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Record Industry Sues 532 More U.S. File-Sharers

Patik writes "The RIAA today issued 532 new subpoenas for music file swapping, many of them college students using their campus networks. They will not say which ISPs or colleges were involved, but that the users were sharing "substantial amounts" of music files. This brings the total number of subpoenas to 1,977. The RIAA has been averaging $3,000 per settlement so far." Readers Digitus1337 and Warpedcow point to stories respectively at Wired and Reuters.

63 of 613 comments (clear)

  1. Right on! by Anonymous Coward · · Score: 1, Insightful

    If you want music, buy it! If it's not valuable to you, don't.

    1. Re:Right on! by Lord+of+Ironhand · · Score: 3, Insightful

      I would say listening to it first is a pretty good way to decide whether something is valuable to you. At least that's the way I choose which CD's to buy: download songs from p2p/usenet, and buy the CD if I like it.

    2. Re:Right on! by Mishtara2001 · · Score: 2, Insightful

      "If you want music, buy it! If it's not valuable to you, don't".

      That should actually read:

      If you love the music industry executives, thier spouses and mistresses AND thier nosetrails... buy the overpriced shit they sell you.

      You know you want it, and it practically belongs to them! ;-))

      --
      "667 - Neighbour of the beast"
    3. Re:Right on! by midimonkey · · Score: 5, Insightful
      Remember the motto, "try before you buy?" Or shareware?

      Well, that is -precisely- what I do when it comes to music, especially when it comes to electronic- music, where there are so many DJs/groups releasing songs/remixes/mashups; with many only being released on wax, etc.

      Tell me, if I hear a snippet of say, something like, "D-Funktional" by Mekon featuring Afrika Bambaataa, where I can go to hear the full version?

      The answer is nowhere. And this is why P2P rocks.

    4. Re:Right on! by Lord+of+Ironhand · · Score: 2, Insightful
      I'm sorry, but I refuse to decide whether I should spend $10 or more (I'm a poor student...) on a CD based on listening just one song. I listen the entire album once or twice in the background, if I like it I buy it, if I don't, I delete it.

      Sharing a few thousand songs is a bit extreme, I agree (still no reason for legal action though, in my opinion). Personally, I share the stuff I like best so I might get others hooked on it. And I'm betting many of those who do will actually buy the CD just like I do.

    5. Re:Right on! by EzInKy · · Score: 5, Insightful

      I would say listening to it first is a pretty good way to decide whether something is valuable to you. At least that's the way I choose which CD's to buy: download songs from p2p/usenet, and buy the CD if I like it.

      The Record Industry's business model is geared towards them telling you what you should be listening to, not the other way around. They simply are not going to stand for listeners being able to pick and chose music on their own. The best way out of their trap is to find some independent bands that you like and avoid RIAA stuff altogether.

      --
      Time is what keeps everything from happening all at once.
    6. Re:Right on! by Mick+Ohrberg · · Score: 1, Insightful
      The Record Industry's business model is geared towards them telling you what you should be listening to...

      Just listen to one of the hit radio stations. They play the same songs over, and over, and over again. How would that happen without payola? It certainly has less with what listeners say, and more with how much $$$ is paid for the songs to get air time.

      --

      Quidquid latine dictum sit, altum sonatur.

    7. Re:Right on! by rcastro0 · · Score: 5, Insightful

      That AC is overrated.

      If you want music, buy it! If it's not valuable to you, don't.

      No, don't buy it ! If you want music, get it through the most convenient, cheapest way you can ! If it's not valuable to you, don't bother.

      Now that I gave a reply in the same tone of your post, let me rumble a bit.

      Here at /. it gets interesting when people discuss, explain their position. Saying "the answer is 23!" does not say anything about what you think the question is, or what the logic behind "23" is. You could shout "buy!" and I could shout "don't!" all day, and nothing useful would come out.

      How about bringing us all more about what you think. For instance I would like to remind you that laws should reflect the best interests of society. They are generally very, very arbitrary in their content.

      Music was historically freely available -- those who liked it, listened to it, those who had talent, repeated what they listened to. After thousands of years of Music being free, and some (how many?) hundred years of copyright law, I would say it is fair to ask: "It the copyright way of treating musical works really the correct one ?". If so, why ?

      Music is, at its core, a comunal event. It was alway played to be listened. The player needs the listener as much as the listener needs the player. Why should the listeners pay the player, and not the player pay the listeners ? The answer is, because the extra-hyped, created celebrities, super publicized top performers are few in number, and many groups of people would like to have the same performers coming over to play, so an auction effect raises stakes and pays them a lot.

      BUT is this fair to equally talented, not so famous bands ? No it isn't. Is the star creation system, through major labels, an optimal allocator of musical talent -- I do not believe so. So why not let the labels starve, and stop feeding the star system, so that each one starts looking around for local talent, which will not be as expensive ?

