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The Amazing Adventures of Kavalier and Clay
As someone who grew up reading comics during the Silver Age of Comics (approximately 1958 - 1970 or so), I was fortunate to own, read, and come to love the comics from the Golden Age (approximately 1939 - 1949 or so). Michael Chabon's novel spans the years from 1939 through the mid-fifties and comic books are the thematic motif he uses as a vehicle to explore that time and that jaw-dropping social innocence. Anyone who has even a passing interest in comic books and their origin will enjoy this book. In it, Chabon creates a convincing parallel universe that includes a historical facsimile of what the Golden Age of Comic books may have been like.
This is a book that explores the very big ideas of human transformation, Jewish mysticism, and the subtle variations on the concept of escape, all sugar-coated in rich layers of wishful but impossible remembrance.
The setting of the book is a mythical New York City. Chabon revisits The Empire State Building - home of Empire comics, the General Motors pavilion of the World's Fair (1939), and a Naval base in Antarctica.
Our first hero, Samuel Louis Klayman (Clay) may as well be the skinny boy we all remember from the body building ads that illustrated a bully kicking sand into the boy's face as the ad exclaimed, "Tired of being picked on?". Clay is described as, "seventeen when the adventures began: big-mouthed, perhaps not quite as quick on his feet as he liked to imagine, and tending to be, like many optimists, a little excitable. He was not in any conventional way, handsome.", "He slouched, and wore clothes badly; he always looked as though he had just been jumped for his lunch money.", and "...an omnivorous reader...". Clay is an inventory clerk at Empire Novelties Incorporated Company who occasionally gets, "to do an illustration" for an ad.
Josef Kavalier, on the other hand, is Clay's cousin who, in 1939, escapes from German occupied Prague via Asia, Japan, and finally San Francisco to Brooklyn, NY. Josef arrives believing that Sam is a commercial artist who can get him a job doing the same thing.
Joe is older than Sam. He is nearly nineteen and his hobby is stage magic and it is learned from Bernard Kornblum, "an 'eastern Jew, bone-thin, with a bushy red-beard". It is Kornblum who smuggles Josef Kavalier out of Prague along with the clay body of a giant-sized, androgynous Golem disguised as a cadaver. The Golem's casket is Joe's first significant escape. The character of Josef Kavalier will remind older readers of Jerzy Kozinski, author of The Painted Bird whose late night television appearances in the 1960's recounted his own talent for hiding from the authorities.
Once Sammy discovers Joe's ability to draw, he announces, "... I'll tell you what. I'm going to do better than just get you a job drawing the Gravmonica Friction-Powered Mouth Organ, all right? I'm going to get us into the big money." From here on forward, the young men team up to become Kavalier and Clay. The analogy to Golden Age comic's masters such as Simon and Kirby, Siegel and Shuster, and others is unmistakable and, in the hands of Chabon becomes a transcendent metafiction that is replete with real and manufactured historical acknowledgments that will have many readers rubbing their chins in admiration of the precision of Chabon's clever inventions.
Kavalier and Clay create a comic book character called The Escapist. Their comic quickly rivals the economic success of Superman and Captain Marvel. In the hands of Kavalier and Clay The Escapist becomes a vehicle through which Joe Kavalier expresses his hatred of Hitler and all things Nazi. Chabon uses The Escapist comic book as a vehicle to meticulously describe the historical development most comic book heroes explored from the early forties until the Congressional hearings that challenged the influence of comics on children and eventually, temporarily, censored the industry.
Concurrent to describing the evolution of The Escapist from comic book sensation to radio show and product merchandising windfall, Chabon traces Kavalier and Clay as their lives are woven by their venture.
The third, main character is Rosa Saks who is first a model for Joe Kavalier, then lover, and eventually a romance comic book creator. In a perfectly plausible subplot, she first engages Joe Kavalier to underwrite the cost of helping Jewish children escape from occupied territories on a ship called the Ark of Miriam in an effort to save his own brother Thomas.
Rosa also becomes the inspiration for The Luna Moth, a female superhero comic book that expanded the number of titles Kavalier and Clay created. "Luna Moth was a creature of the night, of the Other Worlds, of mystic regions where evil worked by means of spells and curses instead of bullets, torpedoes, or shells. Luna fought in the wonderworld against specters and demons, and defended all us unsuspecting dreamers against attack from the dark realms of sleep." Rosa falls in love with Joe as his art blossoms in The Luna Moth. A footnote informs us that, "Thirty years later" The Weird Worlds of the Luna Moth "quickly became a head-shop bestseller".
Sam Clay, on the other hand, discovers his homosexual preference. Through Sam Clay, Chabon explores the social mores of that time and masterfully examines the topic as a third rail subject pertaining to the comics industry.
