MP3 Creator On Sharing Music
EpsCylonB writes "The BBC has an article about Karlheinz Brandenburg, who is one of the creators of the MP3 music format. Interestingly he comments that he doesn't like Napster, he thinks that people should have easier access to music but that artists should get paid for what they do."
Interestingly he comments that he doesn't like Napster, he thinks that people should have easier access to music but that artists should get paid for what they do.
How is that "interesting"? I think anyone with a sense of decency wants the artists to get paid...
evil adrian
if he had said, i'm so glad i created mp3's so that they would topple the music industry (pinky finger) don't you think he'd ahve RIAA lawyer's being airlifted by blackhawk to his house to litigate him and everything he owns into a smoking crater?
somehow i would have called his stance extremely predictable
Interestingly he comments that he doesn't like Napster, he thinks that people should have easier access to music but that artists should get paid for what they do.
iTMS anyone?
Visit Jonesblog and say hello.
there was a way to download music and pay the artists and not the RIAA.
SIGFAULT
He helped create a format, why would that lead to the conclusion that he'd probably like it used for copyright infringement? I am aware that legal sharing was probably going on on napster, but we all know that the majority of transfers were illegal.
Jeez, you'd think if it was posted to /. it would have more meat to the story. I'd like to see an "Ask Slashdot" with this guy, perhaps a more in-depth interview, but this article was really lackluster.
;)
And he doesn't like Napster. Go figure. I guess he prefers Kazaa, where its easier to get apps and movies too.
As I understand it, Fraunhofer IIS-A charged hefty fees for developers to incorporate mp3 compression technology. Hence OGG and an (effectively) reverse engineered open and free implementation.
Come on slash eds, this is not a revelation - read around the topic before posting an article.
Yeah, I believe that the artists should be getting paid for what they do too. This is why I don't bother buying CDs, since they don't get paid for what they do anyway, the RIAA gets paid for what they do...
Do not look into laser with remaining eye.
I don't think he means he doesn't like the idea of Napster technology, but rather the ethics (or lack thereof) of the people who use filesharing networks.
Shortly after this, he says that record companies should find a way to use technology to better serve both the artists and listeners.
In conclusion, the tone of the article makes it sound like Dr. Brandenburg isn't against filesharing technologies, but rather just people using them as an excuse for partaking in an orgy of piracy. Seems like a pretty moderate viewpoint to me.
pi = 3.141592653589793helpimtrappedinauniversefactory7
From Frauenhofer patent enforcement available here:
To make, sell and/or distribute products using the standard and thus our patents, you need to obtain a license under these patents from us.
In the past, we have licensed several companies under different models for different products, e.g.:
- Software encoder licenses against a per unit royalty starting at $ 25,00 and decreasing for high volumes; and
- Pay-audio licenses against a royalty of $ 0,01 per song or 1 % of the selling price.
And now after interviewing MP3 standard's inventor, there's this revelation that he doesn't like P2P?
Come on slash eds - this aint news!
"It's not your information. It's information about you" - John Ford, Vice President, Equifax
Unlike the creators of Ogg, the guy who created MP3 did it for profit, not fun. You have to pay an insanely huge license fee to use it, even if you write your own implimentation.
I bet he isn't best pleased that hundreds of thousands of people are neglecting to pay him a massive pile of cash, let alone the RIAA.
Beep beep.
I've just bought an original copy of the "The Darkness" album, fantasic album, sad that I can't listen to it as I want.
Firstly it does work in my PC and doesn't crash it, you may not be so lucky. When I got the CD I was shocked to find the copy protection. I don't have a stereo and I don't have a personal CD player, this means that I might not've been able to use the CD at all, and hence had I have known this in advance I wouldn't have bought the CD at all. Fortunately my PC *does* read the CD, but I can't store the CD on my HD as OGG/MP3, I can't listen to the album on the move in my portable MP3 player, I can't make a genuine backup, and I'm only fortunate that it doesn't crash my PC.
The music industry shouldn't be able to sell you a product that doens't work. How would we all feel if we went to the petrol station to fill up, and after paying for it we found out our car wasn't compatible.
I am now forced to search the internet for illegal copies which I can use in my MP3 player in spite of the fact I have a legitimate copy. I'll reiterate once again I wouldn't buy a CD with copy protection. Hence damaging the industry.
I'm all in favor of paying the artist. But I think technology is at the point where the middleman (record labels) is irrelevant.
"Open the pod by doors, Hal" > "I'm afraid I can't do that, Dave" sudo "Open the pod bay doors, Hal" > alright
OGG is a fairly new compression format, and hasn't matured enough yet to be as fast as MP3. Duh.
Do you remember all the old MP3 encoders from back in the day, such as BladeEnc (damned slow) and XingEnc (more reasonable, but still nowhere near what we've got nowadays)? Technology, and the algorithms that drive it, take a good many years to mature and develop.
Comment removed based on user account deletion
Even real artists have to eat, and pay bills.
It's official. Most of you are morons.
