lifetime and then erases itself. Like those disposable DVD's.

    This could be easily done by the folks at TiVo or ReplayTV.

    1. Re:Time limits by Duds · · Score: 3, Insightful

      It could indeed be done

      But there's the loophole again. Play it back through a PC with a capture card and goodbye limited life time.

      This is the problem with limited life DVDs, it makes it no more difficult for some (evil - RIAA rep) person to rip it and copy it. That only takes 40mins or so and one read pass.

    2. Re:Time limits by Duds · · Score: 2

      Again, the PC with the capture card is immune.

      Macrovision works by fooling TVs with auto-ajusting tracking, horizontal hold etc.

      It would take mere miliseconds to remove such things from a linux (or OSS win) capture util.

      And indeed it already happens. Most DVDs have macrovision. You throw that out at the DeCSS stage.

    3. Re:Time limits by squiggleslash · · Score: 2
      This is the problem with limited life DVDs, it makes it no more difficult for some (evil - RIAA rep) person to rip it and copy it. That only takes 40mins or so and one read pass.
      You know, the only DVD I have that will have gone anywhere near the RIAA is Talking Head's "Stop Making Sense", and it's region free and unencrypted. No loophole required, as far as the RIAA are concerned, you have your fair use rights (but, obviously, normal copyright law applies - if I started distributing it on GNUTella they'd get pretty pissed at me.)

      The RIAA may not always do things that are popular on Slashdot, but compared to Jack Valenti and the MPAA they're cute liddle furry bunny wabbits. Aww!

      --
      You are not alone. This is not normal. None of this is normal.
    4. Re:Time limits by jovlinger · · Score: 2


      Not true!

      The windows drivers for ATI AIW (a complete POS BTW) will not even let you WATCH macrovisioned signals. As allowing me to watch old vhs tapes was the only reason to get the damn card in the first place, I was less than pleased.

      However, the linux gatos drivers don't suffer the same restriction.

    5. Re:Time limits by Duds · · Score: 2

      Well my hauppauge doesn't suffer that, I've captured macrovision with it.

    6. Re:Time limits by Duds · · Score: 2

      My bad, wrong group of evil overlords

    7. Re:Time limits by coolgeek · · Score: 2

      Dude I hate the DMCA as much as the next guy, but I think "It would take mere miliseconds to remove such things from a linux (or OSS win) capture util." would qualify as circumvention of a copy protection feature.

      --

      cat /dev/null >sig
    8. Re:Time limits by Duds · · Score: 2

      I didn't say it was legal. I said it wouldn't work.

      Doesn't matter to me, the DMCA doesn't apply in the UK.

    9. Re:Time limits by coolgeek · · Score: 2

      My bad then...I thought the thread was about finding a loophole in the DMCA.

      --

      cat /dev/null >sig
    10. Re:Time limits by Duds · · Score: 2

      It was then it all went a bit pear shaped. :p

    11. Re:Time limits by jovlinger · · Score: 2

      Does the hauppage have a sound out cable, or does it capture sound to the system bus?

      One of the worst things about the ATI (appart from drivers, misfeatures, performance, and pretty much everything else) is that it outputs captured sound only to a line-out. Which you then have to pipe to a mic-in and sample again if you want sound with your TV.

    12. Re:Time limits by Duds · · Score: 2

      Unfortunately yes it's cable city there.

      I bypass it. My Digitalbox has a phono out itself so I stick that straight to line in.

  4. The DMCA is not the whole story by Wesley+Felter · · Score: 5, Insightful

    Even if the DMCA does not prohibit sharing TV shows, regular copyright law probably does. However, software and hardware which allows TV show sharing might be legal to sell if this article is right. OTOH, they didn't need the DMCA to shut down Napster, so my guess is that the TV networks will use similar contributory infringement arguments if they want to go after ExtractStream and friends.

  5. No story here re swapping copyrighted stuff by declana · · Score: 4, Interesting

    Taking the poster's "legal analysis" as true "sharing" copies of television shows is still a violation of other copyright laws. As the MP3.com case proved, no one has a right to make a copy for you. Only you have the right to "space shift" (transfer to VHS, CDR, etc) an mp3 file (or television show). This is where Napster and MP3.com were found to violate copyright law. Not the DMCA's anticircumvision.

  6. Screw Tivo by mhoover · · Score: 5, Informative

    I have a ReplayTV. Love it! Can share my files directly off the Replay to the net (with some firewall rules). Not to mention software like DVArchive that "emulates" another replay on my network allowing me to dump the files from the replay to my fileserver and share them back again for later viewing.

    --
    The dingo ate my sig.
    1. Re:Screw Tivo by Evil+Adrian · · Score: 2

      Well, I believe that part of watching the shows is allowing the commercials in as well. You aren't really allowed to edit them out, as far as I know, that is after all how broadcasters make money.

      I wish it was the same in the US as it is in England; everyone pays for a TV license, and they get no commercials. Easy to enforce (TV detector van!) and no commercials.

      --
      evil adrian
    2. Re:Screw Tivo by JohnFluxx · · Score: 3, Insightful

      Actually the van doesn't contain anything - the dectector bit is just hand held. Ya see, the tv signals are kinda weak and so are overlayed on this big strong high frequency signal. (tv+Strong signal). So in the tv all it does is generate another strong signal(different frequency for different channels) and overlay that on top of the incomming signal with a phase difference of 90. (tv+Strong-Strong = tv!).
      The detectors just simply try to pick up what the strong signal from the tv.(Which btw means they also know what channel you are watching).

    3. Re:Screw Tivo by gorilla · · Score: 3, Interesting

      The BBC shows very little commericals (Only between programs, and commericals for either BBC products or other BBC programs, similar to PBS). However, the BBC is a minority of TV in the UK, 2 out of 5 analog channels, and a similar proportion of cable/digital/satellite channels. The non-BBC channels show commericals just like American channels do, though at a slightly lower percentage of air time.

  7. my four ha'pennies... by blaimue · · Score: 4, Interesting

    Compare this to open source software:

    The code is freely available. You can download it from the internet and do whatever you want with it. Anyone can watch a TV show and record it if they want.

    So why do people pay for things like Linux distributions? It's the convenience. They're not paying for the code, they're paying for the packaging, the tech support, etc.

    Same thing with the TV shows. If people want to record them and share them for free (essentially providing a service), that's their perogative.

