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Besieged Movie Industry Suffers Record Takings
nagora writes "The BBC is reporting that the movie industry, in yet another illustration of just how much damage the Internet is doing to the long-suffering members of the MPAA, has just endured a record breaking $1Billion dollar takings for the single month of June. Clearly there is a desperate need to tighten up copyright laws in the face of this huge mountain of cash that is literally being metaphorically syphoned into the studios' pockets. How will they survive? "
But there's that commercial with the guy whose the stuntman and... and... he goes through all that work and you can watch his movie with just a single click... and... P2P rapes 3rd world children...
I hate all these people trying to guilt trip me into thinking I'm a criminal because I download movies, even though I pay to see them in theatre, buy them if I think they are excellent, and then they turn around and make more money then i will ever see off of something like chronicles of riddik. I think for every Van Helsing (arguably the worst movie EVER) a person watches, they should be entitled to download 2 movies.
Not many people have watched teh Clerks cartoon, but it's worth it jsut for the scene where Randall brings every shitty movie director into court and demands, under oath, that they admit that 'star wars 1 sucked' or something to that effect.
The Neo-Bohemian Techno-Socialist
Say, what if they should've earned $10 billion, but only took in $1 billion.
A potential sale is not an actual sale, and cannot be accounted for as such.
It's often argued that those who DL movies would never have purchased tickets in the first place. Whether that's the case or not is up to you to decide.
90% of everything is crap.
Also, crap is relative.
DNA just wants to be free...
The LA Times has an interesting story today (registration required, sorry) about the Mexican music industry. It is in the process of being destroyed by piracy. I think that the movie industry is about five years behind the music industry in terms of the impact of downloading, mostly because the file size is so much higher. It will happen, though. Note well that that Harry Potter film that they are talking about cost about $120 million to make, as opposed to a record which might cost about $1 million. That money has to be recovered or the movie will not be made. Movies will, of course, continue to be made when piracy becomes rampant, but they will be dramatically different. They will be far cheaper, and will be filled with product placement. Hopefully, I'll be retired by that point. thad
I love Mondays. On a Monday, anything is possible.
As I remember, we used to outlaw leg shots ("traps"), as they were too easy. If you were hit either too high or too low, you'd call "heads" or "traps", and unless there was a huge disagreement, play carried on...
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Counting the number of dollars made is pointless, because (1) inflation isn't taken into account and (2) blockbusters cost more and more to make every year, mainly as a consequence of (1).
Even adjusting for inflation is a tricky business, though. The more important thing to consider, if you're the MPAA, is the number of tickets sold The number of people paying for movie tickets, regardless of how much they paid, gives you a clear idea of whether the movie industry is losing customers to the Internet or not.
Fortunately, the numbers still support the "not" conclusion. A review of yearly movie ticket sales shows that while ticket sales haven't increased every year for the past two decades, overall they've continued to climb -- even through the 80s when cable television was becoming massively widespread.
The IFPI/RIAA/MPAA is fighting a lost cause. And I think they know it.
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First off all, I have difficulties with their acclaimed 'stealing' of music/movies/etc.. As far as I know, stealing implies that the one that has been stolen has been derived of something. When you take a copy, you do not take the original away, thus they have not 'lost' anything. They might claim that they loose money when ppl d/l music, but even that is far from certain. Not only is it not shown statistically to have had that effect (they didn't even show a correlation thusfar - see aussie music-news - let alone a causality). Furthermore, in an individual case, they would have to show they actually lost revenue. Which is far from said, because I sure know some guys who d/l music or movies, but would NEVER have bought that music if they were unable to d/l it. So, how did the RIAA/IFPI/MPAA loose revenue, exactly? And if they didn't lose anything, how can the term 'stealing' apply?
It would still be copyright-infringement, ofcourse, but that's another matter. I think maybe it's time we went beyond our current system of copyrights and walk into the era of cyberspace. With the industrial revolution, patents and copyrights knew a high flight, maybe it's time to let it leave and try something new? Maybe something in the lines of this: fairshare (http://freenetproject.org/index.php?page=fairsha
And don't worry, contrary to what the RIAA claims, musicians will not starve to death, and music-making will not stop. We had music long before we had copyrights, and we will have music long after copyrights have vanished from the scene.
And lastly, it's something that *can not* be stopped. P2P progs and their development act as organisms that follow the darwinian rules of survival. When Napster was 'killed' by the RIAA, immediately others (like kazaa) took over, being more resistent to attacks from the RIAA&co. Whenever kazaa will be shut down, others again will take over. When endusers are targeted, systems that protect the user will become dominant (like FreeNet).
