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RIAA Sends Letter to Senate Supporting INDUCE Act
The Importance of writes "Slashdot has discussed the INDUCE Act before (and here and here). The act would make 'intentionally inducing' infringement a crime, but defines inducing so broadly that all sorts of technology is threatened. A little over a week ago, tech companies and civil rights groups sent a letter to some senators asking for hearings on the bill. A couple of days ago, the RIAA responded with their own letter sent to all 100 senators. There is also an abridged and annotated version of the RIAA letter. LawMeme has put together an index to INDUCE Act analysis."
S. 2560, introduced by Senators Hatch, Leahy, Boxer, L. Graham and both Majority Leader Frist and Democratic Leader Daschle - is timely, warranted legislation. We urge you to support it. It is intended to target bad actors only - those who have built business models to get away with stealing the creative work of predominantly American artists. The bill finds the right balance to protect both technology AND content innovators.
I *love* that they use the word "stealing". No matter what spin they try to put on this issue, spreading and copying music is not stealing.
Four of the top ten downloaded applications on the Internet are P2P programs operated by companies who purposefully set them up to be used for illegal conduct. Popular for sure... but lawbreaking nonetheless.
Oh, I just LOVE this. Yes, BitTorrent (just took over as the leader in P2P traffic) was created for illegal use. I could see Kazaa or Napster, but BitTorrent, no, I just don't believe that.
But it has been hijacked by some unscrupulous operators who have constructed a business model predicated on the taking of property financed by my member companies.
As far as I am aware, BitTorrent has no true business model. I got the software legally and without cost.
We take profits from sales - when we're good and lucky enough to get them - and plow money back into the search for that next great talent who will thrill music fans around the globe.
When you're lucky? Give me a fucking break. You support the consolidation of radio and other music distribution networks so you have tight control on who listens and how they listen. Perhaps if radio and music distribution wasn't controlled by you and your existance wasn't backed and supported by the government (who should have broken you up years ago) I would believe you.
In 2000, the top ten hits sold 60 million units in the U.S. Seven of the ten sold more than 5 million units each; every one of them sold at least 3 million units. Then the slide kicked in. Last year, in 2003, the top ten hits were cut almost in half, to 33 million units. Just two of the ten sold more than 5 million units; five of those top ten hits sold less than 3 million units.
Where are you statistics about units shipped? I don't see them listed there. Looks like spin to me.
This creative product is lost forever. Many of our greatest performers took years to catch on before their careers took off. In today's world, those performers are being cut before they have a chance to delight fans and realize their own dreams.
*BARF* You don't have creative products for the most part. You have cookie-cutter talent that you create and promote. You cut their chances at survival by overplaying their one-hit-wonders via your controlled outlets.
They are havens for pornographers that project their filth into your homes when your kids innocently seek to find their favorite artists.
Yes, news at 6, your children are affected by porno!
Do these illegitimate services compensate artists? No. Songwriters? No. Pay taxes on the value of product? No. Compensate the record label in any way? No. Invest in the generation of new art? No.
Do you fairly compensate them? Do you pay taxes like you should? Do you care about anything other than your bottom line? Would you have mentioned your own compensation if you did?
My industry can continue to sue users, many of them kids, to establish deterrence and educate the public. But the real villains are not the kids. The real villains are those profiteers who offload liability on these kids and are laughing all the way to the bank as American courts struggle to apply existing law (or misapply it) to this abuse of good technology.
So stop suing the children you claim you want to protect from the supposed evils of P2P. Also, please show me where BitTorrent (again the leading P2P application) is making enough money s
I already wrote a letter to mine. Do it now.
It's important to point out the absurdity of the wording--the fact that it's too broad and could even be used to target Mead and other paper companies for making tracing paper.
It's heavy handed legislation whose wording leave too much open for interpretation. That alone is enough to have any sane legislator view it as unsound public policy---regardless of the bill's true vs perceived/implied motivations.
Keep it short, but point out how ridiculous it is.
> I *love* that they use the word "stealing". No matter what spin they try to put on this issue, spreading and copying music is not stealing.
:-)
I have to agree with you. Stealing is when you deprive someone of something they have; copyright infringement is merely making a copy of something and passing it around. It's like cutting the line to pay cover charge at a bar, kinda. But it's not so literal. In Canada, it's legal to do pretty much anything except distribute copies of copyrighted material. But many institutions have a free pass on it, like libraries and museums.
> Oh, I just LOVE this. Yes, BitTorrent (just took over as the leader in P2P traffic) was created for illegal use. I could see Kazaa or Napster, but BitTorrent, no, I just don't believe that.
They are only attacking Bit Torrent because it broke Kazaa's record. Bit Torrent was created as a science project to see if it would work, and when it did, the usefulness of the project became apparent to anyone who wants to pass around large files. Actually the original use was not intended for copyright infringement at all... it was for public projects like games mods and stuff like that. Gamers really pushed its use more than anyone at first.
> *BARF* You don't have creative products for the most part. You have cookie-cutter talent that you create and promote. You cut their chances at survival by overplaying their one-hit-wonders via your controlled outlets.
Funny you should mention that. Last nite I happened to catch part of the Jessica Simpson show and I was thinking how much she is like a replacement for Britney... like a cutout doll, but not quite as stupid as Britney is. Stupid, but not that stupid.
They are in it for money, and music was never about money... it was once about spreading news and stories all over the land, because music was easier to remember than a long dry tale. Bards intended it to be useful as a way of transfering data between cities. The songs made people want to listen, as a side effect.
Nowadays, the music industry is only an industry.
> "They are havens for pornographers that project their filth into your homes when your kids innocently seek to find their favorite artists."
That's just a way of getting sympathy, they're using. It's nothing new. They'll tell you that child porn is available on these systems and that the systems are to blame. Next they'll say terrorists profit from downloading.
> Do you fairly compensate them? Do you pay taxes like you should? Do you care about anything other than your bottom line? Would you have mentioned your own compensation if you did?
Totally accurate. The industry has been robbing artists blind for decades now! It's a crying shame.
Corporations are never going to support interesting new music. They get a new hot ticket and try to get others to be breadwinners for them. It destroys the music and the life of the artists. Touring also hurts the artists, who are no more than slaves to their creativity until they have to become shitty just to have some peace of mind.
It's just the way it is, and it's always been. Greed ruins everything.
The dangers of knowledge trigger emotional distress in human beings.
Member of the Electronic Frontier Foundation? That's a great place to go to get form letters to send out to your congressmen, find out about copyright law and digital rights, and, of course, donate or become a member to an organization that has professionals involved, including lawyers.
You think it's a joke? It's very real for camp groups that have been threatened for not paying royalties for singing around the camp fire.