    1. Re:my four ha'pennies... by M.C.+Hampster · · Score: 4, Insightful
      Compare this to open source software

      You can make comparisons and analogies to open source software all you want, but it doesn't make it anymore true (or +5 Interesting). While both television shows and open source software are (usually) under copyright, that doesn't mean they both have the same rules to cover distribution. Open Source software (at least under the GPL) is allowed to be distributed by anyone because that is what the original author, who owns the copyright, has allowed under their license. The owners of copyrights of television shows have not released their shows under the same license.

      Also, as is been mentioned on several of the other threads, you have the legal right to make your own copy of a broadcast television show and timeshifing, but you have no legal right to distribute that show to anyone else.

      --
      Forget the whales - save the babies.
  8. Not for long by core+plexus · · Score: 2
    The Lawyer whorde will soon enough (probably already 'working' on it) patch the wholes, further screwing everyone else just a little more. This is not a troll, just basing my prediction on their standard operating procedures.

    Lets just hope we the people manage to stay one step ahead of them.

    Louisiana prosecutors rebuked for wearing 'noose' ties in court

  9. Point missed by javatips · · Score: 2, Insightful

    I believe the reporter missed the point.

    Digital or not, copying copyrighted content without the consent of the copyright holder (beyong fair use) is illegal.

    Hollywood is already going after people who share digitaly captured content from analog signal (no circumvention device used) using the DMCA and other copyright laws.

    The fact that you don't circumvent protection mechanism does not allow you to share (beyong fair use) copyrighted material without the holder consent.

    1. Re:Point missed by Fnkmaster · · Score: 3, Insightful
      I think you missed the point. Under existing copyright law, it's illegal to use such a feature for purposes other than those protected by Fair Use (for example, transmitting a show for educational purposes only to a specific individual, or using such a feature to make a backup, or using such a feature with permission from a copyright holder, or so on. Prosecution of an individual for breaking copyright law using the ability to get content out of some set top PVR box has always been possible.


      However, the person who made the box, provided the feature, or wrote a piece of software to get data out of a Tivo (ExtractStream) to the best of my knowledge did not themselves infringe existing copyright law. That's why the DMCA is relevant. Contributory infringement, admittedly, already existed, but there is a redline test involving "primary purpose or effect". The DMCA doesn't require any such test to be applied if "circumvention" has occured (no this isn't a formal legal analysis, just my current recollection).

  10. "Traditional" copyright prohibits sharing anyway by mike449 · · Score: 2, Informative

    If the show is copyrighted, you can not distribute copies. DMCA has nothing to do with this. It only adds criminal liability in case when the copy was created by circumventing a protection scheme. The civil liability is always there.

  11. !DMCA != legal by DdJ · · Score: 3, Informative

    Just because the DMCA doesn't forbid it doesn't mean it's legal. Show-swapping is still a violation of ordinary, regular copyright, whether done via TiVo or VHS tape, regardless of what the DMCA says.

    If you pay to receive programming, and you make a videotape of it, and you give that videotape to someone who doesn't pay to receive the same programming, you're violating copyright and are breaking the law. Using a TiVo doesn't change that.

  12. Re:I don't understand how the dmca aplied to this? by mustangdavis · · Score: 2
    I hate feeding a troll, but ...

    I don't understand how the dmca aplied to this?


    Hmmmm ..... the "D" in DMCA stands for digital ...

    TV shows are digitally stored and transmitted

    A + B = C

    Can you "C" the answer?

    What could it "B"??

    Is this really "A" hard question???

    Just shake your head and smirk ...

  13. Circumvention by sigwinch · · Score: 4, Insightful

    The wonderful (not) thing about the DMCA is that anything can be considered a protection system, because protection is in the eye of the content provider. The only way you can tell if your actions are unlawful circumvention are to try them and see if you get sent to jail.

    --

    --
    Kuro5hin.org: where the good times never end. ;-)

    1. Re:Circumvention by Duds · · Score: 2

      Indeed. If you copy from a subscription service like DirectTV say you're doomed simply because technically the subscription fee is protection.

  14. Re:Copyright ? by eohrnberger · · Score: 3, Interesting

    Pulling video out of a TiVo and burning it on a DVD is just the same as taping the TiVo show onto VHS tape. The only difference is the media. Now if you go and give (make available for download or copies on DVD) the recorded shows to multiple people it's distribution, and I'll wager that it'd be as illegal to do this with VHS tape as it is with DVDs or MPEG files. The usable time to live quality feature of a VHS protected it more than the infinately copyable DVDs, so I figure that the DVD copies may very well get more attention than VHS.

  15. Re:extracting files from tivo by Duds · · Score: 2

    All I can think of is that a PC with a capture card could be used to re-capture if you played it from the tivo

    Indeed I use my PC straight from my Digital TV box to do just that. I dare say the tivo files are a pretty standard format. Maybe you could stick the tivo HD in a PC?

  16. Always has been illegal... by Kjella · · Score: 4, Interesting

    It's always been illegal to swap TV shows under conventional copyright law, nothing under fair use covers that. It covers time-shifting, and using small portions in various ways.

    What DMCA added was that it outlawed any tool or information that could be used to circumvent protection mechanisms (and screw any fair use or other applications it might have).

    I really don't see the point here...

    Kjella

    --
    Live today, because you never know what tomorrow brings
    1. Re:Always has been illegal... by jgerman · · Score: 4, Interesting

      It's always been illegal to swap TV shows under conventional copyright law, nothing under fair use covers that. It covers time-shifting, and using small portions in various ways.


      Illegal or not, they can bite me ;) I'm usually out on friday nights, so I fully expect the right to ask a friend to tape Firefly and borrow the tape later to watch. This wouldn't be an issue if it wasn't so easy to release shows to the masses digitally but it's still pretty much bullshit in my book. Especially in the cases where the show is no longer avilable. For instance if I wanted to watch The Wonder Years I can't without finding someone online who has a capture. Or waiting on the remote possibility that it will be shown... at a reasonable time, on a channel I have, and in a reasonable order. As far as I'm concered, I will never feel guilty downloading and watching something I have no other way of obtaining.

      --
      I'm the big fish in the big pond bitch.
    2. Re:Always has been illegal... by Dirtside · · Score: 2

      The analogy I'm fond of is that there's no fundamental difference between me taping every episode of The Wonder Years, and me borrowing a taped Wonder Years episode from someone else, and then making my own copy. Either way, the same data ends up in my possession; it makes no sense for one to be illegal while the other isn't. (Nonsensical laws should be ignored.) Extend the analogy to digital P2P networks, and there you go.

