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Update on Playfair

An anonymous reader writes "A few weeks back, Slashdot reported that Apple had sent a cease and desist letter to Sarovar.org, the Indian site hosting the Playfair project. This is the first incident in India where a corporation has used legal means to shut down a Free Software project. Some of the prominent members of the Open Source/Free Software community in India have issued an update on this situation. There is also an interesting post in the FSF-India mailing lists."

44 of 370 comments (clear)

  1. Hmm.. by bigattichouse · · Score: 5, Insightful

    Need a good ol' fashioned Chinese to-hell-with-western-law hosting... works for spammers, why not legit projects that exist in that legal grey-zone?

    --
    meh
    1. Re:Hmm.. by tomstdenis · · Score: 2, Insightful

      Last I checked free-speech wasn't running rampant in the US either. Can't say that, DMCA. Can't say this, un-patriotic....

      What I don't get about companies like the RIAA, Apple, Sony, etc...

      STOP USING DRM!! IT'S FLAWED LOGIC THAT WON'T WORK!!!

      Yet they keep trying, over and over and over. Then they scream bloody murder when it gets rolled on.

      Why not spend money on getting some artists some real music lessons [e.g. less titney spears, more composers, real music!] more music on better technology [e.g. more capacity, better fidelity, more resilient to damage] and such instead of trying to sue 12 year olds for ripping CDs they bought.

      We got to the point where content is moot and distribution is everything. Sure making money is cool but at what cost?

      I mean look at the top 10 CD section of your local walmart. Try to guess how many of them studied music [e.g. conservatory, university, etc...] professionally? Now guess how many of them are just tit-bags who spend 98% of their day shopping and looking stupid-happy on MTV?

      Just once I'd love to see a classical piece make the top of an MTV or MuchMusic call-in demand show. I'm sure teenage kids listen to and would like classical music if they were exposed to it.

      I'm not saying classical music is the only music and yes I'm wickedly off topic at this point... My point though is that stupid technologies are more important than what they put on the damn things. It's really tragic.

      Tom

      --
      Someday, I'll have a real sig.
    2. Re:Hmm.. by Twirlip+of+the+Mists · · Score: 4, Insightful

      STOP USING DRM!! IT'S FLAWED LOGIC THAT WON'T WORK!!!

      More than a year on, iTunes is going strong. If anything, from the numbers it seems to be gaining momentum. Seems to me like it works just fine.

      --

      I write in my journal
    3. Re:Hmm.. by finkployd · · Score: 4, Insightful

      Selling music over the internet is not the flawed model (people have been asking to be able to purchase single tracks at reduced prices for years, it is no surprise it is a success).

      DRM, technically is a flawed concept though. It is basically PKI turned upside down. In PKI, you generate a private key and give out your public key so that people who want to send encrypted things to you can by encrypting them with your public key. This stuff can only be decrypted with your private key. You are the sole holder of your private key and should guard it effectively.

      DRM is basically the same thing, but instead of you being the only with with access to your private key, they system tried to PREVENT you from getting at it. So with ITMS (and WMA9), MY computer is storing a private key and attempting to keep it secure from ME. This is basically impossible and will ALWAYS be broken over time since it can only be done in software.

      And NOW we see why palladium exists... It is a way in HARDWARE (supposedly tamper proof) to let a system store a private key that is inaccessible to the owner of the key.

      Finkployd

    4. Re:Hmm.. by Twirlip+of+the+Mists · · Score: 4, Insightful

      iTunes is going strong--but would it be going any less strong if they had, by some magical miracle, convinced the RIAA to go with non-DRM protected AAC files?

      Yes. Because they would not have the selection of music they have today. Many music copyright holders will not release their works digitally without some kind of technological protection.

      Furthermore, do you think the DRM they do have stops anybody who wants to from copying the music?

      Yes. Because it's easier, faster, and more convenient to just buy the damn thing.

      Years ago, I read a book by Stewart Brand about the MIT Media Lab. In it, Brand interviewed Nicholas Negroponte on many topics. One of the topics was what Negroponte called the "digital paperback."

      Nobody bothers to pirate paperback books. You could; there's nothing at all stopping you. But nobody bothers, because it's easier, cheaper, and faster to just buy your own copy.

