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Canadians [Will] Pay Levy on MP3 Players - Updated

Capt. Canuck writes "According to this Toronto Star story, the Canadian Copyright Board may approve a 20% levy on electronic media tomorrow, including MP3 players and hard drives. With the Canadian Dollar rising and this on the horizon, maybe now is the right time to get that iPod." Update: 12/12 16:33 GMT by M : rcpitt writes "The Canadian Copyright Board has (finally - a year late) issued its ruling on the latest round of blank media levy - the controversial (in the rest of the world as well as Canada) private "tax" on recordable media used to copy music which proceeds go to the music artists in Canada. The ruling by the board and a press release were posted to the Board's web site at 10AM Ottawa (CST) today. The ruling continues the levy amounts from the previous 2 year period (2001-2002) to the end of this period (2003-2004) at the same amounts as previously set but adds new levies on portable (MP3) digital audio recorders of from CDN$2/unit to CDN$25/unit depending on internal storage capacity."

56 of 665 comments (clear)

  1. Abolish copyright--a solution to the insanity. by Thinkit3 · · Score: 4, Interesting

    Clearly this is insane. It's nothing other than welfare for copyright holders. One way to make things more sane is to abolish copyright. Without copyright, nobody would have a legal right to prevent others from copying music, and thus would have no justification for asking for a tariff on equipment for recording music to. But copyright should be abolished mainly because it is unnatural--cheaper recording media would be just a side effect.

    Agree on abolishing copyrights and patents? The poster argoff does as well. You are not alone.

    --
    -Libertarian secular transhumanist
    1. Re:Abolish copyright--a solution to the insanity. by GoofyBoy · · Score: 4, Insightful

      >Without copyright, nobody would have a legal right to prevent others from copying music, and thus would have no justification for asking for a tariff on equipment for recording music

      How does the legal right to prevent others to do something allow them to set up and benefit from a tax?

      I honestly fail to see how copyright becomes this thing where we assume that all hard-drives are used to infringe on it.

      --
      The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
    2. Re:Abolish copyright--a solution to the insanity. by Fancia · · Score: 5, Insightful

      That's utterly ridiculous. You've jumped to the other end of the argument entirely, ignoring a more rational level in the middle. Abolishing copyright will very likely reduce the amount of quality art available quite drastically; the publishers should be looking to alternate sale methods rather than draconian tariffs and lawsuits. Abolishing copyrights will solve the problem only as much as this will.

      --

      Bít, zabít, jen proto, ze su liska!
    3. Re:Abolish copyright--a solution to the insanity. by KanshuShintai · · Score: 5, Insightful

      While there are parts of the current copyright laws that need modification there is no reason to abolish it all together and much reason to keep the parts of it that encourage the making of creative works.

      For example, attribution is a VERY important part of the copyright laws, that should in no way be abolished. Removing the laws that guarantee an author, musician, artist, etc. recognition for their works is the surest way to halt the creation of new works.

      Destroying the laws that allow the creator of copyrighted works to make money off of his works is also very likely to reduce or even eliminate the incentive to create new works and the ability to make a living doing so.

      What needs altering in the copyright laws are the sections dealing with work for hire and the length of time that copyrights last; these sections need to be altered to deter abuse of the copyright laws by, in today's world, large corporations, and to make it harder for artists to be exploited.

      The destruction of copyright may seem to provide relief for the current issues concerning it, but that is no more a viable solution than disallowing the creation of works, so that there would be no artists to exploit.

    4. Re:Abolish copyright--a solution to the insanity. by spectecjr · · Score: 4, Insightful

      That's a load of crap. Copyright only serves to restrict access. It's a method of exclusion. It keeps people out if they don't "play the game". It's censorship(-1, Redundant) Abolishing copyright will give us all access to more really horrible music, etc., but it won't reduce the amount of good music. On the contrary, it would allow more good musicians to get the their work out without having to go through a middleman. It would be easier to self publish, but this is something that powerful people don't want. These kind of people want to control what gets published, and copyright is(was?) the perfect way to do it

      You really are talking complete and utter crap.

      Copyright in no way whatsoever prevents an author or musician from publishing their own work. I can write a book this year, publish it myself next year, and the only thing preventing me (the guy doing it by himself with no middleman) from being royally screwed by the big guys is copyright.

      --
      Coming soon - pyrogyra
    5. Re:Abolish copyright--a solution to the insanity. by Bi()hazard · · Score: 5, Interesting

      The parent post is so unconventional as to seem irrational at first-but think about what this implies for a minute. Copyright is taken for granted in modern society; everyone assumes information must be restricted to retain value. This is a very recent change. Shakespeare had no copyright, and throughout human history art was produced without the "protection" of copyright.

      Now consider the original purpose of copyright. It was not developed to bring profit to those who distrubute conent. The founding fathers, and others around the world who introduced copyright, intended it to be a legal mechanism to shut down people who pass off the work of others as their own for commercial gain. Copyright periods were very short-only a few years-and typical cases involved large operations that mass produced works without permission.

      A modern example of true copyright violation can be found in the movie bootleggers of Hong Kong. Take a walk down the street, and you'll see a variety of dirt cheap dvd's with good enough quality that only the most sophisticated consumers can spot the fakes. The pirates reap massive profit and gain control over how the work is presented while the creators are marginalized. This is what copyright was created to stop.