      Just because something's illegal doesn't mean it should be illegal. A lot of things are illegal for good reason, but sharing taped TV episodes isn't one of them.

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    3. Re:Always has been illegal... by HarveyBirdman · · Score: 2, Funny
      Impossible! Someone who watches The Wonder Years is not usually out on Friday nights! You lie! YOU LIIIEEE!!!

      ;-)

      --
      --- Ban humanity.
  17. My TV by grub · · Score: 2


    The networks better keep their gripes to themselves or Bill might just make "My TV" a reality..

    --
    Trolling is a art,
  18. Because it's DIGITAL by ink · · Score: 5, Insightful
    Didn't you already know? All copyright law has to be re-written because DIGITAL is completely different from analog copyright. Even though it's still illegal to violate copyrights, we have to have even more restrictions because of the almost-magical qualities of digital media. People who violate the copyright of certain materials should not only be prosecuted under conventional copyright law, they also need to be severely punished for breaking the magical digital restrictions as well.

    Seriously, though, the governments and corporations of the world have taken advantage of us by pawning off all these "digital" versions of laws that are already in place. This is why the EFF keeps fighting it, and why everyone should too.

    --
    The wheel is turning, but the hamster is dead.
  19. One huge hole by Duds · · Score: 2

    Then they get to choose the commercials that exist in the de-facto standard download for that episode. And the advertisers will know that, and pay more for the privledge.

    Nah, because it'd be even easier to just cut out between the first keyframe of the brrak and the last keyfram of the break and reshare.

    They wouldn't even have to do the capturing, the network would have done the hard work. It would literally be a 30second job.

    1. Re:One huge hole by glesga_kiss · · Score: 4, Interesting
      Nah, because it'd be even easier to just cut out between the first keyframe of the brrak and the last keyfram of the break and reshare.

      Sure, but given a choice of the file with thousands of sources and ample bandwidth versuses the one with 3-4 from a couple of cable modems capped at 128k upstream, the "official" version will prevail. You can't control everything, and this seems to be the basic lack of understanding with these corporations.

    2. Re:One huge hole by JohnFluxx · · Score: 2

      The would have to release their own software which wouldn't let you fast forward during the adverts.

      I really really hate watching dvd's in windows where it forces me to wait ages for that fbi warning. For me (and most ppl) I only see the fbi warning if I have the original dvd, and don't get harrassed by it if I have a ripped vcd or mpeg of it.

    3. Re:One huge hole by Duds · · Score: 2

      Indeed, I'd certinally get the original one.

      Then I'd spend some of the time I saved cutting out the breaks :P

    4. Re:One huge hole by glesga_kiss · · Score: 4, Insightful
      The would have to release their own software which wouldn't let you fast forward during the adverts.

      Again, I don't understand this argument. There is nothing forcing you to read the adverts in magazines, newspapers, billboards. TV has only been different because that is the way the technology worked. This is no longer the case and they need to get over that fact.

      and don't get harrassed by it if I have a ripped vcd or mpeg of it.

      Kind of ironic, isn't it. Saying that, I can't imagine anyone saying, "bugger, can't watch it then, better bin it" after seeing the warning on a pirate.

      Personally, I bought a hardware DVD player with a chip to disable the "user prohibitions" features. No macrovision (use my VCR to convert the composite out to RF, fed around the house) and of course, multi-region. Bliss!! Moral of the story...research before you buy. :-)

    5. Re:One huge hole by Minna+Kirai · · Score: 3, Interesting

      Yes, if CBS offered commercial-laden downloads on p2p, (without deploying any imaginative new impediments) they'd become the vastly preferred download source.

      In comparison to random tivo-rippers, they'd have superior timeliness, audiovisual quality, and legality (the viewers can sooth that tiny pange of guilt that plagues them today).

      The TV networks might even arrange some formula to inject p2p downloads into their Nielsen computations, so their income can proceed as usual.

      However, if this happens, their profit model will immediately face a new menace: "virtual copyright infringment". Some hackers will create/modify a software MPEG player so that it applies a simple EDL (Edit Directive List) to the video as it plays.

      When following an EDL, a player doesn't read through the stream linearly from start to finish. ("Begin at the beginning, and go on to the end. Then stop"). Instead it may start playing 15 seconds in, then pause after 24 seconds and skip ahead 30 seconds before continuing, etc. Using an appropriate EDL, you could for instance watch a PG-13 edit of an R-rated DVD.

      Or, more worrisome in this scenario, you could skip over the commercials of a recorded TV program.

      So what will happen eventually is that the first few viewers to download a TV show will create a list of commercial start/end times when watching the show (just tap a button when viewing it for the first time) and then dissemenate a no-commercials EDL far and wide.

      The EDL might be spread on a p2p network, or ftp site. But it's such a tiny file that you could easily transmit them through (mass?) email or IM instead. If the EDLs have a naming convention based on the authoritative filename used when the TV network released their show, then the viewer's process could be automated even more: when you start to play an official MPEG, the player hops onto Morpheus and searches for an EDL matching the commercial breaks for the video in question. (rather like the CD-audio database)

      I could go on and discuss possible countermeasures (technical, legal, or creative) to the threat of EDL and virtual-infringment, but you get the idea.

    6. Re:One huge hole by Minna+Kirai · · Score: 2

      An EDL doesn't have to be spread on a p2p network or through email. Under present US copyright law, the EDL is probably not a derivative work.

      Yeah, but even if its legal you need some way to spread it around. Those or an http-server might be equally good, as long as the media-player can eventually get the ability to search the net for matching EDLs as soon as it begins queuing up the video.

      However, I'm afraid that if anti-commerical EDLs ever start to put a dent into revenues, MPAA lawyers will argue "The EDL could not have been created without use of our work, it is in essence replicating creative editing choices made by our hard-working artists as they selected the most effective points to insert hard-hitting, thought-provoking sponsor messages. Your site must desist immediately, or face triple-damages in court"

      play CMX EDLs of every enthusiasts's alternate edit of TPM, Memento and the Matrix.

      To be impossibly optimistic, maybe someday TV producers (not "network" middlemen") will publish say 65 minutes of footage for an average 48 minute program. They'd include 2 or 3 precreated EDLs (G and PG-13), but fans would be allowed and encouraged to create their own.

