Slashdot Mirror


Preserving the Sound of America

jonerik writes "The Associated Press (by way of MSNBC) has this article on the Library of Congress' National Recording Registry, which 'seeks to ensure even greater protection for some of the most notable songs, speeches and other utterances.' To that end, the library's extensive collection of recordings and photos will soon be moved to a massive 41-acre complex built into the side of a mountain in Culpeper, Virginia. When construction on the site is completed - in about three years - anything stored in Culpeper should be available via computer at the library's Madison Building on Capitol Hill. The Library of Congress has been collecting recordings for almost 100 years, the first being a recording of a speech by German Emperor Wilhelm II. Since then the library has collected recorded speeches by every American President since Theodore Roosevelt, oral histories, music, radio broadcasts, and other examples of recorded sound." This sounds like a collection which will become more valuable as more people have access to the actual content of the collections.

58 of 202 comments (clear)

  1. Doh! by Anonvmous+Coward · · Score: 4, Funny

    "This sounds like a collection which will become more valuable as more people have access to the actual content of the collections. "

    Unfortunately, thanks to the recent copyright rulings, nobody will be able to hear or see this content until Fry comes out of cyrogenic sleep.

    1. Re:Doh! by geekee · · Score: 3, Funny

      Huh. I'm sure they'll let one person at a time check out a copy of any copyrighted material. After all, they did buy the one copy. :-)

      --
      Vote for Pedro
    2. Re:Doh! by ramdac · · Score: 2, Interesting

      haha! Yeah man. I was trying to be funny. It was inadvertant, but I was trying on different levels. She this...she that.

      But anyway... I really did mean what I said.

    3. Re:Doh! by ragnar · · Score: 4, Insightful

      I respect your distrust of government, but in this case let me assure that the meaning of "protection" is to protect these works of art from deteriorating. The copyright office in the Library of Congress acts to respect the law, of course, but if the master copies of films acidify, there is nothing left to protect.

      For what it is worth, while selecting media formats for preserving audio and film an effort is made to avoid DRM because it can inhibit the ability to migrate the data to newer formats. The people working to convert analog recordings to digital archives are foremost interested in protecting the work from being lost forever. It can only sit on a shelf for so long and it is hoped that a digital, lossless copying method, will protect/preserve the artistic value.

      (disclaimer: I work on this project at the Library of Congress)

      --
      -- Solaris Central - http://w
    4. Re:Doh! by ramdac · · Score: 2, Interesting

      I don't disagree--surprising?

      I think its a beautiful idea of converting this media into a digital form. I love it!

      I just wish they could share it with us. You have no idea how nice it would be to listen to these recordings. I would *love* it.

      Maybe the .GOV should think about selling it? They'd be making money and people would get what they want. Everyone happy?

    5. Re:Doh! by IronChef · · Score: 2, Insightful

      but if the master copies of films acidify, there is nothing left to protect.

      Well, I think all copyright-fearing Americans will agree that it's better to let the material rot away than to let it be enjoyed improperly.

  2. So.... by Anonymous Coward · · Score: 2, Interesting

    What format would they deliver it in? MP3? Would they use their own government MP3 encoder and pay license fees? Ogg? Wav? Real? Audio out to a big loud speaker that gets pointed to your house? What?

    1. Re:So.... by NanoGator · · Score: 5, Funny

      "What format would they deliver it in? MP3? Would they use their own government MP3 encoder and pay license fees? Ogg? Wav? Real? Audio out to a big loud speaker that gets pointed to your house? What? "

      Well, they wanted to make sure that every computer they use can play it. So they're using Midi.

      --
      "Derp de derp."
    2. Re:So.... by Anonymous Coward · · Score: 5, Funny

      And strangely enough, Reagan's last State of the Union address, when converted to midi, sounds a lot like the Peanuts theme.

  3. Oh dear by Dark+Lord+Seth · · Score: 4, Funny

    The RIAA is going to have a field day with this one...