      However, corporations bent on extracting maximum profit have perverted copyright into something it was never meant to be. In fact, through the contractual transference of copyright, companies now use copyright laws to screw the original artists! This is why we see non sequitors such as the tax on media: Corporations have no regard for the rights of customers or artists. They will abuse both in the name of profit-that is the purpose they were created for, and they would be deficient if they were not to do so. Lobbying for bad laws is only one mechanism for maximizing profit.

      Clearly copyright has lost its original purpose and is now used to restrict the arts rather than encouraging them. Commercial interests, not artistic integrity, drive popular modern artistry. The artists themselves have no power and loathe the corporations that keep them on a leash. Small steps will not fix this. Shortening copyright terms or removing levies will not discourage those who make a living by abusing the system.

      To encourage the arts and give artists true freedom we must go back to the models of the past. Artists can make a living through live performance, patronage, and teaching. Corporate middlemen should be removed, and profit should take a back seat to improvement of the human experience. This can only be accomplished by abolishing copyright as we know it.

      Of course, you ask, "What will happen to the professional pirates that caused the creation of copyright in the first place? Won't they run rampant after copyright is abolished?" This problem can be solved through existing mechanisms. We already have trademarks. Trademarks are a mechanism for guaranteeing that the stated brand or credits are accurate. We can simply link content to brand. Suppose an aspiring artist writes a song that turns into a hit. The artist names the song, and trademarks that song name in association with the artist's own name. Much like how patent implementations are provided along with statements, the song itself is given as an implementation of the trademark. Now, it is illegal to make use of that specific implementation without naming the original artist as its creator, and it is illegal to use the artist's name and trademark without permission. Professional pirates are outlawed, and bringing a case against them is trivially easy. Artists gain total control of their works, and noone owes anyone anything except the truth.

      That's what copyright was meant to be after all-a method of forcing people to tell the truth, and not lie about where content came from. By abolishing copyright and using more limited mechanisms to enforce honesty we can bring back artistic integrity and remove the subversive corporate influence from the humanities.

  2. RIAA crossed the border by TheSpoom · · Score: 4, Interesting

    Dammit, RIAA, you can't just change your name and cross the border... can you...?

    The Copyright Board decision comes as the Supreme Court of Canada begins a landmark copyright case that will determine whether Internet service providers must pay a tariff for being a conduit for the rampant downloading of free music.

    Hmmm... we should also charge them for the lost business from gaming that they create! Oh, and let's tax them so that the telephone industry gets a cut since so many people are using instant messaging and IRC rather than calling people. Hell, let's just shut them down entirely because they can be a conduit for crime!

    Remember, what you choose to spend money on is no longer up to you. :^)

    --
    It's better to vote for what you want and not get it than to vote for what you don't want and get it.
    - E. Debs
  3. Canadian Dollar by pollock · · Score: 5, Interesting

    I think you may be confused about the effect of a rising Canadian dollar. If the dollar continues to go up, importing an iPod should get cheaper.

    1. re: Canadian Dollar by bubkus_jones · · Score: 4, Insightful

      No, he's not confused. He's saying since the Canadian Dollar is going up, the price of an iPod is lower than it has been in a while. Now, since these dumbass levy's are going in effect soon, he's saying that anyone wanting to buy one to get one while the loonie is strong and there aren't any extra levys on it.

  4. Everything happens by Rosco+P.+Coltrane · · Score: 4, Insightful

    With the Canadian Dollar rising and this on the horizon, maybe now is the right time to get that iPod."

    Or you could just get one from a country outside Canada. Say, like one that's big on technology, with small(er) taxes, not too far from Canada and with a currency that's falling through the floorboards ...

    Hint: it's not Mexico, Greenland or Russia.

    --
    "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
    1. Re:Everything happens by uberdave · · Score: 4, Funny

      You mean France?

  5. Why must my government stymy me again and again? by Mark_MF-WN · · Score: 5, Insightful

    First, the blank-tape tax.

    Then, the blank-CD tax (20$ for 10 blank CDs? Madness!)

    The proposed internet bandwidth tax. Grrr!

    Now a hard-drive tax?

    I'm going to have to pirate music extra-hard from now on, just to get my money's worth!

  6. Yes but... by skajake · · Score: 4, Interesting

    Now that I have to pay this royalty, am i free to duplicate copyrighted material? Or will I now merely be paying twice for something.

    --

    ~ Maintainer of the Skajake Projects

    1. Re:Yes but... by Sylver+Dragon · · Score: 4, Insightful

      That's the question that I had. Assuming that this 'tax' is being distributed to the copyright holders, to pay for the music I am assumed to be pirating, shouldn't that pirating now be allowed? Afterall, I have now paid for it. Or is this just going to be another way for the RIAA/MPAA to milk people dry? Now, granted, I am lucky (in this case) that I live in the US, but how long before our congress decides that this is a good idea and impliments it here?
      At the moment, I don't download music (I just don't care enough), but if something like this were to go into effect here, I think I would probably start downloading music, just to make up for the cost.
      Got to hand it to the people that thought this one up, they may have created a self fullfilling prophesy. Assume everyone pirates music, so charge a tax for it. People either think that its now OK, becuase they are paying for it, or people get pissed about it and start pirating music, just to get their money's worth. Suddenly, everyone is pirating music, and the initial assumption becomes correct.

      --
      Necessity is the mother of invention.
      Laziness is the father.
    2. Re:Yes but... by Jester99 · · Score: 4, Insightful

      When you litter and get a $50 fine, it's not you "buying a ticket to litter" though that might be the effect.

      Your analogy is flawed though -- the fine/ticket's given to you after you litter.