      Just as long as anyone who wants to view a remix is going to pay the publishers to download the original content-blob, they should be happy with the financial arrangement.

      (I'd like to see some TV series like X-Files or Babylon 5 get compressed into 5-part miniseries, for instance)

      Your assumption that when a source of high quality digitized video appears, a tool to play the video using an EDL will magically appear also is wishful thinking

      It might not happen instantly. But the more popular high-quality entertainment videos with embedded advertisting becomes, the greater the incentive to create one. (Of course players already exist, but there's an ease-of-use barrier blocking most users. Price too.) But at some point a "Napster moment" will take place, as one developer releases a program that makes applying a popular EDL brain-deadeningly simple.

      (Note that anti-commercial EDLs might not become overwhelmingly useful until there's been some back and forth between media players with 30 second skip software and the publisher's counterattack, which will be to decrease the regularity of commercial lengths, or to place ads on the edge of the screen while content plays. A more advanced EDL format could address the latter, too, by selecting only certain rectangular portions of the screen for viewing.)

      (An additional EDL-countermeasure publishers could use would be to release multiple versions of videos, with commercials lasting for different durations, or invading different sizes of the screen. But that would merely force a more elaborate mapping between the video you have and the EDL you need to clean it up. Again, like cddb)

  20. Re:extracting files from tivo by glesga_kiss · · Score: 2

    It's in mpeg2 format (hardware encoder/decoder), and if you go via a capture card, you're going to lose quality and colour balance. Digital transfers all the way please, just get a network card for your TIVO.

  21. Ratings and TiVo by CuriousKangaroo · · Score: 2, Interesting

    Even more problematic is that ratings systems (the way networks determine how many people saw a show and its commercials and how much they can therefore charge in the future for commercial time) cannot currently effectively deal with the TiVo:

    If you tape a show and watch it months later, how does it count? The ratings have already been published!

    If you fast-forward through commercials while watching a program right after it actually aired, should it count?

    While these aren't huge problems today, as more people get PVRs the problems will become larger. Neilsen has spent time investigating VCRs in the past and are working with TiVo right now to address these issues in the future.

  22. Re:extracting files from tivo by Duds · · Score: 2

    Well to another hardward MPEG2 you shouldn't lose too much.

    But absolutely the best idea is to try to get the original capture. Or just to buy a hardward MPEG2 for your PC/MAC/Amiga with Video Toaster

  23. It's always more interesting than it seems... by werdna · · Score: 3, Insightful

    Here's the deal. It is just fine to have a VCR, because VCR's are capable of substantial noninfringing use and don't get sold primarily for swapping. It is not fine to have a centrally managed PTP file sharing system like Napster for reasons only the 9th Circuit can fathom, and Napster couldn't afford to bring to the Supreme Court (which reversed the 9th Circuit's opinion in the Betamax case). Now, there is also the claim of DMCA, which I agree is not an effective circumvention method, particularly when used just like a VCR -- the content that was broadcast was in the clear, and not encrypted.

    But this does not mean that a mechanism for sharing TIVO files digitally would be lawful, or that any particular sharing would be lawful -- any more than it means that a VCR tape copy made of a movie may be freely shared (it can't be). If someone contributes to the infringement of another, and there is no substantial noninfringing use, there may be liabliity in the contributor as well -- in most every case, the TiVo user who swaps files is very likely an infringer of Copyright.

    In short, the devil is in the details, and there is no meaningful TiVo exception to the Copyright Act. That the DMCA might not apply (and it probably does not unless the original content were encoded in some manner) is beside the point, they might get you the same way they got Napster -- straightforward and good old-fashioned claims of copyright infringement.

    1. Re:It's always more interesting than it seems... by angle_slam · · Score: 2
      I understand the legal argument against TiVO. What I don't understand is the practical argument. Practically speaking, Friends is "given" away over the air. I can watch the show just by tuning my TV to the correct channel. If I miss an episode, I can ask a neighbor or co-worker for a copy of the episode on VHS. I am not a Nielsen household, so it doesn't matter if I watch the show or not. To the vast majority of people, downloading a show from Kazaa, even on broadband, will take too long to be of use, compared to just popping a tape in. Plus, most people would prefer to watch TV on 27" or 36" or large TVs, as opposed to 17" monitors.

      I think the networks are making a big deal over nothing.

  24. But you could make your case to Ad Agencies by RumGunner · · Score: 4, Insightful

    ..by reporting statistics like "Our show is the most swapped on the internet" which would probably do wonders for in show advertising.

    I.e., imagine Stan and Kyle drinking Pepsi and belching. Or Cartman eating Hormel Beans and... well, you get the idea.

    .

    1. Re:But you could make your case to Ad Agencies by MikeVx · · Score: 3, Funny
      I.e., imagine Stan and Kyle drinking Pepsi and belching. Or Cartman eating Hormel Beans and... well, you get the idea.
      I can see companies paying to have Cartman not use thier product. :-)
      --
      Sigmentation fault - core dumped
    2. Re:But you could make your case to Ad Agencies by Have+Blue · · Score: 2

      No, because those internet swappers will not see the ads the ad agency buys.

  25. A fight I can't wait to see... by gillbates · · Score: 3, Interesting
    "We're sitting here wondering how long it will be until Microsoft gets sued,"

    Personally, I'm waiting for the content faction (RIAA, MPAA, et al...) to take on Microsoft for "contributory copyright infringement" . It is illegal to market a device whose primary purpose is to facilitate copyright infringement, and it appears that the new Windows functionality does just this*. It's only a matter of time before:

    1. The content faction sues Microsoft, or
    2. Microsoft "retroactively" (via Automatic Update...)incorporates DRM into its OS
    From my standpoint, it seems as if option 1 is better for Microsoft; DRM could hamper the widespread adoption of the new Windows OS's. Though Microsoft would like to push Palladium, I think they realize that they'll sell more operating systems without it - simply because people need a good reason to upgrade. Being able to record and swap tv shows is a significant reason to the average PC buyer; without it, Microsoft might have a harder time selling upgrades, especially in this stagnant economy.

    Personally, I'd like to see Microsoft buck the content faction, and get sued. As both Microsoft and the content faction have lots of money, it would be interesting to see them embroiled in a legal battle against each other, rather than trying to screw their customers...

