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O'Reilly Pushing Founder's Copyright System

alansz writes "The O'Reilly and Associates Open Books Project has been around for a while, and I've just received a letter from Tim about the next step" Read on if you are interested in the creative commons, and how O'Reilly authors are being asked to take part. Alansz continues, "ORA authors are being encouraged to allow ORA to self-limit their copyright to the Founders' Copyright (14 years with one 14-year extension possible), and to allow ORA to distribute their out-of-print (or post-Founder's Copyright) books to the public using the Creative Commons Attribution license (you can freely copy and distribute the work and derivatives, as long as you attribute the work to the author and ORA). Author agreement is required in order for ORA to transfer rights to Creative Commons.

The letter included a handy FAQ about author options (allow assignment to Creative Commons, stick with the usual maximum copyright deal, or have three months to try to find another publisher when the book goes out-of-print and allow assignment to CC if you don't). The letter also notes that different editions of books count as different works, so your latest edition can still be selling commercially and earlier editions can be released as open books.

(For my out-of-print ORA book, I'm going to allow them to assign the rights to CC and make it freely available. It's great to see a publisher thinking about copyright this way, but it's no more than I'd expect from the good folks at ORA.)"

12 of 134 comments (clear)

  1. Software by squiggleslash · · Score: 5, Interesting

    It's kind of surprising little encouragement is given to the release of software under these terms. I suspect most software companies would have no problem with copyright lasting a maximum of 30 or so years. Most software seems to reach the end of its shelflife within five years of release.

    --
    You are not alone. This is not normal. None of this is normal.
  2. Think Id by absurdhero · · Score: 5, Interesting

    It is pretty cool that another well known company found a way to get something out of a copyleft licensing scheme. This reminds me Id Software's similar strategy of Freeing their games after they get a bit out of date but are still useful. O'Reilly is attempting to do the same thing with books.
    One more reason why I like O'Reilly :)

  3. It's things like this by Eezy+Bordone · · Score: 5, Interesting

    That make me think not every company is a money leech. O'reilly has some awesome products and it's good to see them putting them out there for anyone (with a PC at least to start the cycle) to use.

    --

    -EB

    Do you ever walk alone like a drifter in the dark?

  4. It would be great... by Gortbusters.org · · Score: 5, Interesting

    To start seeing a lot of old books appear online. It would create an easy way to do research, i.e. have a virtual library.

    How many times have you picked up a book for a research paper and it was dated from the 60s or 70s?

    Even then, I doubt that many people will get the extension... so we're talking 80 and soon to be 90s.

    --
    --------
    Free your mind.
    1. Re:It would be great... by HBI · · Score: 5, Interesting

      I wonder how many older works are going to simply disappear due to fear of copyright infringement.

      I feel quite certain that many books from the 30's and 40's are probably gone forever. No one has translated them into online form, and the bindings are cracking and the books are going into the trash.

      I did some library cleaning in the early 80's and disposed of a treasure trove of books from this era under instructions from the military school I was getting an education from. The argument was "they are old and obsolete". Wish I could have saved them all.

      --
      HBI's Law: Frequency of calling others Nazis is directly correlated with the likelihood of the accuser being Communist.
  5. Copyright trade by koll64 · · Score: 4, Interesting

    From my point of view, the whole issue about copyrighting is questionable because people are applying same rules as they are for money.

    Money is simplyfing things, of course, but the question is, if the thing which you trade for the money rather than for things you produce yourself, has the anymore same quality or will it become something different.

    Trading just things is easy, object remains object even after trade, you can still preted that it is _really_ the same object.

    Ideas are more flexible and their base value can change far more radically.

  6. Ambivalence by weston · · Score: 4, Interesting

    I'm a bit ambivalent about this... on one hand, I like the idea of open flow of information, and think copyright periods could definitely be cut down. What the public gets out of the copyright "bargain" now is clearly less and less, and if you can't turn a good profit from a single edition of a book inside of 2-3 decades, another 4-6 decades isn't going to help (and if you can, profit in 2-3, don't just sit and coast on that).