      I would rather have a new world than risk a world in which I need to pay for each time I press play on my music jukebox. One Microsoft is enough, already.

      Sorry for the long post. It's late at night and I decided to throw my 25 cents in.

      --
      Quem a paca cara compra, paca cara pagará.
    8. Re:Right on! by Lord+of+Ironhand · · Score: 3, Insightful
      You sure you hit "reply to this" on the right message?

      Subscription music services. Streaming web radio. Promotional CDs. Compilation discs. Reviews in magazines. Free promotional compilation discs in magazines with reviews that you can subscribe to.

      ... all suffer from the same ailment I mentioned: only one or two tracks. It might be me or it might be my taste in music, but the only way for me to decide if I like something is by listening to it entirely a few times. Small parts of an album often give an either wrongfully positive or negative impression of the entire composition.

      All of you people who keep crying and complaining that the prices are all too high

      I'm perfectly willing to shell out [average CD price] for a CD, as long as I'm reasonably sure it's actually worth it.

      and the labels are all unfair,

      You are wrongfully accusing me and a lot of other people of ignorance. I think the average /.-er is perfectly well aware of the existence of independant labels that care about music, not money.

      and you'd be fine if they'd just wake up and provide a low-cost alternative.

      There's no need for an alternative. The current system is turning out to be real good for music as an art (many people are finding, and subsequently paying for, music they would never have found without p2p), and real bad for those who make more money when everyone just listens to & buys whatever junk is currently at #1 in the charts.

  2. Go get them! by ObviousGuy · · Score: 4, Insightful

    The RIAA ought to keep on doing this until the public gets either so fed up with these antics or simply doesn't have enough money to buy the CDs altogether.

    Though they've made around 6M dollars, this is a losing strategy in the long run.

    --
    I have been pwned because my /. password was too easy to guess.
    1. Re:Go get them! by Anonymous Coward · · Score: 2, Insightful

      They're not trying to earn money by those settlements. The 6 million is a side effect. What they're tyring to do is scare the general public from sharing music altogether.

    2. Re:Go get them! by Motherfucking+Shit · · Score: 1, Insightful
      The RIAA ought to keep on doing this until the public gets either so fed up with these antics or simply doesn't have enough money to buy the CDs altogether.
      The public is already getting fed up.

      Have you seen the latest Pepsi commercial? It starts out with a girl sitting at a computer, then she says "I'm one of the kids the recording industry sued for sharing music on the internet." (At this point I was thinking to myself, oh great, now the anti-piracy ads are on TV too...) Then she says something like "and even after being sued, I'm still downloading music for free on the internet!" Then up comes some animation of a Pepsi bottle being opened, with the free iTunes download code inside the cap. The spot ends with her saying something like, "the record companies can't stop us from getting free music."

      Fucking brilliant. And now that a company with the bucks to send a message (e.g. Pepsi, with Apple's help) is sending out that message, people are only going to get more fed up with RIAA.
      --
      "BSD: Free as in speech. Linux: Free as in beer. Windows 10: Free as in herpes." --Man On Pink Corner in #52607549.
  3. Bankrupt the RIAA by toupsie · · Score: 5, Insightful
    The RIAA has been averaging $3,000 per settlement so far.

    It must cost the RIAA more than $3,000 per case to file against file swappers. Lawyers don't come cheap...

    --
    Strange women lying in ponds distributing swords is no basis for a system of government.
    1. Re:Bankrupt the RIAA by toupsie · · Score: 2, Insightful
      This (bankrupting the RIAA by giving them $3000) is as brilliant as bankrupting Microsoft by buying cheap Xboxes (which is to say, not at all brilliant in the least).

      Microsoft covers its loses with the XBox with other business divisions. What does the RIAA do besides sue people that download music that brings in income? At some point, funding the RIAA would become prohibitive for the powers that be in the music industry. I think when they see the futility of suing everyone, they will start to embrace more consumer friendly distribution methods. We are seeing some breakthrough of that mentality in the new online music stores.

      --
      Strange women lying in ponds distributing swords is no basis for a system of government.
    2. Re:Bankrupt the RIAA by Stormie · · Score: 2, Insightful

      I cant wait til they hit some rich kid who decides to fight them on it.

      I agree. Maybe when someone fights them, and loses, as they inevitably will, as these people are all guilty, Slashdot will be able to post a story about the RIAA issuing lawsuits without someone saying "I cant wait til they hit some rich kid who decides to fight them on it".

    3. Re:Bankrupt the RIAA by bechthros · · Score: 5, Insightful

      "guilty"

      ah, but stormie, you are doing exactly what they want you to do - focusing on the moral aspect of the situation rather than the economic one.