    * - yes, ATI has produced hardware which allowed PC users to record tv shows, however, it is not nearly as universally recognized or used as Microsoft. Microsoft's backing of tv recording programs has a much bigger impact, as the software will be on virtually every desktop sold.

    --
    The society for a thought-free internet welcomes you.
  26. This violates several laws by abbamouse · · Score: 5, Insightful

    Although this may not violate the DMCA (depending on how courts construe "circumvention"), it violates several other criminal statutes. First, it violates the No Electronic Theft Act, which criminalized copyright violations even without a profit motive. While the Act requires a value of $1000 of content to trigger its provisions, courts have allowed this threshold to be met by production or "black market" prices rather than realistic costs. In addition, this may violate the National Information Infrastructure Protection Act, which criminalized unauthorized access to servers. While this was intended as an anti-hacking law, perhaps it could be extended to unauthorized intrusion into one's own server (Tivo) if (and this is a HUGE if) owning the thing doesn't automatically authorize one to access it.

    While the second of these is speculative, the first can and has been used to prosecute warez folks so I have no doubt the Justice Department of John Ashcroft would use it should entertainment companies begin wailing about TV piracy.

    --
    Make cheese not war 8:)
  27. Re:extracting files from tivo by glesga_kiss · · Score: 2
    Well to another hardward MPEG2 you shouldn't lose too much.

    I disagree with that. You compress then decommpress with a loss of quality. Performing the same process again will not cause you to lose the same "pieces of quality", especially with a physically different encoder and the lossess/changes associated with the analog stage.

    Try it with an mp3. Encode, convert to wav and repeat using a different encoder. It sounds baaaaaddd! ;-)

  28. Re:extracting files from tivo by RatBastard · · Score: 2

    You will get more signal loss than you expect. Remember, you are turning the signal from digital to analogue and back again. This will add more noise to the picture and amplify any MPEG atrifacts in the original encoding.

    If you do not already own a TiVo, look into a ReplayTV. I can suck the files off of my ReplayTV via the ethernet port on the unit with no additional loss in image quality.

    --
    Boobies never hurt anyone. - Sherry Glaser.
  29. Isn't this why Series 2 Tivo uses cryptography? by xerofud · · Score: 2, Interesting

    When I learned that Series 2 Tivo cryptographically signs the kernel and uses filesystem checksums, I quickly packed mine back in the box for a full refund.

    Now I'm happily running MythTV.

  30. Re:extracting files from tivo by Duds · · Score: 2

    They only sell Tivo here.

    I'll just go with Plan A and capture it to PC in the first place,

  31. Come on! by fishexe · · Score: 3, Insightful

    Is it circumvention of copy control to copy mp3s off cd and put them on p2p? No. Is it illegal? Yes.
    I don't know who got the idea that the issue with p2p was circumvention. The issue with p2p was straight-up copyright violation, illegal for well over a century prior to the DMCA. The issue with /DeCSS/ was circumvention.

    --
    "I don't care about the Constitution!" --Bill O'Reilly, November 17, 2009
  32. Re:extracting files from tivo by RatBastard · · Score: 2

    They don't sell ReplayTVs where I live, either. I ordered my from SonicBlue's website.

    --
    Boobies never hurt anyone. - Sherry Glaser.
  33. Well Duh! This isn't a "loophole". . . by kfg · · Score: 2

    in the DMCA. The DMCA is a "loophole" in *copyright law.* You have to understand that fact clearly.

    The loophole in the DMCA is that if you take steps to *protect* your digital data new, and otherwise unsupportable, laws apply.

    If you do not do so the "old" law that allows you tape a show on VHS applies.

    This may well be a relevant story if people don't understand this, but it's hardly a surprise.

    KFG

  34. Re:extracting files from tivo by Duds · · Score: 2

    Transatlantic shipping might be painful.

    And that's if it even handles PAL.

  35. Mixed Feelings by jmoriarty · · Score: 3, Interesting

    On one hand, I want to say "GO TEAM!" On the other hand, if this just whips around and Big Brother tries to address the problem by removing PVRs from the equation entirely by going after TiVO, et al, I'll be very, very depressed. On the TiVO Community board, discussion about data extraction are banned for just that reason... no one wants the lightning rod.

    My TiVO is very near and dear to my heart. As just about every member of the TiVO Cult chants, "It changes the way you watch television." I want this technology as much freedom to develop as we can squeeze out of our rapidly gestapoing society.

  36. Re:And..... by Cyno · · Score: 2

    YOU ARE A CRIMINAL!

    GO TO JAIL!

    Er, at least that's what the cable company would say if they caught you. ;) I think there's a reason fair use has never been written into law, its just common sense. Content was never meant to be this restricted.

  37. not a direct way by zogger · · Score: 2

    ---media advertisers don't have a direct way to see who's watching the ads, but they sure as heck have an indirect way, and that's if the advertising *works* or not. Ads that work and sell widgets keep getting run as widgets keep getting sold. It's a multi zillion a year industry that's been up and running for generations now, so it must be "true facts". It's kinda like spam, they use mass scale to be effective,and repetition. x-million of people see a tv advertisement, a much smaller number buy the product. On the internet it's different because there's a much smaller number of people seeing the content as compared to the cost of providing the content. Add in "stripping" the ads, the big companies will come up with what you are seeing-legislation to "crack down" on sharers as the first step.

    Personally I have never seen a comparison. although vcr's and copying over the air or cable shows has been around for awhile now, there hasn't been any huge explosion of people "sharing" vcr tapes, not anything numbers-wise like the "sharing" of stuff you see on the internet. the people who produce the content are not going to stop their efforts until they get paid for as many single "viewings" as they can come up with, practically speaking, and I wouldn't put it past them to go so far as trying to do huge numbers of arrests and fines (via court orders) in order to drive home the point, that and getting people kicked off their isps for sharing-either "just" leeching or full sharing. I don't expect them to give up, nor do I expect the countermeasures to cease, I just think they will most likely "win" once joe average starts getting busted and fined all over. Right now only the huge sharers (by bandwith) and outright mass production-for - profit copiers are getting busted and harassed, but as soon as it gets to 'anyone', file sharing will slow down tremendously. It won't stop, but it'll slow down significantly.

    It's the golden rule in action, them's that gots the gold makes the rules,and it's always been that way.

    1. Re:not a direct way by mpe · · Score: 2

      media advertisers don't have a direct way to see who's watching the ads, but they sure as heck have an indirect way, and that's if the advertising *works* or not.

