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The State of Automated Commercial Skipping
iskqy writes "Even though attention to commerical skipping has gone down since the motion picture studios sued replaytv for it, I've noticed that it appears to be alive and well in some PVR products on the market. ReplayTV PVRs have it (though different from what they got sued for) in what they call Show|Nav (what a terrible feature name!) and SnapStream's Beyond TV has it in a feature they call SmartSkip. In both cases, the user has to press a button to automagically skip a commercial (vs. the original ReplayTV feature which skipped them without any user intervention) but it's basically the same thing. ReplayTV plays down commercial skipping ("jump forward and back between scenes in a show") but SnapStream is more open about the feature ("Skip commercials and other parts of TV shows"). "
Sorry, but the networks have no inherent RIGHT to make money. It's wonderful if they can, but if they feel they are loosing money due to commerical skipping then maybe their business model isn't viable anymore and they need to think about change. Nothing makes me more enraged than corporations that seek protection from congress rather than adapting to new market conditions.
So, as people switch to skipping commercials, we will probably see a huge push in product placement in new tv shows. Hell, I was watching some movie channel the other day, and the people who introduced the movie also doubled as salesmen, trying to push some random product on me.
Looking forward to seeing bart's room covered in butterfinger wrappers.
no
I welcome the ability for people to skip commercials or advertisements for the simple reason that they fail to deliver on their goal. They only seem to annoy people and motivate them to switch channels.
/ads are repeated over and over again. If I wasn't interested the first time, then I doubt I will be the 100th time. This is the same way with SPAM. I get 3 offers a day for the same useless products. One thing I really hate about Discovery channel (and others) is that they only have about a dozen commercials that they play over and over and over again.
If a commercial / ad actually imparts information or entertainment value, then I enjoy and look forward to it, the first couple times. Too many commercials
It is unfortunate that advertisers believe (and possibly rightfully so) that consumers are more likely to purchase a product if they are repeatedly exposed to an ad that does not actually provide information about the product, but instead annoys the heck out of them due to content or frequency of occurrence.
Much like elections, it usually comes down to name recognition.
"Anything is possible with enough programmers, time and pizza." (Substitute caffeine for time as needed.)
I remember back in the late 1980s listening to my parents and their disgust at commercial television stations now having up to THREE advertisements in ad spots, when before it was one, or maybe two on a slow night.
Now, on pay television and free to air, I'm seeing 8-12 advertisements in each slot, and massive amounts of the shows I watch being cut out. Last time I watched X-Files (only because I know it used to be 43 minutes per episode when first shown) the entire show was cut down to 35 minutes. that's eight minutes of the show I want to watch gone, and over 80 advertisements.
Now. What's the difference? What's so pricey nowadays that requires so many advertisements constantly?
Pricey reality television shows. blah.
Unfortunately, skipping does not mean the end of commercials, just commercials as we know them.
Subtle and not so subtle product placements will ensure that we continue to see advertising every time we watch TV, despite our best efforts.
I suggest listening to public streaming radio (in ogg format no less) as a wonderful alternative to the tripe Madison avenue continues to shove down your throat.
Unless you like tripe. Whatever floats your boat.
3D Printing Tips and Tricks at Zheng3.com
While nearly all of us who have PVR's enjoy the ability to skip screaming car salesmen, corporate drug pushers (pharmaceutical companies), incredibly heart warming financial companies touting their trustwothiness, etc. etc. et. all ad nauseum, eliminating them from our entertainment will be all but impossible. In fact, by eliminating the containerized thirty or sixty second ads, we'll instead get blasted by pop-ups and embedded product placements, etc., AND the traditional commercial. In fact, it is already happening. To wit:
Disney owns ABC, ESPN and the Discovery Channel. How often on ESPN does one see "the stars" of that great new hit on ABC? How often does ABC tout programs on ESPN? And now, Discovery is in the act too, offering us "documentaries" on the magic behind Disney World in Orlando. And of course, who owns Disney World? Disney.
Films made by Sony's studios almost always feature Sony equipment when a given character is using his or her PC. Also, the word "SONY" is often in huge black letters on the rear of a monitor, even though they aren't usually so prominent on the products shipped to Joe Consumer from the factory.
Add to that the PAID product placements like Coca-Cola being drunk by a given character. There are many of those.
And finally, the grand-daddy of product advertising discguised as content: NASCAR. Each car is festooned with no less than twenty different sponsors, starting with the make and model of the auto being raced (even they have exactly one part in common with their street version: the roof panel) plus the major sponsor of the driver, plus the minor sponsor plus all the super-minor sponsors not the least of which is NACAR itself. The whole race is a rotating advertisement, one which the competitors are trying not only to beat each other but also to gain the most exposure time for their sponsors. A higher position on the track means more "impressions" for the sponsors on the viewers. Best of all, when a driver is interviewed, he thanks 1) God 2) his crew and of course his sponsors for painting his "Folger's/Viargra/Ford/Taurus" in their colors. The entire event is, in short, an ad.
That's direction we're headed. Like death, taxes and Microsoft security flaws, one simply cannot avoid marketing. It's simply more malleable than are the viewers or listeners of a given content.
If you blog it...
"If I wanted to distinguish pop-up blockers from replay, I would say that pop-up blockers are different because (1) the commercials are not integrated with the rest of the site (they change by user) and therefore they are not a coherent copyrighted work like a TV broadcast...
Cable stations often replace sections of advertisments with their own local ones. Some shows are repeated on different networks with different ads.
The show is a copyrighted work. The commercials are each individual copyrighted works. I'd keep typing, but you see where I'm going with this...
GeekNights!
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They probably don't make you want to go buy a new Model X car, but they do keep reminding you how nice a shiny new car would be, which helps to keep people buying cars.
How often would you think about buying a new car if you never saw a car commercial?
First, I defer to any lawyers here and hope to hear any rebuttals they may have to the following. Just having completed a copyright course (and thus having a little dangerous knowledge), I offer the following:
Copyright subsists at fixation (17 USC 102), so, as another poster noted, the shows and commercials are obviously separately copyrighted. If the shows are then fixed with commercials interposed, then a copyright would also presumably exist for the compliation of the shows and commercials. This is likely not how it is done as it would seem that the commercials would be served from a separate source in real time. If this is true, the channel stream viewed by the user would not necessarily have a copyright as a compliation. On the other hand, I would expect, if determination of the order and identity of the shows and interposed commercials is done by a file, the file would be copyrightable and thus protectable. [This follows from a case we studied on the Duke Nukem game in which so-called "MAP" files which had no graphics but which controlled the display of library graphics were basically held copyrightable.]
I think this doesn't matter, however. It is a well-known copyright tenet that derivative works are not created by unfixed alterations of performances/displays. For example, if you hold up pink cellophane in front of a television to make everything appear pink, you have not created a derivative work (the pinkified work was not fixed in any physical medium), although photographing the result would. This example was from Judge Kosinski (spelling?) of the 9th Circuit in the Duke Nukem case referenced previously. This is also why people with sunglasses aren't sued for creating derivative works of everything they see. So, blacking out commercials or skipping them would seem to clearly not create a derivative work.
The most likely way for broadcasters to prevent commercial skipping would seem to be under some form of moral rights. Moral rights protects against mutilation or unauthorized modification of works of art. However, first, the broadcasters would have to prove a television broadcast was a work of art, which seems unlikely (I mean, the shows in combination with commercials interposed). Second, in the US, at the federal level at least, protection of visual works does not extend to movies or television (see the definition of visual art under 17 USC 101). So this fails as well.