      It's been said but it bears repeating: The RIAA isn't in this to do the right thing, to prove that they are innocent lambs being ruthlessly exploited by sinister college students and minimum-wage-earners. Becuase if they were they wouldn't be settling - they'd stick it to 'em. The RIAA is engaged in this course of lawsuits only because they are convinced they're losing money to file-swapping, and they have to make it up somehow. It's just a revenue stream to them; nothing more, nothing less.

      They obfuscate this as much as possible by spinning the moral aspects of the situation and painting themselves as the victims of depraved criminal activity. Unfortunately those such as the major media and yourself choose to play into this. All I can say, as somebody with years of experience with the industry, as the former chief engineer at a grammy-winning studio, and as an award-winning composer/singer/songwriter with hopes and dreams of people buying my CDs in stores one day soon, is that if the fucking record industry wants to talk about fucking morals they can fucking bring it.

      Seriously. You are talking about one of the most corrupt, immoral, heartless and ruthless industries humankind has ever seen. You're talking about people who have ripped off their artists since the 1920's, have engaged in "payola" since the 1950's, have gotten and kept their artists hooked on drugs to make them easier to manipulate, have colluded with the Mafia and other organized crime, and is now in the grip of an anti-competitive frenzy so nauseatingly banal as to make polka music seem exciting.

      The reason they're suing is for money. But they're not scared of P2P for financial reasons. The reason they hate P2P is they're terrified of people getting to hear good music, and then demanding good music from major labels, who've proven repeatedly they don't know the first thing about how to produce any.

    4. Re:Bankrupt the RIAA by 1iar_parad0x · · Score: 3, Insightful

      Perhaps the Palestinians and the Israelis will embrace peace, when they see the futility of blowing each other up.

      I know this is off-topic, but I feel that this analogy is the best, because like the Middle East, I'm not holding my breath for the RIAA to change its ways.

      The RIAA won't change. The RIAA is nothing more than the business end of copyright lawyers. They're not musicians or producers.

      --
      What do you mean my sig is repetitive? What do you mean my sig is repetitive? What do you mean....
    5. Re:Bankrupt the RIAA by gauauu · · Score: 2, Insightful

      Um, no.

      Think about it for a little while.

      Their goal isn't to make money off these people via these lawsuits. Like someone else mentioned, these lawsuits probably barely pay for themselves, what with legal costs and all.

      Instead, their goal is to scare file-traders into stopping. Right now, everyone knows file-trading of copyrighted works is illegal, but everyone thinks "I won't get caught, so who cares?" The RIAA is trying to change that. They are suddenly making it so you MIGHT get caught. If people think "hmmm....I might get caught and fined thousands of dollars for doing this," then you will have a large percentage of those people decide it's not worth the risk.

      THIS is exactly what the RIAA and record companies want.

  4. Still not a sizable amount... by domodude · · Score: 3, Insightful

    1977 people still only represents a tiny fraction of p2p users. ~.049% of the p2p users (I assumed the low amount of 4million at any one time). Take the number of user to a resonable 15million and we get .013%. I guess free is still greater than cheap to many people.

  5. $3000 per settlement??? by tokennrg · · Score: 5, Insightful

    "The RIAA has been averaging $3,000 per settlement so far."

    ...so are they giving all the money they've received to the authors/performers of the music? How do they decide who gets what and what's the money used for.

    1. Re:$3000 per settlement??? by ignipotentis · · Score: 2, Insightful
      ...so are they giving all the money they've received to the authors/performers of the music?
      No, its all going to the lawyers.
      --
      Don't waste time... procrastinate now!
  6. Is it working for the RIAA? by dealsites · · Score: 4, Insightful

    I remember when they first started sueing, the file trading slowed down for a while. I think it went back up though. Do you think most people think they won't get caught? After all, when there are hundreds of thousands (millions?) of people on a p2p network, sueing 532 people is only a fraction of the overall filesharers.

    --
    Smack your momma good deals!

  7. RIAA Introduces New Business Model by R33MSpec · · Score: 2, Insightful

    $3000 per settlement?!?! Uh oh I think the RIAA just found a profitable new business model.

    1. Re:RIAA Introduces New Business Model by SnappleMaster · · Score: 2, Insightful

      I'd tend to agree that it's the lawyers who are getting rich (way to go, modern society!)

      OTOH if a CD costs say $20 on average then a $3k settlement is worth 150 CDs. Ouch. That's more CDs than I own.

      The whole thing is just lame. Stealing is wrong. The industry is majorly screwed up (like ALL entertainment industries today, including most pro-sports). What a mess. I certainly don't have the answer.

      For my part, I don't steal music. I don't buy much either though.

      --
      Be happy. Nothing else matters.
  8. Time is against them by Neo-Rio-101 · · Score: 3, Insightful

    Still, only close to 2000 lawsuits is only a fraction of the entire music-swapping community.