      The only kind of advert which gives direct feedback is one which requires someone to write to a specific address, telephone a specific number, etc.
      Attempting to work out how effective a TV ad is from ratings really makes about as much sense as working out how effective a billboard ad is by counting the number of people who walk past.

  38. MS v. DMCA by Capt_Troy · · Score: 2

    Now this could be interesting...

    Until now, the DMCA has been battling independant developers and companies that bend under the smallest pressure. It may be very interesting to see MS take on the DMCA, cause we all know how they practically bitchslapped the US justice system. This might just be what we need, ironically...

  39. Change your business plans already! by Mantrid · · Score: 2

    I don't think MPAA and their ilk will be able to stop PVRs - I certainly hope not. My PVR was provided with my Satellite receiver (Canadian Bell Express Vu), which probably could create interesting situations for them - on the one hand they are getting the networks out to the viewers, on the other hand they are providing the means to strip off the network's source of money.

    I think that odd commercial time slots - both in length and schedule will make the commericals harder to filter - although it won't stop the die hard file sharers - but you won't stop them anyways. Not sure how much I'd like 4 times more commercial slots with 15 second commericals though...

    But seriously cramming commercials down people's throats is really of dubious value anyways - I don't think they'll get any more purchases even if they could forcefeed the commercials Clockwork Orange style. Under the current model, even with a PVR however, I have stopped to view an interesting looking commercial once and awhile- commercials for products that I may actually be interested in purchasing. Me seeing a commercial I'm interested in one more time is far more effective then me being forced to watch a commercial that I have no interest in 1000 times.

    The TV industry is just going to have to adapt in some way or another - pissing off customers by *forcing* them to watch crap ass commercials multiple times isn't doing anyone any favours.

    1. Re:Change your business plans already! by MikeBabcock · · Score: 2

      Back when adcritic.com was open and free, lots of people went to it to view commercials _on purpose_. I sent many people to it a la "did you see that ad? it was cool!"

      --
      - Michael T. Babcock (Yes, I blog)
    2. Re:Change your business plans already! by Mantrid · · Score: 2

      There are quite a few entertaining commericals out there- it's kind of funny though, in some of the best ones I can't even remember what the commercial was for.

      For the most part though, having a PVR has made me even more annoyed by commercials - it gets downright frustrating now to be watching TV and realize that I've caught up to 'real time' and that I can't skip the annoying commercial that has its volume set to 110% anymore.

      In Canada we get some very entertaining beer commercials though :)

    3. Re:Change your business plans already! by MikeBabcock · · Score: 2

      I'm also in Canada and love beer commercials. Heck, I don't drink beer and I love the beer commercials (the new Bubba ads aren't as good as the old 'I am Canadian' or 'Out of the Blue' ads though).

      FWIW, I'd like a compressor on my TV too; to equalize the volume across programming. Maybe its finally time to use my PC to watch TV in the living room ...

      --
      - Michael T. Babcock (Yes, I blog)
  40. Who's side would YOU be on? by SupahVee · · Score: 2

    If the Studios did decide to try and sue Microsoft and TiVo for this, who's side would you be on?
    THe enemy of my enemy is my friend, right?

    You gotta admit, nobody could put the Kibosh on the DMCA faster than MS could. Especially with that $40 BILLION pile of cash and the battalion of lawyers they have. I'd like to say that it would be the fight of the century, but they'd just end up settlin gout of court, and we'd get screwed anyways.

    --
    "See, we plan ahead! That way, we never have to do anything now."
  41. Re:I don't understand how the dmca aplied to this? by The+Evil+Couch · · Score: 2

    I'd like for you to explain to the rest of us precisely how you get 100% analog signal onto a magnetic hard drive.

    tivo's a video/audio encoder with a hard drive built in and input/output capability. everything that's stored on the hard drive is de facto, digital. the parent of this thread is still wrong, it IS a valid point that the DMCA does not cover this. however, it's still illegal via normal copyright laws.

  42. 1201(b) merely codifies Betamax by yerricde · · Score: 3, Informative

    Contributory infringement, admittedly, already existed, but there is a redline test involving "primary purpose or effect". The DMCA doesn't require any such test to be applied if "circumvention" has occured

    Actually, the DMCA does require such a test to be applied, in 17 USC 1201(b), for devices designed or marketed to break "a technological measure that effectively protects a right of a copyright owner under this title". The right to exclude others from making unauthorized fair use of a copyrighted work is not such a right. Thus, section 1201(b) merely codifies the guidelines developed in e.g. Sony v. Universal.

    On the other hand, I'm not so sure about 1201(a).

    --
    Will I retire or break 10K?
    1. Re:1201(b) merely codifies Betamax by Fnkmaster · · Score: 2
      Hmm, looking back at the 1201(b) I gather you are correct that there is a "primary use" standard similar to Sony v. Universal. In fact, it *seems* like it mostly codifies Sony v. Universal at first glace. There is however a subtle difference - under Sony v. Universal, the standard is that the primary purpose of a device must be to infringe copyright, whereas under 1201(b) the act of trafficking in circumvention devices where the primary intent is to *circumvent access control* itself is a crime, regardless of whether it can be proved that the primary intent was to infringe copyright.


      For example, in DVD CSS, it can be clearly argued that the primary intent of DeCSS etc. is to allow playback of DVDs on other platforms - in other words, that the primary purpose is not necessarily copyright infringement, merely access to legally owned materials. Under the DMCA, it doesn't really matter, since the primary intent of DeCSS etc. is pretty clearly to "circumvent a technological measure that effectively controls access" (whether CSS meets the effectively standard is a different question).

  43. DMCA not intended for DVRs by geekee · · Score: 2

    The DMCA is intended to protect copy-protected material. As the article mentions, no one at Tivo designed any sort of copy-protection into Tivo, so if someone figures out how to swap files, they haven't circumvented any copy-protection. As far as older laws go, fair use says you can share recorded material with friends, I believe. Only if you share the content p2p with strangers, do I see any possible violation of the law.

    --
    Vote for Pedro
    1. Re:DMCA not intended for DVRs by dbrower · · Score: 2
      wrong; the new software encrypts the streams, and crypto-protects the software. mucking with it is the sort of thing hollywood would claim is a DMCA violation, and it does violate the ToS for the DTivo.