      What we need, Negroponte opined, is a digital paperback. He expressed the opinion at the time that the CDROM would be the digital paperback; obviously he was mistaken about that, because unencrypted CDROMs are just too darned easy to duplicate.

      The encrypted M4P file, on the other hand, is a digital paperback. Yes, you can strip it of its encryption and make copies of it using any number of tools, not the least convenient of which is simply converting it to AIFF and back with iTunes and a CD burner. But it's just easier to buy your own.

      But DRM will never, short of a police state, prevent people from copying DRM'd stuff.

      Of course it will. All you have to do is make it more convenient to buy the real thing than to pirate it. Those who would pirate for profit will continue to do so, of course; those people are thieves, and rotten to the core. Let the police deal with them. For the average consumer, all you have to do is make it more convenient to buy than to steal. As we've seen time and again, people will pay a small price for a great deal of convenience: i.e., the paperback.

      --

      I write in my journal
    5. Re:Hmm.. by Anonymous Coward · · Score: 1, Insightful

      Digital distribution of music that people want is going strong. The DRM just happens to be along for the ride. You can't logically deduce that DRM works just fine because iTunes is going strong.

    6. Re:Hmm.. by Twirlip+of+the+Mists · · Score: 2, Insightful

      It wasn't the wide selection of records that caused iTunes to succeed, many other online services had bigger catalogues

      On store--Buy Music--said they had a larger catalog, but it turned out they actually didn't. They were counting music they had not properly acquired the rights to sell.

      The Kazaa copy has no DRM.

      It's very difficult to find via Kazaa what you can get easily and quickly via iTunes. For example, it's virtually impossible to find a whole album via Kazaa; with iTunes, it's a one-click thing. There's no quality-control on Kazaa. It's incredibly easy to find tracks that are incomplete, mis-tagged, poorly encoded, or all three.

      DRM reduces the perceived value of the music

      Nonsense. If that were universally true, iTunes would not have succeeded to the degree that is has.

      --

      I write in my journal
    7. Re:Hmm.. by Hatta · · Score: 2, Insightful

      Man, please do something for me next time. The next time you read something or hear something, take 5 seconds to double check and see if it even makes sense. See if it contradicts almost every piece of knowledge you have already previously aquired. Do you really think the U.S. is less free than Chine or the Middle East? If not, and you read something to the contrary, starting thinking. Start asking questions.

      Yes, we should all reject data that conflicts with our preconceptions. My post was short to draw attention to the fact, and not bury it in an essay. I probably could have given a better citation however. Perhaps you'd like to play with the World Population Brief for a while. There's also a very highly recommended PDF from the Sentencing Project. Just because it conflicts with the dogma drilled into our heads in schools and the propaganda you see every day on american news doesn't mean it's not true. If everyone thought like you we'd still be doing astronomy with epicycles.

      And frankly, no it doesn't contradict anything I know about the USA. The american government is currently waging a war on people like me. That kind of thing shocks you out of your comfortable illusions pretty quickly.

      Now I'll be the last person to praise the governments in the middle east, but at least they're not deluded into thinking the goverment is working for them. According to my immigrant friends at least. Of course you appear to have first-hand knowledge of middle eastern legal systems, so maybe you'd like to confirm or deny that.

      Note also that I never said america was "less free" than anyone. Just stated a fact and noted its irony. Perhaps it's you should try reading more critically.

      --
      Give me Classic Slashdot or give me death!
  2. Why is Apple involved with this? by mark-t · · Score: 2, Insightful

    Apple is a computer company. They do not own or control the copyrights on the music they are allegedly trying to protect. If anything, the RIAA should be the ones to go after these guys, not Apple. And since the RIAA doesn't have any pull in India (while Apple probably has some), I suspect that this whole mess would have been summarily ignored. They should tell Apple straight out that since Apple does not own the copyrights to the works which are supposedly being illegally copied, they do not have the right to make this request.

    1. Re:Why is Apple involved with this? by JeffTL · · Score: 2, Insightful

      Apple DOES own FairPlay, though, so it's their DRM system that's been cracked. Surely they have a right to defend their patents and/or trade secrets.

    2. Re:Why is Apple involved with this? by cioxx · · Score: 4, Insightful
      That's possibly the stupidest thing I've heard in a long time.
      Apple is a computer company.

      Also, content distributor, and a software company.
      They do not own or control the copyrights on the music they are allegedly trying to protect.

