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Lessig Legal Team Needs Your Copyright Stories
Joe Gratz writes "Lawrence Lessig and his legal team are asking for your help. Kahle v. Ashcroft is a lawsuit that challenges changes to U.S. copyright law that have created a large class of 'orphan works' -- creative works which are out of print and no longer commercially available, but which are still regulated by copyright. To win the lawsuit, we need more examples of people being burdened by these copyright-related barriers to the use of orphan works. Visit the Kahle Submission Site and tell us your story."
as being "burdened"? There were a lot of fun games way back in the day that are now abandonware, but since they are copyrighted you really can't do much about them. Either you can't find them anymore, or if you can find them(and pay an arm and a leg for them on eBay) you usually have to keep old hardware laying around to play them.
The U2 single by Negativland! I am burdened by its lack of availability!
Seriously, they are probably looking for a work which over which there has never been a legal firestorm, and which can easily be demonstrated to have a demonstrable value (or the lack can have a demonstrable negative value). Censored music and software abandonware need not apply--sorry Slashdotters!
Sometimes a company may cease distributing a product because they want to focus consumer attention on their new offerings.
However, I definately support returning the ownership of IP to the employees that authored it...assuming their employer went out of business.
On a more speculative note, it'd be interesting to see a system where patents and copyrights had to be in the name of individuals, and ownership of that material followed the individual wherever he went.
tasks(723) drafts(105) languages(484) examples(29106)
Sometimes comercial unavailability is not a burden, but a blessing.
I do this for a living, photography printing and scanning. I have a very hard time telling people that I can't copy a picture because it isn't 75 years old yet. This stands true for any picture taken by a company that is still in business regardless of whether they are even able to make reprints anymore! Now with the digital age the copyright has been quoted to me as 100 years from the date of creation.
As a computer, I am amused by the faith you have in technology.
If they don't have evidence that it's causing a problem, why are they starting a lawsuit?
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Am I misunderstanding this, or are these people just being trolls?
Karma: Segmentation fault (tried to dereference a null post)
Hmmm - There are a good many "niche publications" out there that it is no longer possible to find the author for... Less so in mainsteam works however.
Lots of specialized technical documents are in this category. However, people generally don't challenge the copyright of something obscure like that.
I ask the question what is this group looking for? What motivates this case? SInce it is a legal group, they are motivated by money, so I would want to know more about why they are truly doiong this before I would support this effort.
Can anyone "follow the money" and find why this is being done?
www.effectiveelectrons.com "chips that work" Analog, RF, Mixed Signal
While you're at it, write your congressperson and ask them what year you will be able to perform "Happy Birthday" in public without paying royalties or getting sued.
Something to bear in mind folks: the court will likely be much more impressed with "significant speech" issues that with games and the like. (I know that many consider games and entertainment to be quite significant - and I agree with them. But the court will be much more impressed with academic, religious, or political examples.) in that vein, here's what I contributed. Not much, but the best I've got. Beginning Intermediate Grammar of Hellenistic Greek originally submitted by Patrick Narkinsky: This work is a frankly revolutionary New Testament Greek Grammar published in the 70's. It has been out of print for many years, but is still widely appreciated. I spent the past several years trying to locate a copy to buy at any reasonable price. (A copy on Ebay recently went for $222). The publisher is not interested in republishing it. However, very recently they have allowed that if someone else paid to transfer it to a modern computerized format (Unicode/MSWORD) they would consider making it available on their own terms. The value of this grammar is such that a number of people are working on it, but requiring us to convert the work to their format so that they'll distribute is a pretty onerous version. There are certainly many other Greek students who would be willing to contribute their stories on this work. Stifled uses Patrick Narkinsky: First, read it. Second, have it on hand as a reference. It contains revolutionary ideas on the categorization of BIblical Greek that are simply unavailable elsewhere.
"He who would learn astronomy, and other recondite arts, let him go elsewhere. " -- John Calvin, commenting on Genesis 1
by John Kerry, out of print, used ones are between $420 and $1200 on Amazon.com...
'Censored music and software abandonware need not apply',
Why not,
I've had a number of CD/vinal stolen in my time and have had to resort to possibly ileagal distribution methods to be able to listen to them,
since:
a) I don't know where my copy is.
b) I can't get a copy from anyone because they won't do a run of one out of print piece of vinal.