  4. How long before... by goatasaur · · Score: 5, Funny

    ...someone 'samples' this public-domain sound archive to make their own shitty techno music?

    hitler_vs_truman---battlerap.mp3

    --
    ~D:
    1. Re:How long before... by 403Forbidden · · Score: 2, Funny

      Just what I was thinking. What gives the Government the right to store copyrighted material all the sudden?

      Bwa hahaa!

    2. Re:How long before... by len_harms · · Score: 5, Interesting

      The law does. copy right office see chapter 7 section 704. The goverment is also exempt in many cases from paying IP payments.

      To get most of the extensions put forth in these laws you must submit a copy to them. Small price to pay for a 70+ year monopoly...

      Its ironic that the goverment is basicly the biggest warez collector there is! Then tells the rest of us to get stuffed!?

    3. Re:How long before... by akb · · Score: 2, Funny

      Why is this a problem? The public domain belongs to everyone, to make shitty things out of or not.

      Any healthy conception of free speech includes a way to draw on one's history for things that others may judge shitty or otherwise.

  5. And that�s why I still read slashdot ... ? by drix · · Score: 4, Funny

    "This sounds like a collection which will become more valuable as more people have access to the actual content of the collections."

    +1, Insightful, anyone?

    --

    I think there is a world market for maybe five personal web logs.
  6. P2P by Avsen · · Score: 5, Funny

    Or they could just put it on Kazaa. Less chance of records being lost if its on a lot of computers.

    --


    Massive networking attempt for friends

    1. Re:P2P by pyite · · Score: 2, Insightful

      This poses an interesting thought in my mind. Now, people aren't going to download files they won't want to host. However, a viable P2P business could be created with MP3 license fees being paid for by corporations who pay for distributed storage. Basically, your P2P archive would be a big data archive of some sort and you could export data you have privileges to. Your total download "credits" would be determined by how much other data, or parity data for that matter, you choose to host.

      --

      "Nature doesn't care how smart you are. You can still be wrong." - Richard Feynman

    2. Re:P2P by mrtorrent · · Score: 3, Interesting

      > However, a viable P2P business could be created with MP3 license fees being paid for by corporations who pay for distributed storage. Basically, your P2P archive would be a big data archive of some sort and you could export data you have privileges to.
      ---
      Interesting idea, but a few big problems:
      1) It's unreliable storage, even despite its redundancy. Unreliable in terms of it staying intact (hard drives get reformatted, things get accidently deleted, etc.) and in terms of connectivity (people disconnect from the internet, have network troubles, etc.).
      2) If the encryption of the privilege system is broken, quite a few people will have access to the data, a possibility which means that no company will be interested in storing any relevant information via distributed storage.
      3) Hard drives are pretty cheap nowadays.

      The only way I could see this possibly being used is by NASA or some organization that has something on the order of a few terabytes of data and figures that it might as well make it as reduntant as possible, for posterity and interested parties, and all that jazz (speaking of which, go see the movie version of Chicago if you haven't yet, it turned out great).

    3. Re:P2P by pyite · · Score: 2, Funny

      I agree with points one and three. However, I think point two is rather moot. We have encryption systems that cannot be realistically broken without quantum computing (Triple-DES, and even better, AES). Combine that with a lot of the data would be parity data for redundancy, no one would have a clue what they are storing.

      --

      "Nature doesn't care how smart you are. You can still be wrong." - Richard Feynman

    4. Re:P2P by deadsaijinx* · · Score: 2, Insightful

      okay, a few problems bot not too bad of an idea:

      1. i can already get the files i want without paying even one cent, so what incentive do i have.
      2. the music industry is still profitable, so music will still be produced so what incentive do i have to pay. it will exist even if i dont.
      3. the music industry doesnt see that as very profitable. thats why they charge $20 a cd. about 100years ago, Henry Ford leared that making a small amount of profit on a large amount products equals a helluvalot more cash than lots of prof on little prod. It seems that the music industry is a bit behind the times.
      4. Leechers - i hate - you hate them - they dont want to share songs in order to get songs. personally, i share well over 1,000 files and wish others would open up their bandwidth and files, but thats a discussion for another day. really, leechers are the people who most use p2p anywho so this idea of share and share alike doesnt work out too well...

      and on that note i was dling a file off of someone on kazaa with the username of "theonlypersonsharing" ... wow, i know that feeling.