      But they control the method which facilitates AAC DRM, needed to let record companies to release their catalogues for distrubution. Without PlayFair DRM, it would be hard or next to impossible to persuade record labels to furnish iTMS with audio content (which they own).
      If anything, the RIAA should be the ones to go after these guys, not Apple.

      Again, it's the method not the content.
      They should tell Apple straight out that since Apple does not own the copyrights to the works which are supposedly being illegally copied, they do not have the right to make this request.

      Let me give you an example. Suppose you manufacture and sell locks and at the same time rent a storage facility where people keep their property. Someone comes along and makes a master key which defeats your lock mechanism, when it is illegal (by law) to reverse-engineer, or reproduce master keys or to otherwise tamper with the lock. In the end, the gatekeeper is liable for the stolen property and the burden to prosecute those who are manufacturing these master keys is on the lock manufacturer, not the owner of the property.

      Get it? RIAA doesn't have anything to do with AAC DRM. Apple is the gatekeeper and they're trying to protect the well-being of their online music store.

      You want fair-use? Go buy the CD or use less-restricted distribution channels who provide you with MP3s and OGGs. iTMS doesn't force you to purchase digital (restricted) files from their store. Abide by the terms of the contract you signed whilst registering. Any fair-use argument here is completely laughable.
    3. Re:Why is Apple involved with this? by squiggleslash · · Score: 2, Insightful
      Because Apple runs the iTMS, and if the pseudo-DRM Apple is using is compromised, the iTMS is compromised, and content makers who signed on on the specific understanding the pseudo-DRM existed will want out.

      So it's in Apple's best interests to protect their pseudo-DRM scheme. The content makers have less of an issue, if Apple's is compromised they can just switch to the alternatives offered by Real and Napster/Microsoft.

      I say pseudo-DRM because the system does allow burning to CDs and re-ripping with virtually no quality loss (I've tried it, iTMS AAC->CD PCM->128kbits iTunes AAC is fine by my ears, I can't tell the difference between the original and the reripped version.); Apple also cannot take that away, they can stop implementing it but if they do, we can stop buying if they produce protected AACs reliant on a later version of iTunes, and we can use the older versions to back-up our music.

      --
      You are not alone. This is not normal. None of this is normal.
    4. Re:Why is Apple involved with this? by Anonymous Coward · · Score: 1, Insightful

      "Surely they have a right to defend their patents and/or trade secrets."

      Since my fair use rights are being trampled, surely I have a right to defend those rights.

      Or do you believe that rights only belong to big companies with lots of legal staff?

    5. Re:Why is Apple involved with this? by Anonymous Coward · · Score: 1, Insightful

      You missed his point:
      1) It is possible (tho unlikely) that Apple could be legally forced to shut down iTMS and stop selling iPods

      2) If that happens your purchased music may become unusable (can't transfer between machines, etc)

      3) You will will really want a tool that removes DRM at that point.

      There's other things that could happen -- Apple can retroactively change the TOS on music you have already purchased, etc.

  3. Figures! by vallejo1021 · · Score: 1, Insightful

    What is really happening is a corporation is using legal means to shut down a free software project in India for the first time and the small project is left defenseless even though they believe that they are right.

    Goddam Bill Gates and his Evil Empire -- ohwaitaminnit...

  4. Let's face it... by Mengoxon · · Score: 3, Insightful

    ...if Apple did not do this kind of thing, the computer-unsavy media CEOs would panic and shut down itunes. (As if piracy could be stopped that way)

    And portraying a cracker-program as an "open-source effort" is a bit like calling the NRA a grass-roots civil rights campaign.

    1. Re:Let's face it... by asdfghjklqwertyuiop · · Score: 2, Insightful

      And portraying a cracker-program as an "open-source effort"


      But it is an open source effort. It meets the definition of open source. Why would it not be worthy of that title just because it bypasses some DRM?

      In fall of 1999 when a few open source DVD projects (LiViD for one, I believe) received DMCA cease & desisit letters noone was saying "they bypass DRM, so they're cracker programs, not open-source efforts and thus not worthy of our sympathy".

      playfair makes it easier to play legally purchased music on non-iTunes supported platforms as well as making it easier to throw them on p2p (not that either activity was impossible before this program)... insert crowbar analogy here.

