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Freenet Creator Debates RIAA

smd4985 writes "Over at CNET News.com, there's a good coverage of a debate between Ian Clarke of Freenet and Matt Oppenheim of the RIAA." In discussing whether it's "legal and moral to create and use Freenet", which is "a radically decentralized network of file-sharing nodes tied together with strong encryption", the RIAA's Oppenheim suggests: "Other than the fact that most infringers do not like to use Freenet because it is too clunky for them to get their quick hit of free music, it is no more of a threat than any of the popular P2P services."

19 of 806 comments (clear)

  1. Propaganda over rationality. by ivan256 · · Score: 5, Interesting

    Some interesting comments in here...

    It seems that Mr. Oppenheim likes to contradict himself. Observe:

    He says: "By the way, the term "file swapping" is inaccurate. Nobody is swapping, people are making copies.", but later in the same paragraph says "Just as we would never agree that it is right to steal someone's clothes or furniture, it is not right to steal music." I think his second assumption is safe to make, but if he worded it in a way that was consistent with his earlier comment, would it still be as universally accepted? Sure people would protest if you stole their furniture, but would anybody see it as wrong if you copied their furniture? He's right about people breaking the law, but he should at least get his story straight.

    I also thought this was interesting:

    "Why should copyright holders, who as owners of intellectual property, have fewer rights than somebody who owns televisions or clothing and attempts to sell them? Clearly everyone would agree that the television and clothing retailers should be able to investigate and prosecute shoplifters."

    Sure, store owners should be allowed to prosecute shoplifters, but they have to catch them in the act. Nobody should be forced to produce a receipt for their stuff weeks later because the store thinks they're short an item and they have a security camera shot of you looking at it. The question really should be "Why should copyright holders have more rights than somebody who owns clothing or televisions and tries to sell them?"

    It seems that even when the RIAA is right (people really are breaking the law and infringing the rights offered to their members by copyright) their propaganda is more important to them than their real and legally defensible position.

    1. Re:Propaganda over rationality. by The+Only+Druid · · Score: 3, Interesting

      Actually, it happens to many people every year that they're asked to produce receipts to account for their physical property when someone believes they may have acquired it illegally. Its called an "audit" and the IRS does it every year.

      The difference is this: its actually rather difficult to shoplift anything besides books, CDs and other small objects. Those objects - the small stuff - are priced around this "shrinkage" (just ask anyone in retail) though, because of this. You cant shoplift a car, period. So, since stores know they only have to worry about small (size wise, not cost wise) they establish security mechanisms (such as RIDs, cameras, etc.) to try and prevent that shoplifting.

      Now, if you're a copyright holder, how do you do the same thing? If I were a storeowner, I can keep an eye, literally, on all my merchandise. You cant steal from me without being in my store. But with music and other file sharing/whatever you want to call it, you can steal from the copyright holders from anywhere that has internet access. Obviously, this means the only way to prevent theft of this sort is (a) DRM(ooooh, I hear the 'boos' from the /. audience), (b) surveillence of networks (impossible, really), (c) destruction of those networks over which sharing is done (also impossible, really) or something similar. Basically, as much as I dislike DRM in principle, it seems to be the only real way to protect the copyrights.

      There's one possible alternative: make it so cheap to acquire the material legally that functionally no one steals it. The Apple Music store is a step in this direction, but the resistance its facing from Artists (such as Linkin' Park, Alanis Morissette, etc.) and Lables (for reasons ranging from protection of the 'album' as a form of presentation by artists, to simple economic protection of markets) makes this quite difficult to accept as the solution.

      --
      "Stumble before you crawl"
    2. Re:Propaganda over rationality. by ivan256 · · Score: 4, Interesting

      First of all, do you honestly think that the RIAA is going to go door-to-door, and start demanding that people provide licenses for every piece of music they own? Are you really *that* stupid?

      The BSA is doing it today. Why is it a stretch to think the RIAA will be doing it tomorrow?