      --
      YOU SUCK BALLS!
    5. Re:P2P by cgenman · · Score: 2, Informative
      1. The incentive is to do the right thing. There are still a lot of people out there who believe stealing music is at its heart wrong. I know I do, and I think most Kazaa people do too. But I also think that we do this to protest the current state of the music industry. All of the musicians I know still charge for their music, yet except for one, they all have put their own files on a P2P network.

      2. According to RIAA figures, only 1 in 10 bands it has hand-signed and selected is profitable. What they forget to mention, leaving you to connect the dots yourself, is that "profitable" means that they made money above and beyond recoupable costs. The Distributing companies wind up eating some costs, but so far the band has made *nothing at all.* Under such circumstances, it would be a lot better to make 50c per album straight than nothing at all. Perhaps we should sell album downloads at 1.00 each, just to make sure the rate is higher than the industry's payout for extremely successful acts?

      3. The recording companies are very profitable. The artists are not. There are a lot of artists out there, which loweres their bargining position, but they are the ones who actually make music. The recording companies sell acts: they have no capacity to make music. You don't really need them to get onboard... if I could find DJ Entropy on a paid Kazaa system, why would I want the latest scruffy guitar punk ripoff band?* It would be good for selection to have labels onboard, but it would also be great for quality to have just indies.

      Of course, Entropy gives away his albums on his home page, which is one of many reasons why I go out of my way to pay to see him live.

      4. This system would give leechers a choice: you can be free or you can be a leech, but you can't be both. I think this choice will satisfy most people. And while it may drive away some of the leeches... isn't that the point? Doesn't that make your network all the better to be a part of?

      Anyway, I think this could really work. The only downside I can see is having more sharers than downloaders, as I tend to think that more people would rather have free music legally while uploading than pay to legally download music while leeching. Of course, many of these people don't have jobs and / or credit cards, so I don't fault them.

      More ideas?

      *This is not to rile against scruffy guitar punk ripoff bands... this is to rile against the scruffy guitar punk ripoff bands who have carefully manicured holes cut in CK shirts and who have an equally manicured sound to appeal to this generation youth extremism with the previous generation of musical voice knockoff.

  7. Mickey Hart and Save Our Sounds by pyite · · Score: 5, Informative

    Mickey Hart of Grateful Dead fame has had a big part in this effort. It's a real noble movement they're participating in. Everyone thinks history is always written and suddenly people realized that we have the technology to make it more. Read more about his involvement and Save our Sounds here.

    --

    "Nature doesn't care how smart you are. You can still be wrong." - Richard Feynman

  8. Off-site backup? by kwoo · · Score: 5, Interesting

    It's obviously a good idea to fortify the storage site, but what kind of arrangements will they have for off-site backup?

    If these are the most important recordings, it would be a tragic loss to have a natural disaster or similar event destroy what may be the only complete recordings.

    1. Re:Off-site backup? by ragnar · · Score: 5, Informative

      The facility is a former military building which is built into the side of a small mountain (more of a hill if you ask me). The first layer of protection is pretty good. It is referred to as a digital vault of sorts.

      At this stage of the planning there isn't a much concrete discussion about backup, not because it won't be needed, but rather because the technology is a moving target. If memory serves right, they hope to open the facility in about 3 years. Backups are no doubt on the integration plan, but a lot of the architecture is still in a planning phase.