      Different analogy: There's a park that's always getting filled with trash. Finally, the government puts a gate in front of the park, and charges everybody who enters it a $5 "trash fee" because they figure you're going to litter.

      Can you litter then?

    3. Re:Yes but... by penguin7of9 · · Score: 4, Insightful

      Your analogy is completely wrong. When you litter and get a $50 fine, that is for past misconduct. If you litter again and are observed again, you will get another $50 fine. Furthermore, fines don't go to private companies. And anti-litter laws are a choice that we all make as a community.

      You don't get fined $50 preemptively because there is a presumption that you will litter.

      These taxes, however, are charged indiscriminately, whether or not I have actually pirated anything. The justification for them is a business justification and their proceeds go to private companies.

      If the government forces me to pay $100/year to some commercial recording or music outfit, I certainly feel morally justified in getting my money's worth by actually copying that much music. After all, the justification for transferring that money to that company is that they assume that I'm doing it anyway. Whether I can legally do so is another question.

  7. So does that make P2P legal in Canada? by bmorris · · Score: 5, Interesting

    You're already "paying" for the media... Maybe the government should just track what files are being downloaded, and distribute the "media tax" proportionately.

  8. Improvement by Detritus · · Score: 5, Insightful

    It looks better than the previous scheme, which charged a fixed amount per megabyte of storage.

    --
    Mea navis aericumbens anguillis abundat
  9. CD-Rs more expensive too? by Anonymous Coward · · Score: 5, Interesting
    $.49 tarrif per cd? That's nearly 100% of the actual market value! Music doesn't even make up a significant percentage of my use of CD-R media, I'd be pissed if the US imposed such a large tax on it.

    My laptop uses the same HD type found in small mp3 players, would it fall under the tax?

    So, I assume all this money will be going directly to the artists, who have been so badly hurt by the mp3 downloading craze? Yeah... right.

  10. Re:Why must my government stymy me again and again by Rosco+P.+Coltrane · · Score: 4, Funny

    SIG: More Americans run Kazaa than vote.

    Yes, that's because when they download a song from Madonna, the computer they download the song from doesn't recount their download requests and send them a Waylon Jenning track instead.

    --
    "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
  11. Look on the bright side... by Geek+Boy · · Score: 4, Informative

    You're paying for it now, so copy as you like. Don't feel remorse. The government is just making it easy - now Canadians can download music and movies off the Internet instead of wasting time walking to a store. You think the recording industry would dare take you to court and lose when the judge learns that you paid them for it already? That court loss would open the floodgates!

    Use this stuff for legitimate reasons only? Go buy in the US. You have a right to do that.

  12. Barter system anyone? by Billy+the+Mountain · · Score: 4, Funny

    Psst, Trade ya these prescription drugs for your MP3 players? How about it eh?

    BTM

    --
    That was the turning point of my life--I went from negative zero to positive zero.
  13. Enough is enough with these thugs in Canada by StandardCell · · Score: 4, Informative

    Why does one group get to have its way with all digital media without respect for other groups? Why is it that musicians and songwriters deserve to impose a "guilty until proven innocent" handout? If they get that much, then what will happen when other groups ask for them? What about film producers and movie studios? What about software companies? What about print publishers? If you take all of these groups into consideration, given what is already charged, the average CD blank will end up with a $4 per blank tax.

    Great. The deal is then that I will get all of my software, music and books from warez newsgroups, filesharing networks and wherever else I can.

    Does this make any sense whatsoever? Because if these groups think they can tax all this blank media, they will utterly destroy retail sales of both original media and blanks and the incentive of the consumer to engage in purchases thereof. This will end up hurting the artists represented by the collective. They will also drive blank media into the underground where trucks haul this stuff into black markets. Who loses in this scheme? Everyone but the people who supposedly get these taxes.

    I consult for a living in the video editing and commercial production field, and now I have to tell my clients to make an emergency purchase tomorrow of spindles of DVD-Rs, CD-Rs and any other media and stockpile them because of this ridiculous tax. My clients don't deal in pirated material, and often we have to license music, images and footage from the creators anyway. They will never be able to apply for the proceeds from these taxes because they'll never qualify.

    Enough is enough. E-mail Claude Majeau at majeau.claude@cb-cda.gc.ca and let him know what you think of him and his band of thugs. Find the MP for your riding and tell them that the Canadian Copyright Board needs to be stopped before they destroy retail sales in Canada and end up fueling mass piracy and the black market for the sake of artists who should be paid based on the merits of their music, not because they have been somehow directly robbed.

    1. Re:Enough is enough with these thugs in Canada by fishbowl · · Score: 5, Interesting

      As a musician and songwriter, I see this sort of thing as a barrier to entry, not a benefit.

      If the cost of recording media goes up, it makes it more expensive to record, and makes it much more costly to distribute one's music for free. If it costs me $4 to make a demo to give away, then it's costing almost as much to make music to give away for free, as it would cost to buy some music produced by a corporation!

      This isn't about piracy, it's about controlling whose art gets distributed. Stalin had different methods, but it's the same goal.

      --
      -fb Everything not expressly forbidden is now mandatory.
  14. I should become a Canadian artist... by Wraithlyn · · Score: 5, Funny

    "So far, the organization has distributed $11 million back to Canadian artists"

    Wow.. so that's like about what, 2.75 mil per Canadian artist then? ;)

    *ducks and covers*

    --
    "Mind, as manifested by the capacity to make choices, is to some extent present in every electron." -Freeman Dyson
  15. MP3 player levy loophole by russotto · · Score: 5, Interesting

    If this is the same levy as before, it only applies to _blank_ media. That is, media without any sounds on it. So the iPod in Canada could just come with a copy of "Steve Jobs Sings" prerecorded, and no levy.

