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Getting Groovy -- Playing Records without a Needle

WillOutPower writes "The New York Times is carrying a story of two physicists at the Lawrence Berkeley National Laboratory developing a method of recording sound from old records (remember spinning your platters on the hi-fi?) but not by playing them, instead taking a picture of them. Or more specifically the groove in the record. The Library of Congress is funding the research, which is in the nascent stages. Now maybe I can throw out that old Victrola in the attic and make room for my clunker i386 PC." We've mentioned this before.

12 of 43 comments (clear)

  1. Their website by breon.halling · · Score: 4, Informative
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  2. lasers by austad · · Score: 2, Insightful

    Anyone ever seen that record player that uses a 3 beam laser to read your vinyl? Wouldn't it just be easier to map the surface of the record with something like this rather than taking a photo?

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  3. Another approach by Anonymous+Codger · · Score: 3, Informative

    This company sells a laser turntable that plays your LPs by reading the grooves with a laser, ala CD. No contact, no wear and tear on the record. Big bucks, of course.

    The technique described in the article goes farther, though, as it apparently allows recovery of sound from records, wax cylinders, and the like, even if broken.

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    1. Re:Another approach by caseih · · Score: 3, Interesting

      Our university library looked into buying a couple of laser-turntables for the purpose of digitizing our vast LP collection. Turns out they are way too expensive to be reasonable right now, and also because they are so accurate they produce way too much noise (much more noise than a conventional needle). The computer scientist in me says that's okay because you can clean up the noise digitally, but in the end they chose to buy some really high-quality needle-tipped turntables.

      Someday if we can get players for old LPs that don't use a needle (either laser or image scanner with a good noise-reduction system), I think there would actually be a consumer market for them. Many of us have stacks of old LPs that we would still play if we could (without damaging them further). Many LP recordings apparently having higher-quality sound than CDs (apparently that's not hard) and quadrophonic sound.

    2. Re:Another approach by raoul+endres · · Score: 2, Interesting

      I have a number of songs on both vinyl and cd (being a part time dj and all).

      The vinyl has so much more bass response, it blows any cd away. There's just something about analogue that digital can't quite reproduce. CD's tend to cutoff at about 20Hz, below which is all the stuff you 'feel' rather than hear.

      Makes a big difference.

    3. Re:Another approach by glen604 · · Score: 2, Insightful

      Actually.. Vinyl tends to be mastered with the dj in mind, so they boost the bass for club/large sound systems when it is made. It has nothing to do with whether the sound is analog or digital in origin.

      as far as bass goes- very few speakers/subs in existence can produce sound accurately down below 20hz anyway. Most party sound systems are lucky if they hit 35hz-ish with any accuracy, and generally any attempts to produce sounds lower than this just makes the speakers distort. The bass you can feel is pretty much anything below 100hz.

      and yes, I'm a dj as well (own about 1000 records), and while vinyl does sound different than cds, it doesn't have better bass just due to it's "analog nature"

  4. Improperly mastered or Improper equipment by GoRK · · Score: 3, Interesting

    There are two big caveats here -- While there is a high end frequency cutoff for CDDA (about 22,050Hz), there technically is not a 'low end'. However, this is not to say that CD's do not have somewhat of a problem in the low, low end. In most cases, this is either the fault of the person doing the mastering not picking up on the lower end or the machine playing the cd not bothering to reproduce it (usually the latter).

    It's very difficult to argue that buying newly released vinyl is in some way 'better' than buying a digital copy. Consider that even the new vinyl you buy was probably recorded and mastered digitally. Although this process was probably done with a higher resolution than CDDA gives you, it doesn't rule out other higher resolution digital formats (DAT, HDCD, DVD-Audio, etc.) being 'closer to the original' thn buying an analog reproduction. The analog record might still sound better than the CD to you simplay because you have better reproduction capabilities on your turntable than your cd player.

    There is also the very valid argument that you can scratch with vinyl if this is your thing and any digital recreation of that process is pretty much crap.. But it isn't an argument you mentioned :)

  5. Difference? by Erasei · · Score: 4, Interesting

    Can someone with clue explain to us lay-people how what the article describes is different from what this kid did 'in a couple of late nights'? His software scans the record in using a standard flatbed scanner. Is the new version being goverment funded supposed to able to 'rip' at a better quality, or what exactly is the deal with the government funding on this?

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    1. Re:Difference? by shamino0 · · Score: 2, Insightful
      Can someone with clue explain to us lay-people how what the article describes is different from what this kid did 'in a couple of late nights'? His software scans the record in using a standard flatbed scanner. Is the new version being goverment funded supposed to able to 'rip' at a better quality, or what exactly is the deal with the government funding on this?

      I'm not exactly sure, but this paragraph from the NYT article implies quite a bit:

      The team shoots thousands of precise sequential images of the groove and then stitches the images together, measuring the shape of each undulation and calculating the route a stylus would take along the path.

      It seems to me that they are taking lots of close-up photos of the grooves. Probably from an oblique angle. This will let you make a 3-D contour map of the record. (Note the image on the NYT article).

      When you have a 3-D map, you can decode the variations in the diagonal sides of the groove to extract the stereo audio content.

      With a 2-D top-down image, such as what you get from a flatbed scanner, the only data you have is the floor of the groove. For stereo recordings (and probably modern mono ones as well), this contains little more than noise and aliassing.

  6. They are all pirates by eyeball · · Score: 2, Funny

    Expect the RIAA to demand a ban on scanners shortly.

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  7. Ahh but you can't scatch with a Photo by szyzyg · · Score: 2, Funny

    Of course, that still won't affect 90% of mainstream hip-hop cause they've long since left the live DJ behind....

  8. Re:What's with all these reposts? by Tukla · · Score: 2, Funny
    We're old and have bad memories.

    ...

    We're old and have bad memories.

    ...

    We're old and have bad...something-or-others.

    ...

    Who are you, and what do you want?