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Matrix Gets Egyptian Ban For Explicit Religion
pajor writes "BBC News is reporting that that The Matrix Reloaded has been banned in Egypt. The country's censorship board cited violence which might 'harm social peace', but also said the 'religious themes' of the film's storyline, about the search for the creator and control of the human race, may cause 'crises'. A statement said: 'Despite the high technology and fabulous effects of the movie, it explicitly handles the issue of existence and creation, which are related to the three divine religions, which we all respect and believe in.'"
North America: Neo kicks the crap out of someone and then gives a passionate kiss to Trinity. R-rated for explicit sex.
Europe: Neo kicks the crap out of someone and then says: "Oh fuck! Zion again. It's such a shitty place". British Board Of Film Censors (in 1984 renamed to British Board Of Film Classifiication, conveniently keeping the old acronym) gives it "restricted" rating for continuing use of strong language.
Arabian States: Neo kicks the crap out of someone and then says: "Oh God! Zion again". Egyptian censors ban this film for explicit religious message
It seems that the only thing all cultures of the Earth can unanimously agree to is kicking the crap out of someone...
Umm....I realize the Islamic press has a tendency to describe everything from America as Zionist...but in this case...
You realize that the movie portrays the "last hope of humanity" as a city known as Zion, whose inhabitants are the result of a gradual migration and represent the forces of good, besieged by the forces of evil that surround them.
So yeah, I can see how it could be viewed as promoting Zionist beliefs.
There's no such rating as 'restricted', unless you meant R18.
:-)
:-)
Indeed
However both The Matrix and The Matrix Reloaded were passed 15.
And that's why there is no "motherfucker" in the scene where Trinity is supposed to say "Dodge this, motherfucker!"; contrary to the script, she just says "dodge this!"
And then again, shooting someone in the head is acceptable; you just cannot call him "motherfucker" while doing this. Am I the only person who considers it a little bit weird?
... and obvious, that there is much to be learned by the Western/American {there is no difference any more} constituency of /., about the ways of the world.
... even 'spiritual inspiration for living' from this media rather than ... say ... other media such as the Koran or The Bible.
Honestly, I was shocked to see so many posts along the line of "Egypt sucks, what a lame country, how weak"...
Matrix is widely regarded as an allegorical story, pitched in modern technological terms, regarding the lost races of Zion and the Jewish struggle for freedom. If you don't know that Zion is not just a place in a ass-kick movie with 3D effects, then I suggest you put google to use and learn just *WHY* the name "Zion" has so much stigma associated with it, and why many firmly believe that the Zionist movement is a destructive one for the human race as a whole.
Egypt is a very, very, very religiously fervent land. In Egypt, religion is actually more important to the general populace than the ability to be sitting on your ass in a dark theatre like a vegetable, being placated by wonderous 'miracles' of technology, being delivered a sermon on modern living by the modern Western priesthood (Hollywood).
For many people in Egypt, religion is a way of life, not just something you buy a ticket for on the weekends.
Americans think that "The Matrix" is just entertainment, and to their culture, an integrated part of the entire experience of being "Free".
Actually, from an objective view, Hollywood *is* the American Religion in that many modern Americans formulate their personal views, moral conviction, and yes
There is little difference between the Matrix-nerd waxing philosophical about 'the meaning of a film called Matrix' and a devout Muslim who holds a firm belief in the wisdom of Allah.
Really, very little difference whatsoever - both are using cultural mechanisms to bring some bearing of significance to their lives.
If the Egyptian government, in deciding not to allow this film to play among its populace, is doing so in order to protect its culture from strife - and nobody knows better than the Egyptians how cultural memes can cause strife - then in so doing it is no different than the US Government, deciding that 'digital rights' should be enforced and rigorously protected in order to safeguard its economy.
Remember this:
Just because Egyptians do not worship your gods, does not make them worthy of ridicule.
; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
The capital of the survivors in the Matrix is called "Zion" - the name of the mythical Jewish homeland. Egypt has been at war with Israel not too long ago, and there is huge resentment towards Israel because of the occupation of Palestine.