  16. not an isolated case, but still angers by dandelion_wine · · Score: 5, Insightful

    Ok - not like this is a lone cry in the wilderness, but this just sickens me.

    This does happen elsewhere. We pay for increased insurance rates when other people have more accidents. The prices in our stores go up when other people shoplift. The difference? The government doesn't raise the prices on tangentially connected items in order to compensate.

    I'm not screwin around here. Several years ago I bought a hand-held dictaphone that used normal-sized cassette tapes. Sure, it's bulkier, but had a huge advantage -- those mini-tapes were mondo-expensive. I'd buy ten cheapo no-name standard cassette tapes (all I'd need for a lecture, etc) and I'd be set. Enter the levy -- doubling the price or more of the cheap tapes. May as well get pricey ones if I'm gonna get charged a flat fee per tape. And out goes the entire purpose of buying that particular model. Punished for an entirely erroneous assumption. And let's remember: mixed-tapes were legal, too. Mass production and use (as some DJ's would do) was a concern for the powers that be, but fair-use was still fair-use. Now we get slammed whether we break the law or no.

    Is this a democracy or not? Who got to have a say on this issue?

  17. The levy (probably) legalizes the copying of music by chathamhouse · · Score: 4, Interesting

    The interesting thing about these levies is that the money spent by the consumer doesn't necessarily vanish into thin air.

    While this has yet to be tested in courts, what consumers get in exchange for the levy is permission to make copies of music for personal purposes. In other words, it legalises the _download_ of MP3s for which you don't own the cd or other media. This is, after all, what the levy is compensating artists for.

    However, it does not legalize the _distribution_ of copyrighted works. Hence you're in the clear if you only download, but not make anything available from P2P networks. An interesting compromise.

    Canada has not yet signed the WIPO treaties which would be breached by the compromise reached by the copyright board. Naturally, copyright holders argue that this is a mis-interpretation of the law, and that we should be both paying the levy AND barred from copying for personal purposes.

    Compare the Canadian Copyright Act to the Australian Copyright Act, and you find that the consumer comes out far ahead in the Great White (as in snow, not culture) North. In Australia, making a backup copy of music that you've purchased is a technical (but again untested) breach of the Copyright Act.

    In the end, I'll take a $25-$200 once-off levy over not having permission to copy CD's that I've purchased, or being subjected to the DMCA, or being subjected to the WIPO treaties any day. As an added bonus, artists who have limited distribution of their works (i.e. the Little Guys) see some of this cash. This helps the economy a lot more than slowing down the sales of portable music devices.

  18. Re:Why must my government stymy me again and again by JoeBuck · · Score: 4, Insightful

    It seems that one fair way to proceed is for the government to levy these taxes and then tell everyone to go nuts, copy everything you want, because it's all paid for. The problem seems to be that the copyright holders want it both ways: to collect the tax money but still have copying be illegal.

  19. Or gauging the Canadian consumer will continue... by StandardCell · · Score: 4, Informative

    The Canadian prices for iPods are $439, $579, and $729 for 10GB, 20GB and 40GB iPods, respectively. You must pay 7% GST on top of anything that you buy.

    The US prices for iPods are $299, $399, and $499 for the same above. If you're not in California you only pay shipping and no tax.

    At $1.32 Canadian exchange rate, assuming no skimming by your bank, the US prices to Canadians are $395, $527, and $658. Aside from the difference in price, to then bring it across the border you will be charged 7% GST and unknown amounts of excise, brokerage, inspection and other taxes, and they're not small change. I can guarantee you that it will end up costing you more to order it from the US if you're in Canada.

    More proof that the Canadian dollar should be at around $1.50 or that prices in Canada should fall. Every Canadian iPod sold makes Apple in Cupertino extra profit at this point, and there's nothing that Canadians can do about it.

  20. Shakespeare vs Brian Herbert by sbszine · · Score: 4, Interesting

    As someone pointed out the other day, there was plenty of quality art available before copyright. Shakespeare and Mozart were happy to create art without it, and (AFIAK) made money from performance and patronage.

    A middle ground would definitely be a good idea, though. I would be happy if copyright was limited to the lifetime of the artist, and/or non-transferable. An artist gets paid for their creations for their whole lifetime, but Brian Herbert and Disney have to come up with something original if they want to pass themselves off as artists.

    --

    Vino, gyno, and techno -Bruce Sterling

    1. Re:Shakespeare vs Brian Herbert by harlows_monkeys · · Score: 4, Insightful
      As someone pointed out the other day, there was plenty of quality art available before copyright

      Justice Breyer, back before he was on the Supreme Court, wrote a paper on that, where he concluded that the costs of copying were high enough so that artists/authors didn't really need copyright, at least in some areas. Books, for example, usually made most of their sales soon after release, and by the time someone, using the best technology of the day, could get a knockoff out, it would not be profitable.

      However, the costs of copying have gone WAY down since then. At the time Breyer wrote, it was close. The results now would alsmost certainly go the other way.

    2. Re:Shakespeare vs Brian Herbert by blincoln · · Score: 4, Funny

      As someone pointed out the other day, there was plenty of quality art available before copyright. Shakespeare and Mozart were happy to create art without it, and (AFIAK) made money from performance and patronage.

      Mozart (and other "classical" composers) were funded by the royalty and/or the church.