Further adventures and life complications evolve these characters - too many to describe without spoiling the fun of reading. This is an entirely pleasant and entertaining book that is nothing more or less than a light, leisurely read assuming you have an interest in the general topic or historical period.
I will add that, like the comics of that time, there is nothing heavy about the reading despite the introduction and resolution of a remarkable pastiche of sublime themes and subplots. These are all handled with a genuine love and thorough understanding of the subject matter.
In an Author's Note, Chabon closes with this remark, "Finally, I want to acknowledge the deep debt I owe in this and everything else I've ever written to the work of the late Jack Kirby, the King of Comics." The book is a wonderful tribute.
Michael Chabon's website is: http://www.michaelchabon.com/ and well worth a visit.
You can purchase The Amazing Adventures of Kavalier and Clay from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.
Just a correction ...
The book won the Pulitzer. The Nobel Proze is generally given for a body of lifetime work.
/
http://www.pulitzer.org/year/2001/fiction/works
When was the last time /. posted a review thatwas anything but glowingly positive? Everytime something goes up, it's either "Excellent" or "9/10"? Where are warnings: "Avoid this like the plague"? Reviews shouldn't just be "This was very very very good and everyone should read it"...
Just so you know, the Pulitzer is awarded to an author for an individual work that author has done. The Nobel prize for literature is awarded to an author to recognize his achievements over a long career.
I have a copy of Kavalier and Clay on my shelf, waiting to be read as soon as the semester is over. I read his Mysteries of Pittsburgh some time ago, though, and I must say that he is one of the most comelling novelists whose work I've had the pleasure to read. Mysteries was a book with a plot and characters so ordinary that it was all extrordinary. The characters were smart and compelling, and all so sympathetic that I was rooting for both ends of the very bizare love triangle that was the center of the book. There really are not enough good things that I can say either about Chabon or the book. I fully recommend that anyone interested in him pick up Mysteries of Pittsburgh too.
Wadam.
http://wadam.blogspot.com
I whole-heartedly recommend this book to anyone, especially if you have ever had an interest in comics. Chabon is a very talented author, and this is his best work (so far). I have heard rumors that he will be writing the screenplay for the next Spiderman movie as well... which would be a very, very good thing.
I'd say this probably isn't the timeliest of book reviews, however well-written it is (the review is very good, the book, outstanding). This book was first published in the fall of 2000, and fiction has a relatively short shelf life. Most of the people who would be interested in this book have probably already read it.
His other two "major" novels, The Mysteries of Pittsburgh and Wonder Boys were also first-rate. His current effort is for younger readers, it's called Summerland. It's on my "to read" list.
-- Josh Turiel
"2. Do not eat iPod Shuffle."
It's an epic tale, with characters who engaged my interest far beyond my completion of the novel - I even named the computers on my network after them (I'm such a geek).
You don't need to be interested in comics to enjoy the story (I've recommended it to several people, including my wife, who have all enjoyed it). You've got youth, mystery, sex (of all sorts), death, middle age, innocence, corruption, politics, and more; there's something in it for just about anybody.
My only complaint is that it's so well written, you don't want to put it down, but the length of the book precludes reading it one sitting.
If you're thinking of buying a technical book, it's well worth your while to check out its ACCU review just in case it turns out to be a stinker.
Here's an example of a "not recommended" review.
here's a "highly recommended" review.
I don't expect that the ACCU will be reviewing works of fiction, but they do reviews on quite a wide variety of subjects and not just C and C++.
The ACCU has some great mailing lists too. If you program in C, C++, C# or Java, you really should join.
Request your free CD of my piano music.
I will add that, like the comics of that time, there is nothing heavy about the reading despite the introduction and resolution of a remarkable pastiche of sublime themes and subplots.
While I enjoyed the book immensely, I certainly would not call it an easy read. My advice on this one is to keep a good dictionary nearby while you read.
I like to think that I have a fairly large vocabulary, but reading this book humbled me.
I read the book soon after it came out (and it's been out for awhile), and I thought the first half of it was excellent. Chabon's style and tone reminded me of Kerouac's The Town and the City (one of my favorites). But...I thought the second half (beginning with the scenes in Antarctica IIRC) slowed down considerably, and I actually struggled to finish the book.
I've got a soft spot for Chabon, as he went to school in my hometown, and his first book is set in the 'burgh.
Whereof we cannot speak, thereof we must be silent. --Ludwig Wittgenstein
Agreed. Kavalier and Clay works on many, many levels. The world of comic books is used as a brillaint allegorical device to advance the true nature of the work.
Fundamentally, both of the main characters are incomplete and ineffectual alone, but together they form a perfect whole. The task of both Kavalier and Clay is to become complete indviduals. At it's simplest, Kavalier the artist and Clay the writer, join to create a complete work, The Escapist.
Further, is the recurring theme of the Golem (a man mad of clay). Kavalier, uses the Golem to escape Nazi occupied Eastern Europe. But then continues to use the man of Clay (note the capital C) to succeed in America.