  5. A page out of the DirecTV playbook by Anonymous Coward · · Score: 1, Insightful

    This is really no different than what DirecTV is doing to people who have purchased smartcard readers.

    Big money eats up little money. It doesn't matter whether your are right or wrong. Go against Apple (or DirecTV) and they will bury you in legal bills. They will make in cost-prohibitive to defy their will. It's a total abuse of the legal system, but until someone steps in and makes changes it will continue.

    The only way to survive is to release Playfair anonymously and in a method that never lets Apple find out exactly who you are.

  6. Re:Not agreeing with Apple here by Qzukk · · Score: 3, Insightful

    So they acknowledge that the unauthorized copying of music is illegal

    Copying? The tool specifically takes a song you have bought, the key that you have bought to play that song, applies the key to the song and uses it to remove the DRM. Lets say that I delete the original file afterwards, in which case the net IP "possession" is unchanged: I have one instance of a song I bought, only now I am no longer beholden to the artifical monopoly of things-capable-of-playing-this-song.

    --
    If I have been able to see further than others, it is because I bought a pair of binoculars.
  7. Re:easy way to keep the project active by Entropius · · Score: 2, Insightful

    Unfortunately, the least expensive colocation package that they offer is $1500/month. There's just no way a smallish FS project can afford that.

  8. Casulty of War by Anonymous Coward · · Score: 1, Insightful

    The way I see this is that PlayFair is an innocent (well almost) casualty of a larger conflict between Apple and Microsoft as to who will control how music will be sold on the internet. the developer(s) of PlayFair may be within their legal rights but since when has any corporation cared about the rights of mere mortals?

  9. Re:Not agreeing with Apple here by 2nd+Post! · · Score: 4, Insightful

    You've still made ONE copy in that process, even if you delete the original.

    I'm not saying this is right or wrong, since I believe it's perfectly within Fair Use to make a decrypted copy. What happens if Apple goes out of business? What happens if I don't have a suitable network connection to authorize my Macs? I paid for the music, and do have some right to listen to it at 100% quality.

    However, all I am stating is the strict legality of the situation. Owning this tool isn't illegal, but using it is. I don't know, however, that is enough under Indian law to get them knocked off the servers.

  10. Re:Not agreeing with Apple here by vegetablespork · · Score: 2, Insightful

    But waiver of fair use rights is arguably an unconscionable and therefore unenforceable contract provision. If indeed clicking an "I agree" button on a Diktat contract forms a valid contract. (I know it doesn't morally, whether it does legally has yet to be demonstrated except in a very narrow context.)

    --

    Call (206) 338-5780 COLLECT for information about a genuine BA, BS, MA, MS, MBA, or Ph.D.

  11. Re:Not agreeing with Apple here by 2nd+Post! · · Score: 4, Insightful

    It all depends on whether you signed a contract when you bought the Sony drive that you would only use Sony blanks, doesn't it? Then it wouldn't be illegal to use the non Sony blanks, only that you would have violated your contract with Sony, and Sony then has the right to not honor any warranty with you (there is some wiggle of course, since you used a fairly extreme example).

    All sales of Apple's music have implicit contracts, which you should have read before purchasing. There is authorized copying, which is streaming to three machines, converting m4p->CD->MP3 or m4a, and then there is unauthorized copying, which is streaming to unlimited machines and converting from m4p->m4a.

    You can argue Fair Use, but they can argue that you willingly agreed to their contract, and all they are doing is enforcing it through vague laws.

  12. Fair use? by kitzilla · · Score: 2, Insightful
    > PlayFair is a tool to enable fair use for music purchased from Apple's iTunes music service.

    In what way is removing the DRM from iTunes music "fair use"? The user agrees to Apple's terms upon purchase. If you don't like the number of players Fairplay will authorize, buy your music elsewhere.

    --
    This is my post. There are many others like it. If you don't like what you read here, go try one of the others.
    1. Re:Fair use? by pla · · Score: 1, Insightful

      In what way is removing the DRM from iTunes music "fair use"?

      In the "format shifting" sense, which most certainly does fall under "fair use".

      You can argue this from any angle you want, but in actual trials, the courts have repeatedly upheld the idea that people have the "right" to use media they purchase (regargless of the whole "bought" vs "licensed" issue). If that means using tools like playfair to unlock that media, then so it goes.

