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120 Years of Electronic Music

Ant writes "This web page has a list of 120 years of electronic music from 1870 to 1990."

7 of 203 comments (clear)

  1. Comment removed by account_deleted · · Score: 4, Interesting

    Comment removed based on user account deletion

  2. What about NI by slashflood · · Score: 5, Informative


    They list Steinberg, but ignored Native Instruments, the producer of Reaktor. Very incomplete.

  3. Hmm... by Anonymous Coward · · Score: 4, Interesting

    Might make a nice addition to the Wikipedia page on the same topic, with the author's permission, of course. Dunno why this is on the front page of Slashdot, though...

  4. Re:Why 1990? by MoonFog · · Score: 5, Insightful

    As I suspected, the site is fairly old, click on "Introduction":
    '120 Years Of Electronic Music' is an ongoing project and the site will be updated on a regular basis (currently v3.0 feb 1998).

    Regular basis ..

  5. Stockhausen? by slavemowgli · · Score: 4, Insightful

    120 years of electronic music, and no mention of Karl-Heinz Stockhausen? How could they leave him out?

    --
    quidquid latine dictum sit altum videtur.
  6. Theremin! by Random_Goblin · · Score: 4, Informative
    The Theremin Leon Termen Soviet Union 1917


    This looks to be the oldest electronic instrument that is still regarlly used today... of particular note is the artist Goldfrapp who plays a theremin in a MOST provocative manner during her live gigs!

    87 years is quite a respectable age. I can't see a date for electric guitar anywhere on the site.

    also just got to love
    Dr Kent's Electronic Music Box Dr Earle Kent USA 1951


    do you think he had an advertising jingle?
  7. Re:Greatest instrument ever! by Gordonjcp · · Score: 4, Interesting
    Possibly, but most of the original "lead" of the theme music was done with a sine oscillator, careful tweaking of the frequency knob, and lots of cutting and shutting on tape.


    The TARDIS sound effect was made by running a key down the bass strings of a gutted piano, and a bit reverb. Lots of BBC Radiophonic Workshop sound effects were made by bashing, bending and otherwise abusing fairly common objects, then speeding up, slowing down, and reversing the sounds on tape. The "laser gun" effects in Blake's 7 were apparently made by gaffa-taping a microphone to an electricity pylon, and bashing one of the other legs of the pylon with a big spanner.