    It is a weak terrorist-like tactic. Even though they only get a tiny fraction of the population, they hope that this will scare everyone individually.

    Well, good luck to them.

    --
    READY.
    PRINT ""+-0
    1. Re:Time is against them by molafson · · Score: 5, Insightful

      It is a weak terrorist-like tactic.

      How is this measure, which is entirely legal and non-violent "terrorist-like"? Or is everything we don't like supposed to be referred to as "terrorism" now? I didn't get the memo...

    2. Re:Time is against them by lukewarmfusion · · Score: 5, Insightful

      And it works. When you use a p2p application, do you share all of your music? How much do you have?

      I have 8GB of music on my work computer. It's all legal - I own the CD or vinyl to match each one. But you have to admit - it's easier to download a copy of a song than it is to "rip" it from vinyl.

      If I shared all that music, I would expect to be sued by the RIAA. They target people sharing a lot of music.

      So... I don't share it. That means that there are 8GB of music that AREN'T available for download. In fact, by scaring people into not sharing their music, they are winning.

      I'm not going to spend $3,000 for "the cause."

    3. Re:Time is against them by Pxtl · · Score: 2, Insightful

      While I disagree with the use of the term terrorist to describe this, I see the logic.

      You try and scare the rest into behaving the way you want by randomly picking a few and attacking them. Make everyone feel threatened, knowing they could be next.

  9. Troll me by Anonymous Coward · · Score: 2, Insightful

    Troll me if you will, but realize that the
    RIAA do have some claim to the money.
    I mean, artists make it, people want it, and they
    buy it. But guess who makes the people want it:
    the RIAA folk.
    That's right. Somebody has to pay for the promotion,
    the studio time, the slot on MTV and ClearChannel
    so that the general population knows what to like.

    I find it amusing how we pay them to tell us what
    to like, but somebody has to.

    1. Re:Troll me by Bagels · · Score: 2, Insightful

      Nobody has to tell me what I like. I'm quite capable of browsing around and listening to many different types of music, or asking various friends what they like. And if you think we *need* MTV or ClearChannel radio stations for *anything*... strange set of priorities you have there.

      --
      --- Bwah?
  10. Re:Good odds, keep sharing! by Anonymous Coward · · Score: 1, Insightful

    I've seen numbers that claim 50,000,000 people in the US use P2P applications.

    What's your source on this?

  11. Every time the RIAA does this... by Texas+Rose+on+Lava+L · · Score: 4, Insightful

    I'm reminded of why I quit buying their stuff and started buying better music instead.

  12. that RIAA guy is hilarious. by ndpatel · · Score: 2, Insightful

    from the wired article:

    "This is a group that does not appreciate as much as the general population that it is illegal to share copyright music on a peer-to-peer network," said Jonathan Lamy, a spokesman for the Recording Industry Association of America. "More education is necessary. One form of education is lawsuits."

    you know, i bet he goes to bed all fuzzy inside.

    --
    london is drowning and i live by river
  13. Good odds, keep sharing!-An Apple a day. by Anonymous Coward · · Score: 1, Insightful

    " If they'd actually put all of these lawyer's fees into a better way of selling music they'd be making far more money."

    iTunes.

  14. Yawn. by pla · · Score: 4, Insightful

    And in other news, Water still feels wet, the sky hasn't fallen, and SCO still hasn't had all their cases dismissed with prejudice.

    C'mon people, this doesn't even count as news anymore. People violate copyrights, people get sued. Let it go.

    Now, what I consider the bigger "news" from this involves the experiment the RIAA has run on the level of stupidity in the general population. 1977 suits so far, and people still keep using Kazaa to download this crap. Get a clue, Kazaa users! At the very least, switch to a different P2P app. Perferable one with at least a tad bit of privacy, like FreeNet.

    Or better yet, just go back to the way that has worked for the past 30-40 years, from the days before P2P - Swap music and movies privately, offline, with your friends. You can get the same stuff, with absolutely no chance of an RIAA nastygram as a resuly. You can even do so as a sort of buying pool, where you and a dozen friends agree not to overlap in your purchases, thus maximizing your available music library. "Need" to find something really obscure, possibly out-of-press (print? Whatever you call music that you can no longer buy new, for any price)? Hook up with a fan group, where you can get material far more obscure than even Kazaa's bottom-20 list.

    Or, best option of all, just buy from indie labels. Hey, we all have a favorite band, and I'll admit even I will buy whatever a handful of RIAA-signed groups puts out. But for the rest of the "fluffy listening" music, look into companies like Magnatune, or go direct to the artists' websites. The musician gets a FAR bigger cut, you pay less ($5/cd on average, in my experience, for buying direct from the artist), and best of all, the RIAA gets nothing.