      (disclaimer: I work on this project at the Library of Congress)

      --
      -- Solaris Central - http://w
    2. Re:Off-site backup? by vrmlguy · · Score: 2, Informative
      I'm curious about how the files are organized. EMC has an interesting product supporting "Content Addressed Storage" (not to be confused with content addressable memory, for you CS geeks). The idea is that you store so-called static content (image, audio, video, etc) and you get back a ticket, which is a cryptographic signature. To retreive the content, you present the ticket. You can then re-compute the signature yourself to ensure that no one's changed the file when you weren't looking. (For example, another poster inquired about editing cat-calls from presidential speeches. This would make it obvious if that were to happen.)

      (disclaimer: I work for EMC. In spite of that, I would love to see an open-source implementation of the APIs, as it would encourage greater adoption of the technology, and I feel that my employer could do quite well providing high-performance solutions for high-end users. Here is a review of the technology.)

      --
      Nothing for 6-digit uids?
    3. Re:Off-site backup? by ragnar · · Score: 2, Informative

      I don't know specifics, but I wouldn't be surprised if EMC wasn't on the discussion table. Currently we use an MD5 hash to maintain integrity, but as we all know even that relies on the integrity of the person who works with the file prior to hashing. ;) We sometimes joke about preserving our voices or self-images for all posterity, but in reality no one would do it.

      Thanks for making the suggestion. I don't personally have any decision making power in this (I'm just developing software for metadata capture) but I'm glad people find it interesting.

      --
      -- Solaris Central - http://w
  9. the recording. by Joe+the+Lesser · · Score: 4, Funny

    'The Library of Congress has been collecting recordings for almost 100 years, the first being a recording of a speech by German Emperor Wilhelm II.'

    The speech apparently went as follows:
    Emperor: My dog has no nose.
    Crowd: 'How does it smell'?
    Emperor: Awful.

    --
    "I only speak the truth"
    Karma: null(Mostly affected by an unassigned variable)
    1. Re:the recording. by Absurd+Being · · Score: 2, Funny

      The reply.

      Two peanuts were walking down the sidewalk. One of them was assaulted.

      peanut.

      --
      Karma: Excellent^(-t/Tau), Tau=Wittiness/Trollishness
  10. Re:Obligatory Copyright Jab by geekee · · Score: 2

    Ahh, no. Like any other library, they can buy their own copy of anything they want.

    --
    Vote for Pedro
  11. Not that valuable by Black+Copter+Control · · Score: 2, Insightful

    Not much use to having this stuff in archive, if it's all going to be copyright in the next 10 years...

    --
    OS Software is like love: The best way to make it grow is to give it away.
  12. But do they have . . by GMontag · · Score: 3, Funny
  13. NPR All Things Considered this afternoon by yet+another+coward · · Score: 4, Informative

    I heard a piece, including some sound clips, this afternoon on ATC. The story and a few selections are here. It is an excellent project. The copyright limitations are disappointing, however.

  14. Mount Pony, Culpeper, VA by sulli · · Score: 5, Interesting

    This site is a former bunker for the Federal Reserve Board and once held $1 billion in cash in case of a nuclear attack. It was transferred to the LoC in 1997. (Presumably this cash is now held elsewhere.)

    --

    sulli
    RTFJ.
    1. Re:Mount Pony, Culpeper, VA by Mezzrow · · Score: 2, Interesting

      Thats really interesting.
      It makes me wonder what the actual post-nuclear plan was. They're storing 1 Billion in 'Currency' to restart the American economy after a nuclear war.

      Seems to imply they were thinking ahead far enough to realize that in a post-war world, it wouldn't be easy to print the cash, but doesn't really get that if everything were destroyed, a billion in cash would be pretty useless.

      Unless, of course, they were storing 1 billion in rubles.

      It would be interesting to see that 'restart the economy' plan. We could use one.