Clay, on the other hand, is only able to assert himself and use his natural brialliance when joined with the talented, worldly, and handsome Kavalier. Whenever, this bond is loosened Clay is simply buffeted around by events.
Finally, we must look at the primary comic book character they created, The Escapist. An amalgam of the two men; The Escapist blends the skills (magic) of Kavalier, and the desires (Escapism) of Clay.
This complex novel of growth is mirrored by the world of comic books, from the original juvenalia of the early 30's to the complex (some thought dangerous) works of the 50's.
When war sunders the partnership, both men wallow. Clay in suburbia and Kavalier in the Antartic and later New York. Finally, there is an explosive moment of growth. Clay acknowledges his homosexuality, rejects his dependence on others, (vindicates himself and the comic book industry), and pursues a career in Hollywood. Kavalier, returns to the woman he loves (who ultimately "completes him" (sorry)). And the Golem is undone.
This book is enjoyable at the surface in showing the golden age of comic books (even Stan Lee makes an appearance) and WWII America, but it's a disservice to the author and yourself to not look deeper. I have made only the slightest scratch (possibly wrong) in this complex work. Enjoy.
Branch out! Don't be a stereotype and enjoy all things geeky.
How nice to read a well written book review for once.
However, I'd like to highlight something I think was treated rather lightly. This book, though fiction, provides an amazing look at societal mores of the period. It crosses back and forth over so many cultures, classes, and cliques. It is colorful and thought provoking.
Also, if you do allow yourself to ponder the issues presented and not just focus on the fun easy read that it can be, be prepared for the very sad life of Kavalier. A young Jewish refuge of WWII forced to abandon his family in Europe. It is Chabon's masterfully touching portrayal of this man without falling into the easy (cheap) over dramatization of war victims (WWII victims in particular) that earned him the Pulitzer. It is an amazing study of a horrifying situation which so many people find themselves in as a result of war.
I read this book a few months ago. I actually picked it up at an airport bookstore almost two years ago, attracted to the faux-worn artwork and the faux comic book back cover, but didn't open it until recently. It wasn't what I expected. I thought it started a little slow, but I soon realized it has a very deliberate and well-timed pace. I was quickly drawn into the story and what I want to say here is that Chabon's sheer absolute knowledge of the times, the neighborhoods, the buildings, the people, the clothing, eastern Europe, languages -- and oh yeah, comic books, helps to create an entire world. The story is light, even when it gets a little deep. I felt as if I was entering another world and was repeatedly surprised at how complete it felt.
Check it out!
Towards the end of the event he told us an anecdote about losing a child to miscarriage, and how in the aftermath of that misfortune he was lying in bed with his youngest son, stroking his hair and painfully aware of how precious he was. His son, completely unaware of his father's tenderness just then, looked up at him and said: I smell STINKY. Stinky's up your nose!!
It seems that the whole Slashdot crowd (or at least those that read the book) love it. Which is fine, but perhaps there are more people like myself who didn't find the book to be all that.
I read the book because it was being discussed on Plastic and I needed a book to read (I always need a book to read). Being a fairly big comic book geek helped as well.
That being said, I didn't find the book very good at all. Maybe it was because I was reading it in the middle of a David Foster Wallace binge (now there's an author), but the characters didn't seem interesting enough. Sure Joseph was cool, but he was too out there, too remote. Sammy's homosexuality also seemed forced. I have no objection to including a gay character, but it could have been handled better (like Apollo and The Midnighter's were in The Authority), it just seemed to cliched.
For a book that dealt with a lot of emotional issues and relationships I found the book to be flat.
But that could just be me.
Since your UID is smaller than mine, I can only conclude that you're trolling. -s20451 (410424)
I also loved this book, but I have to disagree with those who found the beginning slow going. Maybe it's because it touches on me directly (my parents were Czechoslovak Jews who have pretty amazing stories of their own of surviving the same time and place), and maybe it's because I'm fascinated (as Norbert Weiner was) with Golem stories as precursors of robot stories, but I thought the first part was by far the best, and was waiting in vain for the book's reality to blur again into magical fantasy later in the book. The first part was oddly different from the rest, but I thought it was utterly wonderful. It also raises the question of whether the Golem stories are the mystical Judaism precursors of the Superman-type stories, too. If you find superhero comics worth thinking about, this is hardly beside the point.
mt
Hahahahah. Yeah. I think the Nobel Prize for fiction went to those cold fusion guys...
I read this book almost 2 years ago now. I had actually forgotten about it. But now that I remember, I can recall a bit of how it really made me smile at points.
It's an excellent read, although it seemed a little light to me. Not exactly like reading a Tolstoy novel. It was much more simplistic in its language. But overall, I don't regret for a second the $20 I plunked down for the hardcover.
Go read it!
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