  15. Re:Good odds, keep sharing! by SnappleMaster · · Score: 2, Insightful

    50 million users? That's like 1 in 6 Americans! I think I have to call bullshit on that. Maybe 1 in 6 in certain demographics but definitely no way it's 1 in 6 period.

    IMHO, of course.

    --
    Be happy. Nothing else matters.
  16. Re:No sympathy here by exp(pi*sqrt(163)) · · Score: 4, Insightful

    Produce a product that anyone else can copy and you'll soon go bankrupt. That's capitalism. What you describe is a system of government backed monopoly.

    --
    Doesn't it make you feel good to know that our freedoms are protected by politicans, lawyers and journalists.
  17. This is great! by mumblestheclown · · Score: 3, Insightful
    This is great news! This will:
    • free up bandwidth for us non copyright infringers
    • result in fewer infringers on p2p networks, thus substantiating the slashdot choruses of "go after the users, leave technology alone" and "p2p apps such as kazaa have many important non-infringing uses."
    • drive people to the newest pay-per-download service of the week. after all, a two years ago you couldn't log on to slashdot without seeing a "if they only charged 99c per song download there would be no need for things like kazaa" and "I'd gladly pay 99c per song so that i dont have to buy 'filler'")
    • by going after college students, the RIAA (or whoever) can't be after money, since they ain't got none. The riaa will doubtlessly lose more money in lawyer fees than they will collect in judgements. they MUST be about sending a message, therefore. this is a good thing, because that is the right message to send--copyrights (such as the ones that form the basis of the GPL, Britney's music, and the bulk of work done by software developers who visit slashdot) should be respected, completely anti-copyright idiot/zealots notwithstanding (bring on the flames).
    but, of course, instead of responses consistent with the old slashdot argument of "leave the technology alone, go after the infringers", expect to see the regular carping and whining here about the RIAA.
  18. Re:I don't understand why people are settling... by boobsea · · Score: 3, Insightful

    Most of the people being sued cannot afford the lawyer and time required to defend these lawsuits, so it is economically cheaper to settle than to take it to court.

    Plus, if you actually are guilty of swapping files illegally, it makes it that much harder to win in court.

  19. Re:Well.... by EzInKy · · Score: 4, Insightful

    Are you kidding? What legal uses?

    Downloading non-RIAA files.

    --
    Time is what keeps everything from happening all at once.
  20. Re:Good odds, keep sharing! by sn2k · · Score: 2, Insightful

    There is a flaw in one of your assumtions
    they keep up their current trend of filing that many lawsuits every 8 months.
    Right now the courts have no precedence on how to handle cases like filesharing. Once it is decided what evidence is needed for the RIAA to get the names of filesharers from the ISPs each case will take a lot less time which will allow them to sue more people. This in turn will cause some people to stop filesharing so the odds of you being sued when you share files will increase. This will cause more people to stop filesharing.
    I beleive the RIAA is going to stop large scale filesharing. The only question is how long it will take.

  21. Re:RIAA Radar by H8X55 · · Score: 2, Insightful

    but there are a lot of bands i like that are on the *warning* list.

    if i just stop buying their albums won't the RIAA assume that others (or me) are just stealing them anyway, and use their lost sales as statistics to why more, tougher draconian laws must be passed?

    catch 22

  22. I wasn't aware by Sycraft-fu · · Score: 4, Insightful

    That guilt was predetermined. If we know that someone is guilty before a court proceeding, why have courts at all? I mean if someone's accused they MUST be guilty, right?

    Give me a break.

    You have no idea if these people are liable (this is civil court, it's liability, not guilt). For one, there is no gaurentee that those files were actually copyrighted files. There are TONS of misnamed files (either delibratly or accidentally) on any given P2P network, and no the RIAA doesn't bother to download and check. Even assuming they are actually the songs they claim to be, there is no way to know that the files were on the computer you think they are. Kaazaa particularly is not known for it's accuracy in pulling lists from computers, it gets it wrong sometimes. Even supposing it is the right list, you have no idea if the person who is associated with the IP is actually the right person. Maybe they have wireless and someone used it (seriously, it's easy to break in, even if they use WEP). Even if it ends up being their computer, you have no idea that they were the one responsible. Virsues, worms and hacks are RAMPANT, and it wouldn't be out of the question for someone to use a hacked box for P2P to shield themselves.

    So basically they are saying "Well this IP, which might or might not be for this computer, which might or might not have been under this person's control, might or might not have had this list of files which might or might not be what they claim to be is infringing on our copyright." What? You mean you think you can predetermine guilt from that? Give me a break.

    1. Re:I wasn't aware by hyc · · Score: 2, Insightful

      Good points. This is one of the things that made prosecuting hackers so hard; the police had to catch them in the act - physically at their keyboards, issuing the commands - to make a prosecution stick. Otherwise there is NO WAY to prove that any specific person was using any given machine to commit any particular action.