This to me has been no great loss, but I'm sure there are people who have lost more valuable copyright materials due to fire or thieft.
The only time I have ever wanted to get a copy of an Old book I was able to, because it was more that 75 years old. I'n this case I, and the distribution company benifited because the book was out of copyright.
thank God the internet isn't a human right.
But I seriously doubt this case has any merit from the POV of a judge (yes, I did RTFA). Free speech simply does not apply to using someone else's copyrighted work, and the U.S. Congress has the Constitutional authority to make copyright laws. The laws may be burdensome and unfair, but that's Congress's responsibilty, not the courts, and if you've studied the recent history of the Supreme Court, you know that they're not going to interfere with something that is indisputably within Congress's authority under the Constitution, regardless of its burden on society, because the court does not make laws, it simply interprets them.
The resources spent on this would be far better spent on other courses of action, like lobbying or a public education campaign. This is just expensive windmill-tilting.
This guy's name just keeps coming up, over and over.
You have to hand it to this guy - he doesn't give up on *anything*.
How much better this world would be if there were more like Lawrence!
I have no problem with your religion until you decide it's reason to deprive others of the truth.
I tried to reinstall it, after 12 years. One of the disks was unreadable. I wrote to the manufacturer. They told me they didn't sell it anymore. Got it from a warez site. Fuck the law. As the Romans said, non omne licitum honestum, i.e. "not everything that's legal is honest". Or, as Heilein's professor Bernardo de la Paz said in "The Moon is a Harsh Mistress":
"But I will accept any rules that you feel necessary to your freedom. I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; If I find them too obnoxious, I break them. I am free because I know that I alone am responsible for everything I do."
Everybody seems to be focused on video games and music around here, but let's not forget one of the biggest areas where copyright becomes a serious problem with orphaned works -- television and movies. I bet each person in here could name at least 5-10 movies and 5-10 television shows that's they would love to be able to see again, but can't because the companies that own the copyrights to those works refuse to release them on video/dvd or air them again. So why is it illegal to buy or sell fan made copies of such works if there is no other means to acquire or view them?
:)
Obviously most of these things aren't in print because a lack of substantial demand for them, but lets consider that some of the films that are acclaimed for their worth in terms of art are also those that are the least popular among the consumer masses. Wouldn't it be fantastic if none of us could legally view "Casablanca" anymore because Viacom decided it doesn't sell well enough, but still held onto the copyright so nobody could watch it again?
I would name some movies and shows I'd love to see released again, but I'm sure I'd get laughed at. I have some pretty low-brow tastes
"The Wright brothers were the first to fly with a heavier-than-air machine, but boy did they have a lousy plane"
One effect of this idiotic law is the wholesale destruction of nearly all of the popular books from the first half of the 20th century. The very best stuff and well-known titles are still being published and read (F. Scott Fitzgerald, Hemmingway, Raymond Chandler) but past a hundred or so titles, the books are just disappearing.
When the paper wears out or the book stops being checked out, libraries take the title off the shelf. Large cites will sometimes save a copy in the stacks, but usually the books get pulped or burned. In a technologically advanced civilized society, each title that is worth being published in the first place would be scanned and OCR'ed before being completely wiped out. But this is illegal under the Mickey-Mouse-protection-to-infinity US copyright law. So they just get pulped and burned.
I read a book by Florence King about how white people got to be so weird (a sort of laid-back but sharp quasi-anthropological study of Caucasians in North America) "WASP, where is thy sting?". In this book, she cites many of the books that were influencial on her and her parents thoughts and attitudes when she was growing up in the 1940's. It is impossible to find any of them now even though they were read and enjoyed by tens of millions of people and had a great deal of influence on how the depression generation came to view the world.
Now the rock'n'roll generation (the baby boomers) and the MTV generation and Kazaa generations would just say 'Fuck this stupid law' and then OCR and circulate their favorite books and videos anyway. But the WWII generation won't, they'll trust that the proper authorities are taking care of the preservation of their culture. But that is not happening and their entire culture except for about 100 titles is just evaporating.
Hundreds of years from now, people will marvel at the American empire and technological accomplishments from the end of World War II. They will wonder at what these people were like; what they believed; how they interacted with each other; what drove them. But they will never know because all the popular literature from this period is being destroyed and not copied as its media wears out.