      The injunction against DeCSS really counts as one of the first findings that contradicts the idea of format-shifting as fair use. And, you could interpret that as not so much of a slam against format shifting (remember, it had nothing to do with any actual, specific copyright violations), as against a DMCA-defined "circumvention device".


      Of course, it really bothers me how many people want to step up to defend Apple here. Any other company, and we'd have a totally united front against this blatant use of the legal system to quash our rights. But blessed, inviolable Apple? No! "They need the money" (to cover their otherwise invalid business model?). "It allows enough uses to not affect anyone" (until your third computer crashes with you unable to release the key). "You can always burn it to a CD and re-rip it" (completely ignoring the resulting hideous loss of quality compared to what the user paid for)...

      Just astounding, what the Apple fanboys will defend. "Steve needs to eat the brains of still-living childen", "Zombie sounds like such a harsh word, can we please call it by the correct medical term, 'necroambulate'?". If this time they hadn't stepped into the PC world to screw us all, I'd consider this almost self-served legal Darwinism. But as it stands - Grow some balls! Steve can err, deal.


      PS - IANAL, but I play one on Slashdot.

  13. Re:Not agreeing with Apple here by XipX · · Score: 2, Insightful

    i don't think it is (or should not be) illegal to use it (except if you do something illegal with the encoded files afterwards like distribution on the internet)

    Its STILL should not be illegal to use it even if your intentions are to distribute the song illegaly. The distribution is the crime and always has been. It would still be illegal even if you distributed the song without stripping the DRM.

  14. Re:Not agreeing with Apple here by cdrguru · · Score: 3, Insightful
    So what is wrong with building a business based on supplying music for the iPod only? This seems to be exactly the point of Apple's complaint - that converting the files easily and quickly makes it too easy to play them on non-Apple hardware. Since it is generally known that iTMS is a loss-leader supplying content for the iPod series, this sounds like a perfectly valid complaint.

    I put this on the same level as the "subsidized" price for game consoles with the understanding that you are going to use the device to play games. If they charged what the game console hardware really cost, it would be two or three times as much. Similar models exist everywhere where the hardware is artifically cheap and revenue is made up for by future sales.

    Sort of like giving away staplers and charging lots for staples.

  15. They should get their facts straight by Baumi · · Score: 3, Insightful

    From their statement:

    The Apple iPod permits the iTunes user to make a music CD out of iTunes songs.

    That's nonsense. iTunes permits the user to burn a CD, no iPod necessary.

    I realize that this doesn't undermine the main part of their argument, but they should still check their public statements for this kind of factual errors, otherwise they'll just look like they don't know what they're talking about.

    Baumi

  16. What scares me... by faaaz · · Score: 5, Insightful

    ...is not the fact that Apple went after PlayFair, that was more or less expected. What scares me is the fact that a large part of the slashdot crowd are siding with apple and big media on this one. Hacking your DVD-player is okay, the right to fiddle with your own devices shall not be infringed upon. Media files, however, are sacred. You shall not use them in any way big media does not approve of.

    And why? To please big media, otherwise they would not venture into this internet selling thingy, posts explain. Anyone who does not accept the control big media is forcing upon buyers is a damn dirty pirate, responsible for the thousands of plagues in the world and puts 'us' in a bad light. The brainwashing is apparently working.

    Really, what's the difference between deCSS and PlayFair? I don't recall anyone posting that Jon Johansen was guilty.

    --
    we come in peace / shoot to kill
    1. Re:What scares me... by IntlHarvester · · Score: 4, Insightful

      What scares me is the fact that a large part of the slashdot crowd are siding with apple and big media on this one.

      Reality Distortion Field at work -- A lot of people feel the need to defend their favorite 'beleaguered' computer maker. Had it been MS DRM or Real DRM instead of Apple DRM, you would see hardly any of the same reaction.

      Their story is that Steve did everyone a big favor by implementing a "fair" DRM system, but the reality is that FairPlay isn't any different than the other RIAA-approved online music store DRM systems, other than it has Mac support.

      Furthermore, their opposition to PlayFair isn't very pragmatic, as there's a real argument that it will only help Apple's music & ipod sales and not significantly increase piracy. All they have is a reactionary argument that PlayFair is bad because Apple says it is bad, and it's bad to lie to Apple and break their EULA.

