New MusE Release, A Step Toward The Linux Studio
spamatica writes "In these times when multimedia on Linux seems to be on a roll, it's my pleasure to break the news that one of the most powerful midi/audio sequencers on Linux, MusE, has just had a new release. This release is a major milestone featuring things such as Jack-transport and win32/VST-Instrument support. Moreover it has been much improved concerning usability, stability and functionality. The Linux-based studio is looming ever closer -- in fact, it's here!"
This is where Apple has traditionally worked, and it's been a strong position for them.
While the market isn't big, it is fiercely loyal and worth money to them. Now that Linux based solutions can compete and strip away that advantage, Linux too will embed itself more concretely in the mindset of Yet Another Subculture.
Heh. Why would you now spend $50k on a mac recording studio when you can get a Linux based one for the cost of cheap 2nd hand hardware?. Revolutions baby...
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I can't try it out because my pII-233 is a bit weak...
> What's this Atari ST nonsense?
So you know little about audio software, right? Cubase on the ST was more stable and usable 12 or more years ago than the same software under Windows. I gave up trying to get accurate, fast hihats on my PC, instead using Cakewalk (which is inferior to Cubase in practically every other way). Cubase on the ST is rock solid, with out-of-the-box midi support, and many studios still use it. You're suggesting people upgrade from STs just because they're old? Why? That's just not how things work once you get out of the PC industry. People upgrade because there's a point to it, or because they have to, not just because they can.
The Atari ST has very low MIDI latency. Also, the OS is on firmare, so you don't have to boot off floppy.
How does Muse compare to Rosegarden?
When his defense asked, "Which computer has Jon Johansen trespassed upon?" the answer was: "His own."
I dont know who you were addressing that initial question to, but I do agree that VST support is (almost) essential to anyone wanting to do pro audio.
There are a couple of really decent attempts at using vst plugins under wine. Check this excellent tutorial from Dave Phillips
I have got all my favourite VSTi and VST plugins going a treat thanks to this.
Now quit whinging.
Agreed. And anyone that says that audio on Linux is a joke needs to have their head checked. Not only is the latency lower than Windows, but the ALSA/Jack subsystem is becoming more functional than DirectX in many respects.
If people would stop buying crappy integrated chips, they'd realize that Linux audio is certainly not a joke. It may not be perfect yet, but in a few years it will be THE system for audio. The framework is already there. We simply need more support from hardware manufacturers.
No it's not. Allright, not every soundcard is fully covered. And yes, that's mostly the manufacturers fault for not revealing the specifications and refusing to implement a driver themselves.
But on the other hand, unlike windows, linux has a lot more configuration options. Some year ago, i usually argued that my live! soundblaster just sounded _better_ in windows. Until i discoverd i could costomize the build-in 5-band equalizer in linux (i didn't even know it was there because windows didn't mention it). Hell, you can even root the mixer inputs to the card's output yourself if you want to (which is very neat if you want to fully exploit /dev/dsp2 capabilities).
Yes, it's not allways as user friendly. But i rather have the ability to costomize than none at all. Normal users aren't going to bother anyway.
- Never underestimate the power of human stupidity.
Good MIDI support, sequencers and virtual synths are all great stuff, but there is one hugely crucial element to "the linux studio" that's missing, and that's support for professional sound cards.
It's always been a bit of a trick to get sound working on Linux, but it's always getting easier too and most desktop oriented distros (i.e. Mandrake, Redhat, Suse) make it no problem in most cases, but there is really zero support for most of the established professional audio interfaces (i.e. Motu, Audigy, etc.). I've had a few friends adventurous to consider playing around with Linux audio programs, but when they ask if their $200 (and up) interfaces don't work and the best I can do is point them to the O'Reilly book on writing Linux drivers, it's (understandably) a real turn-off.
In summary: If anybody out there has the time and knowledge and is looking for a project, this is a great one. Work on writing drivers for the upper-crust interfaces. I'm sure there are even a few nerds out there willing to lend you their cards so that they can get a driver for it.
It works through the wonders of the beautiful projects Wine and libfst. So, basically all your favourite plugs are compatible.
Though this technology is still quite young, your milage will vary (it works better than expected though). Eventually all plugs will work!
I've used the cakewalk line of programs for years now and it's one of the few reasons I still run windows on one of my boxes....are there any replacements?
I have a dedicated box for it, so its highly unlikely Id ever switch unless it was as polished as CW.
Just wanted to make a post in case others might be interested.
:)
Well, in that case: my newest toy, a Korg Triton Extreme works too. It has a built in USB-MIDI interface and you can access the compact flash slot as usb-storage (the EX must be in usb-storage mode). I had to patch usbquirks.h in alsa to get it to work, but the changes have been added to CVS.
FWIW, I also have a Radium 61 key and a Midisport (this device is sold under many names) working just fine in Linux.
So, yeah, Linux audio isn't that pathetic. Granted, I'm no pro, but I can make sounds. I love using the Radium to control AmSynth. Sweeper madness.
I'm just using a Soundblaster Live for audio at this point. Sometime in the near future I'll get a M-audio 2496, but I need to pay some of this other crap off first.
--J(K) DOS is like Unix in exactly the same way that a pinto is like an aircraft carrier.
From a musician/producer's perspective, I have to say I will never, ever switch to Linux for my DAW work as long as I see things like this: "None of these VST solutions is currently at all easy to configure and build..." (+5 post a little up the page). I find it very hard to find time to write music these days, what with the hated full-time job and the large amount of time I spend organising not-directly-musical things like online sales of my band's album. There's no way I'm going to eat into that using anything requiring conf file editing, compilation, finding obscure libraries and dependencies, or whatever.
If it's not easier and more solid than my current setup, I won't switch. Realistically, if it cant run 90% of my current preferred tools smoothly, I won't switch either ("as good as" doesn't really cut it in this game). I suspect most others would say the same.
Nevertheless I follow Linux audio with interest. I can't wait to jump the Windows ship because the DRM-enabled future Microsoft envisages is somewhere I never, ever want to tread. My only real hope is that Linux becomes a 100% realistic proposition for me before my current XP box needs replacing, because Longhorn looks like something I wouldn't touch with someone else's ;)