      --
      -- *My* journal is more interesting than *yours*...
  23. Re:Good odds, keep sharing! by panaceaa · · Score: 4, Insightful

    Given your numbers an illegal file sharer can calculate their monthly financial risk from RIAA lawsuits.

    Your numbers are:
    Time (T)=8 months
    Probability (P)=1/25290
    Cost (C)=3000

    With monthly financial risk = (P*C)/T, if each month you put away 1.483 cents, you would on average have enough money to pay your settlement fees by the time you were sued.

    Now assume that the RIAA gets more aggressive and settles less, and through the courts gets a $1 million verdict in 100% of the people it sues (1977 people / 8 months). The monthly financial risk then is $4.94 a month.

    So even if your punishment is $1 million, the financial risk of getting sued is less than any online music service with a monthly fee. It's also less than 5 songs on iTunes a month, which probably isn't nearly as many songs as Kazaa users download. Why does the RIAA think their legal efforts will convince people with such a low financial risk?

    And here's an interesting twist -- why doesn't an insurance company insure people against RIAA lawsuits for $10/mo so they can download as much as they want on Kazaa? Isn't this similar to what Redhat is doing to protect its customers from SCO? I'd much rather pay $10/mo to download whatever I want without risk of being sued than pay the same money to MusicMatch for their inferior service. And if everyone did the same, peer-to-peer services would blossom again with tons of quality content from all genres imaginable.

  24. Industry built on Piracy sues pirates by phunster · · Score: 3, Insightful

    When the music industry starts paying back all the musicians that they have ripped off, then and only then will I consider the piracy being perpetrated against them wrong.

    These are the people who caused many of the founders of jazz, blues and rock and roll to die in poverty. What is happing now is not piracy, it is devine justice.

  25. That's just you by bonch · · Score: 3, Insightful

    I would say listening to it first is a pretty good way to decide whether something is valuable to you.

    Slashdotters love to say this...as though the majority of the people on Kazaa are "sampling" all those albums in order to run to the store and purchase them to re-get them.

    I don't get this incessant need to avoid stating the OBVIOUS TRUTH, which is that p2p is used for a shitload of outright piracy and avoiding paying for stuff. I'd say over 90%. You're being foolish and purposely stoic if you pretend otherwise.

    There is absolutely nothing wrong with the RIAA suing people who are illegally distributing their product. I don't get the opposition to that either.

    1. Re:That's just you by Lord+of+Ironhand · · Score: 3, Insightful
      as though the majority of the people on Kazaa are "sampling" all those albums in order to run to the store and purchase them to re-get them.

      Actually, the majority of people I know do.

      I don't get this incessant need to avoid stating the OBVIOUS TRUTH, which is that p2p is used for a shitload of outright piracy and avoiding paying for stuff. I'd say over 90%. You're being foolish and purposely stoic if you pretend otherwise.

      I was merely responding to another post. Pardon me for not blurring the argument by involving every issue that's even slightly related.
      (Someone: "Apples suck." I: "No, apples rule." You: "You're purposely ignoring the fact that many apples are green!")

      suing people who are illegally distributing their product

      It's the musicians' product. Never mind that many musicians are just as unhappy about the RIAA as most p2p users.

    2. Re:That's just you by what+the+dumple+is · · Score: 2, Insightful

      Whatever. All the college kids here are always using p2p and you know what's funny! They still go out and buy records. I'm always hearing them say, "I have to buy such and such album I got off Kazaa."

      And I see those same college kids in the local Tower records and guess what, they are buying CDs. By your argument I should see a mere fraction of them out buying CDs.

      Just because you're using p2p for rampant piracy, doesn't mean everybody else is.

      The thing is, just ask any of these kids if they listen to the radio. I've found that not many do. Some listen to the local college station when it's not playing world music. The majority of kids find out about music via p2p.

    3. Re:That's just you by Chaset · · Score: 5, Insightful
      I don't understand why this is flamebait. I guess it's just because it goes against the majority opinion on /.

      Last time I commented on a related topic, someone responded by commenting that the song he/she/it downloaded lead to he/she/it buying the songs in question. (or somethign to that effect), as if that was somehow a rebuttal to my comment.

      I'm sort of tired of people who cite increased CD sales to somehow justify piracy. That's totally beside the point. It's the copyright owners' prerogative to dictate how the works are sold, or not sold, for that matter. If the copyright owners didn't want the increased sales from allowing P2P, that's still their prerogative. It does not change their right to distribute or not distribute the work as they please. They can sew the master copy inside a matress and sit on it, if that's what they want to do.

      Our prerogative, as consumers, is to not pay for said works if we don't agree with the terms under which they make it available. That's it. Piracy is piracy whether or not P2P leads to million or billion CD sales. Smart labels will realize this and capitalize on it; stupid ones will fight until they run out of money and lose to the others with a little more business savvy.