It would be the same if there was a major movie released in America where the hero's name just happened to be 'Osama Bin Laden' (not that I'm drawing any significants comparison). Of course there would be uproar, and the movie would not be shown by most theatres regardless of it's artistic quality.
That... or how the hell he stopped the squidies when he was OUT of the Matrix (or so we thought)
Your observation they are still inside the Matrix is correct, backed up by several other events in the movie. Some of them are really subtle and I cannot recall. One is not so subtle and quite memorable:
The spoon bender in the first movie insisted "there is no spoon". Why is there no spoon? Because they are in the Matrix. The spoon becomes a symbol at this point for what does not exist as a result of where they are. The boy gives Neo another spoon as he's leaving Zion, but he does not change his message. He simply gives him the spoon. The message is unchanged: "there is no spoon", ergo, you're still inside the Matrix.
I think most people will agree, given that and the Sentinal scene in the end where Neo loses consciousness, that people in Zion are still inside the Matrix. Neo, having mastered control over Matrix reality, is "beginning to believe" here as well. How he might have realized this, I do not have any theory on. This concept will be crutial later on because I think it will apply to Agent Smith as well.
What's really going to bake your noodle is why do the machines need to destroy Zion with a conventional attack? They literally allow Zion to be created, fight with it for a while, then eventually send a massive army to wipe it out. If the machines controlled the Matrix, why not just "delete" Zion?
The answer? I believe that both the machines AND humans are trapped inside of a Matrix. Both of them are enslaved!
Think about what the Oracle said to Neo when they were talking about how he could trust her. Neo asks, "why are you helping us?" She replies, "I'm interested in one thing Neo, the future. And I know, the only way to get there is together."
From this I conclude that while there are some humans that realize their reality is fake, there are some programs that realize the same thing. Somehow there needs to be a collaboration between the two if they are somehow to free themselves.
There's some support for this in the teaser trailer.
You see an army of Agent Smiths that appear to be standing in the surface desert, with hover craft surrounding them. If Smith is merely a Matrix construct, how can he exist in the "real world"?
There is a scene with Neo and Smith fighting where they hit each other and both fly back. Amidst this, a shot is inserted of Morpheus stating with much shock and disbelief: "he fights for us!?"
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In the living quarters area of Zion all of the area around the door frames are painted blood red. This struck me as an obvious reference to the passover. The residents of Zion are waiting to be delivered from the machines and have marked their doors. So if residents of Zion == Jews escaping Eqypt, then the machines == Egyptians.
One can see how this film got banned in Egypt if the force that keeps nearly all of humanity enslaved is equated with their country. Not the most mature attitude, but you can see how this would happen.
Interestingly, in the Animatrix, there are scenes straight out of the Ten Commandments in which the machines are depicted as the Jewish slaves, building pyramids, and the humans as the Egyptian slave drivers. I wonder if the Animatrix is banned as well.
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Probably too late for this to get noticed (7 hours is an eternity in slashdot time), but here goes: Regardless of what the official reason for the ban is (religion, etc.), the real reason is the constant and sympathetic reference to 'Zion' in the movie. In the real world, 'Zion' refers either to the "Jewish people" or "the Jewish homeland that is symbolic of Judaism or of Jewish national aspiration" [Merriam-Webster] (i.e., Israel in modern times). The (very real, 100+ year old) ideology of 'Zionism' didn't get that name for nothing. So this has little to do with pissing off fundamentalists or offending religious sensibilities, and a lot to do with pissing off the general population of Egypt, who are already susceptible to conspiracy theories of Jews controlling Hollywood (and the White House). As evidence of my explanation, I'd like to point out that Speilberg's excellent _Schindler's List_ was also banned in Egypt, ostensibly on the grounds that 'editing out the sex scenes would endanger the artistic integrity of the movie', or some such bull, when of course the real reason was the sympathetic portrayal of Jews. Finally, I'd like to point out that the movie will probably be widely available in VCD/DivX format, and will be watched by many on computer screens in Egypt. The government doesn't really bother enforcing censorship at that level, because all they want is to have *their* hands clean of officially permitting the showing of a 'pro-Israel' movie.
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