BBC Discusses PVR Software, Creative Archive Plans
Fidigit writes "You may have heard something about the BBC Internet Media Player {iMP) - a computer-based PVR for the BBC's TV and radio content, 'only... available to UK broadband users', which'll use P2P to shuttle content around between downloaders. Now we hear the iMP content will distributed using DRM, using Microsoft's DRM technology, 'in a break with the BBC's long-standing support of Real.'" The previously mentioned BBC Creative Archive is also discussed - apparently its content "...will be downloaded using a similar application, but will not be restricted by DRM, enabling people to re-edit it, or use it to make other programmes" - the content "will not be the complete BBC archive", but an example given of the initial content is "nature programmes".
If you have all the p2p people dowloading the legit programs, then they don't have time to download all the illegal stuff.
What about the jackass who decides to rename his entire porn collection to titles of children's shows?
The BBC is funded esentially by general taxation.
No problem with them limiting content to the UK (and turning it into a revenue service outside the UK, as they do with BBC North America) but WTF do they think they should be restricting content? We paid for it after all.
For example the BBC has not embraced Open Source, even for their own in house products, even under a non-commercial-use-only license. They are an organisation that could do such things free from commercial considerations, yet refuse to. It's infuriating.
They do the same thing with their programming - because of the way they are funded they could offer interesting and different programming _NOT_ reality crap that is available on the commercial channels anyway. And they even have adverts (self promotion) now - and at a louder volume in the same irritating commercial TV style.
Well, I don't care, I don't have a TV and I'll just carry on stealing the few things I want to watch anyway. Groening et al can contact the BBC for their royalties, since if they could find their ass with both hands I'd be getting the content (legally) from them instead.
Beep beep.
No, the BBC doesn't need to keep a lot of its content secure because it has all been paid for by the license fee. In fact, the BBC is pretty much obliged to distribute its stuff as far as possible - we own it already!
Most of the people at work (non IT - all over 34yrs) look at me funny when I mention I listen to music on my PC - even though its ripped from CD's i purchased years ago. The notion that I have "MP3's" makes me look suspect (sheez - imagine if I had ripped everything to OGG !).
Downloadable Nature shows - now that's a Good Thing - Once the average person understands that "you are not a pirate if you download music/videos", then its a step in the right direction as far as I'm concerned.
You can't expect to wield supreme executive power, just because some watery tart threw a sword at you
Maybe leading to the creation a distributed archive of sorts, because the BBC doesn't exactly have a great track record of keeping its own archives, having wiped a great many programmes from its own archives. I can see it now - 'BBC appeals to PVR owners after short sightedly deleting every episode of Dr Who in archives'
So they use P2P so that I can send part of the contents to people with MY bandwidth (baid by me on a monthly basis), but comes with Digital Restrictions Management so that I cannot actually use it as I want?
Yeah right, that'll happen.
---- Take the Space Quiz!
If you don't use DRM your computer is insecure and is at risk from viruses, trojans, hackers, paedophiles, terrorists and illegal copyright violators.
Stick Men
but an example given of the initial content is "nature programmes".
great ! More pr0n... Now who said the BBC is conservative ?
When will I end this grieving ? When will my future begin ?
This distribution of programmes is part of the BBC's public service agreement as all BBC content is supposed to be free, as in no money required and as in to be used by other people.
You over simplify; the BBC archive os beset by complex ownership issues; especially the older stuff. In many cases, the actors, writers, directors have rights involving repeat showing fees etc. Much kudos to the BBC to attempt to find a way through these problems. ... Yes the new contracts have this sorted out.
I'm a bit jealous because it won't be available outside UK (well, I understand the legal mess it would be, but BBC is a real reference outside UK, and I'd be glad to watch legally some of their programs).
The good point is, at last, somebody big understood what P2P could bring technically. As they are close friends with Real and its network, it means a lot for the future if this experiment works fine.
The really bad point is this MsDRM. It means no standard and even no cross-platform; it means no freedom for the player (I don't really appreciate WMPlayer and usually watch wm file using VLC which brings me many more functions I like).
When will big company understand that opening their offer to as many customers/users as possible is a good thing? If you've got a shop, you try to make it accessible to anybody, with or without a car, with or without disabilities; you try to be opened as much as you can!
Why the technical options are not the same (and it's so easier with the Internet and the standards than with real world places)?
Why consider all the Internet users/customers as thiefs? Imagine a shop where you are systematically checked walking out, will you come back?
Why can a UK citizen rip/mix/burn as much BBC programs as he want from his TV plug but not from his IP plug?
I hope they will change their mind with the time (for example after the experiment!) but I know they have also to face the rights owners (producers, agencies) who are certainly a bit less interested in what final users experience
ClaudeBBG
Both Dead Ringers and Little Britain started out on Radio 4, not TV. The main problem with the Dead Ringers transition was that the impressionists look absolutely nothing like the actual people - after all, it doesn't matter on radio.
Radio 4 seems to be a last bastion of quality on the BBC.
I always wonder how governments can complain about monopoly and unfair advantage on one hand, and then purchase from these "monopolies" on the other. Isn't that what's going on here?
Take U.S. v Microsoft. The United States government is a huge customer. If they decide to place a bunch of PC's on the desks of their departments, and all those PC's run Windows, that more than anything helps foster Microsoft's continued dominance. Why don't they standardize all documents in XML, or plaintext. No! See how many times you're asked to submit something in Word format.
Goverments could just as easily begin converting to open source, or begin a Linux initiative; they could require a certain number of computers be Macintosh; or they could choose to buy something other than the Microsoft Office suite. Now, the British government is going to switch to MS, dumping Real. All these actions encourage the same company they complain about.