      The industry's treatment of artists is also a completely separate discussion. No matter how crappy the artists' deals are, it STILL doesn't transfer copyright to pirates. If you don't like the way the labels do business, it's your prerogative not to buy from them. It still doesn't grant you rights to use the works they have the rights to without permission.

      If you don't like the copyright laws, try to have the laws changed. However, until the laws do change, you STILL don't have the right to pirate copyrighted works.

      Nobody forced these kids to distribute these files. If they were in fact participating in piracy, they deserve whatever reprimand they get.

      Get it through your thick skulls -- It's the copyright owners' right not have their work distributed through P2P.

      --
      -- "This world is a comedy to those who think, a tragedy to those who feel."
  26. In other words... by bonch · · Score: 4, Insightful

    If you love the music industry executives, thier spouses and mistresses AND thier nosetrails... buy the overpriced shit they sell you.

    When translated to reality, reads:

    "I'm justifying stealing some artist's music because I don't like that an exec who heads the label makes money in a capitalist system. I'll ignore that the artist willingly signed their contract and that distributing intellectual property without the copyright holder's permission is illegal.

    Instead, I'll sidestep the issue of ripping off artists and say, "Here, look at this, it's a rich RIAA exec and his wife!" Thereby completely distracting the issue with something irrelevant that the anti-social, anti-capitalist, generally-broke Slashdotters can rally against.

    And we'll pretend it's actually WRONG for the RIAA to be suing people still illegally distributing their product--even after all the awareness of its immorality and illegality. Never mind that when Napster was being sued, Slashdotters were saying the RIAA should be suing individual downloaders instead because they're the ones breaking the law!

    Now they're doing exactly what Slashdotters said they should do, and suddenly it's wrong. Because I'm really trying to justify the piracy I participate in daily on my DSL connection. I'm going to pretend it's not illegal, not immoral, and I'm going to rid myself of the guilt of downloading by trying to remove the image of me being a criminal and instead paint the RIAA as the bad guy."

    Yeah, that sounds about right.

  27. Re:Best news yet today by Leebert · · Score: 4, Insightful

    Once the RIAA/MPAA has shot themselves in the collective feet enough through negative press and marketing, consumers will demand alternative bands, distribution, technology, etc.

    You're kidding, right? Have you met anyone under 20 recently? 90% of the kids out there don't even know what the hell a RIAA is, nor do they care. Neither do they seem to care that an album costs $18. You know why? All their friends are buying Linkin Park CD's and they don't want to be left out. At any cost.

    Face it, the RIAA is selling to a largely agnostic market. It's just the same as the Nike sweatshop phenomenon.

  28. Re:Free trial by thedillybar · · Score: 2, Insightful
    You know, I really want to try out a Ferrari 360 Spider before I buy it too. I'm not sure if I want a Ferrari or a Lamborghini.

    I'm sure no one would mind if I stole both cars so I could try them each out. I'll buy them if I like them. I swear.

  29. Re:You've got it all wrong by Anonymous Coward · · Score: 1, Insightful

    > I really hope I get to metamoderate that +1, Insightful moderation...

    +1 insightful, +1 funny.

    What does it matter in the end? In my book, you should only metamod mods that were in the wrong direction, not just the wrong reason.

  30. Settlement average by failedlogic · · Score: 2, Insightful

    Lets say the average teenager/youg adult (who downloads music) spends $200 a year on CDs. That's give or take 10 to 15 CDs a year.

    A $3000 suit would be about 15 years' worth of CD buying. This doesn't take into account revenue from advertising on MTV, posters, fan clubs, concerts etc.

    In the long run, I think its in the record companie's interests to settle other ways or find new ways to distribute music. Ticking off you fan base for 15 years is not worth it.

  31. Re:You've got it all wrong by Anonymous Coward · · Score: 1, Insightful

    His comment deserves both. Actually that's the way it really works. The RIAA can't protect artists without having any source of income, you know!

  32. Re:this has got to stop... by Anonymous Coward · · Score: 1, Insightful
    Nice idea, but I think it needs a little bit of refinement.
    The administrative server can ping authenticated subscribers to verify that they aren't using any other file sharing protocol.
    Unfortunately that part isn't possible. They might be able to portscan you, but they can't know for sure what other clients/servers you may be running, especially if you're using encryption (yeah, they could attempt to login using known p2p protocols, but that's a never ending battle, and an easy way around it is to simply copy the files to another machine to do the illegal sharing).

    p.s. I know the parent would agree with me on this, so trolls please don't suggest using spyware or a trusted computing platform (users aren't going to go for either of those).

  33. So at $3000 a settlement by cyril3 · · Score: 3, Insightful
    I gotta get at least 200 CDs down before they fine me to break even. 300 would be better.