      As long as you don't mind listening exclusively to religious and/or patriotic music, I guess there's no problem.

      --
      "...always new atoms but always doing the same dance, remembering what the dance was yesterday." -Richard Feynman
    3. Re:Shakespeare vs Brian Herbert by Waffle+Iron · · Score: 4, Insightful
      And as I poined out in a reply to that same post, it's because copying was much more difficult.

      Copyright laws in general worked better well back when copying was much more difficult. It's easy to enforce this kind of "thoughtcrime" law when there are only a handful of pirate book publishers with big heavy sticky printing presses.

      It's a lot harder today when every 12-year old has a high-volume distribution channel in their bedroom. Changes in technology threaten to make copyright laws unenforceable without imposing a police state.

      Is promoting useful arts and sciences worth this price paid in freedom? Would progress really grind to a halt if, for example, non-commercial duplication of all copyrighted works were legalized?

      Some people claim that the answer to those questions is obviously yes. I'm not so sure. Counterexamples like RedHat and the Grateful Dead prove that at least some content providers can feed their families without a total ban on copying.

      If technology has changed and the price to society for enforcing a total ban on copying has increased, I would argue that maybe the number of content creators we can support should shrink correspondingly. Fewer content producers could be supported without a total ban on copying, but given that we are currently awash in a sea of content crap, I say that the media and software industries could stand a little weeding out. They certainly don't deserve to be allowed to turn this country into a fascist IP enforcement camp.

  21. What about porn? by ad0gg · · Score: 4, Interesting

    Seriously, what about the porn industry. Kazaa, usenet, gnutellla etc all have pirated porn. Yet they seem to stay in business even without levies.

    --

    Have you ever been to a turkish prison?

  22. Throw the bums out! by Nom+du+Keyboard · · Score: 4, Insightful
    When will the Canadian voters and computer users realize that they outnumber the CPCC, record companies, and government hacks, and start dictating to the Canadian Copyright Board just how to stand up to pressure?

    This whole idea of compromise means the industry gets at least half a loaf, right out of the pockets of many people who never recorded a song in their lifetime. People who believe in compromise are the worst sort to have on regulation boards.

    And taxing MP3 players is absurd. If you buy the music you should be able to listen to it on your iPod or any other player without additional charge. It's not like you're suddenly listening to it on your home stereo, car stereo, and iPod at the same time.

    Canada needs a popular revolution, with a few decapitations thrown in for good measure!

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  23. It wil encourge more piracy by Doppler00 · · Score: 4, Insightful

    I'm not Canadian, but this is what I think about the issue: If they start charging such exorbitant taxes they are just sending the message that it's okay to pirate the music because you're already paying for it in taxes.

    Of course, this would be completely unfair to those of us who make enough money and have the moral character to actually PURCHASE our own music. The additional tax would be like welfare to support those who didn't feel like they should have to pay for music.

    Most people probably don't use digital media to store music on anyway. Flash memory cards are primarily used in digital cameras, hard drives are used in PC's, CD-R's can be used for back-up and fair use rights, DVD-R's are used for making home movies from camcorders. Taxing any of these just to give free money to someone who didn't earn it is just plain wrong.

    My suggestion? They should just do more to educate consumers about copyright law, and why it's important.

  24. Re:Or gauging the Canadian consumer will continue. by z4ce · · Score: 4, Informative

    What you are talking about is called Purchase Power Parity. The economist does this cool little thing where they use the Big Mac to compute the purchase power parity of each currency.

    The reason the purchase power parity can very so much from currency to currency is primarily because of the financial interest in the U.S. Markets which drives the demand for our currency up.

    Unfortunately for us American's, eventually the worth of our strong dollar must eventually fall to put it back into line with PPP.

    Having a high PPP is a double edged sword though. If you have a high PPP, it means you can buy a lot of stuff from abroad with your dollar. However, conversely, your stuff looks high priced compared to other country's stuff. Thus, you tend to run trade-deficits. Eventually, it will balance out.

  25. They do by phorm · · Score: 4, Informative

    With some (Future Shop, par example), it is included in the cost of the media. You don't see it, and people are less annoyed by it.

    With others (Londons Drugs) they charge the tax at the time of sale. You then get a bill a lot larger than expected (for CD-bundles), and many people blame it on the store rather than placing blame retarded laws and corporate hand-holding as it should be.

    I think that having the tax inclusive is one of the reasons that people aren't awake/more-pissed-off about this. If everybody who bought CD's found that they increased by 25-50% at the point of sale, I think there would be a lot more of a push to have the laws repealed.

    As somebody who buys the media to store data or legal music, I wonder if I would be in my rights to pursue a lawsuit for being wrongfully charged what is equivilent to a fine on anyone who buys digital media.

  26. In Canada it's the R.I.eh.eh by Anonymous Coward · · Score: 5, Funny

    With appoligizations to our brothers and sisters up north.

  27. Not can copy, but can't block copies by swb · · Score: 5, Insightful

    Rather than saying pirating must be allowed, I think it should say the reverse -- copying MUST be allowed, and copyrighted content and playback systems must be set up in a way that the content can be copied for personal use in a manner which retains the full value of the content -- ie, not just BS analog copies on yesterday's mediums, but full-value copies which retain all the advantages of the original material. The only mitigating factor allowed would be the lack of availability of consumer copying equipment (eg, DVDs prior to the availability of DVD recoders).

    In other words, copyright holders are forbidden from encumbering their material for sale with copyright protection technology which would otherwise hinder consumers from making their personal use copies.