      -dB

      --
      "It if was easy to do, we'd find someone cheaper than you to do it."
  44. Per channel charge. by MikeVx · · Score: 3, Interesting

    Actually, I'd like to see a per channel charge, if you could specify the channels you wanted. At $5/Month/Channel I'd be paying about $25-30/Month, provided tha channels I wanted could learn to behave.

    --
    Sigmentation fault - core dumped
    1. Re:Per channel charge. by madcow_ucsb · · Score: 2

      Yeah, it's better to pay per channel than to force me to pay for the Spanish, Russian, Arabic, Chinese, and Korean channels that I just block on the TV anyway.

      Or maybe local goverments could just open it up to competition between cable companies rather than using my tax dollars to promote a monopoly which, in my opinion, is far more annoying than Microsoft any day of the week.

      Oh well...in my dreams...

  45. Re:Borrowing? by angle_slam · · Score: 2

    No.

  46. My Valenti Impressions by Didion+Sprague · · Score: 5, Insightful

    Actually, the networks aren't afraid of copies. They're afraid of *perfect* copies.

    Hence, the fear of digital.

    Geriatric Jack "Maddog ... Grrrr!" Valenti goes on and on about the danger of "perfect" copies. I've seen him speak twice -- a amazingly underwhelming experience -- and find him to be much to old to actually "get" what's going on.

    He doesn't get what's going on. His staff does, but he's the spokesperson, and he's not a very good one. Valenti is much more interesting -- and actually engaging -- when he talks about his time in the Kennedy (that's right, JFK) White House.

    But this digital stuff -- and the fear that Valenti loves to spread -- just doesn't resonate when Valenti is doing the talking. He's like some old guy talking about "The Pink Floyd" while watching a PF video and then pointing, saying, "Is that Pink? Is that guy Pink?"

    He's the sort of guy that would do the much-maligned "Funky White Guy" dance -- squinting, sorta pursing his lips, lifting his hands, and trying to shake once or twice to the beat. It's not only not effective, but it's not funny. It's abymsal, in fact, and that's exactly the sort of aura that Valenti projects among the 20/30/early 40 crowd -- at least when he's doing his public speaking thing.

    People look at him and have this: "Is this guy for fucking real?" look. We all clap politely but know nothing's gonna change until he takes his retirement, leases that new Lexus, and heads out to Tuscon or Phoenix or Palm Desert or wherever has-beens go to relax and prune-out.

    The other issue -- at least when I saw him speak -- was the fact that Valenti was talking about digital copying as if it were a fate worse than terrorism. I mean, for fuck's sake, let's be real.

    The neo-Islamo-fascist weapons trade is serious.

    Kim "Look at my lofty bouffant hair-do" Il-Jung proliferating his plutonium and U-235 is serious.

    Angry Chechen mobsters with lead-lined cannisters that are warm to the touch are serious.

    But a copy of "Buffy the Vampire Slayer" -- even if it's a perfect copy -- is not serious.

    Yes, yes, I understand that a good portion of media America is concerned and worried about "proliferation" of perfect copies. But believe me, that same group of Italian-suit-wearing-hire-me-a-nice-young-intern-s o-I-have-something-to-fuck-on-weekends executives will be a helluva lot *more* worried if one day we wake up to see goofy Donald Rumsfield breaking into 'Days of Our Lives' to tell us that we've just stopped and boarded an unflagged North Korean tanker headed for an unspecified port with 100 kilograms of plutonium on board.

    And the other issue with Valenti is that the word "compromise" is simply not in his vocabulary. Several folks asked him about whether or not he could find a "happpy medium" and his response was always, no, digital copies must be protected. Period.

    So he didn't score any points -- at least not with me and booze-whores I hang out with.

    1. Re:My Valenti Impressions by Reziac · · Score: 2

      Sounds like to Valenti, whatever he doesn't understand is defined as dogma and therefore not worth his time. Interesting contrast to the firebreathing Valenti we're led to expect from when he's quoted by the news media. Thanks for the perspective.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    2. Re:My Valenti Impressions by mpe · · Score: 2

      Actually, the networks aren't afraid of copies. They're afraid of *perfect* copies.

      Which is a meaningless term. You simply cannot make a "perfect" copy once something has been broadcast, even through a cable system the modulation and demodulation process makes such a thing fundermentally impossible.

      In practice many such files are not even a simple video/audio capture anyway. Instead using various codecs, both lossless and lossy.

  47. Re:Are you out of your fricking mind? by Minna+Kirai · · Score: 2

    Yes, copyright already makes infringment illegal, but personal violations are hard to enforce.

    However, the DMCA adds onto it by creating a super-broad definition of "contributory infringment", allowing the FBI to target the 10-20 hackers who post messages describing how to copy the shows. Otherwise the cops would be stuck trying to arrest millions of people doing the actual copying.

    The TV networks can't feasibly hope that an armed police response to copyright violators will protect their profits streams- there's just too many targets. But pilloring a few people for DMCA infringment? That might work! (As long as their defense attorneys fail to argue the "no-circumvention" exception described above)

  48. You do NOT license DVDs! You OWN them. by ChaosDiscord · · Score: 3, Insightful
    I don't own a license to view a DVD, I own a license to view a Movie.

    Unless you're buying your DVDs somewhere strange, you don't have a license to anything. You own a single legal copy of the movie as encoded onto the DVD. There is no license either granting you additional freedoms or taking freedoms away from you. You are free to use the DVD however you like, within the limits of copyright law. You are free to watch it, destroy it, sell it, give it away, and loan it out without any license needed, just like a VHS tape, a CD, a book, or a magazine. Assuming you can get around the Macrovision and CSS without violating the DMCA, you're even free to make copies for personal use. Copyright law does places some limitations on behavior, including prohibitions on distributing copies of the work and publically perform/show/broadcast it. (The DMCA part of copyright law effectively bans software capable of breaking the encryption on DVDs.)

    The idea that you need a license of some sort to make personal use of copyright protected content is wrong. Many copyright based businesses are spreading this erroneously idea because it increases their effective power. Don't buy into it!

    (The claim that a publisher can use a click-through license on software is based on some very shaky assumptions and still lacks a good national test case. Any attempt to spread such behavior to DVDs or other media would likely fail miserably.)

    1. Re:You do NOT license DVDs! You OWN them. by ProfBooty · · Score: 2

      ACtually owning DVDs is something tv Ads say all the time, with no tiny white text at the bottom of the screen.