It's all happening because of this insane US copyright law. And nobody seems to be aware that it's happening.
Sure, there's a copy of every book published in the US in the Library of Congress. Maybe. One copy. Somewhere in the vast warehouse stacks. But with the current ability to fit tens of thousands of titles on a single 89 cent DVD-R there's no excuse for allowing all of the popular books from the early and mid-20th century to disappear. Future generations will not think well of us for allowing this to just happen. Just because nitwit assholes like Michael Eisner have hundreds of millions of dollars doesn't give them the right to destroy the entire culture of generations.
At one time he was the most read mistery author in the world. Today, of nearly a hundred books he wrote, no more than five or so are in print, and all from the "Perry Mason" series. No "DA" books from Gardner anywhere.
No one got rich, yet it enabled the private sector to fund preservation through the resale of videos of long out of print materials. The output of famous movies stars like Clara Bow (the "It" girl) and Colleen Moore is becoming almost completely unavailable to the average person unable to arrange a private screening with the an archive.
It is no accident the the copyright law was pushed through to make 1923 the cut-off year. After 1924 movies became more "modern" in quality of camera and film, and adaptation of the standard speed of 24 frames per second. Also after 1924 phonograph recordings began to use the new electronic recording techniques which allowed for higher fidelity and sound quality compared to the old acoustic recordings.
The saddest part about the films is that the owners of the copyrights have no interest in preserving them. These movies are literally dissolving into dust as the nitrate based film stock decomposes. Copyright extension has been a complete disaster with respect the preservation of film and early sound recordings.
I've taken many philosophy classes where the prof. has had to hand out inch thick stacks of photocopies because the work is out of print. If someone really wanted to, they could get them in trouble for this. Along the same lines, the Kemp-Smith translation of Kant's Critique of Pure Reason was out of print the last time I checked. It is THE definitive translation which is refered to in all the literature. One pretty much can't study Kant without it.
What's more, even a $1 fee -- or a no-fee registration process -- can be unduly burdensome: imagine creating, for instance, a Half-Life 2 FAQ for the web and posting it up on Usenet. Under their proposed system as I read it, unless you go to the trouble of filling out the copyright registration for your FAQ there would be nothing to prevent a company like Brady Games from coming along and publishing your FAQ unattributed in their Official Half-Life 2 Guide(tm). For large works like a FAQ it may be reasonable to perform registration, but do you really want to have to go to the trouble to make sure that every Usenet and Slashdot post you make won't be reprinted for profit by someone else?
It's worth remembering that "copyright" refers not just to consumers' rights but also to creators' -- the right to say who can copy your original material and for what purposes. These are your rights too.
The summary is a bit misleading. It seems to imply that (if the lawsuit succeeds) if a work goes out of print, it will become public domain. This is not the case. The only thing that this lawsuit is aiming to do is to declare the three major copyright acts passed since 1976 unconsitutional, and basically revert back to the copyright law that existed in the US from 1790 to 1976. Basically, you would need to register works with the copyright office, renew them every so often, and keep records of all works that you have copyrighted. The copyright term would also be shortened significantly.
For big companies, keeping up with copyrights would be no big deal (although many would have a fuss about the shortening of the term, like say, Disney). That's why this talk about implications in video games is so silly. First of all, the oldest playable videogames are only about 20 years old, which is well under the copyright term, even with the old laws. Second, most videogame companies are still around, or have been bought out by other companies, in which case the copyrights would be inhereted. The fact that these games can't be bought commercially anymore doesn't mean anything, the companies would still own the copyrights, and the games would not be public domain.
The other thing to note is that any changes to copyright law are NOT going to be applied retroactively. The courts aren't going to say "Well, you didn't have to file for a copyright or keep copyright records after 1976 in order to legally have a copyright, but you should have been able to see into the future and see that these laws are unconstitutional, and done it anyways." It's impossible to say how many of the works people are talking about would still be under copyright if the recent laws had never been passed. It's theoretically possible that every work someone submits a story about would be under copyright if the new copyright laws had never been passed, and that they didn't file for a copyright simply because the new laws made it so that they didn't need to. That's why the courts aren't just going to say "Every work published from 1976 to now is public domain!"
If your book went out of print fifty years ago, and you've done absolutely nothing since to make your continued interest in the work known, hell yes.