    No problem.

  34. this has got to continue by Anonymous Coward · · Score: 1, Insightful

    Why are you proposing "solutions" here? Aren't you and the *AA supposed to work it out yourselves? I am suspecting you're an *AA supporter, or a wannabe.

    This is for the moderators on crack:
    What's to stop someone from ripping songs to .mp3 or other more free formats and distribute them in current P2P? You want DRM in your songs and BigBro to watch you? The stupid suggestions only work, if the customers cooperate. If you have customer cooperation, you wouldn't have people uploading and downloading stuff they didn't pay for - this is only a problem for most, if not all, *AA style businesses.

    The whole point of the *AA's monopoly is to rip off musicians, to solely use their distribution systems, and to use DRM file formats for pay-per-play, if possible. If they change, they no longer have a monopoly.

    These lawsuits are perfect. The only effective way to defeat the *AA is to boycott them permanently en masse, and support the alternatives simultaneously.

    Isn't this why Open Source is thriving today? It started with people boycotting closed source, and developed Open Source. If you can't write a half-assed song, look for Free alternatives; and stop proposing solutions, even stupid ones, for the *AA.

  35. this has got to stop...Breaking society's toys. by Anonymous Coward · · Score: 1, Insightful

    Now ask yourself. How well would this work for those who don't want to play by someone elses rules? Part of the mess the worlds is in, is exactly because there are those who think that societies rules don't apply to them. You not only need to come up with something that functions, but also know how people will try to avoid it. Now you know why our laws read like a phone book, instead of a pamplet.

  36. Business Rule No. 433: Never Turn away a Customer by Anonymous Coward · · Score: 1, Insightful

    > The RIAA has been averaging $3,000 per settlement so far.

    How much have they lost in negative sentiment? I don't buy many CD's in comparison to some people, but I estimate that I have chosen NOT to buy at least 20 or more CD's in the last year or so as a backlash to the Labels. My consumption of CD's has fallen by about 20%. Tough Titties, RIAA and ARIA!

  37. I *can't* buy a lot of my music. by abesottedphoenix · · Score: 2, Insightful

    If you're looking for American music, iTunes is great. I like mainstream music, and I have bought a bunch of it through iTunes. It's way better then the record store or the CD clubs that I used to belong to to get my 10 CDs then quit.

    BUT

    iTunes does not have American Indian music.
    iTunes does not have a lot of Italian music.
    iTunes does not have a lot of Folk music.

    iTunes is missing a lot of non mainstream stuff, despite their commitment to independant bands. I'm sorry, but if I can't buy my music online, or at the store, I still want to listen to it, so I'm going to swap it. If you offer me the opportunity to buy it for .99 a song, you bet your sweet arse I will.

  38. Copyright works both ways... by rbird76 · · Score: 2, Insightful

    People don't have the right to distribute material covered under copyright laws without the holders' permission.

    Copyright holders have to allow certain uses for the distribution of their works (educational, etc.)

    Why is that when copyright holders and their supporters (e.g the MPAA/RIAA) ask us to "respect copyright", they conveniently neglect their own imposition of copyright protections that can be easily dismantled by anyone but those willing to follow the law, and thus designed only to remove copyright-enabled privileges from those who do follow the law? Respect works two ways - yet for the RIAA, respect for copyright law is only reasonable when it benefits them.

    Copyright infringement won't improve the artists' share of their own revenues (though P2P and legal downloading of songs may do that), nor will it halt the erosion of the rights of the people over copyrighted works. However, without copyright infringement, these issues would have been considered by very few, and probably ignored by most. Would song downloads (outside of the album format) have come about without the threat of copyright infringement? Since there was no competition with the RIAA, there was no alternative to choose that offered these until copyright infringement made it clear that a lot of people wanted songs, not albums. The RIAA is the limiting case - they have both colluded to maintain prices and selection and have also helped to erode the rights of the people over copyrighted works. By colluding, they negated legal ways for individuals to choose other ways to get music, and circumvented the ability of the market to control their behavior. This didn't leave much alternative for lots of people, and feeling screwed, they did what in other circumstances their consciences would have inhibited - they infringed the copyrights of others.

    I don't disagree with your premise - there are good reasons why copyright infringement is a crime and why those who engage in it should be pursued. The problem for me is that copyright law is supposed to guarantee both my rights in using their works (but not distributing them) and the rights of the copyright holders to sell and distribute their works - at this moment, copyright law seems to be applied selectively to those who infringe the rights of the holders of copyright and not for those who infringe the rights of the people to use the copyrighted works. The RIAA in particular has short-circuited the ability of the market to enforce the rights of the users of copyrighted works, and the gov't has followed the money to the copyright holders' pockets. I am frustrated with the situation - I won't copy, but I don't know how else my rights as a user of copyrighted works will be taken seriously.