      Second of all, if a clothing store wanted to, it could go to your house, and say "show us the receipt for the shirt you're wearing or we'll take you to court," and if you didn't show them the receipt, they could file a lawsuit.

      If they want to force you to produce a reciept they have to convince a judge to force you to produce it. That probably won't happen.

      How are they gaining any rights? Anyone can take anyone to court for anything!

      Reading comprehension 101. The quote I was refering to is from an RIAA official who was implying that they needed more rights than they have now to investigate infringement. You have effectively argued my point for me. They have all the rights they need already. Now, stop being a fucking idiot and go annoy somebody else. (Was that up to your rudeness standards?)

  2. Check out Ian's journal by Anonymous Coward · · Score: 5, Interesting

    Right here on Slashdot.

  3. Good job they don't consider freenet a threat... by Realistic_Dragon · · Score: 3, Interesting

    ...as I use it to grab a lot of stuff. It would be a real pisser if they recognised what it could do to them and shut it down before it was (technically and mind share wise) ready to go underground.

    --
    Beep beep.
  4. How can freenet be immoral? by dobedobedew · · Score: 5, Interesting

    So freenet is an ethical dilemma? Next thing you know, we won't have our right of free speech!

    Oh wait, nevermind....

  5. Did the RIAA guy just admit P2P wasn't a problem? by KU_Fletch · · Score: 5, Interesting

    "it (Freenet) is no more of a threat than any of the popular P2P services."

    The tone of that statement seems to imply that P2P is not a threat to the RIAA... which seems contrary to their entire defense.

    I have to say, the Freenet guy came across very well in that debate since he was able to flow between humor and fact. The RIAA really needs to hire some PR people that don't seem so angry all the time. As long as they keep up this approach to PR, the more the public is going to go against them.

    --
    It's not stupid. It's advanced.
  6. Bye Bye Dinosaurs! by smd4985 · · Score: 5, Interesting

    I think Clarke really hits the nail on the head when he says:

    "Just as the motor car replaced the horse and cart, so will the Internet replace most of the roles performed by today's recording industry."

    The whole RIAA rant is useless because the RIAA is on its way to obsolesence. They can hip and holler all they want, but in 15 years they won't even exist. Even the legal system and/or Congress won't be able to protect them for long - we live in a capitalist society, and in the end efficiency rules.

    --
    smd4985
  7. Reverse that. by HanzoSan · · Score: 3, Interesting



    Do car companies sue you when you share your car with other people by giving people a lift? Do car companies require each person you give a ride to, to pay a license fee?

    I hate the fact that if we are going to treat information as physical property, that unlike real physical property, in which the person who buys it truely owns it, when it comes to information theres a double standard, the person who buys it actually is paying to listen to it, and its in a very strict fashion

    In my opinion no company has a right to tell you how to use something you paid for.

    --
    If you use Linux, please help development of Autopac
  8. Re:The RIAA is in over its head by Leffe · · Score: 3, Interesting

    Are there any networks where illegal activity is not exercised?

    I can not think of any right now. Is that a sign that the laws are wrong or that we are wrong? I would say that the laws are wrong, I actually enjoy pirating, it is great when you do not have anything to do. Just start a 800 Mb download and the afternoon is saved. Praise piracy!

  9. Re:And thats whats wrong. by Ravensfire · · Score: 3, Interesting

    So what gives you the right to take that music, and create a copy of it, and give, or sell, that copy to someone else? C'mon - that BS and you (ought) to know it.

    Now if they try to tell me that I can't create a copy of a CD for personal use - whole different story.

    --
    "But we decide which is right, and which is an illusion"
  10. Re:Speaking of rights. by bahamat · · Score: 5, Interesting

    Several years ago I bought a lot of CD's. Cranberries, Aerosmith, Queen, Alanis Morrisette, etc. Over the years the disks have gotten scratched/broken/otherwise unusable.

    Since it's the RIAA's alegation that I'm not buying music, I'm only buying a disk and acompaning license to play the music on the disk, I have paid legitimately for a licence to that music, so when the disk became unusable I retrieved my validly licensed content from the only available source, Napster.

