Slashdot Mirror
Shifting From P2P To Stream Ripping
An anonymous reader submits "As users continue to try fending off the ever more litigious music industry, some
seem to have dropped P2P entirely, moving to ripping instead. While
they lose some control over what they are downloading, it's a untraceable way
to download music (no way for the RIAA to track users or sue). With some
of the more powerful software that's been coming out recently, stream
ripping has become more main-stream. Some of the more well known software
packages, like StationRipper, allow
users to download several thousand songs on a daily basis. And, depending
on how you read the law, it's 100% legal. How will the RIAA respond?
As more users move to this type of technology to avoid the P2P lawsuits, how
will the music industry respond?"
Actually this really sucks when ripping from DI.FM... I find that it cuts the song off too early, and starts the next song too early.
The one time I let it rip a channel for an entire day and ended up with every song being useless, unless I play it back in the same order DI did, as a good 3 second shift occured in every song compared to the ID3 tag being broadcast... pain in the ass!
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Programming is like sex... Make one mistake and support it the rest of your life.
As you know, XM Radio has a receiver for the Computer (XM PCR) that shows the music ID etc and a high quality stream with 120 channels. I wonder if any one thought of writing a software to rip the stream digitally?
Seeing as though the posting is a direct copy and paste of the techdirt article... how about we also read the bit that comes straight after that on their site which states that, really, this is hardly a threat to P2P...
"Well, some of the comments are a bit misleading. It's not clear just how mainstream this technology really is, and it's certainly not nearly as user friendly for users as basic file sharing applications. The idea is that it records songs directly from streaming radio stations (though, right now, it looks like only certain kinds of streaming radio stations work with the software). Also, copying a song off the radio (which is this basically equivalent to) often involves a lower quality offering with songs cutting into each other, DJs talking over the music and other radio-related reasons why it's not the same as getting a full track. "
I used to tape of the radio too, and ended up knowing songs as ending with 'And that was Vanilla Ice on 2KBY7 with the HOT Ice, Ice Baby... Keep rockin' dude... yeaaah'.*
It's not the same as a pure track... plus, as it says... crap quality.
* No, I didn't actually have any Vanilla Ice tracks on tape... no... really.
Actually, for a small monthly fee you can have the nearly the whole world of RIAA music streaming at you by request.
$9.95 a month to Real Rhapsody will get you access to Real's entire library of 500,000ish songs in Real's streaming format, and $9.95 a month to the new Napster will get you access to Napster's library of 500,000ish songs in Windows Media format. In both cases, they've yet to establish a limit as to how many streams you can get per month.
Clearly, there's a rather gaping hole if you're able to save either of those sets of streams into any non-DRMed format.
One of the cooler new ways of sharing music with my friends that I've been playing around with is the ml_www plug-in for Winamp (It was one of Justin Frankel's farewell gifts). The application lets you or anyone else access your media collection from anywhere, and stream or download your audio/video through a browser interface. Of course you can set up passwords and access privelidges. You can pick a song to listen to on your home computer while in the office; stuff like that.
All you need is a Winamp running with the plug-in, and someone--probably someone you trust--drops in your IP in a browser and one of these two windows pops up, depending on which template you're using. You can download the newest versions here.
There's a sourceforge project going on for the plug-in, but they haven't really brought that site up to speed yet. Most of the progress is in this Winamp Forums thread, with some occasional updates on Winamp Unlimited.
"CD's? Bah... Who needs 'em! They cost twice as much as the cassettes and LP's, and you've got to be some kind of music nut if you think you can actually hear that much of a difference. Besides that, you're just going to end up making a tape of it anyway so you can play it in your car."
Ah... Them memories... <sigh>
I don't know anyone who buys or has CDs. Seriously.
...
I'm the president of a huge club on campus, and I know many, many people. NO ONE has CDs. No one.
We do, however, have two OC-3s and a T-3...
GeekNights!
Late Night Radio for Geeks!
Alright, I have to reply to this one.
Yes, there are p2p applications that do prevent tracing. There's MUTE, which seems to have promise, although it's not particularly well documented. There's also GNUnet , which seems to be really intelligently designed, but I have no idea how well it works in practice, I don't think it's ready for mainstream use yet. And of course, freenet with FROST , but it's as slow and unreliable as the rest of freenet.
Ultimately, I think we can all agree that anonymous internet, especially filesharing, is coming and is going to render the RIAA's efforts useless.
As far as stream ripping, however, I think the idea was just that you could leech mp3s all day long and make a collection of whatever the stream is playing, not as an anonymous way of getting specific mp3s you want.
I know on slashdot, there is always someone who will prove you wrong. Today, I am that guy. I'm 21 years old, live on a college campus with a fat pipe. I pretty much don't remember when we didnt have MP3s. I own between 500-600 cd's, and I feel that it is money well spent:
l: It's not illegal.
2: A hard drive crash doesnt erase my collection. Burned cd's, backups, what have you get scratched, and aren't reliable. My factory made cd's will last much longer.
3: I can legally rip them at a high-bitrate in whatever the common format is.
4: A lot of my collection is indie / small label punk, these bands probably make less than I do, stealing their cds instead of buying really does affect them.
5: The main reason I buy cds is that when I rip them, there are no pops, none of my tracks are cut short, there are no duplicates, and the tags are 100% correct. I can put them in a database, and magically all the songs by the same artist end up together. When you buy cds, you get much better quality.
If I do use an MP3 service, it is just to see if a cd I'm thinking about buying is any good. I generally use Limewire, and store what I download in a seperate folder away from my collection, so I can easily delete it.
The RIAA does some stupid things, but I still think it is worth the money to actually buy the CD, and I view boycotts as one of the most in-effective tools to combat the RIAA. I think a well-written letter will do so much more than 1% of the population boycotting cds.
-- the computer doesn't want any beer, no matter how much you think it does. NEVER, EVER feed your computer beer.