      -----------

      What Apple Fans should understand is that consumer electronics and music are now way more profitable than Macintoshes -- and that will invevitably leave Apple, Inc. to make decisions that are good for RIAA/MPAA and not necessarily good for personal computing or the Mac platform.

      I think it's perfectly possible to be a Macintosh booster without going balls to the wall for every new business Apple gets into. There's nothing inconsistant about believing that the Mac is the greatest computer ever made without endorsing Apple & the RIAA's online business model.

      So, try being an Mac Fanboy instead of a Apple Inc Fanboy. It's refreshing.

      --
      Business. Numbers. Money. People. Computer World.
    2. Re:What scares me... by drwav · · Score: 3, Insightful

      What we can do is start messing things up for everyone else.

      I hate people with your attitude.

      "Please everybody, don't fight back or they might try to take away even more. I don't want to lose anymore than I have already lost."

      Well too bad, some of us aren't happy with the way things are or where they are going and will do anything to make it stop and reverse.

      I'm sorry that you feel that we are somehow attacking you by trying to get back something that we once had. I truly am, it's not fair to you.

      However, we are not going to stop trying to end the madness of DRM, corporate control, big brother, or whatever you want to call it.

      I think the real problem is that you don't know who your enemy really is, it isn't us, we are on your side. We want you to have all these cool service and be able to use them. We want that too, but we want it without the unneeded restrictions placed by the RIAA and other special interest groups that don't believe in fair use. We aren't the ones taking away the rights, they are. If they try to take away more rights as a result of some people's actions it isn't that person's fault, it is the fault of whatever entity pushed to have those rights removed.

      I have not bought any music off of iTMS and I never will.

      Supporting the iTMS is supporting all that we are striving to avoid regardless of how "fair" you think their terms are.

  17. Re:Nuts to them by 2nd+Post! · · Score: 2, Insightful

    I wrote this in another post, regarding their terms of sale and terms of service, and it's relevant to your point:

    In this case users of Apple's iTunes signed an agreement; signed it with their credit card number, actually, when they first opened their accounts on iTunes! Terms of Sale and Terms of Service.

    Specific relevant portions:
    Terms of sale:
    You agree that you will not attempt to, or encourage or assist any other person to, circumvent or modify any software required for use of the Service or any of the Usage Rules.

    Terms of service:
    b. Security. You understand that the Service, and products purchased through the Service, such as sound recordings and related artwork ("Products"), include a security framework using technology that protects digital information and limits your usage of Products to certain usage rules established by Apple and its licensors ("Usage Rules"). You agree to comply with such Usage Rules, as further outlined below, and you agree not to violate or attempt to violate any security components. You agree not to attempt to, or assist another person to, circumvent, reverse-engineer, decompile, disassemble, or otherwise tamper with any of the security components related to such Usage Rules for any reason whatsoever. Usage Rules may be controlled and monitored by Apple for compliance purposes, and Apple reserves the right to enforce the Usage Rules with or without notice to you. You will not access the Service by any means other than through software that is provided by Apple for accessing the Service. You shall not access or attempt to access an Account that you are not authorized to access. You agree not to modify the software in any manner or form, or to use modified versions of the software, for any purposes including obtaining unauthorized access to the Service. Violations of system or network security may result in civil or criminal liability.

    and

    c. You agree that your purchase of Products constitutes your acceptance of and agreement to use such Products solely in accordance with the Usage Rules, and that any other use of the Products may constitute a copyright infringement. The security technology is an inseparable part of the Products. The Usage Rules shall govern your rights with respect to the Products, in addition to any other terms or rules that may have been established between you and another party. Apple reserves the right to modify the Usage Rules at any time.

    I'm not saying it's right, only that it is clearly outlined when you gave then your buck.

  18. Re:Read the "Terms Of Service" by supercobrajet428 · · Score: 4, Insightful
    I guess I disagree. In my mind, if you agree to a TOS you agree to it. It is not the responsibility of the company (Apple in this case) to come up with a nifty TOS that everyone will like and agree to. Though that may be in their best interest. It IS the responsibility of the consumer to understand the contracts they sign before they enter into them.

    Just look at what has happened with Kazaa and multiple other free/shareware examples where they expect you to blip right through their usage agreement which explicitly states that the Kazaa installer has the right to install whatever it wants wherever it wants. It's horse-sh*t, but millions of people subject themselves to it everyday.