    It's not enough to just say "OK, you can make personal copies" -- the industry will just push DRM and other onerous systems which prevent you from making copies. At this point, they are violating the spirit of a law which grants them royalties without having to prove a loss.

    BTW, thanks to the guy in NYC on park ave & 37th with an open access point. My gay room in the Sheraton doesn't have hi speed access.

  28. I have no problem with this. by RealityThreek · · Score: 5, Insightful

    But since we're already be paying for media we copy, that means copying is now legal right?

    Otherwise, we're paying for the media twice.

    --
    :wq
  29. Re:Buy an iPod in the states - import duties? by topham · · Score: 4, Informative

    This is government stupidity at it's best. As it is a levy, and not a tax, it CANNOT be collected by Customs. It is a level which is collected when sold to a RETAILER. (Note: that is any company which will sell the end product to the consumer. That includes 'wholesalers' when selling to the public.).

    But it means they cannot collect the levy if I order DVD-Rs from the U.S., or take a trip south and bring back an iPod.

    (Note: it can be difficult to get consumer electronics mailed across the boarder, but picking them up yourself isn't hard.)
    (thats how I got my Tivo; and it was fully declaired to customs when I came back).

  30. Blackmarket / stolen stuff by GISGEOLOGYGEEK · · Score: 4, Insightful

    Here's what will happen.

    When the tax starts, which by the way also includes a massive increase to the music industry tax on blank CD's that will nearly double their already taxed price, far fewer people will want to buy the products.

    However, they will still neeeeed the products.

    SO ... they will simply wander on down to their local weekend flea market, for example the one in the big red building on Terminal Ave. here in Vancouver BC, and spend their money on all the stolen property stacked up in every stall.

    There's a couple stalls in particular that sell unopened, new stacks of CD's that are already a lot cheaper than retail and 'strangely' have no Music tax on them.

    In the end, the music industry looses their tax grab (...that they were never getting anyways as the canadian government has not paid out ONE CENT of the money theyve collected in the past few years...), because fewer people can afford to buy the CD's, the crime rate goes up with more B&E's on businesses that sell blank CD's, or even through smuggling of cheaper CD's up from the US, The technology companies will offer fewer players as they become even further priced above what people will play, many will continue to gripe about a tax they are supposed to pay when they are just backing up their own data .... ... and millions will continue to go merrily along burning mp3's onto blank CD's, just now they're stolen CD's.

    Can't happen? look what happened in Ontario when taxes went too high on cigarettes (with the help of some slimy smugglers on a native reserve, and the bastard cigarette companies that covertly supplied the smugglers).

    --
    George Bush + Linux = "I will not let information get in the way of the fight against Windows"
  31. Collected Money Going To American Artists? by BigBlockMopar · · Score: 4, Interesting

    Over here in Mexico there's a tax on CD's that goes to Music distributors to compensate for CD piracy.

    Yeah, it's the same in Canada.

    But the funny thing is that we're being forced to pay for piracy of music that no intelligent human being would tolerate in an elevator, let alone pay for.

    The tax levied on Canadians goes exclusively to Canadian artists to pay for all the copies of Tragically Hip's Bobcaygeon and Rita McNeil's Now The Bells Ring allegedly floating around on Kazaa Lite.

    Of course, that's bullshit; Canadians with MP3 collections have stashes of the stuff that gets little airplay here because of the 40% Canadian Content laws. And those Canadian artists who have actual talent have generally fled to greener pastures south of the border... think of Rush, Celine Dion, Barenaked Ladies.

    If they really wanted to help out those being hurt by people with large MP3 collections, send the money south of the border! (But, of course, that will never happen. Some Liberal-appointed 85-year-old Supreme Court justice *knows* that good Canadian kids are only listening to all that top-flight good Canadian music that has to be forced onto listeners with Canadian Content laws!)

    If it's anything like that in Mexico, you must be as frustrated as I am. I'm paying a tax - for music that I couldn't be paid to listen to - to burn Knoppix demo CDs for friends.

    I'm *so* proud of the protectionist pandering-to-special-interest-groups stupidity of my country.

    --
    Fire and Meat. Yummy.
    1. Re:Collected Money Going To American Artists? by FreezerJam · · Score: 4, Interesting

      IIRC, the RIAA (or some roughly equivalent U.S. organization) did approach the Canadian collective that collects the levies, and asked for a share. The whole thing broke down because the American side wasn't doing a roughly equivalent collection that Canadian artists could share in.

    2. Re:Collected Money Going To American Artists? by BigBlockMopar · · Score: 4, Interesting

      FUCK YOU! The Tragically Hip are a great band. And Canadian music is better than American music. Just have a listen to latest Matthew Good CD, it is much better than anything on your top 40 list.

      *MY* Top-40 list? Well, for one thing, I am Canadian. And *my* Top-40 list is reads along the lines of Jimi Hendrix, Led Zeppelin, CCR, Dire Straits, ZZ Top, etc. You might or might not get the picture by now.

      To illustrate the folly of your argument that Canadian music is great, I submit to you the very thing you're arguing as proof of the abomination of radio stations "forcing" American music on us:

      The reason for content laws is because American music music (Which is complete SHIT) is forced down on us. Even With these laws, the radio stations manage to force the American popculture down on us. This is an abomination. The real artist get little attention will while your fucking britteny beers is played over and over again. If anything, we should ban American music.

      All righty, then.

      Fact 1: Radio stations make money by selling advertising time.