    Blank CD's cost a quarter. If the RIAA had supplied me with an avenue to obtain a replacement copy of my damaged media I would have had no need for a file sharing service. Without them I would have had to pay for a second license (in which case one would assume that since I own two licences I could make enough copies to match the number of licenses I've obtained).

    Even Microsoft has a replacement media program. If your disks are damaged in some way and unusable you can send them to Redmond and they'll ship you another copy.

  11. And, by mindstrm · · Score: 3, Interesting

    as you will see, buying a CD in the store is NOT a "licensing" purchase, you sign no license agreement. IT's not about a license.. it's about COPYRIGHT LAW.

    Copyright law gives you some freedoms with the work you just purchased. You are not required to keep your proof of purchase around forever, sorry
    we're not talking about corporate software licensing here, we're talking about buying cds and records in the store, which is a standard, normal sale...

    I repeat, there is no license agreement... implied or otherwise. The only reason you cannot make copies of the product you bought and sell them to others is because copyright law says you can't, as you aren't the holder of the copyright.

    Let me repeat that. I don't have to keep my receipts around. I can make a copy of a CD I bought, and throw the original in the garbage. I'm not breaking some law.

  12. Re:stealing bibles? by be-fan · · Score: 3, Interesting

    Interestingly, if the Bible was subject to the same draconian, everlasting copyright laws we have in the US, nobody would remember Christianity today!

    --
    A deep unwavering belief is a sure sign you're missing something...
  13. How late can the Music Industry be? 5 years + ? by djdavetrouble · · Score: 3, Interesting

    I have been saying this for years now, The music industry had its wake up call years ago that people WANT digital delivery of music. They have failed and failed repeatedly to bring such a system. Finally, Apple has taken a step in the right direction. It has been shown that people will sacrifice quality for convenience (witness the unbounded success of lossy algorithms such as mp3 and ogg).

    I may be alone, but i believe that people would spend considerable money to download music. First, the price must be right. 99 cents for a song sounds pretty damn good to me. 50 cents sounds even better.

    As a lifelong music collector with over 50 crates of vinyl albums (no idea how many that is) and at least 100 gigabytes of mp3's, I can say that If such a system was in place, I would gladly pay to purchase digital music. I am not trying to cheat the system when I download music, I am trying to avoid ripping the vinyl that I have purchased. Vinyl must be ripped in real time. I could never rip my whole collection. It is just impossible.

    My parents would pay for downloaded music. My sister would pay for downloaded music. My friends would.....

    RIAA why are you wasting time going after these people. Present the world with a legitimate alternative and draw the line between criminals and law abiding downloaders.

    Piracy hasn't hurt microsoft one bit. There will always be pirates and theives. You are not trying to sell product to them. The lord knows that I would rather pay for a .flac file than download a crap ass mp3.

    Yet here we are, 5 years down the road from napster, and a computer company has taken the initiative that the music industry is frighened to death of.

    This is just further evidence that no matter how great the art form is, the BUSINESS of music SUCKS!

    In the immortal words of Q-Tip
    Industry Rule #5080 : Record company people are shady.

    --
    music lover since 1969
  14. A pox on both yer houses... by jpellino · · Score: 3, Interesting

    There are holes in both sides' arguments.

    If Freenet thinks its main role is going to be making nice things happen in China, and saving pregnant teens, he's either the most naive technologist who ever stepped into the sun, or he wins the Eddie Haskell award.

    If the RIAA thinks they can find everyone, they're just as naive. They do have the law on their side on the face of it - and I would rather they find a way to pay-and-get in a modern fashion than bullying the world out of bad habits.

    The videotape/VCR analogy loses here because you have to ship tapes around and make them in real time - it is economically obnoxious to do so, so everyone has a vcr, everyone tapes off the air / time shift views and virtually nobody ships tapes around to from their homes to anyone who wants it. The rental system does what we need in that regard.