    Again, it doesn't make it right, it just makes us (the collective, consumer, public populous who does these things) pretty dumb sometimes.

  19. Re:Read the "Terms Of Service" by Registered+Coward+v2 · · Score: 2, Insightful

    Except that the TOS also states that you agree not to encourage such behaviour, I suppose it MIGHT be questionable as to whether downloading the software and/or using it would/should be considered encouraging - I see your point though. Maybe it's not so black and white as I had thought originally.

    I wasn't real clear as well- I was refering to Playfair's developer, not someone who uses it to remove DRM features. I think as long as the developer doesn't use ITMS, then he or she hasn't agreed to the TOS and is not bound by any terms - now someone actually using it would because they agreed to Apple's TOS.

    So Playfair, itself, would not violate any contractual terms since the developer hadn't agreed to them, unlike someone who used it, Apple's recourse would be to go after its users if it suspects they are using Playfair for breach of contract, but has no grounds contractual grounds to stop Playfair from being distributed.

    Of course, it may have other legal means to stop Playfair, and suing your users is both difficult and would be very counter productive to a company such as Apple which wants to be viewed as a part of its user's life. So guess what they do?

    You really need to strip tools from their use - for example, I have friends who routinely carry "Burglery tools" in their vehicles, but because tehy ar elicensed locksmiths, they have a legitimate reason to do so. Baring the manufactur of such tools would prevent their legitimate use of them.

    --
    I'm a consultant - I convert gibberish into cash-flow.
  20. Re:Read the "Terms Of Service" by supercobrajet428 · · Score: 2, Insightful
    No one's forcing people to buy music from Apple. If you don't like the TOS, don't buy their music. But if you enter into a contract with anyone, let alone a multinational, multi-milliondollar-a-year computer company with a reputation for aggressively protecting their IP, you had better be ready to stand by your decision. No one forced people into this TOS - they wanted music and bought it and that inherently binds them under the TOS.

    Now, whether that's legally enforceable and under what jurisdiction it should fall is another question.

    What's legal and what's not is different in every part of the world. But where I'm from a contract is a contract is a contract. I don't know of anywhere in the world where you can enter into usage agreements and not be expected to live up to them - free nation or not.

  21. Re:Read the "Terms Of Service" by supercobrajet428 · · Score: 2, Insightful
    Any ideas about how they would have obtained the info about the DRM, the encrypted files, and an Apple authorization key, as well as the algorithms that govern all these pieces' interaction, without the ITMS?

    I haven't been thinking about the problem that long but I can't figure ANYTHING out.

  22. Double standard by Anonymous Coward · · Score: 1, Insightful

    double standard
    ok, so international IP laws are good
    but international labour laws are bad.

  23. Re:Apple is taking a bad rap for this... by bnenning · · Score: 2, Insightful

    With FairPlay there is a way to play it under Linux (though yes, there is a loss of quality)

    Actually, there were already ways to play iTMS files under Linux with no loss of quality (burn a CD or convert to AIFF). Playfair just lets you retain the compression with no quality loss.

    --
    How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
  24. It sort of works by iamacat · · Score: 2, Insightful

    If they just served MP3 files, people would have a tendency to just give everyone a copy of their whole collection or add it to share list on LimeWire. As it is, if you just copy a file to another machine, it tells you to authorize it, and you can only authorize 3 machines at a time. You get to burn CDs for your friends, but this form of sharing is both smaller in scale and closer to fair use. They would have to incur another round of compression artifacts and enter track names manually to re-rip the CD, making unlimited further copying unlikely.

    Now, let's say someone breaks the DRM. First, you will need to scour chinese warez sites to download the program. Then, it's not going to be integrated with iTunes. You would still need to run it every time you buy new music. If you are just using it to listen to your stuff on an mp3 player, you are okay. But otherwise, you will be constantly reminded you are doing something you are not supposed to do. As well you should be.

    The only problem is that DMCA has no exceptions for legal applications. You should be able to publish source code for a DVD player for Linux, an iTunes plugin to download to mp3 players and so on. If you release a pre-made warez toolkit and document it as such though.. well you deserve what you get.

  25. Re:Read the "Terms Of Service" by Anonymous Coward · · Score: 1, Insightful

    But if you enter into a contract with anyone, let alone a multinational, multi-milliondollar-a-year computer company with a reputation for aggressively protecting their IP, you had better be ready to stand by your decision.

