Nobel Prize Winners on Sci-Fi Flicks
scientistguy writes "In case you missed it, Harold Varmus, Nobel prize winning retrovirologist and cancer biologist, former NIH director, and current
head of Memorial
Sloan-Kettering Cancer Center, has written a review
of 28 Days Later
in this weekend's New
York Times. One would think
that his time is more valuably spent running important medical institutions,
searching for new cancer insights/cures, etc, but the dude's also an English lit major and has a penchant for
sci-fi. 28 Days Later
is the new flick from director Danny Boyle (Shallow
Grave, Trainspotting, etc.) about a virus termed rage
that is advertently released from a Cambridge primate research facility and
goes on to devastate much of merry old England more rapidly than the dragons
did in Reign of Fire. Although Varmus appears to go out of
his way to be even handed, it's clear that he has a problem suspending disbelief on a
topic (virology) that is near and dear to him. Reviews from
professional movie critics on 28 Days
Later have been mixed, but Ebert
and another NY
Times reviewer were into it.
Good, clean summer fun - aside from 'the scenes
of maiming, dismemberment, clubbing, shooting, bayoneting and shoplifting'."
and the rare fact that this film was released in the UK last summer, making this rather old news for anyone in Blighty. Makes a change for us to get a film first, eh?
Visit Snowflake Showers
-----SPOILERS-----
Well, from the little that we're told, the chimps are under a drug regimen designed to *repress* the rage. So,
A.) The virus quiets down momentarily when the victim has satisfied the desire to attack (which matches the behavior of the "zombies" in the flick, who slow down and wander off after any confrontation)
or
B.) The chimp seeing the videos was being monitored for threshold levels or some such.
Remember, the researcher said (pretty much) that "we need to see the phenomenon to understand it"
Frankly, what little hope I had of reasonable consistency died when the lights were on in the supermarket.
Science this ain't. After all "all of Manchester" is burning down but London, with more old buildings and the same lack of controls has not a single fire, even WITH their blowing up a gas (sorry, "petrol") station. I was wondering about the lack of fires *way* before they showed the burning skyline.
It's a thrill flick, dude. You're not going to find the logical reason for everything. You'ld be better off trying to find logic in the sequence of stardates in early Star Trek episodes.
Rustin
Data is the lever, rigor the fulcrum, brains the force that drives it all.
In my opinion, the film was a wonderful Zombie film. It didn't get bogged down in trying to explain the how and why of the virus so it didn't bother me a bit. Not explaining the details also plays another role: it puts the audience into the same position as the characters. The characters don't give a flying damn about the details, they just want to survive.
The film manages to spook you but doesn't often give in to the common traps that most horror films fall into. Sure, some things are pretty obviously going to happen, but the film doesn't go for cliques(sp) which was a pleasant suprise. Of course, the differences between American and European film styles is quite clear, especially their repective attitudes towards violence and nudity.
Something else I should note was pointed out to me by my artisticly inclined friend, which was that the fact that it even made it over here to the states is a statement in and of itself. Most of their films don't make it over here for a theatrical release and are relegated to the foriegn film isle at the local rental store. The camera work is also different with some seemingly awkward angles that work well for the film. The music fits the mood of the film as well.
All in all, I highly recommend this film for Zombie film fans, and I can also recommend it to those who aren't really into zombie flicks since the plot is decent and they don't try to gross out the audience.
"They told me it was impossible. I replied with maniacal laughter." http://www.mydailyrant.com/
um, Frank left his credit card at the cash register before they left the store. And besides, everyone was dead anyway...which made the fact that he left his card kind of cool. What were they supposed to do, starve to death because there was no one alive to give the money to? Furthermore they only took necessities like food, medical supplies, and single malt scotch.
I always thought that The Omega Man was a remake of The Last Man on Earth (which I didn't realize was an Italian production), both of which were based on the work of Matheson: I Am Legend. Great book.
As if people reading Slashdot had a right to criticize anyone else about not working. :)
Heh. Yeah, this is yet another case of the old /. armchair-philanthropism. Whenever a story pops up wher some guy builds, say, an Atari 2600 emulator made of Legos, there's always a bunch of holier-than-thou jackasses who wonder aloud why the guy is wasting his time doing that when he could be "volunteering to teach children to read", or "helping build low-cost housing". What's the problem with those types? I personally think it's poorly-disguised self loathing. They haven't lifted so much as a finger to help anyone for years, so they criticize others for it. Sick bastards. Can't a guy go to a movie once in a while? Or does he have to sit in front of a Viro-Matic Analyzer all day just to please them?
If a job's not worth doing, it's not worth doing right.