Lessig generally comes up with good plans for this sort of thing. He's not going to demand that every work not currently being printed be released into the public domain. That's just crazy. Instead, he's probably proposing some sort of notification system where, every other decade or so, an author has to fill out some short form to notify the Copyright Office that she doesn't want her work to be considered abandoned. Ideally, it would also provide another avenue for interested parties to hunt down the owners to get their permission.
You want the truthiness? You can't handle the truthiness!
It's there in the Constitution, Article 1, Section 8, paragraph 8: "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries". So, if the laws do not promote the progress of science and useful arts, they are unconstitutional. Hmmm, did you note that "useful" thing about arts? Suppose someone argues that computer games are useless?...
Towards the end of the writing of the declaration, happiness was inserted instead of the original thought of property, taken from Lockes works. It was still intended to assume property as one of the "happiness" things. Lockes writings are part of the "natural law" ideals that took hold in merre olde englande, and greatly influenced Jefferson, the primary draftsman of the Declaration. The natural laws ideals were intended primarily to protect generic "mankind" against the natural state of government-which always tends to tyranny sooner or later, and the usurpation of all "rights" into their favor. Locke himself didn't go that far,pretty wishy washy that man was, he was still more an autocrat, but some of his ideas were adopted.
Unlimited copyrights were never intended, but a reasonable time period copyright was extremely intended, as it is your property. Pursuing your happiness, part of which is to own your stuff, your property, is a "natural right" further delineated in the articles in the constitution. The Declaration of Independence is the original statement of natural rights,enough to get the ball rolling, after all these were learned men of letters and HAD to put something in writing, and the rejection of perpetual aristocratical "rights" was paramount, and they had only a few choices left, and individual soverignty won the day by a squeaker, lucky for us. The Constitution then went on to clarify and delineate these rights, and that document was designed to place explicit restrictons on government "rights", with the default being all natural rights went to the soverign individual,that he is born with them, they are not granted by any government or any piece of paper, and some to the states, with a very limited amount to the federal government, who's 'absolute' area of soverignty is within -notice I said "within" not just plain "in"- the district of columbia, the territories, and in the foreign embassies and a very few other places, such as federal armories, etc.
Interesting historical trivia, somewhat relative to the conversation to help understand the meanings and intentions of the document.
Disney outright uses it as a marketing ploy:
"Buy X now! Available for the last time ever on video!"
They deliberately orphan older movies to force consumers [who may not want to buy them just yet but equally don't want to never be able to buy them] to purchase them in a given format.
Mind you, using Disney as an example might not be the best move as they can (and do) buy better/more politicians.
psychologist friend of mine recently pointed out that treating a corporation as a 'person' might open them to other possibilities ... in fact he pointed out that if you look at the behaviour of modern corporations and analyze them using the normal psychological diagnostic criteria (DMS-III) the diagnosis 'psychopath' often comes out ....
The Constitution states that the purpose of patents and copyrights is "to promote the progress of science and useful arts". Well, I can understand that books do serve this purpose. But how exactly does binary executable software promote this progress? If the source code remains a trade secret, it will be lost forever after the company no longer exists. And copy-protected works? They will disappear if the devices needed to play them are no longer available. So, the logical thing, would be to declare inconstitutional any sort of DRM on copyrighted works. Trade secrets need no copyright protection, they have their own protection in the secret. Copyrights, like patents, are an incentive for people to reveal how their creation works, not a license to get profits from secrets.
Well said.
I would like to add that this also does a disservice to the memory of the creators of the works. Copyright seems to be working to insure the anihilation of their memory.
An extreme comparison, but imagine taking the graveyards of your ancestors, destroying the headstones, and putting up some parking lots. I don't particularly care about gravestones and ancestors, but that seems somehow very wrong.
I was wondering if the old credit card processing software my startup company wrote, most recently owned by Red Hat, was still available for download to users who already had license keys. No new license keys will ever be available, but for users who already had them, it's conceivable that they'd need to redownload the software if their credit card processing server crashed, or if they migrated operating systems (for example from SCO, which we did support, to Linux).
So, I wandered over to Red Hat's anonymous FTP server, and there it was -- a piece of closed-source software that the company hasn't supported since 2001 is still available for download at the same location it was at when it was a supported product.
