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Jonathan Zittrain On The Spiderweb of Copyright Law
Jonathan Zittrain, director of Harvard Law School's Berkman Center for Internet & Society, takes an unusual approach to critiquing copyright in this Legal Affairs article. He explains with an analogy to the bizarre patchwork of United States tax codes a reason that (in the words of one of Zittrain's colleagues) "all the cyberprofs hate copyright." It goes beyond simple indignation that current copyright laws often grant seemingly unfair monopoly powers, and into the tangled minutia of the laws themselves.
What does the government expect? Copyright laws have not been properly developed and then updated independently of the interests of those with influence (read: money) but have instead been accumulated over time by gradual accretion. Is it really any surprise then that they parallel other equally confusing works such as James Joyce's Ulysses, developed in an identical way. Copyright law started out as making some sense for the purpose of protecting an artist's rights while allowing public domain material to say public domain. Now they continuously tinker with it. Rich organisations constantly press for nonsensical and exact new stipulations, and because people try to exploit every loophole at every opportunity because of this they have to introduce even more arbitrary limits:
What bullshit! The thing that makes this even worse is that this isn't unusual: it's just a microcosm of law these days: a series of idiotic and numerically precise restrictions with no justification suffering from excessive detail with every little fucking detail having to be dictated due to the foolhardy allowance given for defence lawyers in exploiting any undefined part of each law.
Bash script for FP whores
Copyright law is in the US Constitution, but the ridiculous stuff is in the law (passed by Congress) and the regulations (enacted by 'mere' regulators.) You don't need a constitutional amendment, you need intelligent government. ... sorry ... worldwide shortage of that.
If you think deeply enough, you will have no single direction for your outrage.
There are too many wealthy vested interests in copyright law that change at this stage is nearly impossible. The interconnectedness of laws and elections and corporations make the changing of the law to include more logic and coherancy is impossible.
The lawyers don't want change even though they see the problems everyday since it will keep more cases out of court and decrease their job opportunities.
The monied corps don't want to change them because the ambiguity helps their cases as they can just throw money at lawyers and the courts in order to win their cases.
The politicians don't want to change them because they are paid well for opposing such changes.
Therefore, the only people who want them changed are people like you and me... The ones who are informed and see the problem. The only thing is that we are a small minority of the voting public.
MMORPG fan-boy? Prove your worth
Credit for ideas, yes. Laws that are microscopic in detail and miss the actual target are hated.
If you think deeply enough, you will have no single direction for your outrage.
You have 4 ways to protect essentially the same thing.
Copyright
Trademark
Patent
Trade Secret
The rules governing them overlap, contradict and in the case of patent are usually poorly applied(prior art).
Toss in 200 years of technological progress that have reduced difficult or impossible tasks to completely trivial tasks. (Publishing books, reproducing music, etc)
Add in the fact that the laws were originally designed to deal with works that were matters of entertainment or education now deal with pedestrian business tools. (Theres not many businesses that will stop because a copyrighted book is unavailable. Theres quite a few that will stop if the copy protection on their software goes bezerk).
My point is it took a Harvard Law prof. to figure out the system is broke ? The only people its not broke for are the I.P. lawyers and for them its a license to extort money.
Plagiarism is copying work from others and publishing it als your own (i.e. pretend it is entirely your own work). It is like renaming a metallica mp3 as Sardonis\'_Hefty_Metal_Band-Roll_Now.mp3 (or whatever) and pretending I wrote the music/text and did the performance, recording, mixing, etc.
Copyright infringers copy a work without permission, but usually give lots of credit. Someone sharing mp3's from metallica is usually quite upfront about the fact that they are made by metallica.