    So far, Apple's got it about as right as anyone has - we'll see if people actually will support it though - in this way the whole how-do-i-get-digital-music thing is rather like 'the prisoners' dilemma' - cooperate/gain a little and everyone gets someting - default, steal, cheat, or get greedy, and everyon gets screwed.

    --
    "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
  15. Re:Really, Mr. Oppenheimer? by Celandro · · Score: 3, Interesting

    The main flaw in your arguement is that you believe industry will work together. The desires of bandwidth providers and the entertainment industry are directly opposed to each other. File sharing sells bandwidth. It is the killer application of broadband. Just pay your $40 a month and get all the music (and eventually movies) you could ever want for free! The broadband providers have to rely on word of mouth for this for legal reasons but would love to be able to go with the Apple rip/mix/burn (err pirate/burn?) slogan.

    The recording industry has every sign of being a dying industry trying everything it can to milk out a few more years of profit before collapsing into a state noone would recognize. Suing individuals is a horrid idea that will not help sell their music.

    As far as actually being able to keep bandwidth down, it is a horrible idea that will make the US fall farther behind the Asian markets in economic terms. If you have to kill the entertainment industry in order to allow people the bandwidth to do interesting things on the internet, so be it. The US will eventually have the bandwidth the Koreans enjoy, just hope for all our sakes that it doesnt take too long or we will lose our status as the economic powerhouse of the world.

  16. Re:The RIAA is in over its head - WHAT? by Nom+du+Keyboard · · Score: 4, Interesting
    they'll place a few kinds of watermarks on each song if they're smart. Once you rip and distribute, you create a trail, and all the RIAA needs

    Excuse me, but...hypothetically (don't try this at home kids) I go to a CD store and buy the top CD for cash. Then I come home, rip it using (take your pick) direct digital rip, analogue hole, special software to bypass copy-protection, take your pick, and place the results out on all 57 or so P2P networks. You can't miss that it's out there and rapidly proliferating faster than you can trace.

    How does any watermark in existance trace that mass produced piece of silver plastic back to me?

    I didn't even mention that I cut this baby lose using the local WiFi hotspot while enjoying an extra large cup of coffee with endless free refills.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  17. Re:Speaking of rights. by SeanAhern · · Score: 3, Interesting
    Technically, you have a blanket license to make home copies of music. And you're paying the artists when you do so. Check out this pdf, entitled: The Audio Home Recording Act of 1992: A Digital Dead Duck, or Finally Coming Home to Roost?

    While I have not read the document in its entirety, I would like to draw your attention to a particular portion:
    In order to establish some way to compensate copyright owners for digital home copying of their recordings and musical compositions, Congress created a compulsory licensing scheme. It is compulsory because the copyright owners must permit some digital (and unlimited analog) home copying of their works. It is a license because permission to make the copies is given through the manufacturers of the blank media and recording devices. Since it would be impractical to attempt to directly license millions of individuals, the license is a blanket license that lets all individuals make copies of all musical recordings (and the recorded musical compositions) within the limits of the Act. The Supreme Court recognized the market efficiencies of blanket licenses in the music industry in Broadcast Music, Inc. v. Columbia Broadcasting System, Inc. in that case the court referred to the blanket licenses for public performance rights. The Court noted that the blanket license developed out of the practical situation in the marketplace: thousands of users, thousands of copyright owners, and millions of compositions. Most users want unplanned, rapid, and indemnified access to any and all of the repertory of the compositions and the owners want a reliable method of collecting for the use of their copyrights. Since the fees collected from the manufacturers and importers are disbursed to the rights owners and authors, those fees for the license are royalties, i.e., payments to the owners of rights for permission to use those rights, and not taxes, i.e., monetary charges imposed by the government to yield public revenue. Those opposed to the system often incorrectly referred to the payments as taxes, perhaps in an effort to frame them in a negative light.
    I have yet to find an analysis of what works are covered under this Act. However, it would appear that all works whose creators are compensated by this fund are eligible for home copying. It truly is a royalty that you pay when you buy "Audio" CD-Rs.