  15. Re:The value of crap? by jcam2 · · Score: 3, Insightful

    Like they say, 90% of everything is crap. However, the 10% of good stuff differs from person to person :-)

  16. What it used to be by Alegato · · Score: 5, Informative
    I live near and work even closer to this very interesting facility. It used to be the Federal Reserve System's Communications and Research Center (a pretty important part of the Federal Reserve System), and it also served as an emergency "continuity of government facility" at one time. Check these links for your browsing pleasure (links have pictures, Google search "Culpeper Federal Reserve" gives lots of info)

    Link1

    Link2

    Link3

  17. Digitalize it ! by glMatrixMode · · Score: 3, Insightful

    Store recordings in a fortress, and you'll preserve them for 100 years.
    Digitalize and upload them, and they'll live as long as you have a running server.

    Besides, a recording is more useful on the net than in a mountain.

    --
    War doesn't prove who's right, just who's left.
    1. Re:Digitalize it ! by kaaphi · · Score: 2, Informative

      They're in the process of doing this right now. It's a joint project between the smithsonian and the library of congress called Save our Sounds. They have a webpage here.

      --
      [paok]
  18. Dispatches from the Future by Tackhead · · Score: 4, Funny
    > To that end, the library's extensive collection of recordings and photos will soon be moved to a massive 41-acre complex built into the side of a mountain in Culpeper, Virginia. When construction on the site is completed - in about three years - anything stored in Culpeper should be available via computer at the library's Madison Building on Capitol Hill.

    January 27, 2006 - President Stallman and Gnu/FBI announce arrest and detention of terrorist group believed affiliated with Hilary Rosen

    Giving public thanks to the constant vigilance on the part of tens of thousands of GNUTIA (Gnu's Not Total Information Awareness) server operators, President Stallman announced the disruption of a terrorist plot, allegedly involving weapons of mass destruction and notorious fugitive from justice, Hilary Rosen.

    In his 2006 State of the Onion Speech, President Stallman announced:

    "Since her departure from RIAA in 2003, Ms. Rosen and her band of followers have become increasingly militant in their outlook, and increasingly violent in their activities against anyone listening to audio recordings without payment of ransom to members of the RIAA cartel.

    Starting with the KazaaSlammer worm attack of 2004, and then escalating to physical violence with the attempted truck bombing attempts against our allies in Vanatu in 2005, we knew the completion of the Culpeper complex would be a target of significant terrorist activity from the more extreme elements of the recording industry.

    In December 2005, GNH (Gnu's Not HomeSec) officials working under auspices of GNUTIA, became aware that individuals affiliated with Ms. Rosen had attempted, or were attempting, to acquire weapons of mass destruction from deposed Iraqi dictator Saddam Hussein, and that they intended to use such weapons against the 41-acre complex of rare recordings at Culpeper. I am pleased to announce today that these plans have been foiled...

    ...and it's still called GNU/Linux, and that that law was passed for a damn good reason, no matter what the First Amendment or the Supreme Court says. God Bless America."

    Responding after the President's remarks, Mr. Fritz Hollings, (appointed RIAA head after losing his seat in the GNU/Linux electoral victory of 2004), had this to say:

    "Although we in RIAA have always disassociated ourselves from the actions against music listeners associated with certain more radical elements of our industry, but this ought to serve as a warning to the current administration that the longer the American people continue to listen to music without payment of protection money to RIAA, the more likely it is that such desperate acts will continue.

    The occupation of Culpeper and the opening of public access to these recordings is nothing but a slap in the face to those of us so brutally oppressed. Out of cultural respect to us, we remind you of the root cause of terrorism - your failure to pay royalties to us whenever you even think about music.

    What happened to Ms. Rosen after her departure from RIAA is a tragedy. Please - pay us lots of money, and help break the cycle of violence."

  19. two meanings of the word 'protected' by tato+(and+tato+only) · · Score: 5, Interesting

    It is interesting that when the Library of Congress uses the word 'protected' in regards to a sound recording they mean exactly the opposite of what the RIAA means when they use the same word.
    I like the LOC's meaning better.

