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New Directions In Music Tech At Siggraph

Cyrrin writes "The 2003 Siggraph conference is under way in San Diego, and the Emerging Technologies booth is showcasing several noteworthy projects in the field of human-computer interaction in music production. First, The Continuator system, from Sony Computer Science Laboratory, Paris which learns in real-time the style of a performing pianist, taking into account chord structures, rhythm, and melody, and then renders a musical performance in a similar style. Next is The Augmented Composer Project which uses real-time image processing to read the arrangement and orientation of symbolic cards on a table to allow a composer to assemble components of a musical phrase. Finally, those wizards at the MIT Media Lab bring you Hyperscore, a visual composition program which is intended for childen to be able to easily create complex and fantastic music sequences. (And it's fun for adults too!) Hyperscore is part of the Toy Symphony project and is available for download by going to the Musictoys->Hyperscore-> Showcase page (Windows-only though)."

3 of 137 comments (clear)

  1. audiopad by edrugtrader · · Score: 3, Interesting

    what about audiopad??

    that is the sickest thing i've ever seen.

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  2. Musicianship is still the key by ratfynk · · Score: 3, Interesting
    Spontanious Human Composition (jazz) vs Non Human Spontanious. Wow what a pile of digital diarrhea. Even the great classical musicians of our time have the ability groove, something which computer generated stuff just does not do, and cannot. The recordings of Glen Gould are more akin to music paintings by great musician.
    It will be cute if they can imitate the humming of Glen Gould.

    There is no way that these guys will get the idea that the performance of music is still something that requires an interpretation. Something which you cannot quantify, and changes with each different performance of a great player. It depends on the players response to the current air pressure, sonic characteristics of a venue, temp of instrument, audience, the amount of rosin on bow at the time, the touch character of a certian piano. All the wonderfull things that the player has a skill to respond to. It especially depends on the ability of the performer to lead the audience and the wonderfull give and take that has been lost to recordings. Musicianship is not a product it is a real living breathing art that thank God cannot be programmed.

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  3. Swarms by Mostly+Harmless · · Score: 4, Interesting

    The March 2003 issue of Discover Magazine had a good article on music and swarm behavior. If you think hyperscore, etc. is neat, check this out!

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