Kudos to Red Hat for this. There's an extremely slim chance that some ex-customer could have been screwed if this closed-source copyrighted software had been removed from their download servers, but it hasn't been. It's still there. I applaud them.
(And it's not Red Hat's fault it was closed source. The NDAs that the banks and credit card companies required pretty much gave no other options to anybody who tried to do this sort of thing in a legit manner. There were pseudo-open-source efforts to do similar stuff, but none of them had the approval of the banks, and as far as I know they actually violated the terms the banks set for using their merchant accounts.)
(By the way, if anyone at Red Hat sees this message -- I'd love to re-obtain the rights to that old source code. To some extent I'm screwed by the copyright on the thing's source code. I've signed the NDAs, but I can't get my own source code back, even though I'd like to continue fixing bugs and updating clearing house compliance for free. But the customers were not screwed, and in the end that's much more important.)
I've seen other companies buy a competing product just so they can kill it.
Should copyright law be used as a tool to suppress information? What if I am a rich, but terrible, writer of fantasy epics. Should I be able to buy the copyrights to the Lord of the Rings, and then prohibit anyone from printing the books?
Mea navis aericumbens anguillis abundat
Maybe this is what Copyright law and the DMCA is really about. Namely, the destruction of the culture of our ancestors so that it can be replaced with the anaesthetizing culture that suits the current political establishment, such as, the current crop of movies being pumped out of Hollywood, poisoning the minds of an entire generation.
Basicly, the copyright holder must either A.make the work available or B.if the work is unavailable to get copies of, they must pay some money to register the work periodicly (how often would depend on the type of work). Each time you register the work, the cost goes up a bit. That way, if someone wants to retain copyright to stuff, they can either make it available ot they can pay to keep the copyright.
That would mean that for stuff people are still selling/making money off, nothing changes. But for stuff thats not available, if the copyright holder re-registers it (and pays), they get to keep it.
For works where one cant find the copyright anymore or whatever, one of 3 things would happen;
1.the copyright holder would make the work available (thus allowing you to get a copy)
2.the copyright holder would re-register the copyright (thus allowing you to look it up in the database and find out who owns the copyright so you can try to get a copy from them)
or 3.the work would not be re-regisered (thus meaning it would fall out of copyright and you could copy it)
The other thing to note is that any changes to copyright law are NOT going to be applied retroactively.
I find that odd, as they certainly passed the extensions retroactively. I always thought that the way to go about fixing (parts of) the copyright problem was to attack the 1976 and Bono laws as ex post facto laws, which are expressly forbidden by the Constitution.
Not making it available when there is a demand is unacceptable, especially given the ease of making works available in digital format now.
AC comments get piped to
Doesn't the owner of a piece of intellectual property have the right to make their property unavailable if they so choose? I realize that most of the examples that have been posted here involve situations where giving widespread access to the 'orphaned' IP wouldn't really hurt anyone, but there are also plenty of cases where a company or individual might want to deliberately make a piece of IP unavailable. If I were a publisher who had recently replaced "The Complete Geek's Guide to Posting on Slashdot" with "The New and Revised Complete Geek's Guide to Posting on Slashdot," I would probably take the original version out of print and wouldn't want it released into the public domain as free competition for my newer product.
Or what if I just decide that I don't want my book/photo/software/whatever circulating any more? Maybe I had a religious conversion and decided that my IP is no longer fit for use in any decent society, so now I want to bury it. If it's my property, don't I have the right to lock it away?
Instead, he's probably proposing some sort of notification system where, every other decade or so, an author has to fill out some short form to notify the Copyright Office that she doesn't want her work to be considered abandoned.
I think this would violate the Berne Copyright Convention of 1976 which I think states that all copyrighted works are required to be renewed automatically.
Not noteable, IMO a rubbish article.
And if McD's wants to register the copyright on its tray liners, it does too have to submit a copy. At least according to the Copyright Office.
And the brethren went away edified.
MST3k
So who owns it now?
Why not change the law such, to make that practice legal?
That would give copyright owners all the usual benefits, but only for as long as they keep the work available (under reasonable terms).
When the copyright owner would stop making the work available, then with that they would at the same time waive their right to enforce copyright protection, or stop others from making it available.