Did you know that recipes are not protected intellectual property under US law? One would expect that in this situation, there would be massive "recipe piracy"...and indeed there is. One would expect that most folks who create recipes would be unable to make a living at it...and indeed they are.
Yet, somehow, there still seems to be no shortage of recipes in the US. Every amateur cook I know has books and books of the things clipped from magazines, copied from friends, hacked up to suit their tastes. Nonetheless, more arrive all the time.
I think it is great if some cooks, and some artists, can manage to eat and pay bills by exercising their art. However, there are worse indignities than having a day job.
Emusic is the kind of online music service I think most of us want. You pay a monthly fee to download high quality MP3s. No DRM, no embedded advertising. If they had all the music you might want, there would be nothing more to wish for.
And that's the main thing, of course. They don't generally have the name bands, so your satisfaction with the service depends on you being open to discovering lesser known music.
If that's what you're looking for, you'll find plenty. Go check it out. Also, there are some things there that you may already want, and you could maybe get a good deal by signing up for the minimum term and downloading, say, just the Pixies and a truckload of comedy albums.
It's probably too much to hope for, but if they continue to grow, they may expand their catalog to the point where most music is available from them, free of restrictions.
Unfortunately, it's not all wine and roses, but close enough for me. Here are some things that may turn you off:
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They recently angered their Linux-using customers by making their closed source download manager mandatory. The Linux version sucks rather badly. Some customers can't download at all.
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Use the service excessively (in their view) and they cut you off. There's a 2000 track/month limit.
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The download manager only allows you to queue up 45 tracks. Limiting this is probably the reason they made the DLM mandatory. Why they don't do this on the server side, I can't imagine.
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Some albums are only available to US subscribers.
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You have to commit for 3 or 12 months.
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If you have extreme audio quality demands, the VBR MP3s (about 192kbps average) may not be enough. I've heard warbling in a couple of files. I listen with Sennheiser HD600's.
Now, I don't want to hear any more whining about the RIAA being evil and not producing anything worth listening to anyway. Whine about either one seperately if you want, but if you were about to whine about both, go to emusic instead.Fuck the system? Nah, you might catch something.
Ah.. I see then you feel the amount of time it takes to create a decent recipe is comparable to the amount of time it takes to create a decent piece of art or music.
Similarly, I expect you feel the time it takes to come up with a new scientific theory is about the same amount of time that it takes to find out a basic fact about the universe. Yet somehow, even though nobody claims ownership of these facts, we're still discovering new ones, so why should we bother paying researchers to actively hunt them down?
Damn, you're right.. it'd be great if some researchers, and some scientists, can manage to eat and pay bills by exercising their craft. However there are worse indignities than having a day job.
Get a clue. Putting to work as a car manufacturer might be beneficial to society in a small way, but by taking away time they'd otherwise use for creativity, we're harming to society in a much larger way.
Your arguement suggests that giving talented artists the free-time to create what they do is actually just a waste of their potential to be building fences or some such. Most people who think about it realize that it's actually the other way around.
That Jesus Christ guy is getting some terrible lag... it took him 3 days to respawn! -NJ CoolBreeze
"The primary goal of an artist should be to create art works by all means necessary...To worry about if an artist gets paid or not is pure reactionary bullshit. If the individual had no intention of paying in the first place, who cares? The art exists and is accessible, an artist is happy. "
Perhaps, but that's only one flavor of artist. Some use their creative skills in order to make a living. Art is not simply a manifestation of self-expression, it is also used for entertainment, something people pay quite a bit for. There is demand for entertainment out there, and people like musicians fill it because it is something they are talented at.
You do have a point, but it's only limited to a segment of the artist population. If they set out to entertain, and they accomplish that, there's nothing wrong with them expecting to be paid in return.
It's a pity that the RIAA doesn't compensate the artists like they should.
"Derp de derp."
I work as a publicist and producer in the pop music industry. And was the first person to implement the Ogg Vorbis format at a commercial record company.
OK, so what? So, I've read the same, tired posts, over and over, about P2P on Slashdot. Three things has become abundantly clear:
1) No one here seems to have a fucking clue about the music industry.
2) Nearly everyone here has a hyper-inflated sense of entitlement.
3) People seem to equate feeling strongly about something with being knowledgeable about it.
The music business is very complex. Record companies are not always "middlemen." Artists depend on them for many things. You don't -- that doesn't mean they're not important. And just because they sometimes rip off artists does not provide justification for you to do so. Blah blah blah.
Bill Evans
What this article does is, it states clearly and distinctly WHO is responsible and WHEN/WHERE it happened that MP3s came into existence... .
We better hope the RIAA doesn't send something back in time and Terminate him before he creates the standard!!!
All of the anti-p2p pundits cite the fact that the artists deserve to get paid for their work. Since when have artists ever gotten paid for their work? Since the beginning of commerce, artists have gotten paid a pittance of the value of their work compared to what the resellers, pimps, agents, distributors, etc. make off of the work. Let's call a donkey a donkey here. This debate is really desk jockeys with lawyers versus teenagers with 20s. We're all rooting for the teenagers, but we all know they don't stand a chance.