    Lookie, the F in FUD. Meanwhile, back in reality, if you aren't illegally distributing music over the internet, the Apple Gestopo is not going to know find out about you using PlayFair for personal use.

    Here's some Counter-FUD: Eventually Apple will change the iTunes TOS without warning and in a way you won't like. You'll wish you had cracked your legally paid-for music with PlayFair at that point.

  26. new title by kardar · · Score: 2, Insightful

    One can definitely argue that it's not fair. But in the context of the DRM, it's obvious that playfair removes a parameter of control from the track.

    Limiting the number of CD's you can burn, limiting the number of copies that you can make, basically, limiting the number of copies in one way or another. That would seem, to me, to be an important parameter.

    I don't think this has anything to do with open source at all. It's basically removing a very important parameter as far as Apple is concerned.

    What it is doing is setting a bad precedent; Apple is being a bad role model; Apple is showing other wanna-be companies how to intimidate people by them. I am not going to talk about this anymore.

    The file-sharing phenomenon is exactly that. It's a phenomenon. Is it unethical? I don't know enough about ethics to say yes or no. Personally, the way I feel is that if you can purchase the music somewhere, either online or brick and mortar, then it's wrong to download that music. Music that you can't buy, like live shows, especially bands that allow trading of their live shows, that is perfectly ethical to download and trade those.

    I have felt for a long time what is really important for us right now is to move the technology of sound quality forward, not backwards. We have bent sound quality to fit within our new internet phenomenon. I don't know about you, but I have gotten some pretty nasty headaches from listening to mp3 files. I don't like being at a party or something along those lines where mp3 music is being played. mpc files don't help the issue, although they sound a lot better in some cases. Apple's format is not that much better. It's the subtle nuances, it's the stuff you don't hear. I might be overly sensitive, but it still does give me a headache sometimes.

    Once the legal and economic systems allow us to move away from the CD to something like DVD Audio, file sharing will change, and it will truly become a haven for the young and the poor. Why on earth would somebody opt for a free mp3 when the "real deal" is 24bit 96khz? No money, don't care about sound quality, etc...

    Nothing wrong with being young and poor, but it's no way to live. Growing up, in the future, is going to involve listening to "real" audio formats with "excellent" sound quality. And if iTunes doesn't keep up the pace, they will fall behind. So the real question becomes bandwidth, and can an online distribution center, Apple's or any other, sustain the bandwidth that is necessary to be able to provide 24bit 96khz downloads of stuff? Or 24bit 96khz resampled, reworked, remastered stuff? Will the price and profitability of an online download service scale well when DVD Audio becomes the mainstream, and the bandwidth required increases exponentially, both at the server end, and at the last-mile?

    With a 3Mbps cable modem, a gig still takes slightly less than an hour; with slower services it can take much longer, and dialup will take you a month or more of leaving the modem connected all night. A gigabyte of 24bit 96Khz audio is not that much; I haven't done the math precisely, but my rough calculations show that it's about 20 minutes worth of music. Bending sound quality to enable downloading of tunes is only going to go so far. The only real solution is to have fiber running through the neighborhood.

    So in the long run, if the economy improves, and as the fascination of the "PC" fades somewhat, sound quality will again see a rebirth, and there is no worse enemy of file sharing and p2p than sound quality. I still wonder why the music industry doesn't see this. In many areas of the world, broadband is a metered service, and ultimately, it's just less expensive to order the CD than it is to download 3+ gigs of data, plus having to pay for the tracks from the download service.

  27. "Nobody photocopies newspapers" by holygoat · · Score: 2, Insightful

    A simple way of putting it. The cost-benefit is different.

    Nobody copied vinyl, whereas people "photocopy" MP3s freely.

  28. They code was released anonymously ( was: Freenet) by Anonymous Coward · · Score: 1, Insightful
    Because Freesites are anonymous. How do you know which is the official code and which is backdoored?


    The code was released anonymously in the first place. The only way you can know that it does nothing illicit in both cases is to actually read the code. (or trust someone else to do it for you)

    If you actually trust the author, he can sign all of his releases with a public key cryptography system (like GPG). Besdies, most people don't care anyway. That's why they download their IE toolbars complete with web tracking software.