I'm pretty sure that the rights to the White Album would have been renewed, had it been required. Also, it is still in print. That's not at all what this is talking about. This suit is attempting to require the re-registration of works every so often so that when they go out of print and the owner no longer cares about them, someone else can distribute them. RTFA, or is that too much trouble for the guy who says "somebody forward this" instead of doing it yourself?
Another case where copyright shouldn't apply. The shows were broadcast, but not distributed in an end-user form...they weren't PUBLISHED. That would be a great case to try out if you could actually find somebody with a VCR tape of an episode...even better than the posted case. That would set a wicked precedent for all of the DRM'd crap that the media is pushing...because if it is locked up so tight it can't be produced, it was broadcast...but never really published in the first place because it can't EVER be copied.
Still can't get it out of the computer ?
In Soviet America the banks rob you!
Both stories come from the directors who spoke after their respective movie was shown at the Roger Ebert Overlooked Film Festival (known better to Champaign and Urbana, Illinois locals as "Ebertfest").
* Bernard Rose, director of "Paperhouse", had to (and I'm using the term correctly here) steal the reels to this movie after it was shown at Ebertfest a couple of years ago. Sony Classics was unwilling to distribute the movie in formats for home video and Rose wanted more people to see the movie. So he took the reels after it was shown in the Virginia Theatre (a theatre in Champaign, Illinois where the Ebertfest movies are shown).
* Jonathan Caouette directed "Tarnation" which was made on his computer for what is described as "an initial cost of $187" by the Ebertfest literature. Caouette later discovered that clearing the rights for the snippets of other movies used in Tarnation would cost roughly half a million dollars.
Digital Citizen
My wild guess is that it's not that they don't know it happens. We all do. Copyright law may have been penned as a means to encourage distribution, but we all run 10 times more often into situations where it's effectively used to destroy a work of art, book recording or photo.
The problem is that too convince the Congress, they probably need some damn good examples. With a government that bends over to corporations and invades a country or two to please the oil tycoons, you need to make a _very_ convincing case if you want any hope of them actually taking some corporation's lollypop.
You can't just tell them "Uh, but I can't download Daggerfall, even though Bethesda no longer sells it, nor any of Microprose's games, although Microprose doesn't even exist any more." 90% of them would probably not even consider that to be art or culture. (Even though a movie or printed story with the exact same plot, would get considered as such.)
So you need to give them some really outrageous examples. Not just any obscure book or song, but fundamental pieces of the nation's very culture which are being effectively destroyed by copyright. _That_ might just get the point across.
And for that, well, they need all the help they can get.
[RANT]
The funny thing is to think how wrong communist censorship was in those parts of the world. Instead of trying to outright ban or burn the work of dissidents, they could have just bought the distribution rights and used it to make sure noone is allowed to print or quote that book in the next 95 years. Works like a charm for US corporations, and noone throws a fit about human rights.
It's a funny world where banning a book to protect the ego of a dictator is rightfully reprehensible, but banning it to protect the greed of a corporation is perfectly acceptable and normal. Isnt't it just banning a book in both cases?
[/RANT]
A polar bear is a cartesian bear after a coordinate transform.
So, this seems like a great cause to me, and I'd love to contribute, if only I knew of an orphaned work, and a good use for it. I suppose that I could go hunting for any number of orphaned works that I might find usefull, but if anyone could post a list, or searchable database of works that fit the bill, that would probably really inspire participation in this....
I was thrilled then the photographer my wife and I picked for our wedding told us that we keep the negatives. He said, "the pictures are ours, we're just paying him for the use of his camera and his eyes for that day." The fact that he takes fantastic photos made it even better. :)
-------
"Every artist is a cannibal, every poet is a thief."
Let us sign a bargain with the devil.
The devil wants to own certain works, such as the mouse, the Beatles, etc. We want to release forgotten works and future works into the public domain.
Let us offer to the corporations perpetual copyright on anything they now own. We'll give them a year to make up a grand list of it all. In exchange, we'll demand a reset of the copyright period for new works to something much shorter (like the 1976 version of 33 years + renewal for 33 years). For old works not on the grand list, we'll reset their period according to whatever copyright law existed when they were first published (causing most of them to flow into the public domain immediately).
How's that for a deal? We give up the mouse forever and they give us back a functional public domain. I'm betting that it won't take long for "the locked works" to be forgotten by all of us.
"We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)