    But under two decades.... I don't know. For one thing, if I wrote something famous, I'd want control over it long enough for a perception of it to soak into collective consciousness before it got Disney-raped or something. For another, the more substantial you make the time period you have copyright, the more you can recover risk/opportunity costs associated with a work -- or other works that didn't make it (indefinite or 75 years is waaay too long, but I don't think 30 is).

    1. Re:Ambivalence by weston · · Score: 4, Interesting

      I think 14 years is *plenty* of time for a copyright holder to hold control of permission over their work.

      My perspective is...if I'm an author, then I'm not going to be sitting on my hands for 14 years, soaking up the control-trip...I'll be writing more things along the way.


      Absolutely agree in the "sit on your hands" argument. The thing I'm anticipating... while it doesn't take much time to achieve modest success with a work, it takes a while for it to permeate most of society. So there's some financial concern with that, yes, but my bigger concern is creative/artistic. OK, so, say I'm Victor Hugo (even though there's no resemblance), and I'm just getting started and write this "Hunchback of Notre Dame" novel. It's not quite as accessible as, say, your average John Grisham novel, but it's pretty good, and a number of people like it. Disney, wanting new material, decides they like it too. They ask for film rights. I say, OK, but insist on preserving character of the book. They hum and haw, then decide they don't like me. A few years later, the copyright goes, and they do whatever they like. Mass-marketed and watered down, it goes to screen. Lots of people who might have actually liked the book the way it was get a different impression of what the story is, and decide never to pick it up.

      If the copyright is longer, the idea of the book has more time to permeate society, so people can at least compare....

      Or imagine you're Michael Crichton, and you have these books called "Jurassic Park" or "The Lost World"... oh. wait.

  7. When does the copyright on Open Source expire? by vadim_t · · Score: 5, Interesting

    This is what I've been wondering for a while. Say I write a program, and in X years it becomes public domain. But what happens with things like the Linux kernel? Will it ever become public domain, or copyright will last until people stop updating it for X years?

  8. Incredibly true by avignonpieta · · Score: 4, Interesting
    I couldn't say I feel more strongly about something. Before attending university, I decided to save money by taking general education and non-CS classes at a local community college. When I walked into the college bookstore with my checkbook, I looked at the books I was going to buy, and realized that I would have to take out a loan to cover the expenses! I ended up actually having to borrow about 300 dollars a quarter just to stretch my budget enough to cover each quarter's books. If only an ORA edition of Gardner's Art through the Ages was available...

    I can't count the number of times, I have gone to the bookstore, seen a topic of some interest, and then been completely destroyed by the price of the book.

    Computer books, anyone? Especially those with CDs...

  9. Free book cost real money (for us) by eggboard · · Score: 5, Interesting

    Interesting to see this story, because I just had a disaster in giving away the electronic edition of Real World Adobe GoLive 6. Peachpit Press published the book in March 2002, and we had the rights to release it electronically, for fee or free, and with the sales of the title low, we decided to give it away.

    Unfortunately, I hosted the book on a server run by a friend at a Level 3 co-location, which charges by the 9th busiest hour. In 36 hours, we had 10,000 downloads of an average of 20 Mb each. Right. So we hit potentially a $15,000 bill for the ninth busiest hour being 16 Mbps (the first 1 Mbps was included in his monthly bill).

    So I'm screwed here, of course, and trying to raise a dollar or two from folks who downloaded the book and found it useful. We don't know the final bill, and we don't know whether Level 3 will negotiate. This is more like a natural disaster than a business decision.

    If I'd been smart, of course, I would have distributed the download to many sites with no bandwidth fees or limited numbers of simultaneous users. I just thought we'd get a few hundred downloads. Not 10,000.

    --
    Freelance tech journalist for the Economist, MIT Technology Review, Macworld, and others
  10. Knuth by nagora · · Score: 4, Interesting
    I wonder what Knuth would think of this; he's one author in computing that would be affected by this; many (including ORA's) would not.

    TWW

    --
    "Encyclopedia" is to "Wikipedia" what "Library" is to "Some people at a bus stop"