    --
    tato (and tato only)
    This post is strictly opinion, including the spelling.
  20. Creating digital sound files by sakeneko · · Score: 2, Interesting

    I'd like to see a volunteer group turn this historical treasure trove into digital sound files and put them on DVD or optical media for safekeeping. Many of the recordings are on magnetic tape or other media that deteriorate over time, sometimes quickly.

    The expensive part would be getting access to the necessary equipment to play the original recordings. Lots of geeks have DVD burners.

    1. Re:Creating digital sound files by akb · · Score: 2, Informative

      Maybe you should talk to these people. They've got 30TB of copyright clear music and have as their goal "universal access to human knowledge".

  21. The real thing? by gokubi · · Score: 4, Funny

    Too bad 15 acres of that is going to be taken up with Coke jingles.

    --
    I'm much funnier now that I'm a subscriber.
  22. Presidential speeches? by MrEd · · Score: 4, Interesting
    I wonder if they'll dub out all the booing and catcalling during W. Bush's speeches in the immediate aftermath of the Enron scandal? They removed them in the typewritten transcripts, as well as corrected some of his more shameful grammar and pronunciation. Re-writing history, without even waiting more than a few minutes! Wow.


    I apologise for not providing a link as I'm at work right now and can't post long. Maybe some other kind reader will?

    --

    Wah!

    1. Re:Presidential speeches? by Anonymous Coward · · Score: 3, Funny

      Can they go back and edit the recordings to make it seem like Clinton knows the definition of "is"?

    2. Re:Presidential speeches? by evilmrhenry · · Score: 2, Informative
  23. Hmmmmmm.... this is interesting by sickboy_macosX · · Score: 3, Informative
    The library's extensive collection of recordings and photos will soon be moved to a massive 41-acre complex built into the side of a mountain

    Sounds like the federal government is taking lessons from the mormon church in Salt Lake City. (All of the Mormon Church Geneology records are entoumbed in a Mountain in Big Cotton Wood Canyon in Salt Lake City, and up by McCall Idaho. They do it because of the fact that if the Apocolypse ever happens there are records.

    The government must know somthing we dont...

    --
    --- /* In Soviet Russia, the Mac OS X kernel panics you! */
  24. Re:Toll for Troll by MrEd · · Score: 2, Insightful
    Nice troll. The core of my post was that the crowd booing, interruptions, and catcalling were removed in transcripts, yet, "audience applauds" were left in. I'm sure that previous presidents have had similar revisionist recordings, but none ever needed them more than W.


    Re: me making fun of people with speech impediments (or people who aren't cunning linguists, as you say), the man is the President of the United States of America. Since his job is basically to look good on camera and read speeches, it would be less embarassing if he could do it properly. Heh.

    --

    Wah!

  25. Re:Old music by Emmettfish · · Score: 2, Interesting
    Consequently, the music we hear today may not have been what Beethoven or Mozart intended.

    And it doesn't end there. A modern violin does not sound like a violin that Mozart composed for. Why? Difference in materials in making one, and more importantly (even when you're dealing with Mozart-old violins) modern synthetics used in string making.

    This is a bit of a hellaciously huge argument in the opera community, who strive to get recordings of pieces the way a composer intended. There's also a lot of little changes; The meaning of 'allegro' has changed over the years, as well as the 'note to tune by,' currently A 440.

    Emmett Plant
    CEO, Xiph.org Foundation

  26. British Pathe has digitized their old newsreels by bobbv · · Score: 3, Interesting

    British Pathe has digitized and made public a huge quantity of their newsreels online, starting with the 1890s and going to 1970. Watch nearly a century of riots, wars and cheezy human interest stories on pretty much every topic. Type in "computer" and see the history of computers, as told in short chunks with dramatic voiceover.