Am I the only one who sees conflict and hypocrisy?
quiquid id est, timeo puellas et oscula dantes.
In the UK it is illegal to make MP3s from your own CDs. The copyright exceptions for "fair dealing" don't cover nearly as much as the US's "fair use".
I think it is if you have anything capable of recieving any active TV signals, and only if the device actually works... and if you don't have a license they have to prove the something was receiving TV signals (i.e. with their tracker van).
If you live in a flat with other tenants, and you have independant contracts with the landlord, then you have to have a TV license if you wanna watch TV irrelevant of the other tenants. If all the tenants are on a sharing contract, then only on TV license is needed for the whole building (or area covering shared accomodation).
I for one have first hand experience with the TV licensing people. On my uni industrial placement (internship), I lived in a flat on an individual contract. I didn't have a TV nor did I want one (boy did that free up my time for doing other things I tell you!), but I got a threatening letter from TV licensing nearly every 2 months... they threatened me by saying that you don't have a license, they'll get a warrant to check on me... blah blah. I was just waiting for the time they actually followed through with one of those threats just to be able to explore the option of being able to sue them... I know that they can trace a signal to individual rooms, and I was happy in the knowledge that I did not have anything capable of recieving TV signals (my PC video card wasn't VIVO either).
Although I'm not sure on the precise details, but I think the TV license is illegal under European law... but with the UK being half in and half out of the EU depending on whether it suits the government at the time, not much can be done about it. The BBC's charter is up for renewal in 2006, and they've been hit hard by the Hutton report (those who say that will have no bearing on the charter renewal, yeah right!). Plus the license fee continually goes up in frickin price.
Just my 0.02, not going to the licensing gestapo though ;-)
Are you local? There's nothing for you here!
Any one else noticed that the quality of productions on the BBC has fallen off drastically the last couple of years?
No, not really. Memory has the effect of compressing things from the past together (like how you only remember all the good songs from the last decade, and not all the crap), so it probably just seems that way.
The TV license provides a broadcaster that is not dependant on advertising for revenue. In theory it can broadcast programmes that are not popular with advertisers. It doesn't always work, but when it does it works very well.
using Microsoft's DRM technology
Phew, for a second there I thought they where going to restrict the content.
Although there's been a lot of announcements recently about the BBC's Creative Archive, I can't really see it being launched for at least a couple of years.
One of the major issues with distributing BBC aired programmes, via the Internet, is rights management. A lot of BBC produced programmes use material that is not actually owned by the BBC. It may have been commissioned from independant produces who retain some rights over it, or even purchased from other broadcasters. For example, the BBC archive has no World War II footage. That's because the BBC didn't start broadcasting until the 1950's. So every time you see a documentary on the BBC that has original WWII footage incorporated, that material has been purchased from a 3rd party (say Pathe for example). So clearing all material from all BBC shows is going to be a total headache! This may be in part why only a portion of the archive, and not the whole thing, is going to be initially available online.
The other issue is of course digitising all that content. It's a big ask and not going to happen overnight. The whole process of getting the tapes from the Windmill Road archive, selecting the content that you want to use, encoding that content (let's hope for MPEG4 but most likely to be MPEG2. Although Creative Archive doesn't have to be broadcast quality for personal use, only VHS quality, they'd be crazy not to encode at a higher quality so that content could be re-used in a digital format for other projects), cataloguing that content with all relevant keywords and metadata and then publishing the content. As for storage we're talking several (tens) terabytes at least.
I think building the website itself if going to be the easy bit!
Creative Archive is a project I'd love to work on as I think it's going to be quite exciting, but the shear scale is also quite enormous.
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To clarify - any copying is illegal under UK law, there's nothing special about MP3s. Technically, making a cassette copy of a CD you own for a walkman or for the car is equally illegal.
Since no-one prosecutes for making tapes for the car, I suspect it's unlikely (although entirely possible) that anyone would prosecute you for ripping CDs you own to MP3.
Q.
Firstly, I don't mind the BBC license at all because I get advert-free TV and radio programming that's of a consistently good quality. It's worth the money in that respect.
Secondly, the "illusion" that ITV is "free" is a myth - we all pay higher prices for products because a proportion of those prices funds TV & radio advertisement. Get those channels through satellite or cable TV and you pay an extra subscription charge on the top of that...
However, there's a much deeper issue here. The BBC has been in existence for most of the 20th century and their archive includes a very detailed log of global history throughout that time as well as entertainment programs. The value of that archive cannot be underestimated as a historical, social and political eductaional resource for future generations - therefore, if it is to be "opened to the public" then it must be done so in a manner independent of DRM enforced by an American software company! Otherwise, the public ends up paying Microsoft to access information that should be accessible to all, no matter whether they can afford to pay MS for a DRM license.
I must admit, I'm not sure about how access should be controlled to entertainment programs in the archive - for example, I guess a lot of people already own taped copies of "Hitch-Hikers Guide To The Galaxy" when it was first broadcast on BBC Radio while many others have purchased legitimate tapes and CDs of the same programs; the same can be said for the superb "Lord Of The Rings" and Asimov's "Foundation" dramatisations that were also broadcast on BBC radio.
I think the answer probably lies in the BBC making lower quality audio and video versions freely available in their archive with the option to purchase higher quality versions legitimately - in the way that MP3 downloading has done no real damage to CD sales.
However, the core issue here is maintaining the right to free information. Just as anyone (in the UK at least) can stroll into a public library and have free access to important historical books, the factual BBC archive must be handled in a similar fashion, even to the point where there's a PC in every library to be able to get to that archive also.
Anyone know of the best place to send an email to on this within the BBC? They'll have to listen to those if us that pay our licenses :-)
Gentoo Linux - another day, another USE flag.