      "Own it now on dvd!"

      Seems odd when they advertise like that, and then try to tell you what you can do with it after you "own it". Then again, they never say what "it" is. "It" could be the physical media or the movie, but it seems that they imply it is the movie.

      However "License it now, on DVD!" just sounds strange and I doubt the average person would understand it.

      --
      Bring back the old version of slashdot.
  49. Um. They did have to hack. by jmanning2k · · Score: 2, Insightful

    They ran ExtractStream. Video extraction is expressly prohibited by the TiVo terms of service. In order to run this app, they had to crack open the TiVo and install custom software. With the series2 TiVo's, this is definitely a hack, breaking the encryption and hash verification they have on the kernel and binaries (well, not breaking, really just avoiding - aka "circumventing" - this protection by inserting shell code into the boot parameters as a BASH_ENV variable). With the series1, you have to modify the prom to do this, unless you have a very old TiVo that you have prevented TiVo from updating the boot code for, again "circumventing" the code TiVo has in place to prevent this sort of activity.

    I would consider heavy reverse engineering of an unpublished disk format, installing custom software by circumventing the measures they have in place to prevent that, and violating the Terms of Service to extract video equivalent to "cracking" or "hacking" - no matter how you define those terms.

    And they say they didn't have to crack anything...

  50. Re:To pay for the tape, watch the ads by DdJ · · Score: 2
    Define "pay to receive programming".
    I'll give you some examples.

    If you tape a Pay-Per-View movie and give the tape away, you're clearly violationg copyright in a way not covered by fair use.

    If you pay to get a basic cable channel such as Nickelodeon or Cartoon Network, and you make an AVI file of a show on that network, and you make it available to folks who haven't paid to receive those networks, you're clearly violating copyright in a way not covered by fair use.
  51. Embrace the technology, doughheads by Mannerism · · Score: 2

    Consumers want: To be able to get good quality copies of shows they missed and/or would like to see again.

    Networks want: To sell advertising.

    PVR Vendors want: To sell PVRs and subscriptions

    Dumb solution: Networks yell at PVR vendors about enabling piracy, and yell at consumers about being pirates. Consumers yell at networks about not giving them any means to see the shows they missed. PVR vendors yell at networks, because consumers are reluctant to buy PVRs given the network's attitude. Nobody wins, except the lawyers.

    Smart solution: Networks do a deal with PVR vendors: we give you copies of our shows, with commercials intact, that you provide for download to your subscribers to view using their PVR...the combination of PVR firmware and show recording format is such that the commercials can't be skipped (there are ways to deal with the hackers). Consumers get to view shows whenever they want, as often as they want. Networks sell more ad time because more consumers will be watching the shows. PVR vendors sell more PVRs and have a service to add to their subscription offering, so they sell more of that, too. Everybody wins, except the lawyers.

  52. Full of Shit. by mumblestheclown · · Score: 2, Troll
    You just dont fucking get it, do you?

    "fair use" is not an fucking ironclad structure. It's a general principle that tries to balance the need to reward and incentivize authors (and publishers, as proxy) and the need of people to have reasonable access to intellectual property.

    so, that's why all the slippery slope napster-type arguments that attempt to define the issue as "because transaction Y has the same shape as transaction X (even though the scale is different), and transaction X is ok per fair use, transaction Y is ok per fair use" are (generally, as a practical matter) FULL OF SHIT. When fair use is concerned, scale matters and SOCIETAL IMPACT matters.

    It's not something that you can reason with through general principles--it's a measured idea. Now, yes, occasionally media companies try to clamp down too hard. But when some moron on slashdot posts something that is a "loophole in DMCA" for you to exploit then you know it's going to be a de facto fair use violation because these sort of loopholes in the digital world, reminiscent of a recent piece of spam email that I got recently advising me that young women would stick their arms up the orifices of other young women "up to the elbow" encourage abuse and increases the scale of the activity which then pushes it over the edge.

    Yes, if you record "when buildings collapse 12" on VHS and give it to your friend as is, it's probably ok per fair use. But when you start doing it digitally, 400 times per day, with the commercials removed, then all of a sudden even though fundamentally it's the same action going on, fair use is violated, DMCA or no DMCA.

  53. Re:UK's TV licenses by JohnFluxx · · Score: 2

    I believe it is phrased to cover anything that picks up tv signals. (granny's dentures etc... :)
    You can buy tv's that have been modified (or built) to just be usable for vhs or whatever, and not tv, and so you don't need a license for them (But I've never seen them around - just heard they exist.)
    You have to pay the license on a per household basis. In my halls of residence we have 8 people to a house. If we wanted to put a tv anywhere in our small house we would have to pay 9*120 (+1 for in-nobody's-room e.g. the living room)
    I can't remember if it is £105 or £120.

  54. Re:And..... by gilroy · · Score: 2
    I'm not saying that I agree with the ruling, but in the MP3.com case, the judge ruled exactly that: He said that people could rip their CDs to MP3 and upload them to individual accounts at MP3.com. The company could then offer a service wherein they downloaded a copied MP3 from a customer's directory to that customer's computer (or streamed it... I don't recall). This would all be legitimate timeshifting and spaceshifting.


    But, the judge ruled, MP3.com was not allowed to rip the MP3 once, keep it in a central directory, and then download it to customers who possessed the CD.


    Yes, the digital copies would be identical. Yes, it would be impossible for any outside agency to distinguish which MP3s were ripped by the customer and which by MP3.com. Yes, this seemed to be a natural (and non-infringing) extension of Fair Use. And no, I have no clue what the judge was thinking that day.

  55. Still illegal by fishexe · · Score: 2

    How can they prove they lost so much money with peer to peer when they don't even charge us for the show to begin with?

    They don't have to prove it. It's still illegal. You don't need to show damages to get someone on copyright infringement, you just need to show that they copied your copyrighted material.

    --
    "I don't care about the Constitution!" --Bill O'Reilly, November 17, 2009
  56. Re:"perfect copies" by benjamindees · · Score: 2

    You're absolutely right. That's another issue that loses Valenti all sorts of credibility points. He keeps saying "perfect digital copies" when he means "point-and-click-easy-enough-for-the-average-idiot -to-do" copies. I might have a little more sympathy for that argument, if anyone at the MPAA were honest enough to make it.

    --
    "I assumed blithely that there were no elves out there in the darkness"