  27. Ironic by retro128 · · Score: 3, Insightful

    Federal law requires that any copyrighted sound must be stored at the library.

    Is this the same government who has been busy giving god-like status to content creators? I can just see somebody suing the LoC to keep their content away from eyes/ears who aren't paying for it. But of course, they may let it slide if they put DRM on the content. Maybe. If they're in a good mood. Oh, but wait....

    "We have every format you can imagine and every problem with every format," said Michael Taft, who helps run the program. "What we have to do is find a way of taking sound off of all of these different media and storing them as computer files in such a way that they will be readable and accessible not just today, but 100, 200 years from now."

    "I'm sorry sir, but that part of history has been lost due to money grubbing companies who revoked our playback key (or they went out of business, the timed key is lost because it can no longer be renewed, and nobody knows what format the file is stored in), and the guy who tried to crack the file is currently serving a 500 year prison term for attempted circumvention. Have a nice day!"

    --
    -R
  28. Also on the History Channel by sakusha · · Score: 4, Interesting

    About a week or two ago, I saw a documentary on The History Channel about this exact project. I was rather surprised to see them digitizing audio on Win95 workstations with a few primitive apps. These guys seriously need technological help. But the real focus here is on analog. I cringed as I saw historic reel-to-reel tapes shred when played, I was even more appalled when I saw vinyl-on-aluminum records that the vinyl popped off when he took it out of the sleeve. He said "oops, this album is ruined." They discard damaged vinyl like that, but I think they're screwing up. There are already laser scanners that can read the grooves optically, all you have to do is keep ALL the pieces and put them on a backing in the correct position, the laser will scan off the grooves and you can edit out the pops in postproduction.
    But ultimately this is the same old conservation issue. Do you try to capture the deteriorating tapes and records NOW, or do you let them deteriorate further in hopes that a miracle solution will appear before they are completely destroyed? There is no good answer.

    1. Re:Also on the History Channel by Splat · · Score: 2, Interesting

      I assume your referring to the "Save our Sounds" documentary, which I also watched (Thanks Tivo!).

      Good observation on the vinyl... these guys - http://www.elpj.com/ - make a Laser Turntable which I agree would probably be a much much better way to record some of the more brittle recorders.

      I don't think they're screwing up though. Everyone interviewed seemed like they cared a lot about what they do and respected the job they've been assigned. That one guy was doing some amazing shit with the wax cylinders.

      I highly suggest everyone watch this special if it comes back on TV Anytime soon. On Tivo I found it under "Save our Sounds" in the Special Delivery section of TivoLution magazine.

  29. Re:Obligatory Copyright Jab by Waffle+Iron · · Score: 3, Informative
    Ahh, no. Like any other library, they can buy their own copy of anything they want.

    Bzzzt. As the guy one thread above pointed out, copyright law chapter 7 section 704 says:

    (a) Upon their deposit in the Copyright Office under sections 407 and 408, all copies, phonorecords, and identifying material, including those deposited in connection with claims that have been refused registration, are the property of the United States Government.

    (b) In the case of published works, all copies, phonorecords, and identifying material deposited are available to the Library of Congress for its collections, or for exchange or transfer to any other library. In the case of unpublished works, the Library is entitled, under regulations that the Register of Copyrights shall prescribe, to select any deposits for its collections or for transfer to the National Archives of the United States or to a Federal records center, as defined in section 2901 of title 44.

    If you were congress and invented IP, you'd be a fool to saddle yourself with the restricions you're imposing on everyone else.