      Fact 2: Advertisers pay more money to run their ads when more people listen to a given radio station.

      Fact 3: Increasing a radio station's listenership increases their profits.

      Fact 4: To increase the listenership, the radio station has to play what people want to hear.

      Summary of Facts 1-4: The radio station will make more money if it plays what people want to hear.

      Therefore, if Canadian music is so great, listeners would want to hear it, and radio stations would play it on their own. No Canadian content laws would be required.

      The fact that most radio stations play *exactly* their Canadian content requirements, many of them filling their 40% requirement during non-peak hours and playing their good stuff at drivetime (peak hours), should serve to illustrate the fact that Canadians don't especially care for Canadian music.

      The one notable exception to this - the one national broadcaster who actually exceeds (massively or otherwise) the Canadian content requirements is the CBC. Nicknamed "The Corpse" in the broadcasting business, their ratings are tiny and their demographics are primarily shut-ins, 74-year-old women who would change the station but lost the owner's manual for the new-fangled radio they bought in the 1970s, and the 0.5% of 1% who actually think that Jean Poutine had been doing a good job as Prime Minister.

      The fact that the average American can't appreciate music that is a little bit more sophisticated is another matter.

      A recent Arbitron (radio station ratings) study in Toronto showed something very interesting.

      First, prime time in radio is drive time. Morning and evening commutes. People listen to the radio in their cars.

      Second, superheterodyne radio receivers (which is just about every radio receiver made since the 1930s) leaks an RF signal mathematically related to the station to which the radio is tuned.

      Radio station ratings services like Arbitron use the above facts to calculate drivetime ratings for a given radio station very easily. Point some special equipment at a freeway, count the number of car radios leaking a local oscillator signal which would indicate the radio is tuned to that station, and compare that to the total number of cars going by tuned to other stations.

      Arbitron found that, on one day in Toronto, close to 50% of radios were tuned to Buffalo NY radio stations. Granted, of course, Arbitron studies presuppose that your station's listeners will be employed (which is good, because you don't care to try to advertise to people who have no money) and who drive (again, good, because few reasonable people will take the bus to work if they don't have to).

      Apparently, even in Canada's biggest market, Canadians aren't any more sophisticated than Americans.

      --
      Fire and Meat. Yummy.
  32. One Stop Shopping by FrankDrebin · · Score: 4, Funny

    With the black market on media bound to spring up, I for one look forward to getting my hard drives and soft drugs from the same convenient supplier.

    --
    Anybody want a peanut?
  33. They do it for a reason by Sven+The+Space+Monke · · Score: 5, Informative
    London Drugs as a company is opposed to the levy (specifically, the proposed increases to said levy). The do the add-on at the till to make people aware of it. Most people won't know/care about the levy until they see it directly effecting their pocketbook, so they try to bring this situation to the consumer's attention. The best way they came up with is to show -- on every reciept -- how much this levy actually costs on a per-purchase basis.

    Check out London Drug's official position. Also worth a look is the Canadian Coalition for Fair Digital Access - a non-profit group against all this foolishness. Especially look at their member companies - they include the likes of London Drugs, AMD, Intel, Creative Labs, Apple, Dell, FutureShop/Best Buy, Hewlett PAQard, Wal-Mart, Radio Shack and (sweet Jesus, is this one right?) Sony Canada.

    --
    A man who can't pronouce "nuclear arsenal" shouldn't have one -sig ends here.
  34. CBC Newsworld Discussion by fatwreckfan · · Score: 4, Interesting

    I was severely pissed last week when CBC Newsworld had a so-called "discussion" regarding music downloading and its effect on the recording industry. Their only guest was a copyright lawyer who (surprise, surprise) didn't mention the levy on blank recordable media collected in Canada, which goes as a free handout to the recording industry. What other industry get's to collect free money from the government on the chance that someone somewhere might do something illegal?? As if this isn't disgusting enough, the recording industry is pushing for a levy on internet access, which will again be given to the poor music industry. I can't believe they have the balls to demand that every internet user pay even if they have never downloaded a single illegal song.

    I tried in vain to call in since the issue of the blank media levy was not addressed, and I hate the idea that uneducated people out there were watching that and possibly becoming sympathetic to the music industry.

  35. When are they going to learn by complete+loony · · Score: 4, Insightful

    This issue has come up in australia before, not sure what happened though. The governments of this world need to realise that this stuff has mostly legitimate uses.
    A friend of mine made the paper about this issue story reproduced here.
    He produces music CD's for sale on behalf of the copyright owner on CDR's, he shouldn't be paying the RIAA/ARIA etc (and hence other artists, BU*cough*IT) for music they have the rights for.
    This is the same as taxing people for going to the bank so they can reclaim money from bank robberies.
    I don't care how many people who use a particular device or service for illegal purposes, no-one should be suggesting to charge everyone who uses a device or service legitimately to pay for the shady behaviour of others.

    --
    09F91102 no, 455FE104 nope, F190A1E8 uh-uh, 7A5F8A09 that's not it, C87294CE no. Ah! 452F6E403CDF10714E41DFAA257D313F.
  36. Side effects for sure by Mistlefoot · · Score: 4, Interesting

    The worst side effect of this is the punishment of the not guilty.

    I backup stuff regularly to cd's. I've NEVER burned a music cd.

    I also have a handy little 128mb key drive. Wonderfully handy for transferring stuff I'm working on.

    I could very well have a 40GB iPod and use it to hold music I own - why carry all those cd's when I can pop'em on my iPod, or use to start story all the music I CAN NOW LEGALLY buy online.