It really is a lost cause. But then again, they are not truelly battling for the survival of musicians (as I said; they will survive, just as they used to do), it's for their OWN survival they are fighting. There is no way in hell they are going to keep the giant profits that they have been gathering for the last decades.
But ultimately, they will have to do what P2P systems are already doing: adapt to the new circumstances (and forget about the former levels of profit), or whither and die.
--- "To pee or not to pee, that is the question." ---
Becuase of the actions of the RIAA, a sort of "Downloaders Creedo" has been developed. Since the actions by the MPAA are slightly less offensive, they will prosper under the Downloaders Creedo.
Music:
1. Don't buy ANY RIAA music, EVER! (riaaradar.com)
2. Download all RIAA Music for FREEEEEEEEE!
3. Pay for any non-RIAA music
Movies:
1. Download all movies for FREEEEEEE!
2. If you like the download, buy the movie.
(You'll find yourself buying even more movies than you would had downloading never been invented).
... and in the DRM, bind them.
How much longer before hollywood totally runs out of ideas? At the moment they're getting an average of about 0.2 original ideas per year from the mainstream industry but experts are predicting that the worlds supply of film ideas could run out as soon as 2006. Remakes have helped stretch the supply but already an IP crisis is looming. Movie studios however are confident that they have the reserves to meet consumer demand for the time being: they're using sequals, prequals, adaptations, book-to-films, comic-to-films, even old saturday morning cartoon-to-films to keep supply levels up. Recent writing-pool technology has even allowed combinations of comic-to-films and sequels as seen by Spiderman 2 and ofcourse the less environmentally friendly 'trillogy' which generally closes the door to additional sequals later on. Some say we already reached the point of no-ideas between 2000 and 2003 with the releases of Scooby-Do and Scary Movie 3 but others are more optimistic, suggesting that we can recylce remakes in another 20 years - remaking The Italian Job or Titanic for example could go on indefinately.
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I prefer cold toilet seats and dentist chairs. I do however make the trek out for special events, like Matrix movies, Star Wars and Harry Potter flicks.
I don't see the appeal anymore. You're locked into a cold room with uncomfortable chairs that don't recline, kids behind you kicking your chair, yelling etc. Some fat lady with 2 huge tubs of popcorn talking at full volume on her cell phone. I went to see LotR: The Two Towers last year and a full on fight broke out in the seats behind me.
I have a 65" HDTV in my living room with 5.1 surround sound. I'd rather spend 20$ or less on a nice DVD with good reviews 5-6 months after it's theatre debut than spend 40-50$ at the theatre. Until they can tempt me into coming back I won't go. This would be the same if all I had was a little 20" TV in my bedroom and played DVD's on my xbox. It's still better than sticky floors, seats with missing arm rests, rude people and over priced sweet tarts. I can make popcorn for 30 cents at home, I don't need to pay 3.50$ at the threatre.
Meanwhile, I'm a small independent movie producer, I don't back the MPAA, region encoding, or CSS. I am even a big supporter of fair use... and I can't even get a booth at a hacker convention. But don't worry, the guys who advocate downloading my film over buying a copy got a space...
Don't get me wrong, on my website we pretty much encourage people to download our film, because the way things are going, we don't have any other means of distributing it. But I love how everything is about the P2P networks versus the Hollywood Big Boys. You know, there are still independent movie producers out there... we just don't get any attention from anyone. I guess the only way you get noticed anymore is if you make a big scandal about how Disney won't distribute your flick...
I think I'll go see if the MPAA is hiring...
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Hmm let's see. Typical American Movie scenario:
1) Bad guy committs atrocious act of violence/injustice to some innocent/good guys close/related to the main Hero/Good guy.
2) Hero/Good guy suffers immensely throughout this, reaching deeper and deeper levels of self criticism/blame suffocating in a moral/psychological decadence.
3) Hero/Good guy eventually rebounds and starts chasing Bad guy.
4) Hero/Good guy gets a chance to fight Bad guy.
5) Bad guy dies (generally multiple times) a horrible and violent death.
6) Hero/Good guy gets the girl/money/both and lives happily ever after.
7) (Potentially) Curse at yourself for paying money to see this again?
Well how much can you push this to make money out of it? It's happening more than 3 decades now, eventually it will collapse or mutate. No wonder Blockbuster has expanded the foreign film section to a whole isle!
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