  30. I like this one... by houseofmore · · Score: 2, Insightful

    Sung to the tune of "If You're Happy And You Know It, Clap Your Hands" If you cannot find Osama, bomb Iraq. If the markets are a drama, bomb Iraq. If the terrorists are frisky, Pakistan is looking shifty, North Korea is too risky, Bomb Iraq. If we have no allies with us, bomb Iraq. If we think someone has dissed us, bomb Iraq. So to hell with the inspections, Let's look tough for the elections, Close your mind and take directions, Bomb Iraq. It's "pre-emptive non-aggression", bomb Iraq. Let's prevent this mass destruction, bomb Iraq. They've got weapons we can't see, And that's good enough for me 'Cos it's all the proof I need Bomb Iraq. If you never were elected, bomb Iraq. If your mood is quite dejected, bomb Iraq. If you think Saddam's gone mad, With the weapons that he had, (And he tried to kill your dad), Bomb Iraq. If your corporate fraud is growin', bomb Iraq. If your ties to it are showin', bomb Iraq. If your politics are sleazy, And hiding that ain't easy, And your manhood's getting queasy, Bomb Iraq. Fall in line and follow orders, bomb Iraq. For our might knows not our borders, bomb Iraq. Disagree? We'll call it treason, Let's make war not love this season, Even if we have no reason, Bomb Iraq.

  31. Sound Archives collections. Boston Public Library. by donsaklad · · Score: 3, Informative

    Our Boston Public Library, the so called Massachusetts Library
    of Last Recourse, deflects people interested in our Sound Archives collections.
    Of interest are the recordings of now defunct local broadcasters.
    Shelf lists are public record, but BPL has
    violated state freedom of information principles!

    See also
    Weblog. Guide to Problematical Library Use. Boston Public Library.

    Stories
    http://GuideToProblematicalLibraryUse.WebLogs.com/ stories

    Updates
    http://GuideToProblematicalLibraryUse.WebLogs.com
    http://zork.net/~dsaklad

  32. "Hello." by leonbrooks · · Score: 2, Funny

    "My name is Linus Torvalds and I pronounce Linux, Linux."

    What licence is that under?

    --
    Got time? Spend some of it coding or testing
  33. P2P as archive by commodoresloat · · Score: 4, Insightful

    Not sure why that was modded funny, though I suppose there is some sweet irony there. But rarely does anyone talk about the value of p2p as an archive. In the heyday of napster I downloaded a bunch of speeches, stuff that wasn't easy to find, black nationalist stuff from the 60s, moon landing recordings, lectures, and so forth. But I rarely see that kind of stuff on gnutella when I look for it, and I wish it was still there. When I look for music, it's always easy to find the popular stuff, but I rarely find much of the more obscure stuff I want to find. It's ironic that the death of napster didn't stop what the RIAA wanted stopped - the large-scale trading of their big selling hits - but it did stop the more legitimate use of p2p to give people access to a relatively comprehensive archive of information. It's disgraceful that the RIAA's greed and inflated sense of self-importance would stand in the way of such a significant advancement in the human sciences. And it's pathetic that the rest of the human species is enabling what amounts to the wholesale theft of human history and culture! In ancient times, great advances in knowledge were stopped by the forces of irrationality and superstition. Today we look back and chuckle about how primitive we were then. But today we do the same thing, vilifying our visionaries as thieves instead of heretics. And we do it to mollify greed and ego rather than superstition.

    On a side note, I think the ego thing is huge for the RIAA and their cohorts. Their arrogance is megalomaniacal! I mean come on, RIAA, I don't want to download your precious britney spears crap that you spend the rest of your time shoving down my throat anyway. If I wanted that shit I could go to a freakin record store. And it's not like I can't hear it for free on the radio!

    No, the beauty and significance of Napster in its prime -- a truly unfettered p2p network -- was not that kids could get for free the stuff that they continued to spend millions on through t-shirts, concerts, etc. It was the fact that at any time, you could be in a conversation about the blues and mention Ethyl Waters or Ida Fox, and you were just a few clicks away from being able to actually listen to the songs you probably wouldn't even be able to find at a record store if you tried. Imagine being able to do that with the library of congress! Or all of film history! Yes, it's true, the entertainment companies will no longer be able to rely on big multimillion dollar stars in order to retain their domination of public consciousness, but is that a bad thing? Think about it.