    So add a huge tax to that and how do I feel?

    Do my morals change? Do I all of a sudden feel that since I am paying for music via this tax that I had may as well benefit from this? Or do I happily understand that because someone else doesn't something "they" don't like that I should pay more?

    1. Re:Side effects for sure by Frymaster · · Score: 4, Interesting
      The worst side effect of this is the punishment of the not guilty.

      it's like putting a tax on balaclavas and giving the tax money to banks that had been robbed. i agree. however, there are other bad things about this. consider:

      • who gets this money? the blank cd levy is distributed via socan, the same people who cut songwriters cheques for airplay. all fine except that only canadian artists can be registered with socan - and, uh, "copyright theft knows no nation". you get the picture. of course i'm not opposed to canadian musicians getting a bit of cash, but this is a harsh mechanism.
      • the chances of the levy actually being collected effectively are slim. maybe this is a good thing, but it leads to beurocratic fat. with the cd levy, if a retail outlet demonstrates that they sell cd's for "data only" purposes they are exempt from the levy. essentially, if they're a computer shop, they don't have to pay - this is why there are still supercheap cd's available in canada.
      • is this whole thing contrary to the wto anyway? i know that "cultural" subsidies are exempt from most trade agreements (notably in the ftaa so that the crtc can keep on setting cancon quotas), but this is getting into a grey area when things like hard drives wind up on the list. i mean, will sheila copps (or whoever the hell the minister of culture is these days) decide to put a levy on bandwidth next?

      as a side note - and this is important for all you canucks out there - the blank cd levy means that canadians can legally copy sound recordings for personal use. the details are here. please go easy on my server.

    2. Re:Side effects for sure by kerrbear · · Score: 4, Insightful

      The worst side effect of this is the punishment of the not guilty.

      I tell you what, if they do pass this, what is to prevent the average law abiding person from simply saying, "Well, since I already paid a tax, I guess that means I have the moral right to download all the music I want for free." Seriously, if I have to pay for it already, I shouldn't have to pay for it again.

  37. The ruling is due out at 10AM Ottawa time by rcpitt · · Score: 4, Informative
    AKA 7AM PST - and I expect to be up and reading it as soon as it is available since I was one of the 100 "official" objectors this round.

    Background

    The levy started in 1999, based on a change to the Canadian copyright act in 1995, and is up for changes every 2 years. This round is for the years 2003-2004, and yes, it is actually a year late.

    The previous round had a whole 3 objectors - all consortiums - retailers, importers, hardware creators - no private individuals.

    This round started out with 100 objectors - winnowed down to about 30 by the time the actual submissions and legalities got going. The hearings were to take place around October of 2002 with the ruling by the end of 2002.

    In reality, the hearings didn't start until the end of January, 2003 and ran to the middle of February - and the ruling is only now coming out.

    Having lived through this period, written much and run a (closed) mail list for the objectors, you might expect me to have some idea of what the outcome will be - but truthfully I don't. All bets are off since this round there was a lot more information presented as well as some interesting twists - new ideas as opposed to just countering the CPCC's presentation and ideas.

    The article that started this thread is quoting information that was available over a year ago - some of which was changed during the hearings. CPCC started out asking for CDN$21/Gig for "non-removeable hard drive" in each MP3 player but ended up proposing a sliding scale starting at (all figures in Canadian $) $11.10/Gig for first down to $1.99/Gig for anything over 20 Gigs. Note that this would apply to any media - FLASH, RAM, or "micro-hard disk" but doesn't apply to "full-size" hard disks used in non-portable devices such as PCs (they intimate that these are reserved for a future round)

    Rather than detail all of the things that went on during the 18+ months since I started (due to my blood boiling while hearing a couple of coleagues discuss this at a Comdex show) I'll point you at the pages on my web site at my Media Levy pages

    I'll post a summary of the actual levy as soon as I can in the morning.

    In response to some of the postings here:

    The current Canadian Copyright Act allows "private individuals" to make copies of music from wherever they can for their own private use. This means that my friend can loan me their retail-purchased music CD and I can make my own copy of it and give them back their original - or I can make a copy of my own retail-purchased CD for my self and give my friend the original - or I can make a copy of music I receive from whatever other medium (radio, TV, Internet) for my own use.

    What I can't do is make a copy of my retail-purchased CD and give the copy to my friend

    It also does not allow me to publish music I "own" to the Internet or make bulk copies and sell them - that is still "piracy".

    The levy is only on products imported or manufactured for resale. This means that a private individual may import (for example) a tube of 100 CD-Rs for their own use from the US and not have to pay the levy. The Canadian Customs people at the border don't care and are not empowered to collect the levy (although they'll collect the GST and provincial sales tax). Currently it is just about a wash to order a tube of 100 CD-Rs from the US, pay the shipping and tax - but if the levy is doubled this will make the difference up to about $25 for 100 CD-Rs - well worth it for the average Canadian to learn how to use the Internet for e-commerce. This is what the retailers are upset about. With things like the Apple iPOD, the potential gain from ordering from outside of Canada is even greater!

    CPCC (Canadian Private Copying Consortium) has graciously allowed for "zero-rating" for those who wish to register ($50 annual fee) as an importer/manufacturer of blank audio media that is not used to record music (i.e. is used to record data

    --
    Been there, done that, paid for the T-shirt
    and didn't get it
  38. Americans to Canadians: Deal? by bot · · Score: 4, Funny

    Will send over blank media for prescription drugs.

    *grin*